Catalogue 2010 fall - Dewi Lewis Publishing

dewi lewis publishing
catalogue 2011

Cover photograph © Elin Høyland, from The Brothers
£30.00 / $48.00
Hardback, 72 pages
32 colour photographs
375mm x 280mm
ISBN: 978-1-907893-10-0
A NEW KIND OF BEAUTY
Phillip Toledano
This is a book of portraits of people who have re-created themselves
through plastic surgery.
Phillip Toledano believes that we are at the vanguard of a period of
human-induced evolution. A turning point in history where we are
beginning to define not only our own concept of beauty, but of
physicality itself.
Beauty has always been a currency, and now that we finally have
the technological means to mint our own, what choices do we
make?
Is beauty informed by contemporary culture? By history? Or is it
defined by the surgeon’s hand?
When we re-make ourselves, are we revealing our true character,
or are we stripping away our very identity?
Phillip Toledano was born in 1968, in London, to a French Moroccan
mother and an American father. His work is primarily sociopolitical,
and varies in medium, from photography to installation.
His installation project, ‘America, the gift shop’, was shown at the
Center for Photography at Woodstock. The premise: If George
Bush’s foreign policy had a souvenir shop, what would it sell?
Toledano has published three previous books: Bankrupt – Photographs
of recently vacated offices, (Twin Palms, 2005), Phonesex
(Twin Palms, 2008), and Days With My Father (Chronicle, 2010).
His work has appeared in Vanity Fair, The New York Times
Magazine, The New Yorker, Harpers, Esquire, GQ, Wallpaper,
The Times, The Independent, Le Monde, and Interview magazine,
amongst others.

£35.00 / $55.00
Cloth-bound hardback
168 pages,153 duotones
206mm x 305mm
ISBN: 978-1-907893-00-1
Not available in France, Italy, Spain.
HALF LIFE
Michael Ackerman
introduced by Denis Kambouchner
According to Denis Kambouchner’s introduction, Michael
Ackerman’s latest book Half Life is a haunted book. It is certainly
disturbing; in Michael Ackerman’s world, something is always
disintegrating. A feeling of isolation pervades; a space weighed
down by history overwhelms everything.
The landscapes are harsh and unwelcoming, combining frozen
expanses, blackened houses, abandoned cemeteries and vestiges
of the mining industry. But it is the anguish of individuals that stirs
us most deeply – their expressions of distress and confusion, their
unfinished gestures, the sense of damage. These are people who
appear to live in the ruins of a drama. It is as if their whole bodies
were given over to a scream. What all these people, these bodies
and these images, have in common is the pure situation, that
something is wrong – out of joint.
Everything in the book is in the form of a response. Ackerman
carefully constructs a whole system of recalls and echoes, reinforcing
a primordial desolation, set against the backdrop of an entirely
fragmented and disordered world. It is an extraordinary and unsettling
vision.
Born in Tel Aviv, Michael Ackerman moved to New York in 1984.
After studying he began to photograph in the city’s streets, nightclubs
and on its waterfronts. Between 1993 and 1997 he made
several trips to Benares, India. The photographs were published as
End Time City by Robert Delpire, the legendary Paris based publisher.
A member of Agence/Gallerie Vu, Ackerman has exhibited
internationally and has won several international awards including
the Prix Nadar, the SCAM Roger Pic Prize and the International
Centre of Photography Infinity Award. His work is in many major
collections and in 2010 it was included in Traverse, the book and
exhibition of the collection of Marin Karmitz which was shown at
Rencontres d’Arles.
£30.00 / $48.00
Hardback, 144 pages
77 colour photographs
240mm x 290mm
ISBN: 978-1-907893-04-9
Not available in France, Spain, Greece, Italy or Germany.
Winner of The European Publishers Award For Photography 2010
IN THE FACE OF SILENCE
Christophe Agou
story by John Berger
In the Face of Silence is a powerful and moving portrait of the hard
lives of French farmers living and working in the Forez region of
France. Born and brought up in the area, Christophe Agou travelled
to the less-known parts of the region, where he felt inspired by the
silence and moved by the people he encountered. Over time, and
through the gradual process of building trust and friendship, the
farmers and their families accepted him and allowed him to both
photograph and film their daily existence. The challenge was to go
beyond just documenting their labour-intensive lives and present
a deeper, more intimate portrait.
Christophe Agou is noted for his personal documentary-style. His
intimate images both haunt and intrigue – and create an intensely
rich, layered, visual language.
Agou came to prominence with his compelling body of work made
in the New York subway, published as Life Below in 2004. He was a
finalist for the prestigious Eugene Smith Award (2006), for Le Prix
de la Photographie de l’Académie des Beaux-Arts de Paris (2008)
and received a ‘Mention Spéciale’ for le Prix Kodak de la Critique
Photographique (2009). His photographs have been widely published
and exhibited including shows at MOMA, New York; Jeu
de Paume, Paris; Museum of Fine Arts, Houston; Les Rencontres
d’Arles, France; and Noorderlicht Fotofestival, The Netherlands.
John Berger, art critic, novelist, painter and author was the 1972
winner of the Booker Prize with his novel G. His book on art criticism
Ways of Seeing is recognised as one of the seminal texts on
the subject.

£30.00
Cloth-bound hardback, 136 pages
50 colour photos
245mm x 305mm
ISBN: 978-1-907893-20-9
Not available in the USA
Also available by Shai Kremer:
Infected Landscape
ISBN: 978-1-904587-59-0
FALLEN EMPIRES
Shai Kremer
texts by Shai Kremer, Meron Benvenisti, Anne Wilkes
Tucker, Talya Sasson, Amiram Oren, Ariella Azoulay
Israel’s history can be understood through its vast archaeological
heritage. Its past exists not only in the written word but also in its
land, in the architecture and ruins, in the stones themselves. Each
civilization overwrites another, layer upon layer – a sophisticated
palimpsest.
A single frame can expose the sediment of thousands of years.
The recycling of spaces, from one empire to the next, shows how
each sought to conquer and rule the land, all with a similar outcome:
eventual failure. Kremer shows the vestiges of this complex
multicultural saga, testimonies unearthed from the past that show
a different perspective. It is landscape as a place of amnesia and
erasure, for Israel is a strategic site where the past has been
buried and history veiled by natural beauty.
Kremer’s Israel exists beyond the media headlines and tourist
hotspots: it is landscape as cultural force, an instrument in the
construction of national and social identity. For Kremer, it is a
provocation to critical debate about a country where different
perspectives existed, and continue to exist, and where new
possibilities can be reflected upon.
Born in 1974 and raised in Israel, Shai Kremer currently lives in
Tel Aviv and New York. He has exhibited widely internationally:
Tate Modern, London; Metropolitan Museum of Art, New York;
SF MoMA, San Francisco; Chicago Museum of Contemporary
Photography; Tel Aviv Museum of Art; The Israel Museum,
Jerusalem; the Red Cross Red Crescent Museum, Geneva;
Guangzhou Photo Biennale, China; Omotesando Gallery, Tokyo;
Vittoriano Art Museum, Rome; PHotoEspaña, Madrid.
His work is held by several major museum collections including
The Metropolitan Museum of Art, New York; SF MoMA, San
Francisco; the Museum of Fine Arts, Houston; the Israel Museum,
Jerusalem and the Tel Aviv Museum of Art.
£30.00 / $50.00
Cloth-bound hardback, 192 pages
70 colour photos, 60 illustrations of letters
310mm x 247mm
ISBN: 978-1-904587-96-5
Also available by Edmund Clark:
Still Life Killing Time
ISBN: 978-1-904587-53-8
GUANTANAMO: If the light goes out
Edmund Clark
texts by Julian Stallabrass and Omar Deghayes
‘When you are suspended by a rope you can recover, but every time I see a
rope I remember. If the light goes out unexpectedly in a room, I am back in
my cell.’ – Binyam Mohamed, Prisoner #1458
For over eight years the American naval base at Guantanamo Bay on Cuba
has been home to hundreds of men, all Muslim, all detained in the aftermath
of the 9/11 attacks on suspicion of varying degrees of complicity or
intent to carry out acts of terror against American interests. Labelled ‘the
worst of the worst’, most of these men were guilty of nothing more than
being in the wrong place at the wrong time. Many fell prey to a US military
policy of paying bounty money for anyone the Pakistani secret service, border
guards or village leaders on both sides of the blurred Afghan-Pakistan
border considered a possible or potential ‘suspect’, thereby becoming
currency in the newly defined ‘War on Terror’. Held in legal limbo for years
and repeatedly interrogated, almost all have been released without charge
and only a very few have been tried in the special military commissions
set up for the purpose.
Guantanamo: If the light goes out illustrates three experiences of home: at
Guantanamo naval base, home to the American community; in the camp
complex where the detainees have been held; and in the homes where
former detainees, never charged with any crime, find themselves trying
to rebuild lives. These notions of home are brought together in an
unsettling narrative, which evokes the process of disorientation central to
the Guantanamo interrogation and incarceration techniques. It also explores
the legacy of disturbance such experiences have left in the minds
and memories of these men.
Edmund Clark is known for his powerful, thoughtful and beautiful images
exploring control and incarceration. His work is in several collections
including The National Portrait Gallery, London, and the Museum of Fine
Arts, Houston.
Awards include:
Terry O’Neill / IPG Award for Contemporary British Photography (2008) for
his book Still Life Killing Time.
British Journal of Photography International Photography Award (2009).
First Prize for Editorial Photography at the International Photography
Awards/The Lucies (2010).
Shortlisted for the International Photographer of the Year 2010.

£30.00 / $48.00
Hardback, 192 pages
150 colour photographs
220mm x 305mm
ISBN: 978-1-907893-06-3
Published to coincide with major exhibition at The Nobel Peace Centre,
Oslo, from May to November 2011. Exhibition then tours internationally.
TRANSIT
Espen Rasmussen
How do you survive at subsistence level?
How does it feel to leave the safety of home and not be able to return?
What is life like for a child who is forced to flee from his home?
What is it like to live in constant fear for your life and of losing
those close to you?
For seven years, photographer Espen Rasmussen has travelled
the world to document refugees and displaced people. TRANSIT
tells the stories of some of the 43.2 million people on the run in
the world today. From the makeshift camps in DR Congo to the
slums of Colombia, the book presents stories of everyday life and
the challenges displaced people and refugees meet every day,
no matter in which country or on which continent they find
themselves.
Espen Rasmussen is picture editor at Norway’s largest newspaper
VG. He constantly works on documentary projects, and has focussed
particularly on social issues and climate change. For the
last seven years he has worked on the long term project TRANSIT.
Rasmussen has worked with NGOs, such as Médecins Sans Frontières,
the Norwegian Refugee Council and the UNHCR, as well as
on stories for VG. He has won many awards for his work, including
two at World Press Photo, seven at Pictures of the Year International
and twenty six in the Norwegian Picture of the Year. In 2008,
Photo District News (USA) named him one of the most promising
young photographers in the world. His work has been exhibited
widely, both in Norway and internationally.
above & below: DR Congo
£30.00 / $48.00
Hardback, 112 pages
110 colour photographs and illustrations
310mm x 247mm
ISBN: 978-1-907893-05-6
April 2011 is the 50th anniversary of man’s first flight into space.
DIRECTION-SPACE!
Maria Gruzdeva
essay by Matthew Shaul
Fifty years ago, on April 12th 1961, Yuri Gagarin became the first man in
space. His orbit of the Earth made him a celebrity worldwide. His name is
still synonymous with the Space Race and with Russian space exploration.
Half a century after the legendary flight, Direction–Space! looks at two of
the sites that were key to the Soviet Space programme: Star City and
Baikonur.
Cosmonauts have lived and trained in Star City since the 1960s. In the
Soviet era, it was a top secret location. Now also known as The Yuri
Gagarin Russian State Science Research Cosmonauts Training Centre it is
still a military research centre and consists of a training facility and a residential
area for the cosmonauts and their families as well as the military
and civilian personnel serving the facility.
Baikonur, situated in Kazakhstan, was the world’s first space launch facility
and it is still the largest. Nowadays, the site is leased from Kazakhstan and
administered by Russia.
Direction–Space! is a fascinating study of Star City and Baikonur. Incorporating
unique archive materials, it explores the reality of the space
community at first hand, investigating the physical and psychological
space as well the routine and lives of its residents. It offers a new insight
into a subject central to the Cold War history of the Soviet Union, and
raises questions over attitudes and perceptions that have been formed
over past decades.
Russian-born photographer Maria Gruzdeva is now based in London.
She is able to offer a unique perspective on her country of origin, its post-
Soviet history and aesthetics. She held her first major solo exhibition in
Moscow in 2010 and has shown her work in several group exhibitions as
well as at art fairs such as VOLTA6 in Basel and Art Moscow.

£30.00 / $48.00
Quarterbound hardback, 96 pages
45 duotone photographs
310mm x 230mm
ISBN: 978-1-907893-08-7
THE BROTHERS
Elin Høyland
introduction Gerry Badger
When Elin Høyland heard about two elderly brothers, Harald and Mathias
Ramen, living together in Tessanden, a small hamlet in rural Norway, she
approached them to see if they would collaborate with her on a photographic
project about their lives. The result is a fascinating and warmly
human study of a way of life that has now almost entirely disappeared.
Harald (75) and Mathias (80) had always lived on the smallholding in
which they were born. Neither had married. Mathias once worked in Oslo
for two months, but hadn’t like it, whilst Harald spent one night, ‘the worst
of his life,’ he would say, in a hotel in Lillehammer, some three hours away.
They’d worked for an electricity company, as loggers and also as carpenters,
but now much of their time was taken up just managing firewood for
their home. As Harald said, they chopped wood, carried wood and burned
wood. At least twice a day, they also fed wild birds in the twenty bird
boxes that they monitored. Their days followed a predictable and comforting
routine. In their free time they listened to the radio or read the local
paper. In the 1960s they rented a TV for a one month trial but returned it
after deciding that it took up too much time. Little changed from year to
year, though Mathias once said that changes were happening the whole
time and it would probably end up with them getting an inside toilet with
running water. Harald died from an asthma attack while shovelling snow in
conditions of –20ºc. Mathias continued to live alone in the house until he
moved into an old people’s home. He died in 2007.
Norwegian photographer, Elin Høyland has freelanced for several major
newspapers including The Guardian. She is currently photographer with
the Norwegian Business Daily and her work has been exhibited in both
Scandinavia and the UK.
Gerry Badger is recognised world-wide as one of the leading writers on
photography. Amongst his many projects he wrote the TV series The
Genius of Photography and was co-author with Martin Parr of the two
volume The Photobook: A History.
£30.00 / $48.00
Clothbound hardback, 84 pages
39 colour photographs
240mm x 300mm
ISBN: 978-1-907893-07-0
Not available in France
Under Gods is a project developed during Liz Hingley’s residency
at Fabrica, Benetton’s research centre on communication.
UNDER GODS
stories from the Soho Road
Liz Hingley
texts by Elizabeth Edwards & Christopher Pinney
Liz Hingley, the daughter of two Anglican priests, grew up in Birmingham,
one of the UK’s most culturally diverse cities, where over
90 different nationalities now live. It is hardly surprising therefore
that she developed an interest in multi-faith communities and
began to explore the complex issues involved, ranging from immigration,
through to secularism and religious revival.
Between 2007-2009, Hingley focused on the three-mile stretch of
Soho Road in Birmingham, one of the most varied and fascinating
corners of the country. It is a junction of diverse faith, where Muslim,
Hindu, Buddhist and Jain, Rastafarian, Christian and Sikh
meet. “Faith is exhibited in all the shops, shown off as symbols on
hats and t-shirts, branded in tattoos,” says Hingley. “It is religion
rather than race that now defines the local communities.”
With more than twenty different religions represented in a single
road, various buildings are used for religious purposes from
churches in a school gym hall, to makeshift baptism tents in the
local park. And with so many communities co-existing in such
close proximity, the boundaries between faiths can, as Hingley has
observed, become exaggerated. “It was as if these religions were
challenging each other,” Hingley said “challenging each other to
show themselves off the most.”
Under Gods is a powerful celebration of the rich diversity of these
religions and of the reality and intensity of their different lifestyles.
London based, Liz Hingley has won numerous awards including
the Canon AFJ and Figaro Magazine Award 2010, and the Taylor
Wessing National Portrait Award, 2009. Her work was highly
commended in the 2010 and 2007 Ian Parry Award and she was
a finalist for the Eugene Smith Grant 2010. She has exhibited in
solo and group shows in the UK, France, Budapest and New York.

£35.00 / $55.00
Hardback, 108 pages
65 colour photos
265mm x 335mm
ISBN: 978-1-907893-02-5
£30.00 / $45.00
Hardback, clothbound
88 pages, 60 colour photographs
270mm x 335mm
ISBN: 978-1-904587-81-1
THIS IS NOT A HOUSE
Edgar Martins
texts by Sacha Craddock & Peter D.Osborne
The subprime mortgage crisis, which had its roots in the closing years of
the 20th century, became apparent in 2007. The crisis exposed pervasive
weaknesses, as well as deep-rooted inequalities, within financial industry
regulation and the global financial system.
In the winter of 2008, Edgar Martins produced a series of photographs
related to the collapse of the US housing market. He photographed abandoned
homes, golf courses, ski resorts, hotels and other building projects
in sixteen locations across six separate American states. His interest lay in
catalysing and reuniting fresh experiences of a new form of architecture by
summoning a disquieting conjunction of realism and fiction. And fiction, as
the writer Jacques Ranciére states is elementary to understanding the real.
This Is Not A House formed part of an assignment for the New York Times
Magazine. The work became the focus of a heated debate due to Martins’
decision to employ digital processes on a select few images. The series
has been described as ‘arguably one of the most poignant pieces of work
produced by a photographic artist in recent years, not only because of the
relevance of it’s theme, but because of the way it propels us to re-evaluate
our understanding of photography and its fragile and difficult relationship
with the real’. It proposes new models for re-conceiving and conceptualising
a particularly contemporary phenomenon and landscape. It also
remains a poignant reminder of the financial ruin and bankruptcy that
struck the lives of many thousands of ordinary people.
WHEN LIGHT CASTS NO SHADOW
Edgar Martins
texts by Gerry Badger & Sacha Craddock
Edgar Martins was granted special airside access to some of the most
interesting airports in Europe. The airports he chose have had a key role
in history or the history of aviation. Almost all his images were produced
at night, using the aprons’ floodlights, moonlight or long exposures of
between ten minutes to two hours.
Some images are incredibly abstract, with a very long depth of field and
often with the use of minimal lighting. In others, sky and ground merge
in darkness with only the lights and airport hieroglyphics to orient us. Yet
even these are hard to decode, for whilst this is a landscape of signs that
can be read by the knowledgeable – pilots and air traffic controllers, for
instance – it remains perplexing to the uninitiated. This juxtaposition of
sign and shape is at the heart of these remarkable images.
Internationally recognised, Edgar Martins has exhibited widely and has
received many awards including the prestigious BES Photo Prize (Portugal),
a New York Photography Award (Fine Art Category), the Terry O’Neil
Award and a SONY World Photography Award.
£19.99
Hardback, 120 pages
110 colour & b/w photographs
220mm x 247mm
ISBN: 978-1-907893-03-2
London Street Photography is published in association with The
Museum of London to coincide with the major exhibition on
show at the Museum until September 2011.
LONDON STREET PHOTOGRAPHY
1860-2010
Street photography thrives in London today. It documents the
movement, diversity and seeming incoherence of the most multicultural
city in the world. Its defining characteristic is the keen eye
of the photographer catching the moment of a chance encounter,
a fleeting expression or a momentary juxtaposition in a decisive
click.
However, photographing life on London’s streets is nothing new.
The first ‘instantaneous’ London street scenes were taken in the
early 1860s, and by the 1890s candid street photographers were
snapping Londoners unawares. The 20th century saw many
photographers, famous and lesser-known, continue to capture
the daily life of London.
London Street Photography showcases the Museum of London’s
unique historic collection of photographs. It contains the work
of more than seventy photographers and is a fascinating view of
London street life of the last 150 years. It includes the work of
well-known photographers such as Paul Martin, John Thomson,
Humphrey Spender, Bert Hardy, László Moholy-Nagy, Roger
Mayne and Tony Ray-Jones as well as the work of many anonymous
photographers whose contribution has been just as important
in recording the story of the city.
The book includes an introduction by Mike Seaborne, Senior
Curator of Photographs at the Museum, in which he outlines the
history of street photography in the capital, exploring the shifts in
approach as well as the impact of new cameras that allowed photographers
to capture the wealth of detail to be found in London’s
teeming streets.
© Roger Mayne / courtesy Museum of London
© Nick Turpin / courtesy Museum of London

£25.00 / $40.00
Hardback, 96 pages
63 colour photographs
245mm x 297mm
ISBN: 978-1-904587-88-0
£19.99 / $30.00
Hardback, 112 pages
53 colour photographs
236mm x 165mm
ISBN: 978-1-904587-90-3
CHINA BETWEEN
Polly Braden
texts by David Campany & Jennifer Higgie
China Between is a photographic exploration of the modern city culture of
contemporary China. When the Peoples’ Republic set up its Special
Economic Zones in the 1980s communist China entered into global trade
and international capital. The goal was financial but new money also
brought new values and new ways of life. Polly Braden’s photography is an
intimate response to the material and psychological effects of the changes
experienced by the country’s new urban class. Shot over three years in
Shanghai, Xiamen, Shenzhen and Kunming, China Between is a revelatory
portrait. No longer will images of epic scenes dominate our view of this
country. Braden shows how a casual glance, a moment of doubt or a quick
trip to the shopping mall can tell us as much about modern China as any
image of a dam, a protest or a teeming workforce.
… anthropological documents and a personal travelogue; a series of intimate
portraits and, more generally, studies of a country undergoing a massive
transition from a predominantly agrarian to an urban culture.
Jennifer Higgie, editor of Frieze magazine
Polly Braden has exhibited at venues internationally including the Institute
of Contemporary Arts, London, and the Museum of Contemporary
Photography, Chicago. Her photography has appeared in The Guardian,
The Telegraph Magazine, Ei8ht, Portfolio, ICON, Photoworks, Frieze, The
Sydney Morning Herald and D Magazine (Italy).
The book is accompanied by texts by David Campany, Reader in Photography
at the University of Westminster, London, and by Jennifer Higgie,
editor of Frieze magazine.
HOME WORK
Domestic labour in the suburbs and villages in and
around Hanoi, Vietnam
Tessa Bunney
Home Work looks at Vietnam’s ‘craft’ villages. These specialise in a single
product or activity, anything from palm leaf hats to incense sticks, or from
noodle-making to snake-catching. Some date back hundreds of years,
whilst others are a more recent response to enable rural farmers to earn
much needed income.
Tessa Bunney spent two six month periods in Vietnam and visited many
of these villages. The traditional village house is typically single storey and
consists of three rooms. The large central room is a multi-purpose living,
sleeping and working area and it is in this room where many of Bunney’s
images are taken, the mix of work and everyday objects fascinating her
visually. Interspersed with images from daily life in the rice fields and
in the villages, these photographs depict ‘working from home’ in an
unromanticised sense, where their subjects, mostly women, balance
childcare with the routine work necessary for survival.
75% of Vietnam’s population live in rural areas but as the country moves
towards urbanisation, its agricultural labour force faces losing its land to
urban projects – and its way of life. The country’s growing population is
reducing the availability of farming land, and rural families, no longer
able to sustain themselves from the land, are turning to the creation of
various products. These ‘craft’ villages have become the meeting place
between rural and urban, agriculture and industry. During the last decade,
along with rapid national economic development, many craft villages
have increased production up to five fold through small-scale industrial
development. However, the consequence is increased waste and environmental
pollution with the resources of the landscape becoming overused.
£25.00 / $40.00
Hardback, 156 pages
93 duotone photographs
265mm x 240mm
ISBN: 978-1-907893-01-8
Published in association with MAG
Also available by Sean Sutton:
Angola: Journey Through Change
ISBN: 978-1-904587-43-9
£15.99 / $25.00
Softback, 184 pages
101 colour photographs
216mm x 162mm
ISBN: 978-1-904587-87-3
Published in association with the
International Committee of the Red Cross
LAOS: LEGACY OF A SECRET
Sean Sutton
Introduced by Tim Page.
Between 1964 and 1973, during the war with the United States, the North
Vietnamese used a network of supply lines, known as the Ho Chi Minh
Trail, running from North Vietnam through the jungles and mountains of
neighbouring Laos and Cambodia. In an effort to staunch the flow of
troops and weapons the U.S. dropped more than 2 million tons of bombs
on Laos. Kept secret from Congress and the American people, full details
of the scale of the bombing sorties only became declassified in the 1990s.
By the time the aerial campaign ended in 1973 more bombs had been
dropped on Laos, since renamed Lao People’s Democratic Republic
(LPDR), than the Allies dropped on Germany and Japan combined during
World War II. Many failed to explode, leaving the landscape littered with
hundreds of thousands, perhaps even millions, of unexploded bombs, as
lethal today as when they fell from the sky over three decades ago.
Dubbed ‘bombies’ by Laotian villagers, these often brightly coloured cluster
bomb submunitions are still found in the clefts of bamboo branches, by
children playing in shallow dirt, or in the fields where farmers till the soil
by striking the earth with a hoe. Since 1974 more than 20,000 people,
many of them children, have been killed or injured by bombs or other
unexploded ordnance. Today, the lives of about 300 Laotian people are
still devastated each year by the deadly remnants of this war.
For the past nine years photographer Sean Sutton has travelled with
MAG’s projects (Mines Advisory Group), from Kosovo to Sri Lanka and
Iraq, Lebanon and Sudan, documenting the humanitarian impact of armed
violence, landmines, unexploded ordnance and other deadly remnants of
conflict as well as the solutions that MAG provides.
MISSING LIVES
Nick Danziger
text by Rory MacLean
Missing Lives brings together fifteen, heartbreaking stories from the
Balkans – stories that tell of the immense tragedy that took place between
1991 and 2001 during the Yugoslav Wars when tens of thousands of Europeans
vanished. Desperate for news, families of the missing prayed for a
message, begged for the truth and often fell prey to blackmail. In almost
every case, those missing had been murdered. But without any word, witness
or body, the bereaved could not accept their loss. Their torment was
to last years – for many it still continues. Children waited for parents to return
from the grave. Mothers made up their dead son’s beds. Old men
couldn’t bury their descendants. The living also ‘lost’ their lives.
For the first time in war DNA has been used to match blood and bone, reuniting
families divided by death, enabling survivors to find closure and to
begin to live again. Since 1991 the International Committee of the Red
Cross in the Balkans has been asked by families to trace 34,384 missing
men and women. The remains of half of them – most of whom were murdered
over a decade ago – have now been found. Missing Lives gives a
voice to the unacknowledged suffering of these families, to all who went
missing ‘by force’, and reminds us that in war there is no greater loss than
the disappearance of those we love.
Nick Danziger has published several books including Danziger’s Britain
(1996), a social and political commentary on the state of Britain, described
by The Independent as ‘so important that every one of us should read it
and weep’. Rory MacLean’s six books, including UK best-sellers Stalin’s
Nose and Under the Dragon, have challenged and invigorated travel writing.
He has twice been shortlisted for the Thomas Cook Travel Book Prize
and nominated for the International Impac Dublin Literary Award.

£35.00 / $55.00
Hardback, clothbound, with gatefolds
108 pages, 94 colour & b/w photographs
300mm x 300mm
ISBN: 978-1-904587-80-4 – English language edition
ISBN: 978-1-904587-86-6 – Italian language edition
Not available in Germany
FASCISMO ABBANDONATO
Dan Dubowitz
texts by Patrick Duerden & Penny Lewis
During the period of Mussolini’s Fascist regime (1923–43) ‘colonia’
– holiday centres for children – were established on the northern
Italian coasts. Run by paramilitary youth organisations, they
brought together modernist architecture, fresh air and discipline
with the intention of converting the body and soul of Italian youth
to fascist principles.
The colonia were far removed from both the towns of Italy’s past
and from the traditional structures of family and community. They
offered a dramatic daily programme of activity with marching,
synchronised exercise and gymnastics, flag-raising, saluting and
swearing allegiance to the regime. It was a programme that in turn
inspired architectural features in the buildings – including towers,
ramps and elevated platforms – all designed to dramatise the parades
and presentations by the young people. Even in the context
of massive public works programmes, the building of the colonia
offered unprecedented opportunities for progressive architects.
They became a distinctive type of fascist building that evolved
under the directives of the youth organisations. Despite the
spectacle of the buildings, official policy declared luxuries as antieducational
and anti-social. Accordingly only the most basic of
accommodation was provided. Dormitories were intimidating,
open plan and stark; each might accommodate several hundred
children. Italian parents routinely admonished recalcitrant children
with the threat ‘ti mando in colonia!’ (Behave, or I'll send you to
the colonia!). For a generation of Italians the experience of fascism
was a formative one, from which some never recovered.
£35.00 / $55.00
Hardback, cloth bound
176 pages, 106 colour plates
295mm x 295mm
ISBN: 978-1-904587-83-5
WASTELANDS
Dan Dubowitz
The nature of any society and its future can be read in its entrails –
in what is left behind, what is discarded. Each creates, uses and
casts aside its wastelands in very different ways and it seems that
a proportion of every city is always wasteland. These neglected or
abandoned places are fragile and ephemeral, a transient aspect of
a changing, living city, yet development appears unable to clear
them away for good, only to move them on to a different site. This
book explores some of these wastelands that collectively form a
sustained and permanent feature of the modern city.
Sites featured include the following:
Beelitz, Germany – an entire settlement built for victims of TB.
Vockerode, Germany – a giant pre-war power station in the East
German industrial heartlands.
Cardross, Scotland – St Peter’s Seminary now widely recognised
as Scotland’s modernist masterpiece.
Orford Ness, England – a decommissioned nuclear research facility
and military complex.
Gorton, England – a monastery and church designed by AW Pugin;
the largest parish church of its time in the UK. In 1989 the Franciscan
monks held their last mass.
Ellis Island, USA – the hospital wing; during the Second World War
it was used as a prisoner of war camp.
San Gimignano, Italy – former convent and prison, now put to
various uses by the local community.
Santa Teresa, Cuba – colonial church and convent. Once a closed
wall community and now a dense microcosm of a city within the
larger city.
An architect by training, artist and photographer Dan Dubowitz is
also an established specialist public arts consultant and has
worked on projects both in the UK and abroad. His photography
has been exhibited in the UK, Italy, Canada and the United States.

£35.00 / $55.00
extensive interviews included
Hardback, 160 pages
65 colour & b&w photographs
280mm x 335mm
ISBN: 978-1-904587-97-2
AN ENGLISHMAN IN NEW YORK
Jason Bell
introduced by Zoë Heller, interviews by Guy Harrington
In 2008 Jason Bell undertook an assignment for American Vogue
at ‘Tea & Sympathy’, an English tea room in the heart of Manhattan.
In conversation with the owner, Nicky Perry, he was astonished
to discover that over 120,000 British men and women lived
in New York City. As an Englishman, himself living in New York,
Jason was inspired to investigate further. An Englishman in New
York is the result.
The book documents a wide cross-section of English people living
in the city. Their jobs are massively varied: taxi driver, cop, construction
worker, diver, helicopter pilot, chef, burlesque dancer,
drug dealer, UN ambassador and even dog walker. Jason was also
struck by the significant influence that many Brits exercise on
New York’s cultural agenda, which led him to include: writer, Zoë
Heller; director, Stephen Daldry; artists, Cecily Brown and Bill
Jacklin; Director of the Metropolitan Museum of Art, Thomas P
Campbell; historian, Simon Schama; actor, Kate Winslet; and the
musician, Sting.
The book offers an extraordinary insight into the British sub-culture
which forms an intrinsic part of everyday life in New York City. As
Bell says, ’I went for a walk in Central Park with Sting, for a cup of
tea on Kate Winslet’s roof terrace, sat on Zoë Heller’s stoop and
watched Stephen Daldry cycle down 8th Avenue. I was given a
private tour of both the Metropolitan Museum and Barneys’ shop
windows. And amidst all the questions about why people had come
here and what they had left behind, I learnt a little bit more about
what it means to be English, what it means to be a New Yorker, and
where the two intersect.’
Jason Bell’s work regularly appears in the world's leading publications
including Vanity Fair and Vogue (US & UK) and he has shot
film posters for Billy Elliot, About a Boy, Bridget Jones, Love Actually
and Golden Compass amongst others.
£16.99 / $29.00
Hardback, 128 pages
148 colour illustrations
235mm x 170mm
ISBN: 978-1-904587-85-9
BABYLON
Surreal Babies
from the collection of James Birch
with an introduction by George Melly
These weird and wonderful postcards show babies as never seen before.
Babies hatch from eggs, bubble from cauldrons, are fished from rivers,
emerge in the cabbage patch, sit atop clouds, and ride in zeppelins. They
play instruments, drive automobiles, fly in balloons, harvest the fields – an
anarchistic world of baby heaven.
James Birch first came across the postcards when he was a student in
Aix-en-Provence. “A froth of smiling babies boiling away in a cauldron”
caught his eye and he bought a small number of cards. He didn’t really pay
much attention to the cards again until years later in the 1980s when he
visited the Pompidou Centre for an exhibition on Surrealism. There in one
of the display cases was a collection of fantasy baby postcards shown for
their inspirational importance to both the Dadaists and the Surrealists.
Despite the immensely varied subject matter of the postcards little is
known of their history. They were produced from around 1900-1920 and
were found from Russia, to Spain to Great Britain and most countries in
between, however the majority appear to be from Germany.
The postcards were a source of inspiration to many artists in the 1920s
and 1930s, in particular to both the Dadaists and the Surrealists. They
were collected by Paul Éluard, André Breton, Salvador Dali, Hannah Höch,
Herbert Bayer, and Man Ray. The popular images excited inspiration in
these artists because of their boundless inventiveness.
A foreword is written by George Melly who was an acknowledged expert
in the field of surrealism. Best known as a jazz and blues singer, writer and
broadcaster, he was also an art critic and a devotee of the Surrealists. This
is one of the last pieces he wrote before his death in 2007 at the age of 80.

£30.00 / $45.00
Hardback, 108 pages
83 colour photographs
270mm x 335mm
ISBN: 978-1-904587-89-7
Supported by Aberystwyth Arts Centre, Graham Foundation for
Advanced Studies in the Fine Arts, Welsh Books Council, Arts
Council of Wales.
This is a slipcased hardback edition limited to 400 copies plus
a Collectors Edition of 100 copies.
The specification is as follows:
Slipcase in Cialux cloth with foil stamping
72 pages with 58 colour plates, 210mm x 247mm
Printed on 170gsm high quality matt art paper
£35.00
ISBN: 978-1-904587-98-9
Collector’s Edition is limited to 100 signed and numbered
copies and includes a specially produced inkjet print.
£95.00
Also available by Paul Hill:
Dialogue With Photography (With Thomas J. Cooper)
ISBN: 978-1-899235-61-2
A LANDSCAPE OF WALES
James Morris
A Landscape of Wales takes an expansive look at the contemporary Welsh
landscape. James Morris challenges the tourist clichés and looks at the
impact of human presence and the layers of history in the landscape. He
reflects upon issues of identity, exploitation and regeneration; it is a land of
beauty and of hardship where – in this post industrial, post rural economy
– Tesco and tourism are now the great employers.
These are the contrasting realities of the Welsh landscape – that seen by
the many visitors and that experienced by most inhabitants. Morris moves
between tourist hot spots and the terraces and back streets where the
majority of people live. The latter are often hard-bitten unpretty places. No
longer the world’s largest producer of iron, coal, copper or slate, they have
lost their historic reason and heroic status, sometimes even their raison
d’être. By contrast the tourist landscape is one of pleasure seeking and
escape – this is the Wales that visitors are sold and want to see. But in a
small country, this selling of culture for the tourist pound has difficult
consequences that build on the complexities of history that have shaped
so much of this landscape.
James Morris is an acclaimed photographer of landscape and the built
environment. His work is in many private and public collections including
The British Council; Museum of African Art, New York; Princeton University;
Victoria and Albert Museum, London; the National Library of Wales.
Brought up in Manchester, Jim Perrin is an award-winning writer of Welsh
descent. His books include River Map (Gomer, 2001), The Villain: the life of
Don Whillans (Hutchinson, 2005) and Travels with the Flea (In Pinn, 2003).
The Climbing Essays won the Mountaineering Literature Award at the 2006
Banff Mountain Festival.
CORRIDOR OF UNCERTAINTY
Paul Hill
Corridor of Uncertainty is a metaphorical meditation on loss and pain,
despair and hope, beauty and banality, and seeming to be in a foreign
country without a map, where reactions range from pity to incredulity.
The work was made following the death of his wife, Angela, in 2006 and
although a very personal journey, it has resonances for a wide audience.
It is the first major monograph that Paul has published since White Peak,
Dark Peak in 1990.
Widely acknowledged as one of the most influential UK photographers and
teachers of photography of the last forty years, Paul Hill began his career
as a freelancer for regional and national newspapers. In the early 1970s
he began working in photographic education at Trent Polytechnic, Nottingham,
where he became head of the ground-breaking Trent / Derby Creative
Photography course – the forerunner of every art photography degree now
available. In 1976, he and his late wife, Angela, established The Photographer’s
Place, the first residential photography workshop in the UK, and a
centre which influenced a generation of British photographers.
Paul Hill has exhibited extensively. His work is in many permanent collections
including The National Media Museum, the V&A, the British Council
and the Arts Council; and, overseas, in the Museum of Fine Arts, Houston;
Cleveland Museum of Art; the Japanese Photography Foundation; the
Australian National Gallery; Moderna Museet, Stockholm, and the Bibliothèque
Nationale, Paris. Birmingham City Archives acquired his archive in
2004 to add to its national collection of photography.
Paul Hill has published several books: Dialogue with Photography, co-written
with Thomas Joshua Cooper, Approaching Photography and White
Peak, Dark Peak. He has also received numerous awards including a
Fellowship of the Royal Photographic Society, a Hasselblad Foundation
Fellowship, and an M.B.E..
£19.99 / $35.00
Hardback, 168 pages
110 duotone photographs
165mm x 295mm
ISBN: 978-1-904587-91-0
Texts in English and Spanish
Also available by John Comino-James:
In A Very English Town
ISBN: 9781904587729
A Few Streets, A Few People
ISBN: 978-1-904587-34-7
Fairground Attraction
ISBN: 978-1-899235-74-2
£19.99 / $35.00
Hardback, 120 pages
116 colour photographs
210mm x 295mm
ISBN: 978-1-904587-99-6
Also available by Tim Smith:
Coal, Frankincense & Myrrh – Yemen and British Yemenis
ISBN: 978-1-904587-65-1
Asians in Britain
ISBN: 978-1-904587-09-5
FORTUNATE STEPS
Havana: In the Calzada del Diez de Octubre
photographs & text by John Comino-James
Authentic and fresh… the streets remain the preserve of those who live
there … and when photographing the people he is among them, not sneaking
a snap from across the street. – AG Photography Magazine reviewing
‘A Few Streets’, John Comino-James’s first book about Havana.
In his second book of photographs made in Havana, John Comino-James
has again set out to explore a part of the city not normally visited by
tourists. The geographical scope of the photographs is restricted to a
single road, the Calzada del Diez de Octubre. The route itself predates the
foundation of the Parish of Jesús del Monte in the 17th century and was
formerly known as the Calzada de Jesús del Monte. In 1918 the road was
renamed in commemoration of one of the most important events in
Cuban history – the declaration of the first full-scale war of independence
against Spanish colonial rule on 10th October 1868.
Although its once important function as the principal route to the south
has been superseded, the Calzada still remains a busy urban thoroughfare.
Through engaged portraits and candid observation and with an eye for
both architectural detail and the imposing façades that stand as testimony
to the changing architectural styles of well over a century, John Comino-
James creates an intimate and sympathetic record of the Calzada del Diez
de Octubre which, through its long history, occupies an important place in
the imagination and memory of Habaneros today.
John Comino-James has published four previous books of photographs.
THE GRAND TRUNK ROAD
from Delhi to the Khyber Pass
photographs & text: Tim Smith
oral histories: Irna Qureshi
The Grand Trunk Road is the oldest, longest, and most famous highway in
southern Asia. Through oral testimonies, photographs and texts this book
explores its history, and shows why it was so crucial to the process of
migration to Britain and how the close links between Britain and places
along the road continue to this day.
For millennia the Grand Trunk Road has been used by invaders to conquer
the subcontinent. After the British arrived in the 17th century it became the
main artery for their conquest and rule of the northern areas of British
India. Known locally as the ‘GT Road’ it was also used by its residents to
begin journeys that ended all over the world, and since the days of the
British Raj large numbers of them have settled in Britain.
Between Delhi and the Khyber Pass, the GT Road travels through the
homelands of over 90% of British Pakistanis and the vast majority of British
Sikhs and Hindus from the Indian Punjab. Using stories gathered by Irna
Qureshi and photographs taken by Tim Smith this book tells the story of
the profound impact of the British on the GT Road and its people, and how
they in turn have irrevocably altered the fabric of modern day Britain.
Irna Qureshi is an anthropologist and oral historian specialising in British
Asian and Muslim arts and heritage.
Tim Smith is a freelance photojournalist who combines editorial and commercial
work with long term exhibition and publishing projects.

£30.00 / £48.00
Hardback, 120 pages
70 tritone photographs
270mm x 290mm
ISBN: 978-1-904587-84-2
Not available in France, Germany, Greece, Italy, Spain
.
£30.00 / $45.00
Hardback, 120 pages
150 colour photographs
240mm x 297mm
ISBN: 978-1-904587-75-0
Shortlisted for the PHotoEspaña Book Award 2010
Voted as one of PDN’s Best Photo Books 2010
Winner of PX3 Prix de la Photographie Paris – Book Prize 2010
Awarded Kaunas Photo Star at Kaunas Photo Festival,
Lithuania, 2010
EAST TO EAST
Klavdij Sluban
Introduced by Erri De Luca
East to East describes a journey, bringing together photographs made by
Sluban during extensive travels, frequently following the route of the
Trans-Siberian Railway.
Sluban’s use of deep blacks and backlit silhouettes embues his work with
a highly individual photographic style. These powerful images are remarkably
moody and atmospheric and permeated with a strange melancholy
and an overwhelming sense of isolation. This is deeply memorable work.
Klavdij Sluban is an established and well-respected photographer. Born
in Slovenia he moved to France at a young age and is now based in Paris.
His photographs have been exhibited widely including the Museum of
Photography, Helsinki; Metropolitan Museum of Photography, Tokyo;
Museum of Modern Art, Canton, China; Maison Européenne de la Photographie,
Paris; and Centre Pompidou/Beauborg, Paris. He has published
several books and is included in the well-known Photo Poche series which
features the world’s leading photographers. He was winner of the Leica
Medal of Excellence in 2004 and the Prix Niépce in 2000.
Erri De Luca is one of Italy’s leading writers and the winner of several
literary awards in both Italy and France.
Winner of the European Publishers Award for Photography 2009.
AFTER THE WALL
Traces of the Soviet Empire
Eric Lusito
Introduction by Francis Conte, Professor of Russian & Soviet
Culture, University of Paris-Sorbonne
The Berlin Wall was the physical embodiment of the ‘Iron Curtain’ that
divided the Soviet world from the West. Once it fell the Soviet Empire itself
also began to crumble. At its heart was a military system which extended
throughout its territories exerting huge control and influence. There were
miltary bases in every country.
Eric Lusito travelled throughout the former Soviet Union from East
Germany to Mongolia, from Poland to Kazakhstan in search of these former
Soviet military bases and his photographs are an extraordinary record.
The military departed but much else was just left behind. Lusito discovered
everything from gas masks to propaganda posters, books and magazines,
instruction manuals and personal photographs.
But it is the buildings themselves which are the most resonant symbols of
the fall of a once powerful Empire. A lecture hall is laid out with chairs, and
theatre spotlights are still mounted on the walls, yet the ceiling has begun
to collapse; a swimming pool is full of water but this is stagnant water unchanged
for years. And throughout there remain symbols of the old regime
– murals of heroic deeds and national glories, photographs of political and
miltary leaders, posters exhorting young soldiers to give their all for their
motherland.
The book includes photographs not only of the military bases but also
of the murals, posters, books, instruction manuals etc. that Lusito found
abandoned. It is a rich collection of work and illuminates the miltary world
of the Soviet Union in a way that is both fascinating and unique.
£30.00 / $55.00
Hardback, 96 pages
44 colour photographs
330mm x 272mm
ISBN: 978-1-904587-64-4
Not available in France or Germany
£25.00 / $45.00
Hardback, 96 pages
46 duotone photographs
295mm x 295mm
ISBN: 978-1-904587-70-5
Top Photography Books of 2009, PDN, New York
PX3 Prix De La Photographie Paris Awards, 2nd place art book
THE BIRTHDAY PARTY
Vee Speers
This is a series of portraits of children about to attend an imaginary
birthday party. Inspired by her daughter’s birthday party Speers imagined
what characters might be created if role play were pushed to imaginative
extremes. The children are placed in front of the same white wall and
gaze into the lens of the camera, performing within a strictly laid out
frame. They reveal very little of themselves and yet this is what makes the
portraits so magnetic. The childlike game of dressing up, of putting on
costumes, reinforces the surreal tone of the series.
The Birthday Party is ‘anarchistic’ in its take on childhood and play, ‘both
improvisatory and highly theatrical... unsentimental but playful, macabre... in
a way which is liberating both for us as viewer and perhaps for her subjects
too.’ Clare Grafik, The Photographers Gallery, London
‘My intention was to show a real side of human nature, to expose a side of
childhood that is not carefree or clichéd, and project a range of emotions
and definitions which are part of an imperfect world.’ Vee Speers
For the past fifteen years Vee Speers has been based in Paris, working in
fashion, photojournalism and fine art photography. Her work has been
widely exhibited throughout Europe, the United States, Brazil, Mexico,
Japan and Australia.
The Birthday Party featured in the inaugural exhibition that opened
Sweden’s new gallery of photography, Fotografiska, in Stockholm in
May 2010.
ZEBRATO
Michael Levin
foreword by Barry Dumka
Michael Levin’s photographs have gained international attention. The
American fine art magazine Focus declared that “Michael Levin’s captivating
images are soulful and evocative; he is truly one of the rising stars in the
world of photography.”
Using long exposures, Levin pulls his world taut, so that what remains in
the landscape feels essential and revealed. There is a deceptive simplicity
in his images as if these places need only to be found to be realised.
Places that are simple and totemic. It is Levin’s pure sensibility which
arranges this view, which finds these small moments and gives them
weight and value and timelessness. He is particularly adept at capturing
the smooth skin of light, the way it rolls over a place in the course of
minutes rendering his subjects with their own private beauty. Levin
illuminates these common places with new intent, making images which
are both transfixing and transformative.
Michael Levin has won numerous prestigious awards.
In 2009: 1st Place Fine Art Category, 2nd Place Fine Art Book Category –
International Photography Awards (USA).
Professional Fine Art Photographer of the Year – PX3 Prix De La Photographie
Paris Awards.

£20.00 / $35.00
Hardback, clothbound
96 pages, 61 colour photographs
215mm x 200mm
ISBN: 978-1-904587-73-6
Shortlisted for the PHotoEspaña Book Award 2010
Listed in Photeye Best Books of 2010
£25.00 / $40.00
Hardback, 144 pages
120 photographs
270mm x 270mm
ISBN: 978-1-904587-82-8
ALLOTMENTS
Andrew Buurman
There’s something about the word ‘allotments’ that conjures up an image
of traditional values, of balmy summer days spent working the land, escaping
in honest toil. A rural idylll far removed from our everyday experience.
And even though allotments can be found throughout the world, in our
minds they still seem to encapsulate a certain Britishness.
Andrew Buurman’s photographs capture the essence of the allotment and
convey the enthusiasm and diversity of today’s plotholders. These photographs
were all taken on Uplands Allotments, in Handsworth, in the heart
of Birmingham. The largest allotment site in the UK – with 422 plots – it
opened in 1949, with its own office and meeting hall. Even today it retains
much of the communal spirit of the postwar era with weekly tea dances,
bingo nights and an annual flower and vegetable show.
The history of allotments tracks the major social and political changes in
British life: the move away from open field agriculture, the urbanisation of
the Industrial Revolution, the need for home grown produce during both
World Wars. By 1943 there were some 1.4 million allotments in the UK
growing 10% of the nation’s food. Inevitably both increasing affluence and
the redevelopment of many sites led to a dramatic decrease in numbers,
though in recent years there has been a resurgence of interest. There are
now some 300,000 allotments in the UK often shared between families
and friends.
Andrew Buurman is a World Press Photo award winner and his work has
been exhibited in the UK and USA.
SILVER FOOTPRINT
Robin Bell
As digital photography has become increasingly dominant, the more
traditional film-based black and white photography and the chemically
produced photographic print have become uniquely repositioned in art,
craft and culture. The art of photographic printing is now recognised as a
serious craft, a rare skill that is much admired and respected.
For Robin Bell this recognition as a craftsman of extraordinary ability has
been earned over a career that stretches back some 35 years. He has
worked with the biggest names in international photography including Bill
Brandt, Eve Arnold, Don McCullin, Lee Miller, Ernst Haas, Terence Donovan,
John Swannell, Ian Berry, Patrick Lichfield, Kevin Cummins, Tom
Stoddart, Linda McCartney, Terry O’Neill, Norman Parkinson and Snowdon.
Bell’s position as Britain’s leading black and white photographic printer is
unassailable.
This book brings together 126 photographs by these and other leading
photographers whose work Bell has printed over the years. In his
introduction David Litchfield, a central figure in photographic London in
the 1980s and editor of Ritz newspaper and Image magazine, contextualises
Bell’s career. Robin Bell himself provides the captions, describing
both some of his favourite images and the most memorable photographs
that he has printed over the years.
Robin Bell’s printing and processing techniques are still as much sought
after as ever by a wide range of photographers and their estates. His
expertise and his collaborative approach make him a popular choice for
many photographers and this retrospective survey of his work portrays
both his passion for images and for the silver gelatin print.
£19.99 / $35.00
Hardback, 112 pages
80 duotone photographs
250mm x 210mm
ISBN: 978-1-904587-95-8
£19.99 / $35.00
Hardback, 120 pages
100 duotone & colour photographs
225mm x 250mm
ISBN: 978-1-904587-78-1
BINGO & SOCIAL CLUB
photographs Michael Hess, texts Maxine Gallagher
Around 1pm, every day of the week, nearly 600 bingo halls across the UK
open their doors to thousands of loyal customers. But, although they can
be found on almost every British high street, surprisingly few people ever
see what goes on inside.
In Bingo & Social Club, photographer Michael Hess opens up this world
to a new audience. Behind the often-crumbling exteriors, he finds vibrant
places full of strong characters, quirky details and more than a hint of
nostalgia. In his own words: “I want people to feel that they’ve spent a night
at the bingo – to sense what it feels like to be there.”
Michael Hess and Maxine Gallagher spent many nights in the clubs, playing
bingo, chatting with the managers and customers, and collecting
stories from the people they met. They wanted to find out who these
people really were. “Bingo halls are not just about gambling; they’re about
human beings. They really do act as social hubs for many communities.”
Jack, the manager of a bingo club in Newcastle, forms the backbone of
the book.“He’s quite a character – tough and yet extremely dignified – and I
knew straight away he could add the extra dimension I was looking for.”
OFF PISTE
an alpine story
Lois Hechenblaikner
texts by Thomas Weski & Wolfgang Ullrich
Off Piste is a very funny and powerful satire. It looks at the enormous
changes to Austria’s alpine region, the Tyrol, over recent decades.
It juxtaposes images from two very different worlds – the old, ‘traditional’
rural Austria and the increasingly consumer-driven culture of today. Once
there was a strong dependence on the natural world – the landscape, work
and everyday lives were intertwined. The black and white photographs,
taken by agricultural engineer Armin Kniely, that depict this ‘lost’ world
have a particular charm. Today though, as Lois Hechenblaikner’s colour
photographs vividly show, it is a much changed environment where the
excesses of our consumerist world are clear to see.
Wonderful ironies abound, yet despite the humour that underlies them
there are chilling implications for the region and for the sustainability of its
natural landscape and social traditions.
With over 40 million overnight stays a year Austria’s tourist industry is all
important to the country. Here there is ‘Something for everyone, summer
and winter, season after season, event after event. A well-oiled leisure
machine. A tourist paradise. Big business and big profits.’ But at what
cost?
Lois Hechenblaikner was born and raised in the Tyrol where his parents
ran a guesthouse, and so he experienced tourism and the tourism industry
from an early age. He is recognised as a critical observer of the changes in
the Alpine area.

£19.99 / $39.00
Hardback, 116 pages
87 duotone photographs
247mm x 165mm
ISBN: 978-1-904587-58-3
Not available in Germany, France, Italy
£15.99 / $29.00
Hardback, 128 pages
72 duotone photographs
235mm x 170mm
ISBN: 978-1-899235-44-5
Chris Steele-Perkins is a member
of Magnum Photos.
FRENCH KISS
Anders Petersen
Swedish born, Anders Petersen is internationally recognised for his
intimate and personal documentary-style black-and-white photographs.
Petersen explores the fringes of society and his images depict a raw, and
sometimes disturbingly brutal, social portrait. Taken in the South of France,
French Kiss is characteristic Petersen, exuding the poetic sadness,
restlessness and sense of urgency that runs through all his work. When
the work was first shown at Arles Photography Festival the response
was astounding:
‘They made everything else on display at the huge photography festival pale
in comparison. They became the ‘buzz’ in Arles. And everyone realized that
Anders Petersen (that wildly energetic 62-year-old guy) is still making some
of the most arresting personal documentary photographs today’
Jim Casper, Lens Culture.
Anders Petersen has published more than 20 books and his work has been
exhibited widely. He first became known for his series Café Lehmitz, a daily
chronicle of the regulars – transvestites, prostitutes, drug addicts and harbour
workers – of a Hamburg bar in the Reeperbahn, the city’s once notorious
red-light district. Starting in 1967, Petersen continued the project for
three years. The photobook of the same name was published eight years
later, in 1978, first in Germany, and then in France (1979) and Sweden
(1982). Café Lehmitz has since become regarded as a seminal book in the
history of European photography.
THE TEDS
Chris Steele-Perkins & Richard Smith
In early 1954, on a late train from Southend, someone pulled the communication
cord. The train ground to a halt. Light bulbs were smashed. Police
arrested a gang dressed in Edwardian suits. In April two gangs, also
dressed Edwardian-style, met after a dance. They were ready for action:
bricks and sand-filled socks were used. Fifty-five youths were taken in for
questioning. The following August Bank Holiday the first ‘Best Dressed Ted
Contest’ was held. The winner was a twenty-year-old greengrocer’s
assistant. The Teddy Boy myth was born.
The Teds is a classic of British documentary photography. Originally published
in 1979, it is a vivid and absorbing book combining image and text
to tell a fascinating story that spans some three decades.
£24.00 / $39.00
Hardback, 112 pages
200 duotone photographs
275mm x 195 mm
ISBN: 978-1-899235-22-3
£25.00 / $45.00
Hardback, clothbound
72 pages, 33 tritone photographs
300mm x 247mm
ISBN: 978-1-904587-71-2
In association with The New Art Gallery, Walsall
LOVE ON THE LEFT BANK
Ed van der Elsken
A facsimile of the ‘classic’ photobook. It focuses on the Left Bank in Paris
– the centre of creative ferment in the 1950s which would determine the
cultural agenda of a generation. The book tells of a fictional love story in
photographs and short passages of text. Gritty and unconventional, it was
acclaimed as expanding the boundaries of documentary photography and
established van der Elsken’s reputation as one of the leading photographers
of the 20th century.
THE ANIMALS
Giacomo Brunelli
introduced by Alison Nordström
‘Giacomo Brunelli has been looking hard at animals. His focus is not on the
framed and caged exotica of zoos but on the ordinary animals that remain
with us to some extent: horses, dogs, cats, chickens, pigeons. He shows us
a fox, looking sharply at the camera and poised to flee, and there are numerous
birds, a snake and several toads, but this wildness is small and fragile,
living in the familiar liminal space where manmade and natural meet and
overlap. His animals inhabit farmyards, cobbled streets and the façades of
stone buildings. There are no tigers here.
Brunelli’s animals are often composed only of suggestive fragments…
He favours the profile and the counterintuitive angle, setting dark unobservable
features against dark undiscernable backgrounds. A dead mouse, on
its back, paws in air beside an oversized flower against a stark and distant
mountain is no more or less frozen in time than is the growling dog, eyes
alight and teeth forever bared; both are icons of states we fear but cannot
know. These pictures are timeless and uncanny, powerful in their ordinariness,
and emotionally much bigger than their simple subjects.’
Alison Nordström

£25.00 / $45.00
Hardback, 96 pages
70 colour photographs, 260mm x 290mm
ISBN: 978-1-904587-40-8
Not available in France
£30.00 / $48.00
Hardback, 88 pages,
40 colour photographs, 245mm x 300mm
ISBN: 978-1-904587-79-8
Not available in Germany and France
£25.00 / $50.00
Hardback, 160 pages
158 colour photos, 206mm x 300mm
ISBN: 978-1-899235-07-0
£12.99 / $24.00
Padded hardback
120 pages
54 colour photographs
154mm x 108mm
ISBN: 978-1-899235-72-8
£10.99 / $16.99
Padded hardback
96 pages
86 photographs
170mm x 170mm
ISBN: 978-1-899235-34-6
SMALL WORLD
Martin Parr
introduced by Geoff Dyer
This is a revised and updated edition of Martin Parr’s classic book which was first
published in 1996. It is a biting, very funny satire in which Parr looks at tourism
worldwide, exposing the increasingly homogenous ‘global culture’ where in the
search for different cultures those same cultures are destroyed. The issues that
Parr raised over a decade ago when the book was first published are even more
relevant today. Parr’s larger-than-life troupe of tourists are ultimately bemused
victims of consumerism, locked into our insatiable craving for ‘the new’.
Internationally recognised as a brilliant satirist of contemporary life Martin Parr
has led the development of British documentary photography with wit, style, and
intelligence in a career that boasts numerous publications and exhibitions. Martin
Parr is a member of the prestigious MAGNUM photo agency.
THE LAST RESORT
Martin Parr
essay by Gerry Badger
When Martin Parr’s The Last Resort was first published and exhibited in 1986 it
divided both critics and audiences alike. Some saw it as the ‘finest achievement
to date’ of colour photography in Britain whilst others viewed it as ‘an aberration’.
However it was viewed, it was undoubtedly a sharp, bitter satire of the Britain of
the Thatcher years. With the benefit of hindsight there is little doubt that it transformed
documentary photography in Britain and placed Parr amongst the world’s
leading photographers. The book is now recognised as a ‘classic’ and early
editions are highly sought by collectors worldwide.
COMMON SENSE
Martin Parr
Common Sense combines extravagantly lurid and luscious colour with Parr’s
trademark sense of irony. Though hilariously funny there is a sharp and biting
edge to the humour. The launch of this extraordinary book was celebrated by
simultaneous exhibitions in more than 40 different cities world-wide making it
probably the largest exhibition of work ever held by one artist – a truly global
project.
AUTOPORTRAIT
Martin Parr
introduced by Marvin Heiferman
For several years, when Martin Parr has travelled he has had his picture taken by a
local studio photographer, or street photographer, or in a photo booth. The result is
a wonderfully varied portfolio of portraits.
FROM OUR HOUSE TO YOUR HOUSE
selected by Martin Parr
‘Warm, funny and frequently hilarious – this is a wonderful collection of cards
celebrating the American Christmas.’
Martin Parr has put together another wonderful book from his personal collection
of cards. This time he celebrates the American Christmas card. These are a fascinating
eye-opener into American culture, as proud families everywhere pose
before the camera to send their Christmas greetings across the nation.
BLEED
Simon Norfolk
The war in Bosnia in the 1990s raised to common currency the terms ‘ethnic
cleansing’ and ‘humanitarian intervention’. It brought back to Europe a barbarism
not seen since the Second World War, and was the first war fought very much
under the eyes of the media. It was also the first conflict fought by killers who
knew, even before the war had finished, that a war crimes tribunal awaited them.
Norfolk’s photographs initially appear almost abstract. Yet through these still and
beautiful images of ice, water, snow and the land, we can sense the arrogance of
killers who believed they could conceal the brutal evidence of their crimes by
reburying their victims in ‘secondary graves’. But over time secrets escape, and
the truth bleeds out.
Slipcased Limited Edition
£75.00 / $150.00. 1,000 copies. Slipcased hardback.
64 pages, 24 colour plates, page size: 320mm x 400mm.
Printed on heavyweight 200gsm paper incorporating matt and gloss varnishes.
ISBN: 978-1-904587-19-4
Collector’s Edition
A special Collector’s Edition of 50 signed and numbered copies is also available at the current price
of £650 / $1,250. Shipping is charged at cost. This consists of the slipcased edition of bleed and a
digital c-type print encased in acrylic (see left). The image block is 330mm x 264mm and 50mm thick.
Each print is signed and numbered on the reverse. The set is packed in an imitlin bound, presentation
box, with foam insets to protect and support the image block.
AFGHANISTAN: CHRONOTOPIA
Simon Norfolk
Afghanistan: Chronotopia is already recognised as a classic of photography. First
published in 2002 the work received international acclaim and established Norfolk
as one of the UK’s most respected photographers. Norfolk’s primary concern is
with the aftermath of conflict – to record beyong the surface of events, and to
show the nature of war through its lasting effects and consequences.
Winner of the European Publishers Award for Photography 2002.
Hardback, 100 pages
47 colour plates, 285mm x 320mm
ISBN: 978-1-899235-54-4
Currently out of print. Reprint due Autumn 2011
AFGHANISTAN: CHRONOTOPIA
Limited edition box set £150 plus shipping at cost.
This special edition box set contains 12 images (420mm x 597mm) printed in
four colour on 300gsm Zen paper, a beautiful uncoated paper from GF Smith,
and presented in an exquisite box, which is bound in mid green and ebony
135gsm colorplan cartridge and blind-embossed. The edition is limited to 300
signed and numbered copies.
Please note that this set does not include a copy of the book.
FOR MOST OF IT I HAVE NO WORDS
Simon Norfolk
Simon Norfolk has photographed sites of genocide and war crimes – names that
ring like a death toll for the twentieth century – Rwanda, Cambodia, Vietnam,
Auschwitz, Dresden, Ukraine, Armenia, Namibia. His photographs are charged
with an overwhelming emotional intensity as they document where humans have
left their trace: a tooth lying in a field, or the worn steps of prisons and death
camps. They are a moving record of man’s inhumanity to man.
Introduced by Michael Ignatieff, leading Canadian politician. Widely known for his
work as an historian, author, and broadcaster before he entered politics in 2006.
£30.00 / $55.00
Hardback, 80 duotone photographs
220 pages, 320mm x 225mm
ISBN: 978-1-899235-66-7

£35.00 / $55.00
Hardback, 240 pages
300 photographs, 240 x 280mm
ISBN: 978-1-904587-35-4
Not available in France and Italy
£25.00 / $45.00
Hardback, 96 pages
45 colour photographs, 225 x 285mm
ISBN: 978-1-904587-38-5
With support from University of Gloucestershire
£25.00 / $45.00
Hardback, 120 pages
66 colour photographs, 247 x 295mm
ISBN: 978-1-904587-59-0
£25.00 / $45.00
Hardback, 72 pages
37 duotone photographs, 295 x 295mm
ISBN: 978-1-904587-69-9
GABRIELE BASILICO
Workbook: 1969-2006
Gabriele Basilico
This is the first complete monograph dedicated to the work of the Italian
photographer Gabriele Basilico, who is recognised internationally as one of the
most important contemporary landscape photographers. With more than 300
photographs included – from Glasgow to Tel-Aviv, from Milan to Beirut – it is a
comprehensive overview of a major figure whose career has spanned some 40
years. Born in Milan in 1944, Gabriele Basilico first studied architecture. This early
training is reflected in his work and shows in his understanding of the landscape
and architectural form. His landscapes avoid human presence and explore the
complex interrelationships between the built environment and the natural one.
LANDSCAPES: 2001-2003
Richard Billingham
Trained as a fine artist, Richard Billingham took up photography whilst an art
student as a way to inspire his paintings. In 1996, his book Ray’s a Laugh brought
him to the attention of the photography and art worlds. Over recent years
Billingham has photographed increasingly within the landscape and this book
brings together this work for the first time. The images are contemplative and
thoughtful and reflect his primary concern for the ‘making’ of an image.
Billingham first exhibited in 1995 at the Anthony Reynolds Gallery, London, who
still represent him. His work has received significant international acclaim – in
1997 he won the Citibank Photography Prize and his work was one of the talking
points of ‘Sensation’, the exhibition of Contemporary British Art from the Saatchi
Collection. In 2001 he was shorlisted for the Turner Prize.
INFECTED LANDSCAPE
Israel: Broken Promised Land
Shai Kremer
Infected Landscape is a searing portrait of the military disfiguration of the landscape
of Israel. The accumulation of ruins and military remnants is an important
part of what defines the Israeli landscape today – wounds in the landscape that
correspond to the wounds in the Israeli collective consciousness. The book
includes photographs from the ‘Chicago’ miltary training centre in Israel. This
centre encapsulates the history of the Israel-Palestine conflict. Over the years it
has been rebuilt to represent different war environments and reflect varying scenarios
– from Lebanon through to Gaza City. A further area was also constructed to
simulate a refugee camp. The more recently established Urban Warfare Training
Center also features.
TRUNCATED
Paul Hart
foreword by Gerry Badger
The forest interior is more architecture than landscape. Amongst the trees, your
concept of time is changed. As you move deeper inside, and the outside world
disappears, the wind is calmed and noise filtered, temperature is altered, and
light is bounced and subdued. Some trees stand like sentinels, others are stolid
in ranks, an army of trees appearing out of the dark. This apparent sanctuary of
stillness can strangely transform. Stepping into the forest is always like stepping
into the unknown, with the semi-dark concealing much, revealing a little. A place
sometimes mysterious, sometimes secretive, but always seductive, always dark.
£25.00 / $45.00
Hardback, Cloth bound with insert, 96 pages
69 colour photographs, 280 x 215mm
ISBN: 978-1-904587-41-5
£19.99
Hardback, 120 pages
75 tritone photographs, 250mm x 250mm
ISBN: 978-1-904587-47-7
Not available in United States
£16.99 / $30.00
Hardback, 120 pages
100 colour photos, 225mm x 245mm
ISBN: 978-1-904587-65-1
With the support of The British Council
£30.00 / $55.00
Hardback, cloth bound, 96 pages
40 colour photographs, 320mm x 320mm
ISBN: 978-1904587-39-2
THE MOTHER OF ALL JOURNEYS
Dinu Li
Inspired by the memories of his mother, originally told to him as bed-time stories,
Dinu Li’s photographs tease out fragmented moments in time. Li collabrated with
his mother, using each other’s recollections and comparing the actual with the
images lodged in their minds. Spanning two decades from the mid 50s, Li turns
his attention to a Hong Kong at a stage of transition, morphing from fishing village
to urban metropolis. Finally Li focuses on Britain, from the resettlement of his
family there in the 1970s, at a time of strikes and de-industrialisation, through to
the new millennium, and an era of multi-culturalism and globalisation. Aided by
family snapshots and Li’s mother’s narration, The Mother Of All Journeys triggers
a sense of repetition and nostalgia, invoking glimpses of the times we live in.
Shortlisted for the Rencontres d’Arles Book Award. Published with support from Arts Council England
BOMBAY MIX
Ketaki Sheth
Ketaki Sheth’s photographs, so formally interesting, so sharply seen, so deeply felt.
— Salman Rushdie
Bombay Mix brings together the street photographs of leading Indian photographer
Ketaki Sheth, images taken over a period of almost 20 years. Bombay is a city
that never sleeps. Its population (almost 20 million) and its geography put a
premium on space. A lot of ‘living’ happens on the street, where a disparate and
unlikely blend of humanity defines its boundaries in a tightly confined space. The
thrill of Bombay is the thrill of contrast. The streetscape of the city is as much
psychedelic as it is kaleidoscopic: there is so much to see.
In association with SEPIA/Alkazi Collection of Photography.
COAL, FRANKINCENSE & MYRRH YEMEN AND BRITISH YEMENIS
Tim Smith
The reputed home of the Queen of Sheba, Yemen has been the crossroads of
Africa, the Middle East and Asia for thousands of years thanks to its position on
the ancient spice routes. It was a meeting point of people, ideas, money and
goods and the centuries of trading generated much wealth. There has been a
British presence ever since the early 1600s when the East India Company set up
trading posts. The relationship lasted some 130 years until 1967 when the British
finally pulled out. Yemen is the mother country of the longest-established of
Britain’s Muslim communities. Yemenis came to Britain from the 1890s onwards,
many as an indirect result of having joined the British Merchant Navy, and after
World War Two there was further emigration. By the mid-1970s there were some
15,000 Yemenis in Britain, though today this figure has reduced considerably.
FLATLAND A LANDSCAPE OF PUNJAB 2003-2006
Max Kandhola
India’s Punjab is the land of the five rivers, five (Punj) rivers (Aab) – Ravi, Satluj,
Chenab, Beas and Jhelum.
Max Kandhola visited the region as part of his continuing project to map family
history through an odyssey of ancestral narratives, exploring memory, diaspora
and identity. Flatland provides a context and a beginning. It is a land which is
unfamiliar, yet it is the birthplace of Kandhola’s family, who historically were
landowners, connected to farming and agriculture and also to the military. Kandhola’s
journey began in Nurmahal, in the district of Jalandhar, from which most of
his family came. Using this as a starting point he travelled from the centre of
Punjab outwards.
With support from Arts Council England, Nottingham Trent University, Birmingham City Council

£25.00 / $45.00
Hardback, 144 pages
60 colour photographs
260mm x 247mm
ISBN: 978-1904587-46-0
£19.99 / $38.00
Hardback, 80 pages
50 colour photographs
275mm x 275mm
ISBN: 978-1-904587-67-5
Not available in Germany
£25.00 / $45.00
Hardback, 256 pages
370 colour & b/w photographs and illustrations
210mm x 260mm
ISBN: 978-1-904587-54-5
£14.99 / $30.00
Hardback, 88 pages
40 photographs
280mm x 228mm
ISBN: 978-1904587-51-4
SHUTTING UP SHOP
The decline of the traditional small shop
John Londei
Shot over a fifteen-year period beginning in the early 1970s, Shutting Up Shop
is a tribute to an era that has all but disappeared: the traditional small shops that
feature have now almost all gone. In all there are 60 shops. Each is unique, the
range diverse: from tea to tobacco, flowers to condoms. As well as shops from
London, the series covers many regions of the UK, from the Isle of Harris to the
Isle of Wight. Additional to the photographs of the shops are their stories, vividly
told through anecdote and interviews with the staff. Londei has also updated
what has become of the shopkeepers and shops he photographed so long ago.
His findings are included in the fascinating ‘afterword’ section. Almost every
single one has changed beyond recognition.
IN A WINDOW OF PRESTES MAIA 911 BUILDING
Julio Bittencourt
In March 2006 the residents of 911 Prestes Maia, a 22 storey ramshackle tower
block in the centre of sprawling São Paulo, learnt that they were to be evicted.
Whilst the neglected building had apparently been empty for over a decade,
1,630 people, including some 468 families, with 315 children, lived there. In 2003
the ‘Movement of the Homeless’ had moved in hundreds of homeless families.
The new residents cleaned up the place, and it became possibly the largest squat
in the world, complete with a library, workshops and other educational activities.
Bittencourt’s photographs are a powerful record of this diverse community.
Bittencourt has won The Leica Oskar Barnack Award (Germany), Aperture
Portfolio Prize (USA), and Fundacio Conrado Wessel de Arte (Brazil).
GREAT PHOTOGRAPHIC JOURNEYS
in the footsteps of 19th century British photographers
John Hannavy
One hundred and fifty years ago travelling with a camera was both a novelty and
an enormous challenge. The intrepid photographers who took their cameras to
remote corners of the world brought back images which amazed their peers.
Photographer and historian John Hannavy has recreated some of their epic
journeys – he followed routes taken by: William Henry Fox Talbot to Scotland
(1844); Charles Kinnear & Thomas Melville Raven’s to France (1857); Francis Frith’s
route along the Nile (1856-1859); Roger Fenton’s journey through Russia and the
Ukraine; Samuel Bourne’s travels across India in 1863; and John Thomson’s
travels in China and Cyprus between 1863 and 1878.
A SHORT HISTORY OF PHOTOGRAPHY
Harvey Benge
text by Gerry Badger
While looking through his contact sheets, Harvey Benge noticed that one of his pictures
reminded him of a ‘Friedlander’, another someone else. All photographers do
this, and if the photograph in question apes another photographer too closely, it’s
usually a cause for rejection. But Benge did the opposite. Picking out his ‘Friedlander’
and his ‘Parr’ and his ‘Baltz’ he decided to make an ‘anthology’ of contemporary
photography featuring some of its biggest names. Yet they are all genuine,
original Benges. They are also all good pictures, not mere pastiches of the ‘originals’
of which they gently but insistently remind one. This may be a game, but games can
be very serious, and this fascinating book is both a serious and light-hearted exploration
of photographic style. – Gerry Badger
Harvey Benge has published over a dozen books and his work is held in many
major international collections.
£16.99 / $35.00
Hardback, 72 pages
42 colour photographs
310mm x 247mm
ISBN: 978-1904587-53-8
£25.00 / $45.00
Hardback, 96 pages
64 colour photographs
300mm x 240mm
ISBN: 978-1-904587-66-8
£15.99
Softback, 112 pages
44 colour photographs
220mm x 270mm
ISBN: 978-1-904587-77-4
£30.00 / $48.00
Hardback, 288 pages
over 300 colour & b/w photographs
290mm x 230mm
ISBN: 978-1-905928-06-4
Not available in France
STILL LIFE: KILLING TIME
Edmund Clark
foreword by Simon Norfolk, afterword by Erwin James
Taken over the course of more than a year of exclusive access, this work applies
large format still life photography to the context of a unique prison community,
E Wing at Kingston Prison in Portsmouth. For eight years this was Britain’s only
wing dedicated to holding elderly lifers: murderers, rapists, paedophiles and
other violent criminals aged from their late 50s to over 80 years old. Elements
of metaphor, abstraction and documentary explore the experience of long term
incarceration and the passage of time, and touch on how ageing and physical
decline affect the prison environment.
With support from Prison Reform Trust and Millenium Images
THE LAST THINGS
David Moore
texts by Chris Petit & Angela Weight
David Moore was allowed unprecedented access to a Crisis Management facility
below ground in central London. Moore was able to observe a live working space,
continuously on standby, and fully prepared for the most extreme national emergency.
The facility’s hermetic, tightly regulated environment, artificially lit and air
conditioned, is prescient with the threat of crisis. At once sophisticated and touchingly
ordinary, part military and part civilian, Moore has documented its
labyrinthine depths with chilling clarity.
With support from University of Hertfordshire, Arts Council England, Arts Council Northern Ireland,
Belfast Exposed, Wolverhampton Art Gallery, Central Saint Martins - University of the Arts London
MILLENNIUM SCHOOL
Krzysztof Zielinski
Millennium School focuses on the primary school which Zielinski attended as a
child in the small Polish town of Wabrzezno. ‘Primary School no 3’ was built in
1962 as a part of a major government development masterplan – ‘A thousand
schools for the thousand years of the Polish state’. This is why these schools were
called ‘millennium memorial schools’. Essentially a propaganda plan, the new
schools were presented as a gift from the Communist party to the nation, even
though the post-war demographic boom meant that they were a necessity. Built
around standard layouts, usually two or three storeys and constructed from prefabricated
concrete, they were designed to be adaptable for military purposes with
many having underground shelters and the capability of being converted into
temporary hospitals.
DREAMS & GOALS
The World Cup & World Football 1990-2010
Alistair Berg
introduced by Dr. Rogan Taylor
In this outstanding collection of photographs Alistair Berg has captured fan culture
around the world at its most vibrant and characterful. Images are drawn from Europe,
South America, Asia and Australia with a chapter devoted to each World Cup
from 1990 to 2006, and a special extended section on the game in Africa to mark
the World Cup 2010. The images are drawn from a 20 year period which has seen
many changes in the profile of the football supporter, and a massive surge in the
numbers that attend the World Cup.
Alistair Berg has worked as a freelance photographer for over twenty years visiting
more than fifty countries for some of the world’s most prominent publications and
advertising agencies.

£12.99 / $24.00
Hardback, 80 pages
90 photographs
150mm x 205mm
ISBN:1-904587-24-0
Not available in France or Belgium
£14.99 / $29.95
Hardback, Cloth bound with insert
96 pages, 71 photographs, 210mm x 145mm
ISBN: 978-1-904587-50-7
£14.99 / $25.00
Hardback, 144 pages
75 colour photographs
150mm x 210mm
ISBN: 978-1-904587-49-1
£14.99 / $30.00
Hardback, 160 pages
300 colour photographs, 235mm x 160mm
ISBN: 978-1-904587-18-7
CATS, DOGS & OTHER RABBITS
The extraordinary world of Harry Whittier Frees
Frees began his career taking photographs of animals for novelty postcards. By
1905 he was adding props and clothing to give the animals a more human appearance.
The photographs lent themselves immediately to children’s books, and by
1915 Frees had published several. His mother made most of the early outfits,
which were designed to hold the animals in what can only be described as ‘unnatural’
poses. In all his books though, Frees reassured readers that the photographs
were made possible ‘only by patient unfailing kindness on the part of the photographer
at all times’.
His work was popular for several decades, and he continued to photograph and
publish books until his death in 1953. Almost a century on from when he began,
his work remains as surprising and appealing as ever.
THE VISITORS
Charlotte Cory
Charlotte Cory’s images rework cartes de visite, the photographic visiting cards
that were a Victorian craze. Many millions were produced and are now so commonly
discarded in junk shops that they are almost worthless. To the Victorian
men, women and children posing proudly in the studio she adds the heads of
animals – stuffed animals shot long ago and preserved in museums for posterity
to gawk at.
Cory’s ‘Visitors’ are truly creatures of fantasy and fascination – each so carefully
chosen and delicately posed that we think “can that be real?” A noble tiger in full
military regalia, a dejected donkey slumped in a chair in a sparse studio setting, a
haughty kangaroo holding a cricket bat and gazing out at us dismissively. What
kind of extraordinary creatures are these?
DINKY TOYS
‘much loved’ Dinky Toys of the 1950s
Kim Sayer
Dinky Toys must be one of the most successful and collectable toys ever made.
The toys that feature here are neither pristine or shiny. Collected over the years by
photographer Kim Sayer, their charm is in the chips, dents and worn paint work –
toys that have been played with and loved. Each model is given its own delightful
setting, reflecting a more gentle and innocent era. Visual puns abound – the
Landrover, “a fine model of a vehicle designed to go anywhere and do anything”
climbs its way up a staircase, whilst the Avro York Airliner takes off from the ironing
board. Many of the photographs also play off against the original marketing
tagline used to sell the models: “Just look at the remarkable detail on this exciting
model of Britain’s famous centurion tank. It is a welcome reinforcement for the playroom
army.”
PAINTED LADIES
Postcards of the early 20th century
edited by Nick Hedges
In the early 20th century the picture postcard provided an immediate and direct
form of cheap communication – rather like text messaging today. Made by
anonymous photographers and hand-coloured by thousands of unknown women
working in their studios, hand-tinted cards became one of the most popular of art
forms. This extraordinary collection encompasses cards from throughout the world
including Africa and the Middle East, many raising issues of colonialism, and exoticism,
but many also just celebrating everyday relationships, friendship and family.
Painted Ladies provides a colourful and fascinating insight into the fashion, culture
and interests of the early twentieth century.
EUROPEAN PUBLISHERS AWARD FOR PHOTOGRAPHY
The European Publishers Award for Photography is a major initiative to encourage the
publication of contemporary photography. The competition requires the submission
of a substantial, completed and unpublished photographic book project. The winning
project is then published in book form simultaneously by each of the publishers in their
own country resulting in perhaps the most extensive cultural collaboration currently
existing in Europe.
For further details visit: www.dewilewispublishing.com
2008 WINNER
I, TOKYO
Jacob Aue Sobol
£25.00 / $45.00
Hardback, 112 pages
70 tritone photographs
300mm x 227mm
ISBN: 978-1-904587-68-2
Out of print
2003 WINNER
A CUBAN PORTRAIT
Haris Kakarouhas
£25.00 / $45.00
Hardback, 120 pages
88 colour photographs
300mm x 300mm
ISBN: 978-1-904587-05-7
1998 WINNER
SIDEWALK
Jeff Mermelstein
Hardback, 120 pages
320mm 279mm
ISBN: 978-1-899235-62-9
Out of print
2007 WINNER
AS I WAS DYING
Paulo Pellegrin
£25.00 / $45.00
Hardback, 140 pages
70 duotone photographs
301mm x 244mm
ISBN: 978-1-904587-55-2
Out of print
2002 WINNER
AFGHANISTAN
Simon Norfolk
£30.00 / $55.00
Hardback, 100 pages
47 colour photographs
285 mm x 320mm
ISBN: 978-1-899235-54-4
Reprint pending
1997 WINNER
LIFE AND STILL LIFE
Toni Catany
£30.00 / $50.00
Hardback, 108 pages
46 colour photographs
300mm x 290mm
ISBN: 978-1-899235-41-4
2006 WINNER
BEIJING: THEATRE OF
THE PEOPLE
Ambroise Tézenas
£25.00 / $45.00
Hardback, 120 pages
70 colour photographs
270mm x 295mm
ISBN: 978-1-904587-36-1
2001 WINNER
INNOCENT LANDSCAPES
David Farrell
£25.00 / $40.00
Hardback, 112 pages
65 colour photographs
225mm x 300mm
ISBN: 978-1-899235-88-9
1996 WINNER
HAITI
Bruce Gilden
£25.00 / $45.00
Hardback, 120 pages
70 duotone photographs
332mm x 250mm
ISBN: 978-1-899235-55-1
2005 WINNER
PARADISO
Lorenzo Castore
£25.00 / $45.00
Hardback, 120 pages
50 colour photographs
300mm x 210mm
ISBN: 978-1-904587-26-2
2000 WINNER
KARENNI
Dean Chapman
£25.00 / $45.00
Hardback, 128 pages
100 duotone photographs
210mm x 285mm
ISBN: 978-1-899235-96-4
1995 WINNER
STORIES OF WOMEN
Shanta Rao
£25.00 / $45.00
Hardback, 136 pages
100 duotone photographs
286mm x 248mm
ISBN: 978-1899235-30-8
2009 WINNER
EAST TO EAST
Klavdji Sluban
£30.00 / $48.00
Hardback, 120 pages
70 tritone photographs
270mm x 290mm
ISBN: 978-1-904587-84-2
2004 WINNER
THE DODO
Harri Kallio
£25.00 / $45.00
Hardback, 104 pages
150 colour photographs
240mm x 300mm
ISBN: 978-1-904587-13-2
Out of print
1999 WINNER
NATURE OF THE BEAST
Alfons Alt
£25.00 / $40.00
Hardback 140 pages
80 colour photographs
310mm x 245mm
ISBN: 978-1-899235-43-8
1994 WINNER
CHILDREN OF BOMBAY
Dario Mitidieri
£25.00 / $45.00 Hardback
£15.00 softback
160 pages, 69 tritones
280mm x 240mm
ISBN: 978-1-899235-00-1 (h/b)
ISBN: 978-1-899235-01-8 (s/b)

MOUTHPIECE
Justin Quinnell
£9.99 / $15.00
Hardback, 96 pages
60 colour photographs
115mm x 150mm
ISBN: 978-1-904587-33-0
DIALOGUE WITH
PHOTOGRAPHY
Paul Hill & Thomas
Cooper
£12.99 / $25.00
Softback, 352 pages
234mm x 156mm
ISBN: 978-1-899235-61-2
NOT HERE NOT THERE
Harvey Benge
£15.95 / $29.95
Softback, 112 pages
73 colour photographs
290mm x 235mm
ISBN: 978-1-899235-76-6
A FEW STREETS A
FEW PEOPLE
John Comino-James
£19.99 / $35.00
Hardback, 156 pages
121 duotone photographs
225mm x 245mm
ISBN: 978-1-904587-34-7
Text in English and Spanish
EVERYDAY DADA
Sian Bonnell
£9.99 / $15.00
Hardback, 96 pages
55 colour photographs
115mm x 150mm
ISBN: 978-1-904587-31-6
THE SOMNAMBULISTS
Joanna Kane
£19.99 / $40.00
Hardback, 112 pages
53 duotone photographs
297mm x 240mm
ISBN: 978-1-904587-56-9
LUCKY BOX – A GUIDE
TO MODERN LIVING
Harvey Benge
£19.99 / $35.00
Hardback, 112 pages
88 colour photographs
260mm x 195mm
ISBN: 978-1-899235-93-3
BEYOND THE
IMAGINARY GATES
Iain Brownlie Roy
£30.00 / $49.95
Hardback, 176 pages
120 duotone photographs
250mm x 295mm
ISBN: 978-1-904587-06-4
Not available in Germany
HOMES FIT FOR
HEROES
Bill Brandt
£15.99 / $29.95
Hardback, 112 pages
83 duotone photographs
240mm x 170mm
ISBN: 978-1-904587-07-1
ROUGH BEAUTY
Dave Anderson
£25.00 / $40.00
Hardback, 120 pages
90 duotone photographs
250mm x 250mm
ISBN: 978-1-904587-29-3
Not available in France, The
Netherlands
VITAL SIGNS
Harvey Benge
£19.99 / $35.00
Hardback, 128 pages
62 colour photographs
265mm x 200mm
ISBN: 978-1-899235-47-6
SHADOWS OF SILENCE
John Demos
£30.00 / $50.00
Hardback, 144 pages
80 tritone photographs
312mm x 276mm
ISBN: 978-9-608744-22-6
Not available in Italy, Greece
A RECORD OF ENGLAND
Sir Benjamin Stone
£19.99 / $35.00
Hardback, 156 pages
122 duotone photographs
225mm x 245mm
ISBN: 978-1-904587-37-8
DARK DAYS
John Darwell
£25.00 / $45.00
Hardback, 176 pages
138 colour photographs
240mm x 295mm
ISBN: 978-1-904587-42-2
IN A VERY ENGLISH
TOWN
John Comino-James
£19.99
Hardback, 168 pages
110 duotone photographs
160mm x 295mm
ISBN: 978-1-904587-72-9
STEAM
Stephen Dupont
£19.95 / $35.00
Hardback, 100 pages
65 duotone photographs
290mm x 240mm
ISBN: 978-1-899235-27-8
LONDON
Sergio Larrain
£12.95 / $24.95
Softback, 64 pages
41 duotone photographs
235mm x 165mm
ISBN: 978-1-899235-71-1
KNOCK THREE TIMES
Chris Coekin
£16.99 / $30.00
Hardback, 96 pages
60 colour photographs
250mm x 250mm
ISBN: 978-1-904587-28-6
FAIRGROUND
ATTRACTION
John Comino-James
£30.00
Hardback, 168 pages
190 duotone photographs
240mm x 285mm
ISBN: 978-1-899235-74-2
AMERICA’S IDEA OF A
GOOD TIME
Kate Schermerhorn
£12.99 / $19.95
Softback, 96 pages
104 duotone photographs
205mm x 230mm
ISBN: 978-1-899235-48-3
CONSUMING THE
AMERICAN
LANDSCAPE
John Ganis
£30.00 / $50.00
Hardback, 144 pages
86 colour photographs
245mm x 320mm
ISBN: 978-1-904587-00-2
OFF STAGE
Cambridge Jones
£19.99 / $35.00
Hardback, 160 pages
100 duotone photographs
280mm x 225mm
ISBN: 978-0-954684-32-7
AFTER THE OFF
Bruce Gilden
Story by Dermot Healy
£30.00 / $49.95
Hardback, 120 pages
55 duotone photographs
336mm x 246mm
ISBN: 978-1-899235-17-9
RETURN OF THE MAYA
Thomas Hoepker
£25.00
Hardback, 160 pages
120 colour photographs
282mm x 222mm
ISBN: 978-1-899235-81-0
Not available in the USA
UNMADE BEDS
Nicholas Barker
£12.95 / $20.00
Softback, 88 pages
140 colour photographs
170mm x 245mm
ISBN: 978-1-899235-26-1
ILLUSTRATION OF LIFE
Max Kandhola
£20.00
Hardback, 64 pages
42 colour photographs
260mm x 235mm
ISBN 978-0-935445-28-2
Not available in USA
HOTEL AFRIQUE
Stuart Franklin
£16.99 / $35.00
Hardback, 48 pages
48 colour photographs
336mm x 243mm
ISBN: 978-1904587-52-1
THE CLOSE SEASON
Ken Grant
£25.00 / $40.00
Hardback, 104 pages
60 duotone photographs
245mm x 300mm
ISBN: 978-1-899235-04-9
VERY SIMILAR
Frank Horvat
£15.00 / $25.00
Hardback, 88 pages
36 colour photographs
230mm x 165mm
ISBN: 978-1-899235-57-5
Not available in Italy
WRITING IN THE SAND
Sirkka-Liisa Konttinen
£15.99 / $27.50
Hardback, 120 pages
90 tritone photographs
197mm x 243mm
ISBN: 978-1-899235-97-1
Not available in Finland & Sweden
LOVE, POWER,
SACRIFICE
John Angerson
£12.99 / $25.00
Hardback, 64 pages
38 duotone photographs
225mm x 247mm
ISBN: 978-1-904587-48-4
I AM
Allan Grainger
Introduced by Ivor Cutler
£16.99 / $29.95
Hardback, 68 pages
290mm x 235mm
40 duotone & colour
ISBN: 978-1-899235-13-1
1999: A DAILY REPORT
Frank Horvat
£16.99 / $30.00
Softback, 560 pages
460 colour photographs
141mm x 196mm
ISBN: 978-1-899235-18-6
Not available in Germany &
France
CROSSING THE LINE
Sara Davidmann
£15.99 / $28.00
Hardback, 96 pages
64 colour photographs
235mm x 170mm
ISBN: 978-1-899235-39-1
LANDMARKS
Fay Godwin
£25.00 / $45.00
Hardback, 184 pages
150 photographs
240mm x 230mm
ISBN: 1-899235-73-6
CALCUTTA BOMBAY
Andreas Herzau
£16.99 / $30.00
Hardback, 108 pages
120 B&W photographs
210mm x 300mm
ISBN: 978-1-904587-22-4
Not available in Germany
ANATOMY LESSONS
Karen Ingham
£14.99 / $30.00
Hardback, 64 pages
42 colour photographs
200mm x 210mm
ISBN: 978-1-904587-14-9
THE ETERNAL LIGHT
Arlene Gottfried
£14.99 / $29.95
Hardback, 80 pages
60 colour photographs
200mm x 295mm
ISBN: 978-1-899235-32-2
HAVANA
Burt Glinn
£25.00
Hardback, 128 pages
83 photographs
298mm x 217mm
ISBN: 978-1-899235-19-3
(Bilingual English/Spanish)
LOST & FOUND
IN AMERICA
Edited by Lenny Gottlieb
£16.99/ $30.00
Hardback, 160 pages
150 colour photographs
240mm x 170mm
ISBN: 978-1-904587-11-8
Not available in Germany

ANGOLA
Sean Sutton
£25.00 / $45.00
Hardback, 144 Pages
86 duotone photographs
265mm x 240mm
ISBN: 978-1-904587-43-9
In association with MAG &
ECHO
CARNAVAL
Claudio Edinger
£25.00
Hardback, 112 pages
86 duotone photographs
300mm x 245mm
ISBN: 978-1-899235-60-5
Not available in the USA
EARTH FORMS
Stephen Strom
£25.00 / $45.00
Hardback, 96 pages
46 colour photgraphs
295mm x 295mmm
ISBN: 978-1-904587-74-3
TRIP
Susan Lipper
£25.00
Hardback, 112 pages
50 duotone photographs
240mm x 280mm
ISBN: 978-1-899235-52-0
Not available in the USA
ASIANS IN BRITAIN
Tim Smith/Naseem Khan
£15.99
Hardback, 132 pages
120 duotone photographs
220mm x 245mm
ISBN: 978-1-904587-09-5
In association with Bradford
Heritage Recording Unit
OLD HAVANA
Claudio Edinger
£25.00
Hardback, 144 pages
82 colour photographs
250mm x 250mm
ISBN: 978-1-899235-36-0
Not available in the USA
TIME|MOTION
Jonathan Shaw,
Eadweard Muybridge,
Harold Edgerton
£14.99 / $25.00
Hardback, 96 pages
60 photographs
165mm x 235mm
ISBN: 978-1-904587-04-0
In association with Birmingham
Library Services & Birmingham
Museums & Art Gallery
PETS
Sue Packer
£11.99 / $20.00
Hardback, 96 pages
50 duotone photographs
170mm x 170mm
ISBN: 978-1-904587-03-3
BABY
Sirish Rao
£11.99 / $18.00
Padded hardback,120 pages
100 colour plates
170mm x 170mm
ISBN: 978-1-904587-01-9
In association with Tara Publishing
MADNESS
Claudio Edinger
£20.00
Hardback, 72 pages
41 duotone photographs
257mm x 251mm
ISBN: 978-1-899235-31-5
Not available in the USA
DRIVING BLIND
A.J.Wilkinson &
Richard James McCann
£14.99
Flexicover, 160 pages
80 duotone photographs
165mm x 120mm
ISBN: 978-1-904587-10-1
With support from Arts Council
England
PERCEPTIONS OF PAIN
Deborah Padfield
£14.99
Hardback, 128 pages
66 colour photographs
240mm x 170mm
ISBN: 978-1-904587-02-6
I LOVE MY INDIA
Avinash Veerarghavan
£16.99
Flexicover, 104 pages
104 colour illustrations
295mm x 210mm
ISBN: 978-1-904587-08-8
In association with Tara
Publishing
ON PHYSICS
Naglaa Walker
£19.99 / $35.00
Hardback,104 pages
60 colour photographs
297mm x 210mm
ISBN: 978-1-904587-15-6
Collectors Edition also available,
price £100
THE ISLAND OF
SICILIANS
Giuseppe Leone
£25.00
Hardback, 120 pages
70 duotone photographs
240mm x 210mm
ISBN: 978-1-899235-35-3
Not available in Italy
LABYRINTH
Dolorès Marat
£12.99 / $19.99
Softback, 48 pages
53 colour photographs
230mm x 162mm
ISBN: 978-1-899235-68-1
TWINSPOTTING
Ketaki Sheth
Foreword Raghubir Singh
£12.99 / $23.95
Softback, 104 pages
80 duotone photographs
223mm x 195mm
ISBN: 978-1-899235-67-4
HOTEL SEVENTEEN
Jörg Fokuhl
£16.99 / $30.00
Hardback, 96 pages
72 colour photographs
245mm x 245mm
ISBN: 978-1-899235-03-2
Not available in Germany
IRELAND
Klaus D.Francke
£30.00 / $45.00
Hardback, 120 pages
72 colour photos
320mm x 295mm
ISBN: 978-1-899235-37-7
EDGES
Dolorès Marat
£35.00 / $55.00
Hardback, 160 pages
104 colour photographs
310mm x 235mm
ISBN: 978-1-899235-15-5
OUT OF PRINT
Diamond Matters, Kadir van Lohuizen
Hardback, part suede bound
216 pages, 100 photos, 120mm x 110mm
ISBN: 978-1-904587-23-1
All Zones Off Peak, Tom Wood
Hardback, 96 pages, 251mm x 305mm
ISBN: 978-1-899235-86-5
Legacy, John Darwell
Hardback, 54 pages
36 colour photos, 165mm x 235mm
ISBN: 978-1-899235-58-2
New York, William Klein
Hardback, 254 pages, 350mm x 256mm
ISBN: 978-1-899235-25-4
Shanghai Odyssey, Homer Sykes
Hardback, 160 pages
80 duotone photographs, 300mm x 230mm
ISBN: 978-1-899235-14-8
A People Called Palestine, John Tordai
Softback, 96 pages, 225mm x 165mm
55 duotone photographs
ISBN: 978-1-899235-53-7
Naked in Paradise
Michael von Graffenreid
Hardback, 112 pages, 330mm x 235mm
87 duotone photographs
ISBN: 978-1-899235-85-8
SALES AND DISTRIBUTION
United Kingdom & Eire
Turnaround Publisher Services
Unit 3, Olympia Trading Estate
Coburg Road, Wood Green
London N22 6TZ
England
Telephone: +44 (0)20 8829 3000
Fax: +44 (0)20 8881 5088
Email: orders@turnaround-uk.com
Web: www.turnaround-psl.com
United States & Canada
Consortium Book Sales & Distribution
The Keg House
34 Thirteenth Avenue NE, Suite 101
Minneapolis, MN 55413
United States
Telephone: +1 612 746 2600
Fax: +1 612 746 2606
Email: consortium@cbsd.com
Web: www.cbsd.com
Germany, Austria, Switzerland
Vice Versa Vertrieb
Immanuelkirchstr. 12
D-10405 Berlin
Germany
T +49-30-616 092 36
F +49-30-616 092 38
Contact: Simone Kempert
Email: s.kempert@vice-versa-vertrieb.de
www.vice-versa-vertrieb.de
The following titles are now out of print. If you wish to acquire these please contact us as it is sometimes
possible to track down copies though prices will be considerably higher than the original retail price.
Pictures Without Borders, Steve Horn
Hardback, 144 pages, 220mm x 250mm
85 duotone photographs
ISBN: 978-1-904587-20-0
51 Photographs In Black & White
Frank Horvat
Softback, 72 pages, 240mm x 210mm
51 duotone photographs
ISBN: 978-1-899235-46-9
Facing New York, Bruce Gilden
Hardback, 96 pages, 340mm x 252mm
44 duotone photographs
ISBN: 978-0-948797-07-1
Rehearsal, Eleni Leoussi
Hardback, 136 pages, 332mm x 250mm
96 duotone photographs
ISBN: 978-1-899235-02-5
Hong Kong, Ed van der Elsken
Hardback, 120 pages, 300mm x 300mm
100 duotone photographs
ISBN: 978-1-899235-80-3
As I Was Dying, Paulo Pellegrin
Hardback, 140 pages, 301mm x 244mm
70 duotone photographs
ISBN: 978-1-904587-55-2
France, Belgium & Eastern Europe
Michael Geoghegan
14 Frognal Gardens
London NW3 6UX
England
Telephone: +44 (0)20 7435 1662
Fax: +44 (0)20 7435 0180
Email: michael@geoghegan.me.uk
Italy, Malta, Greece.
Bookport Associates
Via Luigi Salma, 7
20094 Corsico (MI)
Italy
Telephone: +39 02 4510 3601
Fax: +39 02 4510 6426
Email: bookport@bookport.it
Spain and Portugal
Peter Prout
Iberian Book
Sector Islas, 12, 1B
28760 Tres Cantos (Madrid)
Spain
Telephone: +34 91 803 4918
Fax: +34 91 803 5936
Email: pprout@telefonica.net
Africa, Middle East
Tony Moggach
IMA
PO Box 8734
London SE21 7ZF
Email: tonymoggach@tonymoggach.com
The Midland Hotel, Simon Webb
Hardback, 108 pages, 215mm x 290mm
60 colour photographs
ISBN: 978-1-904587-61-3
White Sea Black Sea, Jens Olaf Lasthein
Hardback, 178 pages, 240mm x 300mm
80 colour panorama photographs
ISBN: 978-1-904587-60-6
I Tokyo, Jacob Aue Sobol
Hardback, 112 pages, 300mm x 227mm
70 tritone photographs
ISBN: 978-1-904587-68-2
Once Upon A Time In Wales, Robert Haines
Hardback, 96 pages, 225mm x 215mm
71 duotone photographs
ISBN: 978-1-904587-57-6
Between Dogs & Wolves, Jodi Bieber
Hardback, 144 pages, 200mm x 150mm
80 duotone photographs
ISBN: 978-1-904587-32-3
Queries for other countries and orders
from individuals should be directed to:
Turnaround Publisher Services
Unit 3, Olympia Trading Estate
Coburg Road, Wood Green
London N22 6TZ
Telephone: +44 (0)20 8829 3000
Fax: +44 (0)20 8881 5088
Email: orders@turnaround-uk.com
For further information visit the website
www.dewilewispublishing.com
For all other queries please contact:
Dewi Lewis Publishing
8 Broomfield Road
Heaton Moor
Stockport SK4 4ND
England
Telephone: +44 (0)161 442 9450
Fax: +44 (0)161 442 9450
Email: mail@dewilewispublishing.com
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