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Dominic Winter

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676* Magic Lantern Slides. An assorted group of photographic<br />

views and colour story slides, late 19th and early 20th century, some<br />

in boxes but largely loose, some seal wear, mostly 8 x 8cm but also<br />

including 8 x 11cm, etc.<br />

(a small wooden box) £70-100<br />

679* Mendelssohn (Hayman Selig, 1847-1908). Portrait of an<br />

unidentified young woman, circa 1900, hand-painted photograph,<br />

half-length in front of a heavy drape, signed ‘H.S. Mendelssohn’<br />

lower left, 29 x 24cm, framed and glazed in a velvet-covered desk<br />

photo frame (marked ‘H.S. Mendelssohn, Pembridge Crescent, W.’),<br />

with two hinged covers and gilt clasp, velvet partly rubbed and wood<br />

showing through a few splits at front<br />

(1) £150-200<br />

677* Mance (Henry Christopher, 1840-1926). Portrait of the<br />

English electrical engineer Henry Mance sat at a small table with a<br />

prototype of his invention the heliograph, circa 1869, albumen print<br />

carte de visite, printed credit stamp of Sind, Kurrachee to verso and<br />

near-contemporary pencil note dating the photograph to November<br />

or December 1869, 9 x 6cm<br />

In the photograph the young and bearded Mance sits in his army uniform with<br />

his hand resting on a morse code key attached to a swivelling device on which<br />

is mounted a rectangular plate with a hole in its centre, the apparatus is<br />

mounted on a rotating stand. Apparently a prototype of the heliograph, Mance<br />

started working on his invention in 1869 while stationed in Karachi. Mance<br />

made a patent application at the US patent office in February 1876. Rare.<br />

(1) £100-150<br />

678* Maull & Polyblank. A group of 4 portraits, late 1850s, arched<br />

top albumen prints on original mounts within gilt borders with<br />

photographers’ imprint details at foot of each, subjects include<br />

Robert Stephenson (1803-1859), Thomas Graham (1805-1869) and<br />

Samuel Warren (1807-1877), images 19.5 x 14.5cm, plus a head-andshoulders<br />

portrait of Viscount Palmerston, photographed for Herbert<br />

Fry’s National Gallery of Photographic Portraits, late 1850s, oval<br />

albumen print, 20 x 16.5cm, original mount with imprint and<br />

facsimile autograph of the sitter to lower mount, all framed and<br />

glazed, plus other mostly French Woodburytype portraits, mostly<br />

framed and glazed<br />

(20) £100-150<br />

680* Middle East. A group of 9 albumen prints by Antonio Beato<br />

and Jean-Pascale Sebah, circa 1870, the two by Beato of temples<br />

at Karnak, both signed in the negative, 22 x 25cm and slightly<br />

smaller, card mounts, the others by Sebah mostly of ruins but<br />

including one view of Cairo, signed and mostly captioned in the<br />

negative, three loose, three on contemporary mounts and one on<br />

modern archival mount, 20.5 x 27cm and 2 larger, plus a large<br />

albumen print of a Middle Eastern mosque [by F. Meissner, 1860s],<br />

26.5 x 42.5cm, original mount, some marks to image and mount,<br />

plus other British and European albumen print photography interest<br />

including an album with 40 views<br />

(17) £200-300<br />

681* Miscellaneous photography, late 19th and early 20th<br />

century, a group of 10 albums containing mostly British and<br />

European views, family pictures, genre subjects, etc., various<br />

bindings and sizes<br />

(10) £100-200<br />

682* Miscellaneous photography, 19th & 20th century, including<br />

albums, loose prints and press photos, various subjects and sizes<br />

(2 cartons) £100-200<br />

683* Miscellaneous photography, late 19th and 20th century, an<br />

assorted collection of broken albums and loose and mounted<br />

photographs, including British and European views, Japan and India<br />

interest, plus erotica, etc.<br />

(a carton) £150-200<br />

160

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