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Elegant Interiors

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editor speaks<br />

"Design is not just what it looks like; design is how it works."<br />

- Steve Jobs<br />

Editor & COO*: Sheldon Santwan<br />

Assistant Editor: Prasenjit Chakraborty<br />

News Editor: Odelle D’Silva<br />

Editorial Coordinator: Alma Odil<br />

Editorial Team<br />

Mumbai<br />

Apoorva Nandish, Disha Shah Ghosh,<br />

Shilpa Shankar Iyer, Itee Sharma<br />

New Delhi<br />

Bureau Chief: P Krishna Kumar<br />

Sr. Reporter: Akansha Pandey<br />

Online Co-coordinator: Manasi Ranade<br />

Advisors (Technical)<br />

Prof. Akhtar Chauhan<br />

Principal, Rizvi College of Architecture, Mumbai<br />

Ar. Karan Grover<br />

Karan Grover & Associates, Vadodara<br />

Ar. Manit Rastogi<br />

Principal Architect,<br />

morphogenesis, New Delhi I Bangalore<br />

Prof. K. Jaisim<br />

JAISIM-FOUNTAINHEAD, Bangalore<br />

Ar. Dikshu C. Kukreja<br />

CP Kukreja Architects, New Delhi<br />

Marketing Team<br />

VP - Business Development: Vinay Coutinho<br />

Mumbai<br />

Manager - Marketing: Millind Pandhare<br />

Sr. Sales Executive: Saurabh Singh<br />

Online Sr. Executive Sales: Diksha Singh<br />

Pune<br />

Head-Special Projects: Sumit Jha<br />

NEW Delhi<br />

Regional Manager (North): Umesh Sharma<br />

Hyderabad<br />

Regional Manager (North): Y S Venkatswamy<br />

Marketing Coordinator: Priya Tawade<br />

Accounts Coordinator: Jhanvi Thakur<br />

Head - Circulation: Raju Chendavankar<br />

Circulation: Amol Thakur<br />

Subscription & Database:<br />

Rameshwari Salunkhe, Darshana Bhosale<br />

Design Team<br />

Senior Designer: Madhukar Ingavale<br />

Designers: Jitendra Nate, Haresh Limbale<br />

*Responsible for selection of news under the PRB Act<br />

Printed and published by Bharat Bhushan Bahal on behalf of<br />

Saffron Synergies Pvt. Ltd., published at Sterling House, 5/7<br />

Sorabji Santuk Lane, Off Dr. Cawasji Hormasji Lane, Dhobi<br />

Talao, Mumbai - 400 002 and printed at Jayant Printery, 352/54,<br />

J. S. S. Road, Murlidhar Temple Compound,<br />

Near Thakurdwar P. O, Mumbai - 400 002.<br />

Editor: Sheldon Santwan<br />

A vast palette of design elements, especially, in interior designing<br />

calls for myriad design idioms with an empirical approach that is<br />

subjective. This abstract palette - colours, textures, materials, furniture<br />

and furnishings - reflects one's Modus Vivendi.<br />

Besides an array of design elements involved in articulating an indoor<br />

space beautifully, the craft of furniture designing plays a vital role<br />

amongst the lot. Lately, furniture designers have exploited numerous<br />

materials, adapted explicit technologies and challenged the structural<br />

stability to set a high benchmark to their portfolio of work amongst<br />

their professional peers.<br />

Furniture designs are being crafted in a mammoth of styles - from a<br />

region's tradition to a universal design acceptance to spatial forms<br />

designed against gravity - which are as many as the languages that<br />

exist in our country.<br />

On going back to our history, furniture designs were attributed to its<br />

functional sphere designed eloquently with precious gems and<br />

intricate carvings; challenging its aesthetics. Their characteristics were<br />

limited to their functionality and aesthetics. But today, the furniture's<br />

frugal expressions have taken a new form - an art of sculpture, a<br />

multipurpose artefact, or technology-integrated concepts.<br />

Furniture design, being an essential element in spatial articulation,<br />

defines the character of the space and brings in the warmth to the<br />

spatial dimension. To name a few, designers like Yael Mer and Shay<br />

Alkalay, Ronan Bouroullec and Erwan Bouroullec, and Oki Sato have<br />

presented sui generic design ontology in the product design sphere<br />

which are discoursed in this issue.<br />

In addition, the issue highlights on Interior design that is a confluence<br />

of the traditional and contemporary design axioms, in harmony, across<br />

disparate regions of the world. But with the growing obsession for<br />

sci-fi, will the pattern language of interior space transmute the age-old<br />

design principles?<br />

Grace and Peace<br />

Apoorva Nandish<br />

Sub Editor<br />

04 Architecture Update October 2015

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