MISSY HIGGINS ‘THE OL’ RAZZLE DAZZLE’
MISSY HIGGINS 'THE OL' RAZZLE DAZZLE' - Premier Artists
MISSY HIGGINS 'THE OL' RAZZLE DAZZLE' - Premier Artists
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May 2012<br />
biography<br />
<strong>MISSY</strong> <strong>HIGGINS</strong><br />
<strong>‘THE</strong> <strong>OL’</strong> <strong>RAZZLE</strong> <strong>DAZZLE’</strong><br />
In her first new song in five years - "Unashamed Desire" - Missy Higgins defiantly sings "I've<br />
got nothing to hide". It's a bold clarion call for where she's at these days. But just a few years<br />
ago the acclaimed singer/songwriter was keeping one pretty big secret:<br />
"I quit".<br />
After selling million of albums with “The Sound Of White” (2004) and “On A Clear Night”<br />
(2007) and touring the world performing her much-loved songs like "Scar", "Steer", "The<br />
Special Two" and "Where I Stood" Missy privately made the decision to turn her back on<br />
music and do something else.<br />
Plenty of artists give lip service to packing it in but Missy actually walked the walk. What's<br />
more, she did it without telling the public. There were no farewell tours, no press releases.<br />
Instead she just quietly gave the music biz types around her a ‘Don’t call me, I’ll call<br />
you’ chat and got on with living a new life.<br />
Jump cut to three years later, and her new album "The Ol' Razzle Dazzle" tells the<br />
unvarnished story of that journey. While her previous albums leant heavily on her personal<br />
relationships, this album delves deep into Missy's relationship with making music. And as the<br />
tongue-firmly-in-cheek title implies, it's been a tumultuous affair.<br />
"You get the amount of success you dream of and it doesn’t bring the happiness you thought<br />
it would,” Missy says. “You have an existential crisis - how do I become happy? If this<br />
doesn’t give you fulfilment what does? And when it’s caused by something you’ve always<br />
attached as being your identity, what do you do? I’ve always been the singer or the musician<br />
or the songwriter. And when I quit music that was terrifying. Who am I? It was scary but it<br />
was also important to find out.”<br />
The album’s opening couplet sets the scene around the time she finally finished touring in<br />
2008 ... "I've got a lot to say, I just don't know how to say it". Blocked. Burned out. The<br />
album then traces her journey back to music through the pressure of expectations<br />
("Everyone's Waiting"), some dark days ("All In My Head", "Watering Hole"), the loss of a<br />
loved one ("Cooling Of The Embers") and ultimately back into "The Sweet Arms Of A<br />
Tune".<br />
It's an album about a break up and a newfound love but this time the other party isn't a person<br />
... it's music itself.
"By the end of touring the last album in late 2008 I was in this place where I felt I was part of<br />
a production line. I was the product. It had just lost the purity and the romance for me. I really<br />
wanted to get back to that and I didn't know how. So after much tossing and turning I threw in<br />
the towel and said I’m gonna try something else.”<br />
She started a Uni course in Aboriginal Studies. And she moved into a share house to<br />
experience so called 'normality'. She travelled and worked on some causes in which she<br />
believed. For the first time since she won "Triple J Unearthed" during her final year of high<br />
school she wasn't defined by music making.<br />
Ironically the catalyst for bringing her back to music was a one off decision to play a handful<br />
of acoustic gigs in America.<br />
"I got asked to do 5 shows on the Lilith Fair tour during my Uni holidays in the middle of<br />
2010", says Missy. "I'd always wanted to see that festival as so many of my favourite artists<br />
had played on it. All the shows they wanted me to do were within driving distance of a<br />
friend's place in Brooklyn where I could stay so I decided to just do it as a working holiday. It<br />
had been over a year since I'd played a show anywhere and I almost chickened out at one<br />
point but as soon as I finished the first song it just felt great. I walked away from that gig<br />
kicking myself ... "what the hell was I thinking?! I love playing music."<br />
Missy jumped aboard Lilith Fair armed with just one new song, "If I’m Honest". It went<br />
down a treat. "It felt so good to play a new song. It also felt good to sing again, to perform<br />
again, I hadn’t been on stage for a year. The turnout was amazing. I was overwhelmed by the<br />
love, I met some people after the shows who were telling me how they'd missed me and were<br />
waiting for the new album and they loved the new song. Without over-stating it, I got this<br />
feeling that perhaps I am making a difference - if only to just a few peoples' lives. All these<br />
people were asking me when the new album was coming out. I didn’t have the heart to tell<br />
them I wasn’t writing or recording anymore.”<br />
Over the months that followed the floodgates opened and the songs poured out again. More<br />
than 30 songs in the back half of 2010. Suddenly she felt less pressured, free to take chances<br />
and do what felt right. After steadfastly avoiding co-writing for her second album "On A<br />
Clear Night" she opened herself up to collaboration again. She spent some time with old<br />
friend Kevin Griffin with whom she'd co-written "Scar" all those years ago. Together they<br />
penned the irresistible "Hello Hello". She also sat down with friend-of-a-friend Dan Wilson<br />
and together they created two of the album's cornerstones ... "Set Me On Fire" and<br />
"Everyone's Waiting". A few months later the song Dan co-wrote with Adele ("Someone Like<br />
You") turned the world on its ear.<br />
"I thought I wouldn’t be able to get through the writer’s block until I wrote about it,” Missy<br />
says. ``The chorus of 'Set Me On Fire' is about the fact music is ultimately the only thing that<br />
makes me feel alive in that way. Ironically music is the only thing that can save me from a<br />
musical block. I was emerging out of that period, out of the darkness at the time I was writing<br />
that song. I was getting my passion for music back, it was a like an old friend I hadn’t seen<br />
for so long. I was overwhelmed by the joy of having the love for it back."<br />
As important as her time with Dan and Kevin would turn out to be, the key collaborators<br />
turned out to be in an unlikely place ... Nashville. In keeping with Missy's credo of just doing<br />
what felt right she shunned the big name producers who were keen to work with her and<br />
teamed up instead with some mates. Ex-pat Australian Butterfly Boucher had reconnected<br />
with Missy during the Lilith tour when she was playing bass for Sarah McLachlan. She and<br />
local engineer/producer Brad Jones (Josh Ritter, Bob Evans) teamed up to bring a genuine<br />
freshness to the creative process. Butterfly chimed in as co-writer for several tracks and<br />
together with Brad they formed a tight little unit experimenting
"Butterfly and Brad were perfect. I wanted it to be a really inspired, creative experience.<br />
There was no pressure. We just made it in Brad’s warehouse in the industrial district over the<br />
space of three months."<br />
"I didn’t want to make a third album the same as my first two,” Higgins says. “Butterfly and I<br />
had a lot of chemistry writing together. She showed me a different style of song writing. Her<br />
chord changes are much more complicated than I would ever do. I probably brought a much<br />
more naive, pure, simple melody thing to the table. The combination was really great. We<br />
became really good friends over the course of it. It became a bit rockier, a bit edgier than<br />
what I’ve done in the past. I definitely have that side to me, songs like ‘Peachy’; it was good<br />
to explore that side of my song writing.”<br />
Every Missy Higgins album has a particularly raw, personal moment. Here it’s “Cooling of<br />
the Embers”, detailing the ailing health of Missy’s grandmother. "I remember when you were<br />
strong and never wanted help from no one, what you’ve become is not who I remember,” she<br />
sings.<br />
The next step for Missy Higgins? Returning to the road: “Performing has always been my<br />
most favourite part. I’m most excited about playing new songs, that’s the best part of playing<br />
live.”<br />
And she’s coming at it fresh and hungry...re-born.<br />
"I’ve taken a long time off, I’ve grown up, I have a new sense of appreciation of all I’ve<br />
achieved and how lucky I have been to be in this position. Before it had all happened so<br />
quickly, it was so full on for six years it was hard to gain any perspective. Now I’ve got a<br />
sense of my place in the world and who I am. I just want to do things that make me feel happy<br />
and inspired. Keeping inspired is a huge thing for me. If I’m not being inspired or creative I<br />
don’t feel like my blood is flowing properly.”<br />
www.missyhiggins.com