Methods in working with intangible cultural heritage - report
Report on a cooperative project between Музејнаотвореном СТАРО СЕЛО (The open-air museum “Old Village”), Sirogojno, Serbia and Ryfylkemuseet (The RyfylkeMuseum), Sand, Norway.
Report on a cooperative project between Музејнаотвореном СТАРО СЕЛО (The open-air museum “Old Village”), Sirogojno, Serbia and Ryfylkemuseet (The RyfylkeMuseum), Sand, Norway.
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One of the results of field research on the<br />
old crafts is a publication Liv<strong>in</strong>g rural<br />
trades <strong>in</strong> Užice region and their protection<br />
<strong>in</strong> the examples of pottery, coppersmith’s<br />
and blacksmith's crafts. Its aim is to<br />
highlight the importance of the pottery,<br />
cooper and blacksmith<strong>in</strong>g crafts have had<br />
for the environment <strong>in</strong> which they evolved,<br />
to describe their history, traditional<br />
techniques of products mak<strong>in</strong>g, materials<br />
and tools used <strong>in</strong> production, changes <strong>in</strong><br />
production methods conditioned by<br />
modern way of life, to highlight the<br />
cont<strong>in</strong>uity of trade existence, their<br />
protection and relevance they have today<br />
<strong>in</strong> the development of family and local<br />
community 13 , and smaller publications like<br />
Užice meat process<strong>in</strong>g products, Bas<strong>in</strong><br />
makers from the village of Pilica, Mak<strong>in</strong>g<br />
Flutes and Double Flutes <strong>in</strong> Užice<br />
Region 14 . Publish<strong>in</strong>g of systematized field<br />
material is planned to be cont<strong>in</strong>ued <strong>in</strong> the<br />
next period.<br />
“It is particularly <strong>in</strong>terest<strong>in</strong>g to discuss<br />
contribution of ethnologists <strong>in</strong> ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />
traditions of society <strong>in</strong> which they live,<br />
which is especially evident <strong>in</strong> the work of<br />
ethno-parks and museums. It is quite<br />
expected that members of a society<br />
experience their collective identity <strong>in</strong> the<br />
essential and static way, but an ethnologist<br />
should not share such attitudes of other<br />
members of the community; <strong>in</strong>stead he<br />
should approach identity (primarily<br />
national and ethnic) as a rational and<br />
dynamic phenomenon“. 15<br />
13 Tomić-Joković, S. i Toskić, J. (2010): Živi seoski<br />
zanati u Užičkom kraju i njihova zaštita na primeru<br />
grnčarskog, kačarskog i kovačkog zanata, Muzej na<br />
otvorenom ,,Staro selo” Sirogojno, Sirogojno<br />
14 Tomić-Joković, S. (2012): Užički suvomesnati<br />
proizvodi, Muzeja na otvorenom ,,Staro selo”<br />
Sirogojno; Toskić, J. (2012): Čančari iz sela Pilica,<br />
Muzeja na otvorenom ,,Staro selo” Sirogojno;<br />
Cicvarić, D. (2012): Izrada svirala i dvojnica u<br />
užičkom kraju, Muzej na otvorenom ,,Staro selo”<br />
Sirogojno.<br />
15 Ribić, V. (2005): Osnove nastave iz predmeta<br />
Primenjena etnologija: perspektive razvoja, <strong>in</strong>:<br />
Etnologija i antropologija: stanje i perspektive; ur.<br />
Application of research results<br />
Field work collected <strong>in</strong>formation about the<br />
real way of life and <strong>cultural</strong> models as we<br />
see them. “The task of anthropologists is to<br />
help people transform their awareness of<br />
social needs <strong>in</strong>to social action ... This<br />
means that the purpose of research is<br />
address<strong>in</strong>g real life problems of the studied<br />
population 16 ”. Systematization and<br />
process<strong>in</strong>g of field material provide a total<br />
of qualitative and quantitative data that do<br />
not stay trapped <strong>in</strong> documentary funds and<br />
depots, but are still used <strong>in</strong> implementation<br />
of various actions <strong>with</strong><strong>in</strong> the museum<br />
activity: permanent and thematic<br />
exhibitions, trade shows, educational<br />
programs, presentations.<br />
The permanent exhibition of the Museum<br />
<strong>in</strong>cludes three craft workshops: pottery,<br />
coppersmith’s and blacksmith’s. Beside<br />
displayed tools and craft products, quite<br />
significant is the narrative of craftsmen,<br />
artisans who were the owners of these<br />
workshops, as well as their engagement <strong>in</strong><br />
practical presentations of traditional craft<br />
skills 17 . Although “the activities were<br />
called crafts demonstrations and their<br />
<strong>in</strong>troduction to visitors through the<br />
museum obsolete measures of (folk)<br />
architecture facilities rehabilitation<br />
represented unsuccessful attempt of<br />
museum documentation resuscitation” 18 ,<br />
Dragana Radojičić, Ljiljana Gavrilović, Beograd:<br />
Etnografski <strong>in</strong>stitut SANU, str. 253-261<br />
16 Ribić, V. (2007): Primenjena antrolpologija:<br />
razvoj primenjenih antropoloških istraživanja u<br />
Velikoj Britaniji i Sjed<strong>in</strong>jenim Američkim<br />
Državama, Beograd: Srpski genealoški centar:<br />
Odeljenje za etnologiju i antropologiju Filozofskog<br />
fakulteta u Beogradu, str. 104.<br />
17 Toskić, J. (2011): Lončarska radionica, Muzej<br />
na otvorenom ,,Staro selo” Sirogojno, Sirogojno;<br />
Tomić-Joković, S. (2011): Kačarska radionica,<br />
Muzej na otvorenom ,,Staro selo” Sirogojno,<br />
Sirogojno; Tomić-Joković, S. (2011): Kovačka<br />
radionica, Muzej na otvorenom ,,Staro selo”<br />
Sirogojno, Sirogojno.<br />
18 Krstović, N. (2012): Zanati: gde posle muzeja?<br />
<strong>in</strong>: Glasnik Etnografskog <strong>in</strong>stituta SANU LX(1), p.<br />
79-92.<br />
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