Reclaiming The Healing Arts of The Ancient ... - Wacana Seni

90Wacana Seni Journal of Arts Discourse. Jil./Vol.11. 2012compel us NOT to tolerate, NOT to look away, NOT to turn our backs, and most importantly,NOT to forget. And thus, we persist, quietly, ceaselessly.NOTES1. The most recent leg of this decade-long research was in 2004–2005, when I conducted fieldwork inJapan and Malaysia for the first time and revisited Indonesia and Thailand, in connection with myAPI (Asian Public Intellectuals) fellowship, funded by Nippon Foundation.REFERENCESBuckley, S. 1997. Broken silence: Voices of Japanese feminisms. Berkeley, CA: University of CaliforniaPress.Butler, J. 1990. Gender trouble: Feminism and the subversion of identity. New York: Routledge.Datuin, F. M. 2004. From a long line of babaylans (You've come a long way baby). Curator's notes forthe exhibition balaybay@kasibulan.net, Cultural Center of the Philippines, Kasibulan, Philippines.June to July, 2004.________. 2002. Home body memory: Filipina artists in the visual arts, 19th century to the present.Quezon City: University of the Philippines Press.________. 1999. Women imaging women: Home, body, memory. Eds. F. M. V. Datuin and P. Flores.Proceedings of the Women Imaging Women: Home Body Memory, Cultural Center of thePhilippines. 11–14 March 1999. Manila: Art Studies Foundation and Ford Foundation.