Conference program 41 International Computer Music Conference
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<strong>Computer</strong> <strong>Music</strong> at CalArts where he teaches music composition in the Experimental Sound Practices <strong>program</strong>.<br />
Lily Chen, born in Taiwan, is a composer exploring poetic and timbral potentials of both western and non-western instruments.<br />
In her recent works, she creates counterpoint of timbre by synthesizing sound gestures with subtlety, which also<br />
shapes imaginative and poetic atmosphere in her music. She is currently a PhD candidate in music composition at the<br />
University of California, Berkeley, where she is studying with Ken Ueno, Franck Bedrossian, Edmund Campion, and Cindy<br />
Cox. She got her bachelor’s and master’s degrees at Taipei National University of the Arts in Taiwan, under the instruction<br />
of Chung-Kun Hung. Since 2005, Lily has received several prizes, including 1st Prize of Asian Composers League Young<br />
Composers Awards (2012), 1st Prize of Nicola de Lorenzo Prize in <strong>Music</strong> Composition (UC Berkeley, 2014), and some other<br />
prizes in Taiwan. Her works were also performed at several festivals in USA and Asia, including Midwest Graduate <strong>Music</strong><br />
Consortium (Chicago, 2014), Van Appledorn Festival of New <strong>Music</strong> at Texas Tech University (Texas, 2014), the 30th and<br />
29th Asian Composers League <strong>Conference</strong> and Festival (Israel, 2012 & Taiwan, 2011) and Nong Project at Korea National<br />
University of the Art (Korea, 2007). For more information, please visit http://chenlily.wordpress.com<br />
Ying-Jung Chen born in 1990, and come from Taiwan. Now is National Chiao Tung University graduate student. Studying<br />
with Yu-Chung Tseng. Her works have been selected from Asian Composers League <strong>Conference</strong> and Festival (2011 Taiwan<br />
/ 2012 Israel), Shanghai Electronic <strong>Music</strong> Festival (China, 2011), <strong>International</strong> <strong>Computer</strong> <strong>Music</strong> <strong>Conference</strong> (2012 Slovenia<br />
/ 2013 Australia / 2014 Greece), New York City Electroacoustic <strong>Music</strong> Festival (2013 / 2014). And received 1st Prize from<br />
6th Digital Art Festival Taipei (Taiwan, 2011), 1st Prize for Cross-strait Modern Electronic Technology <strong>Music</strong> Festival Competition<br />
(China, 2012), 3rd Prize form WOCMAT 2012 <strong>International</strong> Workshop on <strong>Computer</strong> <strong>Music</strong> and Audio Technology<br />
(Taiwan, 2012), 2nd Prize from WOCMAT 2013 (Taiwan, 2013), 2nd Prize from 2014 Beijing <strong>International</strong> Electroacoustic<br />
<strong>Music</strong> Festival “Electronic <strong>Music</strong> Competition : Category A and B” (China, 2014).<br />
Kyong Mee Choi, composer, organist, painter, and visual artist, received several prestigious awards and grants including<br />
John Simon Guggenheim Memorial Foundation Fellowship, Robert Helps Prize, Aaron Copland Award, Illinois Arts Council<br />
Fellowship, First prize of ASCAP/SEAMUS Award, Second prize at VI Concurso Internacional de Música Eletroacústica<br />
de São Paulo, Honorary Mentions from Musique et d’Art Sonore Electroacoustiques de Bourges, <strong>Music</strong>a Nova, Society<br />
of Electroacoustic <strong>Music</strong> of Czech Republic, Luigi Russolo <strong>International</strong> Competition, and Destellos Competition. She was<br />
a Finalist of the Contest for the <strong>International</strong> Contemporary <strong>Music</strong> Contest “Citta’ di Udine and Concurso Internacional de<br />
Composicai eletroacoustica in Brazil among others. Her music was published at CIMESP (São Paulo, Brazil), SCI, EMS,<br />
ERM media, SEAMUS, and Détonants Voyages (Studio Forum, France). Ravello records published her multimedia opera,<br />
THE ETERNAL TAO, which was supported by the John Simon Guggenheim Memorial Foundation Fellowship and Roosevelt<br />
University. Aucourant Records published her CD, SORI, featuring her eight compositions for solo instrument and<br />
electronics. The project was supported by the IAS Artist Project Grant from the Illinois Arts Council. She is an Associate<br />
Professor of <strong>Music</strong> Composition at Roosevelt University in Chicago where she teaches composition and electro-acoustic<br />
music. Samples of her works are available at http://www.kyongmeechoi.com.<br />
Toshiro Chun (Trumpet) is an active freelance musician and educator in the Dallas Fort Worth metropolitan area. He is<br />
comfortable playing in classical, contemporary, baroque and commercial music groups and has performed with some of the<br />
worlds finest performers such as Bernadette Peters, Wayne Bergeron, and the Metropolitan Opera Horn Section He keeps<br />
a busy schedule both as a performer and teacher in the Dallas metroplex. Mr. Chun studied at the University of Northern<br />
Colorado where he played lead trumpet with the Downbeat Magazine Award Winning UNC Jazz Lab Band One and Columbus<br />
State University where he won the Schwob School of <strong>Music</strong> concerto competition and received his undergraduate<br />
degree in <strong>Music</strong> Performance. He is currently completing a Master of <strong>Music</strong> Performance at the University of North Texas<br />
where he studied with Keith Johnson, John Holt and Adam Gordon. His previous teachers include Dr. Robert Murray and<br />
Kye Palmer with isolated lessons with some of the worlds finest trumpet players such as Wayne Bergeron, Thomas Hooten<br />
of the Los Angeles Philharmonic and Fred Sautter. Originally focused in commercial music he has branched off to perform<br />
in all disciplines of music but is especially interested in contemporary music with a focus on performing some of the most<br />
challenging pieces in the trumpet repertoire but focuses on unaccompanied works and performing with electronics. Toshi<br />
has also served as a chamber music coach and assistant band director at Arrowbear <strong>Music</strong> Camp in Arrowbear Lake, CA.<br />
He has performed at the WASBE, IAJE, <strong>International</strong> Trumpet Guild <strong>Conference</strong>s and was a semi-finalist for the Undergraduate<br />
Division of the National Trumpet Competition. While not teaching or performing he enjoys hiking, rock climbing, training<br />
German Shepherd Dog Gustav Mauler, working on his car and fiddling with video games and technology.<br />
Thomas Ciufo is a sound artist, composer, improviser, and researcher working at the intersections of electroacoustic performance,<br />
interactive instrument design, sonic art and emerging digital technologies. He holds a Ph.D. in <strong>Computer</strong> <strong>Music</strong><br />
and New Media from Brown University. <strong>International</strong> festival presentations or performances include Visiones Sonoras in<br />
Mexico City, the Enaction in Arts <strong>Conference</strong> in France, the New Interfaces for <strong>Music</strong>al Expression conference (Vancouver,<br />
Genoa, Montreal and Ann Arbor) as well as numerous conference presentations for the <strong>International</strong> <strong>Computer</strong> <strong>Music</strong> Society<br />
and <strong>International</strong> Society for Improvised <strong>Music</strong>.<br />
Nicholas Cline writes acoustic and electroacoustic music. His compositions have been performed in the US and Europe.<br />
He was featured on the 2012 SEAMUS electroacoustic miniatures recording series: Re-Caged. He holds degrees from<br />
Columbia College Chicago and Indiana University. He is currently studying and teaching aural skills at Northwestern University.<br />
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