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NEWS 27<br />
Photo © Denise<br />
Nathanael Köhler<br />
Meanwhile, in the closed Club tent 10 of<br />
the company’s flown, high output XD12’s,<br />
and six WS218X proved ideal for this set-up.<br />
“In these locations it was also important to<br />
install the subs in a cardioid array, because<br />
otherwise the live stage would have<br />
disrupted the lounge-feeling on the other<br />
side and vice-versa,” added Dünki.<br />
With Martin Audio LE1500 and LE1200<br />
provided for floor monitoring as well as<br />
W8C’s for side-fills and WS218X subs for<br />
drum-fill and side-fill on the feature stage.<br />
The audio planning for the two main stages<br />
was undertaken by Michael Dünki and<br />
Benjamin Riggenbach while Complete<br />
Audio’s Niels Uhthoff, oversaw set-up of<br />
the MLA and MLX system.<br />
Photo © Denise<br />
Nathanael Köhler<br />
Martin Audio<br />
www.martin-audio.com<br />
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