Powers of Horror; An Essay on Abjection
Powers of Horror; An Essay on Abjection
Powers of Horror; An Essay on Abjection
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APPROACHING ABJECTION 15 )<br />
nifiers to turn back toward the "same," thus clouding the waters<br />
<str<strong>on</strong>g>of</str<strong>on</strong>g> Narcissus. It is precisely at the moment <str<strong>on</strong>g>of</str<strong>on</strong>g> narcissistic per-<br />
turbati<strong>on</strong> (all things c<strong>on</strong>sidered, the permanent state <str<strong>on</strong>g>of</str<strong>on</strong>g> the<br />
speaking being, if he would <strong>on</strong>ly hear himself speak) that sec-<br />
<strong>on</strong>dary repressi<strong>on</strong>, with its reserve <str<strong>on</strong>g>of</str<strong>on</strong>g> symbolic means, attempts<br />
to transfer to its own account, which has thus been overdrawn,<br />
the resources <str<strong>on</strong>g>of</str<strong>on</strong>g> primal repressi<strong>on</strong>. The archaic ec<strong>on</strong>omy is<br />
brought into full light <str<strong>on</strong>g>of</str<strong>on</strong>g> day, signified, verbalized. Its strategies<br />
(rejecting, separating, repeating/abjecting) hence find a sym-<br />
bolic existence, and the very logic <str<strong>on</strong>g>of</str<strong>on</strong>g> the symbolic—arguments,<br />
dem<strong>on</strong>strati<strong>on</strong>s, pro<str<strong>on</strong>g>of</str<strong>on</strong>g>s, etc.—must c<strong>on</strong>form to it. It is then<br />
that the object ceases to be circumscribed, reas<strong>on</strong>ed with, thrust<br />
aside: it appears as abject.<br />
Two seemingly c<strong>on</strong>tradictory causes bring about the narcis-<br />
sistic crisis that provides, al<strong>on</strong>g with its truth, a view <str<strong>on</strong>g>of</str<strong>on</strong>g> the<br />
abject. Too much strictness <strong>on</strong> the part <str<strong>on</strong>g>of</str<strong>on</strong>g> the Other, c<strong>on</strong>fused with<br />
the One and the Law. The lapse <str<strong>on</strong>g>of</str<strong>on</strong>g> the Other, which shows<br />
through the breakdown <str<strong>on</strong>g>of</str<strong>on</strong>g> objects <str<strong>on</strong>g>of</str<strong>on</strong>g> desire. In both instances,<br />
the abject appears in order to uphold "I" within the Other. The<br />
abject is the violence <str<strong>on</strong>g>of</str<strong>on</strong>g> mourning for an "object" that has<br />
always already been lost. The abject shatters the wall <str<strong>on</strong>g>of</str<strong>on</strong>g> repres-<br />
si<strong>on</strong> and its judgments. It takes the ego back to its source <strong>on</strong><br />
the abominable limits from which, in order to be, the ego has<br />
broken away—it assigns it a source in the n<strong>on</strong>-ego, drive, and<br />
death. Abjecti<strong>on</strong> is a resurrecti<strong>on</strong> that has g<strong>on</strong>e through death<br />
(<str<strong>on</strong>g>of</str<strong>on</strong>g> the ego). It is an alchemy that transforms death drive into<br />
a start <str<strong>on</strong>g>of</str<strong>on</strong>g> life, <str<strong>on</strong>g>of</str<strong>on</strong>g> new signifiance.<br />
PERVERSE OR ARTISTIC<br />
The abject is related to perversi<strong>on</strong>^ The sense <str<strong>on</strong>g>of</str<strong>on</strong>g> abjecti<strong>on</strong> that<br />
I experience is anchored in the superego. The abject is perverse<br />
because it neither gives up nor assumes a prohibiti<strong>on</strong>, a rule,<br />
or a law; but turns them aside, misleads, corrupts; uses them,<br />
takes advantage <str<strong>on</strong>g>of</str<strong>on</strong>g> them, the better to deny them. It kills in the<br />
name <str<strong>on</strong>g>of</str<strong>on</strong>g> life—a progressive despot; it lives at the behest <str<strong>on</strong>g>of</str<strong>on</strong>g><br />
death—an operator in genetic experimentati<strong>on</strong>s; it curbs the<br />
other's suffering for its own pr<str<strong>on</strong>g>of</str<strong>on</strong>g>it—a cynic (and a psychoan-