Elegant Interiors
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editor speaks<br />
"Design is not just what it looks like; design is how it works."<br />
- Steve Jobs<br />
Editor & COO*: Sheldon Santwan<br />
Assistant Editor: Prasenjit Chakraborty<br />
News Editor: Odelle D’Silva<br />
Editorial Coordinator: Alma Odil<br />
Editorial Team<br />
Mumbai<br />
Apoorva Nandish, Disha Shah Ghosh,<br />
Shilpa Shankar Iyer, Itee Sharma<br />
New Delhi<br />
Bureau Chief: P Krishna Kumar<br />
Sr. Reporter: Akansha Pandey<br />
Online Co-coordinator: Manasi Ranade<br />
Advisors (Technical)<br />
Prof. Akhtar Chauhan<br />
Principal, Rizvi College of Architecture, Mumbai<br />
Ar. Karan Grover<br />
Karan Grover & Associates, Vadodara<br />
Ar. Manit Rastogi<br />
Principal Architect,<br />
morphogenesis, New Delhi I Bangalore<br />
Prof. K. Jaisim<br />
JAISIM-FOUNTAINHEAD, Bangalore<br />
Ar. Dikshu C. Kukreja<br />
CP Kukreja Architects, New Delhi<br />
Marketing Team<br />
VP - Business Development: Vinay Coutinho<br />
Mumbai<br />
Manager - Marketing: Millind Pandhare<br />
Sr. Sales Executive: Saurabh Singh<br />
Online Sr. Executive Sales: Diksha Singh<br />
Pune<br />
Head-Special Projects: Sumit Jha<br />
NEW Delhi<br />
Regional Manager (North): Umesh Sharma<br />
Hyderabad<br />
Regional Manager (North): Y S Venkatswamy<br />
Marketing Coordinator: Priya Tawade<br />
Accounts Coordinator: Jhanvi Thakur<br />
Head - Circulation: Raju Chendavankar<br />
Circulation: Amol Thakur<br />
Subscription & Database:<br />
Rameshwari Salunkhe, Darshana Bhosale<br />
Design Team<br />
Senior Designer: Madhukar Ingavale<br />
Designers: Jitendra Nate, Haresh Limbale<br />
*Responsible for selection of news under the PRB Act<br />
Printed and published by Bharat Bhushan Bahal on behalf of<br />
Saffron Synergies Pvt. Ltd., published at Sterling House, 5/7<br />
Sorabji Santuk Lane, Off Dr. Cawasji Hormasji Lane, Dhobi<br />
Talao, Mumbai - 400 002 and printed at Jayant Printery, 352/54,<br />
J. S. S. Road, Murlidhar Temple Compound,<br />
Near Thakurdwar P. O, Mumbai - 400 002.<br />
Editor: Sheldon Santwan<br />
A vast palette of design elements, especially, in interior designing<br />
calls for myriad design idioms with an empirical approach that is<br />
subjective. This abstract palette - colours, textures, materials, furniture<br />
and furnishings - reflects one's Modus Vivendi.<br />
Besides an array of design elements involved in articulating an indoor<br />
space beautifully, the craft of furniture designing plays a vital role<br />
amongst the lot. Lately, furniture designers have exploited numerous<br />
materials, adapted explicit technologies and challenged the structural<br />
stability to set a high benchmark to their portfolio of work amongst<br />
their professional peers.<br />
Furniture designs are being crafted in a mammoth of styles - from a<br />
region's tradition to a universal design acceptance to spatial forms<br />
designed against gravity - which are as many as the languages that<br />
exist in our country.<br />
On going back to our history, furniture designs were attributed to its<br />
functional sphere designed eloquently with precious gems and<br />
intricate carvings; challenging its aesthetics. Their characteristics were<br />
limited to their functionality and aesthetics. But today, the furniture's<br />
frugal expressions have taken a new form - an art of sculpture, a<br />
multipurpose artefact, or technology-integrated concepts.<br />
Furniture design, being an essential element in spatial articulation,<br />
defines the character of the space and brings in the warmth to the<br />
spatial dimension. To name a few, designers like Yael Mer and Shay<br />
Alkalay, Ronan Bouroullec and Erwan Bouroullec, and Oki Sato have<br />
presented sui generic design ontology in the product design sphere<br />
which are discoursed in this issue.<br />
In addition, the issue highlights on Interior design that is a confluence<br />
of the traditional and contemporary design axioms, in harmony, across<br />
disparate regions of the world. But with the growing obsession for<br />
sci-fi, will the pattern language of interior space transmute the age-old<br />
design principles?<br />
Grace and Peace<br />
Apoorva Nandish<br />
Sub Editor<br />
04 Architecture Update October 2015