American Magazine: November 2015
In this issue, explore the painful past and peaceful rebirth of Hiroshima; meet plane crash survivor and author Robin Suerig Holleran; reminisce about a time when AU was a soccer powerhouse, hop on the Metro to Bethesda, and get to know some of AU’s 1,800 San Fran transplants. Also in the November issue: 3 minutes on the Federal Reserve, the history of Clawed, and an Uber quiz.
In this issue, explore the painful past and peaceful rebirth of Hiroshima; meet plane crash survivor and author Robin Suerig Holleran; reminisce about a time when AU was a soccer powerhouse, hop on the Metro to Bethesda, and get to know some of AU’s 1,800 San Fran transplants. Also in the November issue: 3 minutes on the Federal Reserve, the history of Clawed, and an Uber quiz.
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mastery<br />
ILLUSTRATION BY PETER HOEY<br />
1975<br />
Graduated from AU with<br />
a degree in art history.<br />
While at AU, learned<br />
Marjorie Merriweather<br />
Post had willed Hillwood<br />
Estate—home to an<br />
extensive collection<br />
of Russian decorative<br />
arts—to the Smithsonian.<br />
Landed a volunteer<br />
position cataloging<br />
the collection.<br />
1976<br />
Offered a position as<br />
assistant to Smithsonian<br />
Keeper of the Castle<br />
James Goode. One month<br />
later, caught a glimpse of<br />
Queen Elizabeth II when<br />
she visited the Castle.<br />
1973<br />
Inspired by a love of<br />
Russian literature, made<br />
her first visit to Russia—<br />
a trek she would make<br />
more than 30 times.<br />
Malcolm Gladwell’s book Outliers: The Story of<br />
Success offers a formula for success—being born<br />
in the right place and time and investing at least<br />
10,000 hours in pursuit of your goal. Amy<br />
Ballard, CAS/BA ’75, who will celebrate 40<br />
years at the Smithsonian Institution next year,<br />
has certainly surpassed that milestone. As senior<br />
historic preservation specialist, Ballard works to<br />
protect the Smithsonian’s diverse buildings. In<br />
addition to preserving the past, she also helps to<br />
shape the future, contributing to plans for new<br />
buildings such as the National Museum of the<br />
<strong>American</strong> Indian and the National Museum of<br />
African <strong>American</strong> History and Culture.<br />
1978<br />
Added “owl caretaker” to her<br />
résumé when Dillon Ripley,<br />
ornithologist and former<br />
Smithsonian secretary,<br />
revived nineteenth-century<br />
tradition of housing barn<br />
owls in Castle’s northwest<br />
tower. Twice a week, donned<br />
National Zoo jumpsuit and<br />
helmet, climbed five-story<br />
ladder, and fed owls a sack of<br />
dead rats. “THROUGHOUT<br />
MY CAREER, THIS<br />
OWL STORY HAS<br />
ALWAYS FOLLOWED<br />
ME, NO MATTER WHAT<br />
OTHER THINGS I DO.”<br />
1985<br />
Named historic preservation<br />
specialist. Relished<br />
opportunity to work with<br />
museum directors and<br />
maintenance workers,<br />
architects and engineers,<br />
curators and construction<br />
crews. “WHEN I GO<br />
TO A MUSEUM, IT<br />
ISN’T REALLY TO<br />
LOOK AT THE ART.<br />
I HAVE TO LOOK AT<br />
FLOORS AND SMOKE<br />
DETECTORS AND<br />
LIGHT FIXTURES.”<br />
1987<br />
After department reorganized<br />
into Office of Architectural<br />
History and Historic<br />
Preservation, took graduate<br />
courses in architectural<br />
history and historic<br />
preservation at George<br />
Washington University.<br />
1999<br />
Attended intensive course<br />
at State Hermitage Museum<br />
in Saint Petersburg, Russia,<br />
studying its architecture<br />
and collections.<br />
2004<br />
National Museum of the<br />
<strong>American</strong> Indian opened.<br />
“THAT WAS ONE OF<br />
THE BEST PROJECTS<br />
I’VE WORKED ON.<br />
IT WAS NEAT TO BE<br />
IN VISION SESSIONS<br />
WITH NATIVE<br />
AMERICANS AND<br />
MEET MEDICINE MEN.”<br />
2003<br />
With National Museum of<br />
African <strong>American</strong> History and<br />
Culture officially established,<br />
became part of the multiyear<br />
planning effort.<br />
Received the 300th Anniversary<br />
of Saint Petersburg Medal for<br />
her work advising DC’s Russian<br />
Embassy and Russian Cultural<br />
Centre on exhibits. Honored<br />
at the embassy, where former<br />
ambassador Yuri Ushakov<br />
pinned on the medal.<br />
2002<br />
Created a single-case exhibit,<br />
“Madam on the Mall,” featuring<br />
porcelain, champagne corks,<br />
and other relics from a<br />
nineteenth-century brothel<br />
unearthed during construction<br />
of the National Museum of<br />
the <strong>American</strong> Indian. “IT<br />
WAS WASHINGTON’S<br />
MOST EXPENSIVE AND<br />
EXCLUSIVE BROTHEL.”<br />
Attended England’s Attingham<br />
Trust Royal Collection Studies<br />
Programme.<br />
2001<br />
Attended England’s<br />
Attingham Trust Study<br />
Programme for in-depth<br />
studies on historic<br />
buildings.<br />
2009<br />
Won a Likhachev<br />
Foundation Fellowship,<br />
spending two weeks in<br />
Saint Petersburg to work<br />
on projects related to<br />
historic preservation and<br />
Russian music.<br />
Coauthored A Guide to<br />
Smithsonian Architecture.<br />
2010<br />
Promoted to senior historic<br />
preservation specialist.<br />
“THERE AREN’T<br />
MANY OF US WHO<br />
HAVE BEEN AT THE<br />
SMITHSONIAN AS<br />
LONG AS I HAVE, SO<br />
I’M OFTEN ASKED FOR<br />
ADVICE. I’M ALWAYS<br />
HAPPY TO HELP.”<br />
2011<br />
Created online St. Petersburg<br />
Music Guide to help visitors<br />
to that city experience<br />
the breadth of its musical<br />
offerings.<br />
2012<br />
On a South <strong>American</strong> cruise,<br />
met the consul general<br />
for Vladivostok, Russia,<br />
who invited her to that<br />
city to speak to museum<br />
professionals. A few months<br />
later, she made the first of<br />
many such trips.<br />
2014<br />
Joined the Board of Trustees<br />
of the Hillwood Estate,<br />
Museum, and Gardens,<br />
coming full circle to her<br />
very first museum job.<br />
DOWNLOAD the <strong>American</strong><br />
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Ballard’s story in her own words.<br />
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