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March 2013 - Music Connection
March 2013 - Music Connection
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NEW MUSIC CRITIQUES<br />
Production<br />
8<br />
Lyrics<br />
7<br />
Music<br />
7<br />
Vocals<br />
8<br />
Musicianship 8<br />
Thoughts In Reverse<br />
Contact: shelly@metalworksmanagement.com<br />
Web: fb.com/thoughtsinreverseband<br />
Seeking: Label<br />
Style: Progressive Metal<br />
Username: thoughts in reverse<br />
houghts In Reverse seamlessly<br />
Tblend the blasting of metalcore with<br />
the heaviest and slowest breakdowns<br />
of early hardcore. Vocalist Magee<br />
reminds us of early Misery Signals<br />
while drummer Stuhler is tenacious.<br />
"Keep it Wolf" showcases more metal<br />
with tough-guy chants… hell, even<br />
the breakdown has a breakdown.<br />
"Mentality" adds more melody and a<br />
higher screaming cameo. What stands<br />
out is TIR's determined heaviness,<br />
even when the guitars call for a clean<br />
chorus (with the exception of "Dead<br />
Poet")—which may grow to be their<br />
calling card. Keep working, guys.<br />
Production<br />
7<br />
Lyrics<br />
7<br />
Music<br />
8<br />
Vocals<br />
8<br />
Musicianship 8<br />
One Day Steady<br />
Contact: onedaysteady@gmail.com<br />
Web: reverbnation.com/onedaysteady<br />
Seeking: Label, Booking, Film/TV, Agent<br />
Style: Alt. Rock<br />
Username: onedaysteady@gmail.com<br />
T<br />
here's good material and loads of<br />
happy energy here (the drummer<br />
impresses) but it all needs more help<br />
from the production. The upbeat,<br />
organic, earnest "Dave's Song" is<br />
promising but the chorus doesn't<br />
get the push it needs. The drummer<br />
is again the MVP on "Shine," which<br />
takes too long to get to its chorus.<br />
"Break Break," however, is a funny<br />
song that morphs into a drunken<br />
frat-party singalong. Its only shortfall<br />
is the tentative guitar of singer Ryan<br />
Peters. Hire a gifted soloist, guys, and<br />
let Peters command the mic.<br />
Neverwonder<br />
Contact: dougdeutschpr@gmail.com<br />
Web: neverwonder.com<br />
Seeking: Label, Booking, Film/TV, Tour<br />
Support, Product Placement<br />
Style: Modern Rock<br />
Username: neverwonderband<br />
Campaigning for Zeros<br />
Contact: campaigningforzeros@gmail.com<br />
Web: campaigningforzeros.com<br />
Seeking: Booking<br />
Style: Alternative<br />
Username: Campaigning for Zeros<br />
Production<br />
7<br />
Lyrics<br />
7<br />
Music<br />
7<br />
Vocals<br />
9<br />
Musicianship 7<br />
straightahead rock quintet features<br />
A new lead singer Alima Soul and<br />
proves they made the right choice—<br />
the girl can really belt it on both lead<br />
and backups. The soulful ballad<br />
"Spinning" brings impressive vocal<br />
energy and varied percussion. "Help<br />
Me," however, needs more power in the<br />
chorus. "Let It Out" presents a funky<br />
rhythm vibe a la Red Hot Chili Peppers.<br />
The band's overall attack yields solid<br />
results, but for this material to stand<br />
out, these overly contained pocket<br />
players really need to step up and<br />
make something happen.<br />
Production<br />
6<br />
Lyrics<br />
7<br />
Music<br />
7<br />
Vocals<br />
8<br />
Musicianship 7<br />
n extremely '90s punk sensibility<br />
Ableeds from these basement-style<br />
recordings from Campaigning for<br />
Zeros, as in the Green Day influenced<br />
"Sour Glass." The low-fi sensibility<br />
does the band little favors, though, as<br />
their instruments, especally drums,<br />
lack power. "Multiple Attempts, Still<br />
Nothing" has a nice doubling effect in<br />
the chorus, but the track sounds as if<br />
the bassist did the mix. Eric Taylor's<br />
angsty lead vocals provide a proper<br />
edge to the proceedings, and if the<br />
band were to get into a good studio,<br />
this project would benefit greatly.<br />
Production<br />
7<br />
Lyrics<br />
7<br />
Music<br />
7<br />
Vocals<br />
7<br />
Musicianship 7<br />
Dead Legend<br />
Contact: deadlegendband@gmail.com<br />
Web: http://deadlegend.net<br />
Seeking: Label, Booking Agent, Film/TV,<br />
Distribution, Management<br />
Style: Hard Rock<br />
Username: deadlegend<br />
ith one boot firmly in the past<br />
W(early '90s), Dead Legend deliver<br />
grungy, straightforward rock that's<br />
relatable due mainly to its familiarity.<br />
"Numbers Down" shows Nico Johns'<br />
firm grip on the mic and his Axl Roseon-ritalin<br />
stance. "In America" is a<br />
heartfelt slice of love for the homeland<br />
whose guitar solo from Otis Paul Smith<br />
succeeds despite a squall of cymbals.<br />
An all-out riff-rocker, "Searching"<br />
suffers from the same affliction as the<br />
rest—a persisently muddy organ in<br />
need of EQing. We suggest using the<br />
organ only on the choruses.<br />
Production<br />
7<br />
Lyrics<br />
7<br />
Music<br />
7<br />
Vocals<br />
7<br />
Musicianship 7<br />
Shamiah Trenae<br />
Contact: mmusic4u@gmail.com<br />
Web: soundcloud.com/shamiah-trenae<br />
Seeking: Label, Distribution<br />
Style: Pop/R&B<br />
Username: shamiah trenae<br />
ennessee-based R&B/pop artist<br />
TTrenae is unable to convince us<br />
she's a viable R&B performer with<br />
her sexy/sultry "Love" and "Nothing<br />
Like This." Both are handicapped by<br />
sub-par production, including Autotune<br />
and vocal compression. Though<br />
her voice is competent she never<br />
attempts to really catch fire, seeming<br />
content to blend in. With its K-pop<br />
groove "You Can't Tell Me Nothing" is<br />
the artist's most commercially viable<br />
work, a good showcase for her as a<br />
dance/pop act, something for which<br />
she seems much better suited.<br />
SUBMISSION GUIDELINES: There is absolutely no charge for a New Music Critique. We critique recordings that have yet to connect with a label or distributor.<br />
To be considered please go to http://musicconnection.com/amp and click on “Get Reviewed.” All submissions are randomly selected and reviewed by committee.<br />
March 2013 www.musicconnection.com 51