Unit 4 Visual Art 1. elements of art: line, shape, value ... - Animo Art
Unit 4 Visual Art 1. elements of art: line, shape, value ... - Animo Art
Unit 4 Visual Art 1. elements of art: line, shape, value ... - Animo Art
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<strong>Unit</strong> 4<strong>Visual</strong> <strong>Art</strong><strong>1.</strong> <strong>elements</strong> <strong>of</strong> <strong>art</strong>: <strong>line</strong>, <strong>shape</strong>, <strong>value</strong>, form, space, color, texture2. principles <strong>of</strong> <strong>art</strong>: balance, contrast, rhythm, movement3. credit <strong>line</strong>: <strong>art</strong>ist, title, medium, date4. <strong>line</strong>ar perspective: a method to show space <strong>of</strong> buildings where the depth <strong>line</strong>s recede5. PNG: In Fireworks, the file format that uses layers.6. GIF: Color amount up to 2567. Resolution: the quality <strong>of</strong> the image OR size <strong>of</strong> a computer screen.8. Texture: the element <strong>of</strong> <strong>art</strong> that is about the surface quality <strong>of</strong> an area9. Collage: a work <strong>of</strong> <strong>art</strong> that uses images and other materials glued down to a surface10. bitmaps: an image on a computer made <strong>of</strong> pixels. Not resolution independent.1<strong>1.</strong> vectors: a <strong>shape</strong> made from a path tool that is resolution independent.12. Layers: Separate p<strong>art</strong>s in both Fireworks and Flash. Necessary to isolate these p<strong>art</strong>s forfilters or animation.13. Filters: an effect added to an image that changes it in some way14. Virtual: the environment where digital imagery is created15. Composition: the arrangement <strong>of</strong> <strong>elements</strong> on a picture plane (i.e. canvas, paper, computerscreen)16. Animation: the illusion <strong>of</strong> motion created by a sequence <strong>of</strong> drawn images17. Keyframes: in Flash, the beginning and ending <strong>of</strong> motion. Represented by black dots on theFlash time<strong>line</strong>.18. onion skinning: the ability to see earlier versions <strong>of</strong> a drawing so that future drawings <strong>line</strong> up19. fps: frames per second. In Flash on<strong>line</strong> animation, animators work with 12 frames persecond. For TV and film, usually 24 frames per second.
20. frame by frame: animation drawn on each frame. On “two’s”, animation is drawn on everysecond frame.2<strong>1.</strong> motion tweening: animation created by the computer between 2 key frames.22. Appropriation: the use <strong>of</strong> another <strong>art</strong>ist’s work as p<strong>art</strong> <strong>of</strong> your own.23. Copyright: the legal right <strong>of</strong> ownership <strong>of</strong> an image, work <strong>of</strong> <strong>art</strong> or other created work.24. fair use: the ability to use another’s work for educational purposes or as a critique <strong>of</strong> thatwork25. mash-up: mixing a variety <strong>of</strong> digital media. Another term for collage.26. public domain: imagery that no longer has a copyright27. remix culture: a culture that allows derivative work (work that uses other <strong>art</strong>works as sources)28. Max Fliescher: a pioneer in the development <strong>of</strong> animated c<strong>art</strong>oons. He is the inventor <strong>of</strong>Betty Boop, Koko the Clown, and Popeye among other characters.29. Winsor McCay: a pioneer in the early development <strong>of</strong> animated c<strong>art</strong>oons. He is the creator <strong>of</strong>Gertie the Dinosaur and Little Nemo among others.30. Kurt Schwitters: 20 th century German <strong>art</strong>ist that created abstract collages.3<strong>1.</strong> Romare Bearden: 20 th century African American <strong>art</strong>ist that is known for his collages andcollage like paintings.
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