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Methods in working with intangible cultural heritage - report

Report on a cooperative project between Музејнаотвореном СТАРО СЕЛО (The open-air museum “Old Village”), Sirogojno, Serbia and Ryfylkemuseet (The RyfylkeMuseum), Sand, Norway.

Report on a cooperative project between Музејнаотвореном СТАРО СЕЛО (The open-air museum “Old Village”), Sirogojno, Serbia and Ryfylkemuseet (The RyfylkeMuseum), Sand, Norway.

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One of the results of field research on the<br />

old crafts is a publication Liv<strong>in</strong>g rural<br />

trades <strong>in</strong> Užice region and their protection<br />

<strong>in</strong> the examples of pottery, coppersmith’s<br />

and blacksmith's crafts. Its aim is to<br />

highlight the importance of the pottery,<br />

cooper and blacksmith<strong>in</strong>g crafts have had<br />

for the environment <strong>in</strong> which they evolved,<br />

to describe their history, traditional<br />

techniques of products mak<strong>in</strong>g, materials<br />

and tools used <strong>in</strong> production, changes <strong>in</strong><br />

production methods conditioned by<br />

modern way of life, to highlight the<br />

cont<strong>in</strong>uity of trade existence, their<br />

protection and relevance they have today<br />

<strong>in</strong> the development of family and local<br />

community 13 , and smaller publications like<br />

Užice meat process<strong>in</strong>g products, Bas<strong>in</strong><br />

makers from the village of Pilica, Mak<strong>in</strong>g<br />

Flutes and Double Flutes <strong>in</strong> Užice<br />

Region 14 . Publish<strong>in</strong>g of systematized field<br />

material is planned to be cont<strong>in</strong>ued <strong>in</strong> the<br />

next period.<br />

“It is particularly <strong>in</strong>terest<strong>in</strong>g to discuss<br />

contribution of ethnologists <strong>in</strong> ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />

traditions of society <strong>in</strong> which they live,<br />

which is especially evident <strong>in</strong> the work of<br />

ethno-parks and museums. It is quite<br />

expected that members of a society<br />

experience their collective identity <strong>in</strong> the<br />

essential and static way, but an ethnologist<br />

should not share such attitudes of other<br />

members of the community; <strong>in</strong>stead he<br />

should approach identity (primarily<br />

national and ethnic) as a rational and<br />

dynamic phenomenon“. 15<br />

13 Tomić-Joković, S. i Toskić, J. (2010): Živi seoski<br />

zanati u Užičkom kraju i njihova zaštita na primeru<br />

grnčarskog, kačarskog i kovačkog zanata, Muzej na<br />

otvorenom ,,Staro selo” Sirogojno, Sirogojno<br />

14 Tomić-Joković, S. (2012): Užički suvomesnati<br />

proizvodi, Muzeja na otvorenom ,,Staro selo”<br />

Sirogojno; Toskić, J. (2012): Čančari iz sela Pilica,<br />

Muzeja na otvorenom ,,Staro selo” Sirogojno;<br />

Cicvarić, D. (2012): Izrada svirala i dvojnica u<br />

užičkom kraju, Muzej na otvorenom ,,Staro selo”<br />

Sirogojno.<br />

15 Ribić, V. (2005): Osnove nastave iz predmeta<br />

Primenjena etnologija: perspektive razvoja, <strong>in</strong>:<br />

Etnologija i antropologija: stanje i perspektive; ur.<br />

Application of research results<br />

Field work collected <strong>in</strong>formation about the<br />

real way of life and <strong>cultural</strong> models as we<br />

see them. “The task of anthropologists is to<br />

help people transform their awareness of<br />

social needs <strong>in</strong>to social action ... This<br />

means that the purpose of research is<br />

address<strong>in</strong>g real life problems of the studied<br />

population 16 ”. Systematization and<br />

process<strong>in</strong>g of field material provide a total<br />

of qualitative and quantitative data that do<br />

not stay trapped <strong>in</strong> documentary funds and<br />

depots, but are still used <strong>in</strong> implementation<br />

of various actions <strong>with</strong><strong>in</strong> the museum<br />

activity: permanent and thematic<br />

exhibitions, trade shows, educational<br />

programs, presentations.<br />

The permanent exhibition of the Museum<br />

<strong>in</strong>cludes three craft workshops: pottery,<br />

coppersmith’s and blacksmith’s. Beside<br />

displayed tools and craft products, quite<br />

significant is the narrative of craftsmen,<br />

artisans who were the owners of these<br />

workshops, as well as their engagement <strong>in</strong><br />

practical presentations of traditional craft<br />

skills 17 . Although “the activities were<br />

called crafts demonstrations and their<br />

<strong>in</strong>troduction to visitors through the<br />

museum obsolete measures of (folk)<br />

architecture facilities rehabilitation<br />

represented unsuccessful attempt of<br />

museum documentation resuscitation” 18 ,<br />

Dragana Radojičić, Ljiljana Gavrilović, Beograd:<br />

Etnografski <strong>in</strong>stitut SANU, str. 253-261<br />

16 Ribić, V. (2007): Primenjena antrolpologija:<br />

razvoj primenjenih antropoloških istraživanja u<br />

Velikoj Britaniji i Sjed<strong>in</strong>jenim Američkim<br />

Državama, Beograd: Srpski genealoški centar:<br />

Odeljenje za etnologiju i antropologiju Filozofskog<br />

fakulteta u Beogradu, str. 104.<br />

17 Toskić, J. (2011): Lončarska radionica, Muzej<br />

na otvorenom ,,Staro selo” Sirogojno, Sirogojno;<br />

Tomić-Joković, S. (2011): Kačarska radionica,<br />

Muzej na otvorenom ,,Staro selo” Sirogojno,<br />

Sirogojno; Tomić-Joković, S. (2011): Kovačka<br />

radionica, Muzej na otvorenom ,,Staro selo”<br />

Sirogojno, Sirogojno.<br />

18 Krstović, N. (2012): Zanati: gde posle muzeja?<br />

<strong>in</strong>: Glasnik Etnografskog <strong>in</strong>stituta SANU LX(1), p.<br />

79-92.<br />

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