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March 2013 - Music Connection

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NEW MUSIC CRITIQUES<br />

Production<br />

8<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

8<br />

Musicianship 8<br />

Thoughts In Reverse<br />

Contact: shelly@metalworksmanagement.com<br />

Web: fb.com/thoughtsinreverseband<br />

Seeking: Label<br />

Style: Progressive Metal<br />

Username: thoughts in reverse<br />

houghts In Reverse seamlessly<br />

Tblend the blasting of metalcore with<br />

the heaviest and slowest breakdowns<br />

of early hardcore. Vocalist Magee<br />

reminds us of early Misery Signals<br />

while drummer Stuhler is tenacious.<br />

"Keep it Wolf" showcases more metal<br />

with tough-guy chants… hell, even<br />

the breakdown has a breakdown.<br />

"Mentality" adds more melody and a<br />

higher screaming cameo. What stands<br />

out is TIR's determined heaviness,<br />

even when the guitars call for a clean<br />

chorus (with the exception of "Dead<br />

Poet")—which may grow to be their<br />

calling card. Keep working, guys.<br />

Production<br />

7<br />

Lyrics<br />

7<br />

Music<br />

8<br />

Vocals<br />

8<br />

Musicianship 8<br />

One Day Steady<br />

Contact: onedaysteady@gmail.com<br />

Web: reverbnation.com/onedaysteady<br />

Seeking: Label, Booking, Film/TV, Agent<br />

Style: Alt. Rock<br />

Username: onedaysteady@gmail.com<br />

T<br />

here's good material and loads of<br />

happy energy here (the drummer<br />

impresses) but it all needs more help<br />

from the production. The upbeat,<br />

organic, earnest "Dave's Song" is<br />

promising but the chorus doesn't<br />

get the push it needs. The drummer<br />

is again the MVP on "Shine," which<br />

takes too long to get to its chorus.<br />

"Break Break," however, is a funny<br />

song that morphs into a drunken<br />

frat-party singalong. Its only shortfall<br />

is the tentative guitar of singer Ryan<br />

Peters. Hire a gifted soloist, guys, and<br />

let Peters command the mic.<br />

Neverwonder<br />

Contact: dougdeutschpr@gmail.com<br />

Web: neverwonder.com<br />

Seeking: Label, Booking, Film/TV, Tour<br />

Support, Product Placement<br />

Style: Modern Rock<br />

Username: neverwonderband<br />

Campaigning for Zeros<br />

Contact: campaigningforzeros@gmail.com<br />

Web: campaigningforzeros.com<br />

Seeking: Booking<br />

Style: Alternative<br />

Username: Campaigning for Zeros<br />

Production<br />

7<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

9<br />

Musicianship 7<br />

straightahead rock quintet features<br />

A new lead singer Alima Soul and<br />

proves they made the right choice—<br />

the girl can really belt it on both lead<br />

and backups. The soulful ballad<br />

"Spinning" brings impressive vocal<br />

energy and varied percussion. "Help<br />

Me," however, needs more power in the<br />

chorus. "Let It Out" presents a funky<br />

rhythm vibe a la Red Hot Chili Peppers.<br />

The band's overall attack yields solid<br />

results, but for this material to stand<br />

out, these overly contained pocket<br />

players really need to step up and<br />

make something happen.<br />

Production<br />

6<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

8<br />

Musicianship 7<br />

n extremely '90s punk sensibility<br />

Ableeds from these basement-style<br />

recordings from Campaigning for<br />

Zeros, as in the Green Day influenced<br />

"Sour Glass." The low-fi sensibility<br />

does the band little favors, though, as<br />

their instruments, especally drums,<br />

lack power. "Multiple Attempts, Still<br />

Nothing" has a nice doubling effect in<br />

the chorus, but the track sounds as if<br />

the bassist did the mix. Eric Taylor's<br />

angsty lead vocals provide a proper<br />

edge to the proceedings, and if the<br />

band were to get into a good studio,<br />

this project would benefit greatly.<br />

Production<br />

7<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

7<br />

Musicianship 7<br />

Dead Legend<br />

Contact: deadlegendband@gmail.com<br />

Web: http://deadlegend.net<br />

Seeking: Label, Booking Agent, Film/TV,<br />

Distribution, Management<br />

Style: Hard Rock<br />

Username: deadlegend<br />

ith one boot firmly in the past<br />

W(early '90s), Dead Legend deliver<br />

grungy, straightforward rock that's<br />

relatable due mainly to its familiarity.<br />

"Numbers Down" shows Nico Johns'<br />

firm grip on the mic and his Axl Roseon-ritalin<br />

stance. "In America" is a<br />

heartfelt slice of love for the homeland<br />

whose guitar solo from Otis Paul Smith<br />

succeeds despite a squall of cymbals.<br />

An all-out riff-rocker, "Searching"<br />

suffers from the same affliction as the<br />

rest—a persisently muddy organ in<br />

need of EQing. We suggest using the<br />

organ only on the choruses.<br />

Production<br />

7<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

7<br />

Musicianship 7<br />

Shamiah Trenae<br />

Contact: mmusic4u@gmail.com<br />

Web: soundcloud.com/shamiah-trenae<br />

Seeking: Label, Distribution<br />

Style: Pop/R&B<br />

Username: shamiah trenae<br />

ennessee-based R&B/pop artist<br />

TTrenae is unable to convince us<br />

she's a viable R&B performer with<br />

her sexy/sultry "Love" and "Nothing<br />

Like This." Both are handicapped by<br />

sub-par production, including Autotune<br />

and vocal compression. Though<br />

her voice is competent she never<br />

attempts to really catch fire, seeming<br />

content to blend in. With its K-pop<br />

groove "You Can't Tell Me Nothing" is<br />

the artist's most commercially viable<br />

work, a good showcase for her as a<br />

dance/pop act, something for which<br />

she seems much better suited.<br />

SUBMISSION GUIDELINES: There is absolutely no charge for a New Music Critique. We critique recordings that have yet to connect with a label or distributor.<br />

To be considered please go to http://musicconnection.com/amp and click on “Get Reviewed.” All submissions are randomly selected and reviewed by committee.<br />

March 2013 www.musicconnection.com 51

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