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Audio Enginnering magazine December 1953 - Vintage Vacuum ...

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NEXT TIME<br />

BE SURE!<br />

Foo!ears Peerless engineers have<br />

.. ~.: ~ I; ~ .<br />

designed transformers to meet<br />

the most unusual and stringent<br />

sp ec ificat io ns subm itte d by<br />

c i v II ian man u f a cf u r e r san d<br />

government contractors, and have<br />

manufactured these transformers<br />

with tight quality cont rol. .The<br />

small difference in price means<br />

a BIG difference in performance.<br />

T<br />

ODAv'S BEST AUDIO AMPLIFIERS are becoming<br />

better and better; in fact, it is<br />

quite possible that they are-from the<br />

performance standpoint-as good as they<br />

ever need to be. Distortion is down to negligible<br />

values which cannot affect our ears;<br />

frequency curves are flat as a pancake; and<br />

output powers are more than enough. This<br />

may sound a little like the statements that<br />

were said to be made sometime in the late<br />

eighties that all the inventions that could<br />

be made were already made.<br />

That is not the sense of the remark. A<br />

good many more inventions and developments<br />

need to be made in the audio fieldnot<br />

to improve the possible quality of amplifiers,<br />

but to improve the normal individual's<br />

chances of obtaining an amplifier with optimum<br />

characteristics for something less than<br />

an arm and a leg. In other words, now<br />

that we know we can have amplifiers with<br />

fidelity better than the original music,' let's<br />

simplify and cheapen the circuits and components<br />

so that everybody can have one.<br />

One of the paradoxical reasons for high<br />

cost in amplifiers is that· the band to be<br />

transmitted must usually be very much<br />

wider than the band anyone can hear. A<br />

few amplifiers are flat up to the apparently<br />

ridiculous frequency of 100,000 cps. and<br />

more where even a bat would need a hearing<br />

aid. But this is required to provide for<br />

the large percentage of negative feedback,<br />

which is primarily responsible for high<br />

audio quality. If there is attenuation of the<br />

pass band <strong>anywhere</strong> near the ends of the<br />

audible spectrum, there will also be phase<br />

shift which spells death by oscillation to<br />

* 255 W. 84th St., New York 24 N. Y.<br />

1 Joke. No indignant letters, ple'ase!<br />

RICHARD H. DORP<br />

the feedback loops because of reversing<br />

phase at certain points.<br />

It seems to the writer that John M.<br />

Miller has struck out along the right path<br />

in his patent No. 2,652,458, which is assigned<br />

to Bendix. The patent covers an<br />

"amplifier with positive and negative feedback,"<br />

but there is as much horse sense<br />

as engineering in the approach, and more<br />

than immediately meets the eye.<br />

The advantages of negative feedback are<br />

well known-reduction of distortion of all<br />

kinds, including frequency, and ioudspeaker<br />

damping. In the last couple of years the<br />

advantages of adding positive current feedback<br />

wi thin the amplifier have come into<br />

the open; with it some of the offset in gain<br />

caused by negative voltage feedback can<br />

be reduced and the output impedance can<br />

be brought right down to zero, or even<br />

negative values, for almost perfect speaker<br />

damping. The rub is that the usual method<br />

of applying optimally large amounts of<br />

positive and negative feedback requires<br />

highly expensive output transformers and<br />

wideband coupling in all the stages.<br />

Mr. Miller's amplifier has both negative<br />

and positive feedback loops. His trick is<br />

principally (a) to recognize that with a<br />

transformer of good but not premium quality,<br />

the negative feedback wilJ, after the<br />

extremes of the audible band, turn positive :<br />

and (0) to simply incorporate a very elementary<br />

network in the positive feedback<br />

loop so that when the negative feedback<br />

tends to become positive and the positive<br />

feedback tends to become negative and keeps<br />

the amplifier form oscil1ating.<br />

Figure 1 shows the schematic diagram of<br />

an amplifier designed according to the invention.<br />

The amplifier proper (which be-<br />

0 .3<br />

SELECT Cx FOR<br />

MINIMUM VALUE AS<br />

PARASITIC<br />

.SUPPRESSORS<br />

Next time let us quote on your<br />

transformer requirements.<br />

_PEERLESS<br />

Electrical<br />

,"''''''"<br />

Products<br />

'~Uilt<br />

9356 .S!lnta Monica Blvd., Beverly Hills, Calif.<br />

161 Sixth Avenue, New York 13, New York<br />

1<br />

.-----...:.----<br />

·POSITIVE<br />

FEEOBACK,--,:;~;=.3_-4----+--o+2B5V<br />

Fig. 1.<br />

NEGATIVE FEEDBACK ..<br />

o<br />

'" 0<br />

'" '"<br />

2<br />

AUDIO ENGINEERING • . DECEMBER, 1953

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