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Preservation of Traditional Art: The Case of the ... - Wacana Seni

Preservation of Traditional Art: The Case of the ... - Wacana Seni

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20<strong>Wacana</strong> <strong>Seni</strong> Journal <strong>of</strong> <strong>Art</strong>s Discourse. Jil./Vol.7.2008Such transformations have enabled a wide variety <strong>of</strong> people to participate in nooraa. Schoolchildren are now able to learn about <strong>the</strong> local culture through <strong>the</strong>ir own physical experiences,disregarding <strong>the</strong> spiritual aspects <strong>of</strong> <strong>the</strong> performance. <strong>The</strong> amateur group, which is organisedby <strong>the</strong> general public, has started to create a new way <strong>of</strong> getting involved in <strong>the</strong> world <strong>of</strong> nooraathrough physical practices and <strong>the</strong> cultivation <strong>of</strong> a relationship with <strong>the</strong> cultural authorities.With <strong>the</strong> emergence <strong>of</strong> <strong>the</strong>se new performers, pr<strong>of</strong>essional artists are being compelled toreassess what <strong>the</strong>y do. When nooraa changes into a performance accessible to anyone, <strong>the</strong>issue arises <strong>of</strong> how au<strong>the</strong>nticity will be redefined. This will inspire every nooraa performer togenerate new interpretations <strong>of</strong> spiritual rites and new types <strong>of</strong> creations.Notes1. <strong>The</strong> Malaysian version is called menora, which is known as a form <strong>of</strong> folk dance <strong>the</strong>atre, found in<strong>the</strong> nor<strong>the</strong>rn Peninsular Malaysia states <strong>of</strong> Kedah, Penang and Kelantan (Matusky and Tan 2004:100). <strong>The</strong> two types <strong>of</strong> performances — nooraa and menorah — have similarities in <strong>the</strong> stories,costumes, musical instruments and dance postures. However, <strong>the</strong>y are different in terms <strong>of</strong> <strong>the</strong>languages used by <strong>the</strong> clown characters who appear in both forms. A comparative study <strong>of</strong> <strong>the</strong>se twoperformance types will be <strong>of</strong> great value, but in this paper, I will focus on <strong>the</strong> Sou<strong>the</strong>rn Thai version<strong>of</strong> nooraa.2. Although troupes once travelled from town to town throughout <strong>the</strong> south and <strong>of</strong>ten stayed inmonasteries, today most troupes have a home base and only travel short distances to perform(Guelden 2005: 186).3. It is very hard to distinguish pr<strong>of</strong>essionals and amateurs. Simply put, we understand that pr<strong>of</strong>essionalperformers are people who can make money through <strong>the</strong>ir expertise and <strong>the</strong> latter are those whocannot. However, this definition is not always effective as you can easily imagine. In this case,I would like to briefly define <strong>the</strong> two words: a pr<strong>of</strong>essional is <strong>the</strong> person who belongs to <strong>the</strong>

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