ANNECY’15/MIFA’15 4.B22
AFS_ANNECY'15 Catalogodigital
AFS_ANNECY'15 Catalogodigital
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
FOCUS ON SPAIN at ANNECY FILM FESTIVAL<br />
FROM DOODLES TO PIXELS (DEL TRAZO AL<br />
PÍXEL). OVER A HUNDRED YEARS OF SPANISH<br />
ANIMATION.<br />
“FROM DOODLES TO PIXELS” is a compilation project curated by Carolina López Caballero and<br />
developed by Spain’s Public Agency for Cultural Action (AC/E) and the Centre of Contemporary<br />
Culture of Barcelona (CCCB) with the collaboration of Catalonian and Spanish Cinemathèques,<br />
Cameo and other entities and companies.<br />
This program shows the little known history of Spanish animation that this year celebrates its 100 years.<br />
Some productions of the last decade have placed Spanish animation on the international map, but<br />
they’re just the tip of the iceberg of years of talent and determination to create an art and an industry.<br />
What we première in Annecy is the result of a research, review and recuperation of historical materials in<br />
a dialogue with contemporary authors’ works. What you’ll see is the least known part of our production<br />
and traces a political, industrial, cultural and social history from the perspective of animation.<br />
Many of these works have been transferred to digital from the original film materials and others<br />
have been remasterized for the event. For the first time, it will be possible to see in a single<br />
programme various decades of creativity and many different styles in a thematic journey containing<br />
the following screenings:<br />
DOODLES<br />
Our pioneers and the first “golden age” of<br />
Spanish animation (the 1940’s) with the best<br />
cartoonists of that time. From Segundo de<br />
Chomón and K-Hito to Josep Escobar and<br />
Joaquín Muntañola. Two contemporary artists<br />
are also included; Mariscal and Calpurnio Pisón<br />
with their stick-figures characters in a dialogue<br />
with the early works.<br />
Monday 15th, 18:00h, Bonlieu Petite Salle<br />
Friday 19th, 20:30h, Décavision<br />
UNDER THE YOKE<br />
Between the Franco’s moral pamphlet and the<br />
technological innovation, the film Garbancito de<br />
la Mancha (Arturo Moreno, 1945), produced<br />
in Spanish post civil war, was the first colour<br />
animated feature in Europe and enjoyed a great<br />
success in Spain.<br />
Monday 15th, 20:30h, Décavision<br />
Thursday 18th, 10:30h, Bonlieu Petite Salle<br />
MODERN TIMES<br />
The Estudios Moro produced with beautiful<br />
designs hundreds of commercials that reflect<br />
the economical recovery of the 1950’s and<br />
1960’s, as well as the modern aesthetics of<br />
that time. Other contemporary works of a jazzy,<br />
stylised and colourist look from Miguel Gallardo,<br />
Isabel Herguera, Carles Porta and Adriana<br />
Navarro, among others, are included here.<br />
Tuesday 16th, 16:00h, Bonlieu Petite Salle<br />
Thursday 18th, 20:30h, Décavision<br />
MACIÁN, THE MASTER<br />
With just one finished feature, El Mago de los<br />
sueños (The Dream Wizard Francisco Macián,<br />
1966), Macián showed his amazing talent.<br />
The film is based on Andersen’s universe and<br />
is leaded by a wizard and 6 small children (3<br />
sisters and 3 brothers) known as the Telerin<br />
Family (originally created by José Luis Moro).<br />
Wednesday 17th, 20:30h, Décavision<br />
Friday 19th, 10:30h, Bonlieu Petite Salle<br />
83