The Silver Canvas - Daguerrotype Masterpieces (Art Photography Ebook)
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T H E S I L V E R C A N V A S<br />
PLATE 30<br />
CHARLES WINTER<br />
French (1821-1904)<br />
Portrait of a Seated Man<br />
About 1852<br />
Half plate<br />
84.xT.4037<br />
THERE is NO ESCAPING the steady gaze of this French gentleman: he appears to be waiting patiently for an answer to a<br />
question he recently posed. It seems as if we have been deep in conversation with him, a conversation still going on.<br />
<strong>The</strong> daguerreotypist, Charles Winter of Strasbourg, has been able to suggest such a relationship between viewer and sitter<br />
because he has arranged the sitter in a pose that makes him appear especially alert and engaging.<br />
<strong>The</strong> intimate presence of this elegant man stems from the clarity Winter has given to the diagonal thrust of the<br />
low chair, precisely setting out the depth the figure occupies by the contrast between the chair s highlighted side on the right<br />
and its darker counterpart. <strong>The</strong> chair acts to encompass the sitter in this daguerreotype much in the way a niche in a wall<br />
encompasses a free-standing sculpture.<br />
Above the chair, the body's twist at the waist is strongly marked by the brilliant area of light centered on the mans<br />
hands and the movement of his arm across his body, which leads us smoothly to the dark velvet collar below his face. <strong>The</strong> dark<br />
coat enclosing the upper portion of his torso is gently set off from the plain background, but enough light falls upon it to<br />
bring out its texture, making an area of the rich and deep tonality distinctive to the daguerreotype. <strong>The</strong> direction of his body<br />
is further defined by the light caught along the buttons and the edge of the gentleman's coat.<br />
<strong>The</strong> triple arcs made by the coat s velvet collar, the dark cravat, and the shirt s white collar all underscore the change<br />
of direction the sitter s head has taken. Framed by his dark hair, his face is tilted, turned against the rising direction of his<br />
torso and brought into the brightest area of light. Through this complex pose and skilled lighting, Charles Winter has provided<br />
the sitter with a distinctive portrait, one of great strength and animation.<br />
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