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September 2013 - Music Connection

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Diggem<br />

Contact: diggemband@gmail.com<br />

Web: soundcloud.com<br />

Seeking: Label, Booking, Film/TV<br />

Style: Rock, Funk, Jamband<br />

Username: diggem<br />

Nathaniel Land<br />

Contact: srgvpmedia@aol.com<br />

Web: nathanielland.com<br />

Seeking: Film/TV, Reviews, Bookings<br />

Style: Pop<br />

Username: nathanielland<br />

Production<br />

7<br />

Lyrics<br />

7<br />

Music<br />

8<br />

Vocals<br />

7<br />

Musicianship 9<br />

A band of solid entertainers, Diggem's<br />

upbeat, multifaceted sounds<br />

range from the retro saloon-pop saga<br />

"Tale of Jesse," in which a female<br />

vocalist tells the tale of a dirt-bike<br />

racer; to the pop-funk "Rich Girl,"<br />

whose swaggering organ, funk-jazz<br />

horns and Lenny Kravitz-like vocal<br />

provide a mainstream party appeal;<br />

to the rousing, P-Funk soundalike,<br />

"The Get-Down." All things<br />

considered, this is a group of adept<br />

performers with a fun collection<br />

of recordings that will serve as a<br />

convincing calling card for specialevent<br />

bookings.<br />

Production<br />

9<br />

Lyrics<br />

6<br />

Music<br />

7<br />

Vocals<br />

8<br />

Musicianship 8<br />

Seasoned singer-songwriter Nathaniel<br />

Land delivers solidly crafted songs<br />

("Let's Have Breakfast In Bed")<br />

with a warm, appealing, distinctive<br />

voice. While Land makes no attempt<br />

to take the listener to new realms,<br />

his grasp of formulaic songcraft<br />

results in tunes that are generally<br />

catchy and satisfying to a grown-up<br />

audience. Land's primary weakness:<br />

his lyrics stray far too frequently into<br />

cliche. "Possibility" stands out as his<br />

strongest hook (could use backup<br />

singers, however) and could make a<br />

fitting soundtrack to a guy-losing-hisgirl<br />

sequence.<br />

Production<br />

6<br />

Lyrics<br />

8<br />

Music<br />

8<br />

Vocals<br />

7<br />

Musicianship 7<br />

Native Keys<br />

Contact: chyrsallenojan@aol.com<br />

Web: https://soundcloud.com/<br />

chrismcduffey<br />

Seeking: Label<br />

Style: Hip-Hop<br />

Username: Native Keys<br />

SoCal duo Chris McDuffy & Janvier<br />

Mason show potential on what seems a<br />

passion project steeped in early ‘90s hiphop,<br />

with even a Tim Hardaway namecheck.<br />

“Understanding Fame,” “Money”<br />

and our favorite, “Listen,” show good<br />

ideas and a higher consciousness in<br />

the lyrics. “Listen,” with its Marvin Gaye<br />

tribute, has a haunting quality. Each<br />

song, however, feels like a demo of the<br />

duo’s abilities, a showcase for a skilled<br />

producer to step in and light it up. As it is,<br />

these unpolished tracks have beats that<br />

never go stale, but consistently trample<br />

the vocals.<br />

Production<br />

7<br />

Lyrics<br />

6<br />

Music<br />

7<br />

Vocals<br />

8<br />

Musicianship 7<br />

Malynda Hale<br />

Contact: malynda@malyndahale.com<br />

Web: malyndahale.com<br />

Seeking: Mgmt, Label, Booking, Film/TV<br />

Style: Pop, R&B, Singer-Songwriter<br />

Username: malyndahale<br />

Hale has love on her mind, and<br />

with a strong, expressive and<br />

sometimes theatrical voice she<br />

makes her empassioned pleas in<br />

"Fallin'" and "Blue Eyes." While<br />

both have effective arrangements,<br />

their prospects for placement are<br />

handicapped by a couple of things:<br />

sonically they suffer due to a general<br />

muffling in the low end; and, lyrically,<br />

Hale tends to force her rhymes and<br />

be too literal, resulting in lyrics that<br />

are sappy, even for this genre. "City<br />

Lights," which conveys the singer's<br />

aspirations for a successful life, is her<br />

strongest outing.<br />

Laura Monk & High Cotton<br />

Contact: sizarx@hotmail.com<br />

Web: highcottonatl.com<br />

Seeking: Booking, Film/TV<br />

Style: AAA, Americana<br />

Username: LMHCATL<br />

Campbell Young<br />

Contact: campbelldyoung@gmail.com<br />

Web: campbellyoung.bandcamp.com<br />

Seeking: Label, Film/TV<br />

Style: Folk<br />

Username: campbelldyoung<br />

Production<br />

6<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

8<br />

Musicianship 7<br />

This Georgia foursome are warm,<br />

folksy and easygoing. "12 String" is<br />

a simple tune with retro male backup<br />

voices and bongo percussion.<br />

"Southern Belle Blues" gives Monk<br />

the spotlight, and while she has a<br />

pleasant voice, she ultimately lacks<br />

the power and push that would<br />

put the song over. In fact, a mild,<br />

passive nature infuses all of these<br />

tunes, causing them to fall short. The<br />

drums, especially, have no snap. We<br />

advise Monk to work with a vocal<br />

coach who can inspire her to take<br />

her performances, and her band, to a<br />

higher level.<br />

Production<br />

5<br />

Lyrics<br />

6<br />

Music<br />

6<br />

Vocals<br />

5<br />

Musicianship 7<br />

Oklahoma-based artist Campbell<br />

Young has a batch of raw, voiceand-acoustic-guitar<br />

songs that<br />

showcase his folk presentation with a<br />

certain pop-punk vibe. "Bipolar Love<br />

Song" could be a Bowling For Soup<br />

unplugged b-side, propelled by nerdy<br />

vocal harmonies that often flat out.<br />

"Clan of the Lonely" channels Death<br />

Cab and Plain White T's and has a<br />

vocal flatness that can at times sound<br />

charmingly sincere. These are very<br />

much "bedroom style" recordings by<br />

an artist who is trying to find himself.<br />

Keep working, man. Who knows what<br />

might happen?<br />

SUBMISSION GUIDELINES: There is absolutely no charge for a New Music Critique. We critique recordings that have yet to connect with a label or distributor.<br />

To be considered please go to http://musicconnection.com/amp and click on “Get Reviewed.” All submissions are randomly selected and reviewed by committee.<br />

musicconnection.com September 2013 51

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