Dominic Winter
1JMK8UN
1JMK8UN
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676* Magic Lantern Slides. An assorted group of photographic<br />
views and colour story slides, late 19th and early 20th century, some<br />
in boxes but largely loose, some seal wear, mostly 8 x 8cm but also<br />
including 8 x 11cm, etc.<br />
(a small wooden box) £70-100<br />
679* Mendelssohn (Hayman Selig, 1847-1908). Portrait of an<br />
unidentified young woman, circa 1900, hand-painted photograph,<br />
half-length in front of a heavy drape, signed ‘H.S. Mendelssohn’<br />
lower left, 29 x 24cm, framed and glazed in a velvet-covered desk<br />
photo frame (marked ‘H.S. Mendelssohn, Pembridge Crescent, W.’),<br />
with two hinged covers and gilt clasp, velvet partly rubbed and wood<br />
showing through a few splits at front<br />
(1) £150-200<br />
677* Mance (Henry Christopher, 1840-1926). Portrait of the<br />
English electrical engineer Henry Mance sat at a small table with a<br />
prototype of his invention the heliograph, circa 1869, albumen print<br />
carte de visite, printed credit stamp of Sind, Kurrachee to verso and<br />
near-contemporary pencil note dating the photograph to November<br />
or December 1869, 9 x 6cm<br />
In the photograph the young and bearded Mance sits in his army uniform with<br />
his hand resting on a morse code key attached to a swivelling device on which<br />
is mounted a rectangular plate with a hole in its centre, the apparatus is<br />
mounted on a rotating stand. Apparently a prototype of the heliograph, Mance<br />
started working on his invention in 1869 while stationed in Karachi. Mance<br />
made a patent application at the US patent office in February 1876. Rare.<br />
(1) £100-150<br />
678* Maull & Polyblank. A group of 4 portraits, late 1850s, arched<br />
top albumen prints on original mounts within gilt borders with<br />
photographers’ imprint details at foot of each, subjects include<br />
Robert Stephenson (1803-1859), Thomas Graham (1805-1869) and<br />
Samuel Warren (1807-1877), images 19.5 x 14.5cm, plus a head-andshoulders<br />
portrait of Viscount Palmerston, photographed for Herbert<br />
Fry’s National Gallery of Photographic Portraits, late 1850s, oval<br />
albumen print, 20 x 16.5cm, original mount with imprint and<br />
facsimile autograph of the sitter to lower mount, all framed and<br />
glazed, plus other mostly French Woodburytype portraits, mostly<br />
framed and glazed<br />
(20) £100-150<br />
680* Middle East. A group of 9 albumen prints by Antonio Beato<br />
and Jean-Pascale Sebah, circa 1870, the two by Beato of temples<br />
at Karnak, both signed in the negative, 22 x 25cm and slightly<br />
smaller, card mounts, the others by Sebah mostly of ruins but<br />
including one view of Cairo, signed and mostly captioned in the<br />
negative, three loose, three on contemporary mounts and one on<br />
modern archival mount, 20.5 x 27cm and 2 larger, plus a large<br />
albumen print of a Middle Eastern mosque [by F. Meissner, 1860s],<br />
26.5 x 42.5cm, original mount, some marks to image and mount,<br />
plus other British and European albumen print photography interest<br />
including an album with 40 views<br />
(17) £200-300<br />
681* Miscellaneous photography, late 19th and early 20th<br />
century, a group of 10 albums containing mostly British and<br />
European views, family pictures, genre subjects, etc., various<br />
bindings and sizes<br />
(10) £100-200<br />
682* Miscellaneous photography, 19th & 20th century, including<br />
albums, loose prints and press photos, various subjects and sizes<br />
(2 cartons) £100-200<br />
683* Miscellaneous photography, late 19th and 20th century, an<br />
assorted collection of broken albums and loose and mounted<br />
photographs, including British and European views, Japan and India<br />
interest, plus erotica, etc.<br />
(a carton) £150-200<br />
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