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The Local Surfer - University of Exeter

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different way. It is at this point, in the 1950s, that the surfing subculture<br />

emerged in California.<br />

<strong>The</strong> Beginning <strong>of</strong> Surfing as a Subculture<br />

After the interruption <strong>of</strong> the Second World War surfing was able to continue its<br />

influence over California challenging the constraints <strong>of</strong> 1950s society (Dixon,<br />

2001). <strong>Surfer</strong>s found freedom in the water and fun on the beach where they<br />

could meet other surfers, drink freely, and become involved with California‟s<br />

elite movie and television community (Dixon, 2001). It was because <strong>of</strong> these<br />

circumstances that the surf movie industry was born, causing an rapid rise in<br />

the popularity <strong>of</strong> surfing and continuing the progression <strong>of</strong> surfing as a<br />

subculture. <strong>The</strong> first <strong>of</strong> these and probably the most important was the movie<br />

“Gigdet”. Gidget was based on the true story <strong>of</strong> Kathy Kohner who learnt to<br />

surf in Malibu in the shadow <strong>of</strong> the local male surfers Mickey Dora, Terry<br />

“Tubestreak” Tracey, Billy “Moondoggie” Bengston, and Bill Jenson (Booth,<br />

1996). George (1991) believes that Gidget “blew the whole thing wide open”<br />

and a fad was born where everyone wanted to be “just like those cats in<br />

California” (George, 1991: 66). Other surfing films such as “Wet and Wild”,<br />

“Endless Summer” and “Ride the Wild Surf” further expanded the popularity<br />

<strong>of</strong> surfing. On realising the commercial success <strong>of</strong> surfing within the movie<br />

industry, other mediums began to “cash in” on surfing‟s rapidly growing<br />

popularity. Music developed a new genre called “Surf music” which included<br />

bands like <strong>The</strong> Beach Boys (from California) singing “Surfin” USA”, and Jan<br />

and Dean doing “the <strong>Surfer</strong> Stomp” (George, 1991 and Holmes, 1991). Surf<br />

films and surf music combined to jumpstart surfing‟s commercial popularity<br />

and ultimately place California at the centre and launch <strong>of</strong> a distinctive and<br />

different type <strong>of</strong> surfing subculture, which then launched from there out to the<br />

world. As George states; “Fashion, music, commercialism-surfing in California<br />

started it all” (1991: 67).<br />

It is worth noting that men dominated the origins <strong>of</strong> the surfing subculture.<br />

Cook‟s description <strong>of</strong> Hawaiian surfing in 1778 contains descriptions <strong>of</strong> women<br />

surfers (Dixon, 1966) and Patterson (1960) believes Hawaiian women frequently<br />

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