Volume 21 Issue 1 - September 2015
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).
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seemed re-engaged if not re-energized. It was a generous gift to an<br />
appreciative audience who greeted the conclusion of each of the three<br />
pieces with a standing ovation.<br />
(All of which makes me look forward to Lisiecki’s December 6<br />
recital in Koerner Hall when his program will include Chopin’s 24<br />
Preludes, Mendelssohn’s Variations sérieuses and Mozart’s marvellous<br />
Piano Sonata, K331 among other works.)<br />
Paul Lewis. Still on the subject of Stratford Summer Music, on<br />
the last Thursday afternoon of July in a warm St. Andrew’s Church<br />
(hand-held fans were provided) British pianist Paul Lewis spoke to his<br />
congregation, as it were, those of us privileged to hear this supreme<br />
interpreter of Beethoven and Schubert, describing how he saw the<br />
pieces he was about to play – what he called “true peaks of the piano<br />
repertoire” – Beethoven’s last three piano sonatas.<br />
The concert turned out to be the highlight of my summer. You can<br />
read more about it in my blog on thewholenote.com. (Lewis will also<br />
be giving a recital, of Brahms, Schubert and Liszt, in Koerner Hall<br />
March 20, 2016. I already have a ticket.)<br />
Botos and Bartók. Meanwhile, the tenth anniversary season of<br />
Toronto Summer Music reached a significant climax August 6 with<br />
separate concerts late in the afternoon and into the evening. Robi<br />
Botos and Béla Bartók, two Hungarian-born émigrés to the New<br />
World, were appropriate poster boys for the well-conceived and multilayered<br />
<strong>2015</strong> TSM festival.<br />
With its extensive schedule built around a foundation of TSM<br />
Academy fellows and mentors, the concerts, masterclasses, lectures,<br />
films and open rehearsals flowed organically, buttressed by a number<br />
of additional concerts featuring special guests such as soprano Measha<br />
Brueggergosman, pianists Garrick Ohlsson, Ingrid Fliter and Danilo<br />
Pérez and the Danish String Quartet. They provided ample evidence<br />
for artistic director’s Douglas McNabney’s contention at the opening<br />
concert that TSM provides “a significant contribution to the cultural<br />
life of this city in the summer.” Not to mention a significant contribution<br />
to the life of the Academy fellows.<br />
MSOMasterworks<br />
MSOHoliday *<br />
MSOEpic<br />
thewholenote.com Sept 1 - Oct 7, <strong>2015</strong> | 17