Upcoming Events - Mvilledth.org
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Manhattanville College Department of Dance & Theatre<br />
The Living Theatre<br />
THEATRE OF PROTEST: PERFORMANCE FOR THE ENVIRONMENT<br />
LECTURE / DISCUSSION: FRIDAY • APRIL 7 • 7:00 PM • EAST LIBRARY<br />
PERFORMANCE: SUNDAY • APRIL 9 • 3:00 PM • DANCE STUDIO<br />
Cabaret Performance<br />
TUESDAY • APRIL 18 • 8:00 & 10:00 PM • WEST ROOM<br />
Dance & Theatre SR Thesis Festival<br />
WEDNESDAY - SUNDAY • APRIL 19 - 23<br />
[EXCEPT FOR SATURDAY, APRIL 22, 2006]<br />
FOR TIME & PLACE, PLEASE CHECK OUR WEBSITE<br />
“14”<br />
DIRECTED BY LOUAY ASSAF<br />
<strong>Upcoming</strong> <strong>Events</strong><br />
WEDNESDAY - FRIDAY • APRIL 26 - 28 • 8:00 PM<br />
LITTLE THEATRE • BROWNSON HALL<br />
RESERVATIONS 914.323.7175<br />
All events are subject to change. Please call 914.323.5458<br />
or visit our website www.mville.edu/DanceTheatre<br />
for updates and all other information.<br />
Manhattanville College Department of Dance & Theatre<br />
2900 Purchase Street, Purchase, NY 10577 · Phone: 914.323.5458 · Fax: 914.323.7293<br />
DanceTheatre@mville.edu · www.mville.edu/DanceTheatre
Manhattanville College Department of Dance & Theatre Presents<br />
Spring 2006 Dance Concert<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
Just for Fun<br />
Maiaclaire Garrison<br />
Simone Boothe, Valery Cavadini,<br />
Lysaye deWindt, Sergio Gonzalez,<br />
Darlene Jimenez, Genevieve Kelly,<br />
Toccara Labady, Cosmina LaBella,<br />
Yamarie Negron, Kirsten Thomas,<br />
Dominique Venturini, Nicole Young<br />
By Performers<br />
Sabrina Doolittle<br />
Salif Keita & Destiny‟s Child<br />
Les Femmes<br />
Deirdre Dillon<br />
Deirdre Dillon, Emily Sasson,<br />
Heather Woodward<br />
Deirdre Dillon<br />
Sabrina Doolittle<br />
Mac The Knife / What I'd Say<br />
by Bobby Darren<br />
Gracias a la vida<br />
Neta Pulvermacher<br />
Ashley Albonetti, Kristen Briscoe,<br />
Valery Cavadini, Alexa Conway,<br />
Taylor Donofrio, Katherine Johnson,<br />
Genevieve Kelly, Katelyn Merrill,<br />
Lauren Morrone, Kathryn Richard,<br />
Emily Sasson<br />
Neta Pulvermacher & Performers<br />
Michael Lounsbery<br />
Yasmin Levi<br />
PRODUCER/ARTISTIC DIRECTOR<br />
TECHNICAL DIRECTOR<br />
PRODUCTION STAGE MANAGERS<br />
Production Staff<br />
COSTUME SHOP SUPERVISORS<br />
LIGHT BOARD OPERATOR<br />
SOUND BOARD OPERATOR<br />
STAGE CREW<br />
HOUSE MANAGER<br />
BOX OFFICE<br />
POSTER IMAGE<br />
POSTER & PROGRAM LAYOUT<br />
VIDEOGRAPHER<br />
PHOTOGRAPHER<br />
Valerie Pullman<br />
Michael Lounsbery<br />
Michael Kendrick & Lucy McRae<br />
Meredith Leo, Hannah Merrill,<br />
Lexi Pelayo<br />
Tracy Hoyos<br />
Amy Berman<br />
Amy Berman, Deirdre Dillon,<br />
Vanessa Gibens, Tracy Hoyos,<br />
Robyn Kreppel, Nadilynn Melendez,<br />
Monica Moreau, Emily Sasson,<br />
Marie Stewart<br />
Savannah Bodnar & Marie Stewart<br />
Lucy McRae, Kathryn Richard,<br />
Brigitte Mulholland<br />
Mark Kornbluth<br />
Claudia Flores-Aldana<br />
Arthur Fredric<br />
Michael Lounsbery<br />
Acknowledgements & Thanks<br />
President Richard Berman, Provost Michael Sperling,<br />
Vice President Mary Corrarino, Professor Ara Fitzgerald.
Biographies Cont...<br />
berg Center in Philadelphia, Wortham Theater in Houston, Sunset Arts Center<br />
in Carmel, CA, Kohler Arts Center in Wisconsin, New Orleans Performing Arts<br />
Center and COCA in St. Louis, among many others. Stenn has been a contributing<br />
editor at Dancemagazine and the Dance Insider, and has written for the<br />
Brooklyn Rail and International Journal of Dance. She is a teaching artist for<br />
The Joyce Theater, continues to teach residencies at the Lincoln Center Open<br />
Stages Program, and is on the faculty of the New School in New York City.<br />
Stenn is the proud mother of Jonah Jude Weissman, age 3. She is delighted to<br />
be<br />
M<br />
working with Keely Garfield.<br />
ichael Lounsbery, Lighting Designer, Technical Director,<br />
holds an MFA in Light and Sound Design from the University<br />
of Memphis and a BA in Fine Arts from St, Michael‟s College. He has designed<br />
lights and sound for such theatres as Northern Stage, Vermont Stage, Memphis<br />
Black Rep, University of Vermont, St. Michael's Playhouse, Smith College,<br />
Pioneer Valley Summer Theatre and New Century Theatre. Some of his favorite<br />
designs include lights for Jesus Christ Superstar, Soul Repairs, Lobby Hero<br />
and A Streetcar Named Desire. His favorite sound deigns were for A Midsummer<br />
Nights Dream, Death and the Maiden, A Piece of My Heart and Equus.<br />
Michael has worked on various theatre renovation projects and in his free<br />
time enjoys swimming with free-range clams and observing apes in the wild.<br />
L iz Prince, Costume Design, had the pleasure of working with Keely<br />
Garfield previously and is happy to be working with her again at Manhattanville<br />
College. She has worked extensively with Bill T. Jones designing<br />
for his works on his company, Boston Ballet, Berlin Opera Ballet and Alvin<br />
Ailey American Dance. Other work includes designing for works by: Doug<br />
Varone (Doug Varone and Dancers, Jose Limon Dance Company, Dayton Contemporary<br />
Dance), Mark Dendy (Dendy Dance, Pacific Northwest Ballet, Dortmund<br />
Theater Ballet), Trey McIntyre (Washington Ballet, PHILADANCO, Pennsylvania<br />
Ballet, Houston Ballet), Mikhail Baryshnikov's White Oak Dance Project,<br />
PILOBOLUS Dance Theatre, Bill Irwin, Neil Greenberg, Ralph Lemon,<br />
Jane Comfort, Lenora Champagne, Bebe Miller, Sarah East Johnson, Gerard<br />
Alessandrini (MOBIL Masterpiece Theater Celebrates 20 Years on PBS), David<br />
Dorfman, Patricia Hoffbauer, Jennifer Monson, Lawrence Goldhuber and<br />
Keely Garfield. Photographs of Prince's costumes and sketches for Ralph<br />
Lemon's GEOGRAPHY were recently published by Theater Communication<br />
Group as part of THE PRODUCTION NOTEBOOKS volume II, edited by Mark Bly.<br />
Her work has been exhibited at the New York Public Library for the Perform-<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
Going for a Ride<br />
Stephanie M. Quinn<br />
Stephanie M. Quinn & Elizabeth Ferrante<br />
Stephanie M. Quinn & Elizabeth Ferrante<br />
Sabrina Doolittle<br />
Serenity & Going for a Ride<br />
by David Newman<br />
Conversations<br />
Barbara Duffy<br />
Alissa Chikeles, Lauren Cieremans,<br />
Alexa Conway, Jennifer Franzetti,<br />
Colleen Gallagher, Genevieve Kelly,<br />
Angela Luciani, Jessica Muoio,<br />
Adrienne Reid, Heather Woodward<br />
Liz Prince<br />
Michael Lounsbery<br />
How Could You Do A Thing Like That to<br />
Me? by Tyree Glenn & Allan Roberts<br />
Constellation / Eclipse<br />
(THURSDAY ONLY)<br />
K.J. Holmes & Jordan Fuchs<br />
K.J. Holmes & Jordan Fuchs<br />
K.J. Holmes & Jordan Fuchs<br />
Michael Lounsbery<br />
Constellation May 24, 2000<br />
Trumpets: Roy Campbell, Baikida Carroll,<br />
and Dave Douglas<br />
Drums/Cello: Eliott Kavee<br />
Special Notes: CONSTELLATION, conceived of and directed by K.J. Holmes,<br />
began in 1999 after she witnessed a lunar eclipse off the coast of Oregon<br />
and shortly afterward heard trumpeters Dave Douglas, Roy Campbell, and<br />
Cuong Vu play at a club. There was something dynamically physical and<br />
kinesthetic at both events that propelled Holmes to create a dance that<br />
explored these shifting alignments of sound, movement, and light. She<br />
began a collaboration with musicians and other dancers that eventually<br />
came to be called CONSTELLATION. Tonight‟s performance is a phase of<br />
CONSTELLATION entitled “Eclipse” that brings the dance back to its original<br />
image of aspects of light and dark, using the soundtrack from a live<br />
performance of CONSTELLATION at the Vision Festival, 2000.
My Father Was A Spanish Captain (1996)<br />
(FRIDAY ONLY)<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
LIGHTING DESIGN<br />
MUSIC<br />
Keely Garfield<br />
Keely Garfield & Rebecca Stenn<br />
Michael Lounsbery<br />
Eddie Fisher, Frank Sinatra, Bing Crosby,<br />
The Mills Brothers<br />
Intermission<br />
La Corsare / On the Sea Shore<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
CHOREOGRAPHY<br />
PERFORMERS<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
Anchors away and here we go,<br />
underdogs in undertow.<br />
Surface with no sight of land,<br />
underfoot and underhand.<br />
Made possible in part with support from The Harkness Foundation<br />
for Dance. Special thanks to dear Rebecca!<br />
Andrei Kisselev<br />
Ashley Albonetti, Kristen Briscoe,<br />
Alissa Chikeles, Alexa Conway,<br />
Katherine Johnson, Paige Levine,<br />
Katelyn Merrill<br />
Liz Prince<br />
Michael Lounsbery<br />
Adolphe Adam<br />
Fire & Flow<br />
Kelly Scallion<br />
Deirdre Dillon, Katherine Johnson,<br />
Cosmina LaBella, Emily Sasson,<br />
Kelly Scallion, Christin Wagner,<br />
Erika Werbeck, Heather Woodward<br />
Katherine Johnson & Kelly Scallion<br />
Michael Lounsbery<br />
Sinner Man by Nina Simone<br />
Biographies Cont...<br />
N eta Pulvermacher, Choreographer, performer, teacher; producer<br />
born and raised in Kibbutz Lehavot Habashan, Israel;<br />
graduated from Juilliard in 1985. She is the Artistic Director of The Neta<br />
Dance Company for which she has created over 55 works. Neta is a DNA Artist<br />
in residence in NYC for 2005/06 and is the curator/founder of The A.W.A.R.D.<br />
Show! @ Joyce Soho. She has choreographed for Ballet Arizona, Ballet New<br />
England, Vertigo Dance Company (Israel), The Repertory Project in Ohio,<br />
Ballet Wisconsin, the School Ensemble of Dance Theater Of Harlem, The<br />
Yard, The Alvin Ailey School, the American Dance Festival, the North Carolina<br />
School of the Arts, Roger Williams University and numerous university dance<br />
programs. Her works have been presented at Dance Theater Workshop, Danspace<br />
Project, The Joyce Theater, the 92nd Street Y Harkness Dance Series,<br />
The Knitting Factory, Merkin Concert Hall, Symphony Space, The Miller Theater,<br />
The Flea Theater, Joe's Pub, The Kitchen, and Central Park‟s Summer-<br />
Stage, among others; her company has appeared Internationally and nationally<br />
at the Israel Festival, the Krakow Festival, The Bytom International Festival<br />
of Modern Dance, the International Festival of the Arts (Costa Rica) and<br />
Belarus. She has received choreography fellowships from the NEA and NYFA ,<br />
a special choreography award from Bessie Schönberg and numerous grants<br />
and fellowships; noted for her collaborations with musicians such as John<br />
Zorn, Roy Nathanson, Miri Ben-Ari, Yuval Gabay, the English rock band XTC.<br />
Neta is on the faculty of Manhattanville College and has taught at Barnard<br />
College, Princeton University and Hollins University among others. She has<br />
choreographed for the forthcoming Mira Nair‟s film, The Namesake; ADF faculty<br />
‟01, ‟03, ‟05 and again 06 and an MFA candidate at the new Hollins/ADF<br />
Program.<br />
R ebecca Stenn, dancer, choreographer, earned a B.F.A. in<br />
dance from the Juilliard School. As a principal dancer with<br />
Momix Dance Theatre from 1989 to 1996, Stenn performed in over 40 countries<br />
and throughout the U.S. and appeared as a featured performer in films<br />
for Italian, Spanish and French television. Stenn is a founding member of Pilobolus<br />
Too. With Pilobolus, she has created numerous works for the repertoire,<br />
a piece for the Radio City Rockettes, and has toured throughout the<br />
world. Stenn founded her own group, Rebecca Stenn Company in 1995. The<br />
company has since performed to critical and popular acclaim in national and<br />
international venues such as The Joyce Theater, The Kitchen, Danspace Project,<br />
Joyce Soho, The Winter Garden at The World Financial Center and DTW<br />
in New York City and The Copenhagen Festival, Jacob‟s Pillow, The Annen-
Biographies Cont...<br />
process and performance since 1981. She teaches, directs and performs at<br />
festivals, universities and venues throughout the world, as a soloist and in her<br />
collaborations with artists such as Simone Forti, Image Lab (Lisa Nelson,<br />
Karen Nelson and Scott Smith) and in the work of Steve Paxton. A 1999 graduate<br />
of the certificate program of the School for Body-Mind Centering , K.J. is<br />
adjunct faculty at NYU/ETW, continues to teach in NYC through Movement<br />
Research where she was an artist in residence 1993-94 and at Trisha Brown<br />
studio and Panetta Movement Center, and has a private practice in Dynamic<br />
Alignment and Re-Integration in Brooklyn where she lives. She is teaching a<br />
course on Contact Improvisation this semester at Manhattanville.<br />
A ndrei Kisselev, Choreographer, Ballet, was born in Moscow, Russia<br />
and began his career at an early age receiving intensive<br />
training in ballet by Andrei Ledyakhov (Bolshoi Theater). In 1992 he received<br />
a diploma from the Russian Conservatory of Culture and Arts after four years<br />
of study as balletmaster and choreographer. In the same year of graduation,<br />
Andrei joined the world renowned Moyseev Dance Company. After one year<br />
he became a principal dancer with the company and was invited to teach the<br />
ballet classes for the company. In 1995 Andrei was discovered by the producers<br />
of Riverdance and for the next four years he performed with this international<br />
hit show in the USA, Canada, England, Ireland, Germany, Belgium, culminating<br />
in a two-year highly successful Broadway production. As performer<br />
and dance captain for the Russian segment of the production, Andrei was also<br />
ballet instructor for the Irish dancers and played a pivotal role as a Riverdance<br />
choreographer. Settling in New York in 2001, Andrei continues to<br />
dance and perform as principal dancer with Rebecca Kelly Ballet, Connecticut<br />
Ballet, Kentucky Ballet, New Jersey Ballet, Eglevsky Ballet, Ballet Ambassadors,<br />
and Brynsky Ballet. His Ballet roles have included Nutcracker<br />
(Cavalier), Swan Lake (Prince), Copppelia (Franz), Romeo and Juliet (Romeo),<br />
Carmen (Toreador). His vast teaching experience includes the Rebecca Kelly<br />
Ballet (company classes), Summer Camp Youth Ballet, Connecticut Ballet<br />
(company classes and advanced intermediate classes) and teaching at all<br />
levels in ballet schools such as LA Dance (Staten Island), LEGGZ Ltd (Long<br />
Island) American Dance Theater (Long Island) and Dance USA (Long Island).<br />
Andrei also participates in the Ballet Ambassador Public School Educational<br />
Program, which brings education in dance to public schools in the New York<br />
area.<br />
CHOREOGRAPHY<br />
PERFORMER<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
Mystified<br />
Christin Wagner<br />
Christin Wagner<br />
Christin Wagner<br />
Sabrina Doolittle<br />
Dambalon by Issa Bagayogo<br />
Dissolved Girl (Premiere)<br />
CHOREOGRAPHY<br />
PERFORMER<br />
COSTUME DESIGN<br />
LIGHTING DESIGN<br />
MUSIC<br />
glimpsed the forest for the trees<br />
in the wildwood made a clearing<br />
found you hiding in plain sight<br />
and saw you disappearing<br />
Keely Garfield<br />
Ashley Albonetti, Kristen Briscoe,<br />
Alissa Chikeles, Taylor Donofrio,<br />
Jennifer Franzetti, Erin Hayes,<br />
Katherine Johnson, Cosmina LaBella,<br />
Paige Levine, Angela Luciani,<br />
Katelyn Merrill, Lauren Morrone,<br />
Kelly Scallion, Heather Woodward<br />
Liz Prince<br />
Michael Lounsbery<br />
Sinead O‟Connor & Massive Attack<br />
Biographies<br />
V alerie Pullman, Producer/Artistic Director, Modern Dance Technique,<br />
Dance Pedagogy & Administration, is the director of the<br />
Darien Dance Center, a 750-student dance school and performance center in<br />
Darien, CT. She has a BA from Bennington College in Dance Choreography &<br />
Performance and her MA in Dance Education from Columbia University Teachers<br />
College. Her professional background includes performing with the companies<br />
of Jeff Duncan, The Yard, Ze'eva Cohen, Rudy Perez, Jody Oberfelder<br />
and her own company while in NYC and CT. Her teaching background includes<br />
positions at Florida State University, University of Bridgeport, SUNY - Empire<br />
State College, Iona College and Connecticut Dance School. Val teaches all
Biographies Cont...<br />
levels of Modern Dance Technique and Dance Education & Administration at<br />
Manhattanville College where she has been an adjunct for the past seven<br />
years. She is a Master Teacher at Yale University where she works with the<br />
"Yaledancers" and is the Dance Director at Brant Lake Dance Centre, teaching<br />
Modern Dance for the past nine summers in the Adirondacks. Val has been the<br />
recipient of individual artist grants from the Connecticut Commission on the<br />
Arts.<br />
K eely Garfield, Guest Choreographer, originally from London<br />
England, has lived in New York since 1986. Garfield has received<br />
numerous commissions for her work, and has been presented at theaters<br />
and festivals including The Joyce Theater, Dance Theater Workshop,<br />
92nd Street Y Harkness Dance Project, Performance Space 122, Dancnow/<br />
NYC, Lincoln Center (New York), The Place Theatre, Queen Elizabeth Hall<br />
(London), and Danse Vernissage (Montreal). Among other projects, Garfield<br />
has created work for ballet dancers (Dance Theatre of Harlem), antique puppets<br />
(Golem - Chechoslovak-American Marionette Theatre), musical theater<br />
(Gypsy, Sundance Theatre, Utah, Carnival, New Jersey Shakespeare Festival),<br />
children (Reel to Real), students (Barnard, University of Maryland), and MTV<br />
(Adam Ant). Garfield serves as the chair of DTW's Artist Board, and is a member<br />
of Pentacle‟s Help Desk program. Her work has been supported with<br />
funds from the Jerome Foundation, New York Foundation for the Arts (Build<br />
& Artist Fellowship), Harkness Foundation for Dance, Bossak/Heilbron Charitable<br />
Foundation, Meet The Composer, Mary Flagler Cary Charitable Trust and<br />
the American Music Center. Garfield has co-curated DTW's Family Matters<br />
series since 1997. Recent highlights include, Disturbing The Peace (Zenon<br />
Dance Company, Minneapolis), Disturbulance (DTW, NYC), Iron Lung<br />
(GroundWorks DanceTheater, OH), and a Film Project of Garfield's work commissioned<br />
by Radio Bremen/Canal Arte (Germany/France). Garfield will premiere<br />
new work at Danspace Project in March 2007. For more information<br />
visit www.KeelyGarfield.<strong>org</strong>.<br />
B arbara Duffy is “one of the most inventive tappers around….”,<br />
said Gregory Hines. Barbara‟s performance highlights include,<br />
“The Gregory Hines Show”, featured dancer, actor and choreographer, “Gala<br />
For The President”, performing with Gregory Hines before President and Mrs.<br />
Bill Clinton, and dance captain of Brenda Bufalino‟s American Tap Dance Orchestra.<br />
Barbara performs regularly as a featured soloist across the United<br />
States and overseas, including London‟s Queen Elizabeth Hall, where she was<br />
Biographies Cont...<br />
hailed as a “riveting performer” by the Independent. Barbara Duffy & Company,<br />
her own company of all women tappers, is currently touring their concert,<br />
“Stages”, which is being developed into a full-length theatrical production.<br />
A highly sought after teacher, Barbara has taught at workshops and festivals<br />
in 15 countries. Barbara is based in New York City, where she teaches<br />
regularly at Broadway Dance Center and Steps Studio. Her greatest inspirations<br />
are the late Leon Collins, Brenda Bufalino and the late Gregory Hines.<br />
J ordan Fuchs, Guest Performer, has been dancing and making dances<br />
since 1991, first in San Francisco and then, since 1998, in New York City.<br />
His company has twice been commissioned and presented by Danspace Project.<br />
He is a dance specialist in the Dance Division of the New York Public<br />
Library for the Performing Arts, as well as an adjunct lecturer at Hunter College.<br />
M<br />
He enjoys improvising with K.J.<br />
aiaclaire Garrison, Choreographer, began her performance<br />
career as a featured child acrobat with The Big Apple Circus.<br />
Daughter of celebrated Jazz bassist Jimmy Garrison (John Coltrane Quartet),<br />
she was raised in the midst of vibrant artist communities in both New York<br />
City and Rome, Italy. Upon graduating from Sarah Lawrence College she<br />
toured extensively thru out the United States, Europe, Asia, Latin America<br />
and the Caribbean with the multidisciplinary performance group Urban Bush<br />
Women. From „95-„01 she directed her own company M‟Zawa Danz, presenting<br />
her work at Aaron Davis Hall, Bennington College, City College, Central<br />
Park Summer Stage, Connecticut College, Dance Space Project, Dance Theater<br />
Workshop, Florida State University, Jacob‟s Pillow, The Kitchen, Lincoln<br />
Center Out-of-Doors, NYC Technical College, New Jersey City University,<br />
NJPAC, Playhouse 91, 651 Arts, Rutgers State University, SUNY Potsdam University,<br />
Symphony Space, Syracuse University and at the World Trade Center<br />
Plaza. Awarded three consecutive production grants from the New York Foundation<br />
for the Arts and featured on WABC‟s “New York Views” hosted by Roz<br />
Abrams, she most recently co-founded ChoreoConcepts with long time collaborator<br />
Kimani Fowlin, and is also assisting as a production coordinator for<br />
the Education Department at The Joyce Theater in New York City.<br />
K .J. Holmes, Choreographer, is an independent dancer, singer,<br />
poet and body worker who has been exploring improvisation as