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John Napier<br />
Set designer par excellence<br />
John Napier is working on the show of his<br />
life. That’s not to say it’s the most epic in<br />
scale of his theatrical designs, or likely to be<br />
seen by the largest audience, or awarded (another)<br />
Tony or Olivier. It is literally the show<br />
of his life. Stages; Beyond the Fourth Wall, on at<br />
Towner in Eastbourne until 31st January, will<br />
include costume designs and 3D pieces based<br />
on his five decades in theatre design, as well<br />
as the sculpture that he’s created in parallel<br />
to his career.<br />
I visit John at his studio in Polegate – a huge<br />
industrial unit where he’s drawing together<br />
and meticulously staging this careful edit<br />
of his life. Not an easy task, as he’s been<br />
responsible for some of the most memorable<br />
stage sets and costumes in theatre; among<br />
them the horses in Equus, the barricades in<br />
Les Misérables, the helicopter in Miss Saigon,<br />
the outsized junkyard in Cats, and the high<br />
velocity wheelie world of Starlight Express.<br />
The space is full of fascinating objects;<br />
drawings, models, costumes. Objects in every<br />
scale, some recognizable and narrative, like<br />
the exquisite horse head-dresses from Equus,<br />
others purely abstract and sculptural, like his<br />
huge bronze castings. I begin to understand<br />
why – when I ask if he describes himself as<br />
an artist or a theatre designer – he answers<br />
‘imagineer’.<br />
Photo by Peter Prior<br />
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