HUM 205 Week 7 Renaissance Quiz/UopHelp
For more course tutorials visit www.uophelp.com Donato Bramante’s plans for St. Peter’s Basilica were based on a A. Greek-cross plan without a central dome. B. Latin-cross plan with a central dome. C. Greek-cross plan with a central dome. D. Latin-cross plan without a central dome. 2) Motets were A. one-movement compositions setting a sacred text to polyphonic choral music, usually with no musical instruments. B. two-movement instrumental compositions dedicated to the Pope. C. two-movement instrumental compositions dedicated to the Holy Roman Emperor. D. one-movement compositions setting a sacred text to monophonic choral music, usually with musical instruments. 3) Which of the following techniques did Leonardo da Vinci develop in his paintings? A. Atmospheric perspective—using slight variations in color to create the illusion of three dimensional space B. Fresco—ground pigment mixed with water and applied to wet lime plaster C. Sfumato—the intentional suppression of the outline of a figure in a hazy atmosphere D. Atmospheric perspective—using slight variations in color to create the illusion of three dimensional space
For more course tutorials visit
www.uophelp.com
Donato Bramante’s plans for St. Peter’s Basilica were based on a
A. Greek-cross plan without a central dome.
B. Latin-cross plan with a central dome.
C. Greek-cross plan with a central dome.
D. Latin-cross plan without a central dome.
2) Motets were
A. one-movement compositions setting a sacred text to polyphonic choral music, usually with no
musical instruments.
B. two-movement instrumental compositions dedicated to the Pope.
C. two-movement instrumental compositions dedicated to the Holy Roman Emperor.
D. one-movement compositions setting a sacred text to monophonic choral music, usually with
musical instruments.
3) Which of the following techniques did Leonardo da Vinci develop in his paintings?
A. Atmospheric perspective—using slight variations in color to create the illusion of three
dimensional space
B. Fresco—ground pigment mixed with water and applied to wet lime plaster
C. Sfumato—the intentional suppression of the outline of a figure in a hazy atmosphere
D. Atmospheric perspective—using slight variations in color to create the illusion of three
dimensional space
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<strong>HUM</strong> <strong>205</strong> <strong>Week</strong> 7 <strong>Renaissance</strong> <strong>Quiz</strong>Click Here to Buy the Tutorialhttp://www.uophelp.com/<strong>HUM</strong>-<strong>205</strong>/product-15516-<strong>HUM</strong>-<strong>205</strong>-<strong>Week</strong>-7-<strong>Renaissance</strong>-<strong>Quiz</strong>For more course tutorials visitwww.uophelp.comDonato Bramante’s plans for St. Peter’s Basilica were based on aA. Greek-cross plan without a central dome.B. Latin-cross plan with a central dome.C. Greek-cross plan with a central dome.D. Latin-cross plan without a central dome.2) Motets wereA. one-movement compositions setting a sacred text to polyphonic choral music, usually withnomusical instruments.B. two-movement instrumental compositions dedicated to the Pope.C. two-movement instrumental compositions dedicated to the Holy Roman Emperor.D. one-movement compositions setting a sacred text to monophonic choral music, usually withmusical instruments.3) Which of the following techniques did Leonardo da Vinci develop in his paintings?A. Atmospheric perspective—using slight variations in color to create the illusion of threedimensional spaceB. Fresco—ground pigment mixed with water and applied to wet lime plasterC. Sfumato—the intentional suppression of the outline of a figure in a hazy atmosphereD. Atmospheric perspective—using slight variations in color to create the illusion of threedimensional space
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