Crossing Maintaining
Crossing Maintaining Boundaries Tr aditions - The Center for Craft ...
Crossing Maintaining Boundaries Tr aditions - The Center for Craft ...
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CHRISTINE L. ZOLLER<br />
Music is all around us and it is not only<br />
what we hear on the radio, through CD<br />
players or in the movies. Each object has<br />
a sound, a rhythm, and a movement all its<br />
own whether it is the wind through the trees<br />
or a jackhammer on a construction site. We<br />
are part of a musical score, which surrounds<br />
everything we come in contact with. In my<br />
work, I have chosen to explore the many<br />
possibilities of expressing how music<br />
moves rhythmically through an abstract<br />
composition. The varied gradation of colors<br />
give depth and light to the work, helps to<br />
enhance the flow of the elements, and gives<br />
a suggestion as to the type of music being<br />
used within the piece. It is not important that<br />
these images become literal representations<br />
of music; therefore, I have taken sheet<br />
music and manipulated it through the use of<br />
computer software technology. The resulting<br />
patterns and textures capture the essence<br />
of the music, as they are screen printed<br />
within the piece. The squares, leaves and<br />
other objects, which float through the work,<br />
are music notes and their composition is<br />
derived from the actual sheet music where<br />
notes move rhythmically across the page.<br />
At this station in life, I no longer have the<br />
time to devote to the classical guitar studies,<br />
which were once a part of my everyday<br />
routine. My textile pieces have given me<br />
an opportunity to discover a new way of<br />
playing. I invite you to listen awhile and<br />
experience each piece’s own sense of<br />
rhythm.<br />
EDUCATION 1995 MFA, Fiber/Textiles, The University of Georgia l 1991 BS, Design,Textiles, Buffalo<br />
State College, NY l Additional studies in apparel design/construction, costume design,CAD-CAM<br />
and fashion illustration SELECTED EXHIBITIONS 2005 Chancellor’s Exhibition, Faculty Exhibition,<br />
invitational, Chancellor’s Residence, East Carolina University, Greenville, NC, l 2005 Down East,<br />
invitational, Lee Hansley Gallery, Raleigh, NC l 2005 Fine Contemporary Craft, Artspace, Raleigh, NC,<br />
juried l 2005 Faculty Exhibition, East Carolina University, Greenville, NC l 2005 Faculty Invitational,<br />
Arrowmont School of Arts and Crafts, Gatlinburg, TN l 2005 Faculty Invitational, Penland School of<br />
Crafts, Penland, NC l 2005 Explorations, Mansfield Art Center, Mansfield, OH l 2004 Explorations,<br />
Ohio Craft Museum, Columbus, OH l 2003 Faculty Exhibition, Wellington B. Gray Gallery, East Carolina<br />
University, Greenville, NC l 2003 Explorations from Quilt Surface Design International, Wesserling<br />
Textile Museum, Mulhouse, France l 2003 American Craft Council’s Spotlight 2003, Blue Spiral,<br />
Asheville, NC l 2002 Faculty Exhibition, East Carolina University, Greenville, NC l 2002 Fall Faculty<br />
Invitational, Arrowmont School of Arts and Crafts, Gatlinburg, TN l 2002 Lifeline, A Multi Media<br />
Exhibition of Contemporary Women Artists, Kinston Council for the Arts, Kinston, NC l 2001 Faculty<br />
Exhibition, Wellington B. Gray Gallery, East Carolina University, Greenville, NC l 2001 Summer Faculty<br />
Invitational, Arrowmont School of Arts and Crafts, Gatlinburg, TN l 2001 A Common Thread, works by<br />
nine regional fiber artists, Wilson Art Center, Wilson, NC l 2000 Summer Faculty Invitational, Penland<br />
School of Crafts, Penland, NC l 2000 Summer Faculty Invitational, Arrowmont School of Arts and<br />
Crafts, Gatlinburg, TN, l 2000 Summer Faculty Invitational, Appalachian Center for Crafts, Smithville,<br />
TN l 1999 Six Plus One, Beaufort County Arts Center, Washington, NC l 1999 ECU Faculty Invitation,<br />
Kreuzherrenkloster, Erkelenz, West Germany l 1999 Patterns, Prints, Paints and Patience, The Arts<br />
Center, Kinston, NC l 1999 Converging Terrains: Gender, Environment, and Technology and the Body,<br />
Brooks Gallery, NCSU, Raleigh, NC l 1999 CCA ’99 18th Annual National Competition, Kinston,<br />
NC COMMISSIONS/PRIVATE COLLECTIONS 2000 Chancellor’s Office, East Carolina University,<br />
Greenville, NC l 1998 Dr. Mary Ann Rose l 1997 Permanent collection of Arrowmont School of Arts &<br />
Crafts l 1997 Adrian Turner, Ocean Springs, MS l 1997 Private collection of Mary Birks, Memphis, TN<br />
l 1995 Private collection of S. Katherine Merry, Elijay, GA PUBLICATIONS l “New Techniques Mean<br />
New Chemical Processes—How Do We As Textile Educators Teach Students Cutting Edge Techniques<br />
and Keep Them Safe” abstract and presentation, SECAC Tri-State Sculptors Conference, Raleigh, NC,<br />
2003 l “Spotlight on Education,” Surface Design Journal, 2002 l “Technology for the New Millennium”<br />
review of CITDA Symposium, Surface Design Journal newsletter, Charlotte, NC, 2000 l Surface<br />
Design Journal Quarterly Newsletter, 1998–present l Fiberarts Design Book 6, 1999 l President’s<br />
Annual Report, Tennessee Technological University, Cookeville, TN, 1996 l Fiberarts Design Book 5,<br />
1995 AWARDS 2004 East Carolina University Scholar-Teaching Award for significant contributions<br />
to research/creative activity and scholarship l 2002 “Who’s Who Among America’s 2003 and 2004<br />
Teachers” l 1998 5th Annual Juried Exhibition, Rocky Mount Arts Center, Rocky Mount, NC, 2nd place<br />
mixed media l 1996 Bank One, Cookeville, TN, 1st place professional fibers<br />
Christine L. Zoller teaches fiber in the School of Art and Design at East Carolina University in<br />
Greenville, NC.<br />
46 <strong>Crossing</strong> Boundaries<br />
detail<br />
Christine L. Zoller<br />
The Music of Autumn Leaves, 2004<br />
textile pigments on canvas,<br />
scanned music, with<br />
Photoshop manipulation<br />
54"w x 48"h