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Viva Lewes Issue 111 December 2015

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John Napier<br />

Set designer par excellence<br />

John Napier is working on the show of his<br />

life. That’s not to say it’s the most epic in<br />

scale of his theatrical designs, or likely to be<br />

seen by the largest audience, or awarded (another)<br />

Tony or Olivier. It is literally the show<br />

of his life. Stages; Beyond the Fourth Wall, on at<br />

Towner in Eastbourne until 31st January, will<br />

include costume designs and 3D pieces based<br />

on his five decades in theatre design, as well<br />

as the sculpture that he’s created in parallel<br />

to his career.<br />

I visit John at his studio in Polegate – a huge<br />

industrial unit where he’s drawing together<br />

and meticulously staging this careful edit<br />

of his life. Not an easy task, as he’s been<br />

responsible for some of the most memorable<br />

stage sets and costumes in theatre; among<br />

them the horses in Equus, the barricades in<br />

Les Misérables, the helicopter in Miss Saigon,<br />

the outsized junkyard in Cats, and the high<br />

velocity wheelie world of Starlight Express.<br />

The space is full of fascinating objects;<br />

drawings, models, costumes. Objects in every<br />

scale, some recognizable and narrative, like<br />

the exquisite horse head-dresses from Equus,<br />

others purely abstract and sculptural, like his<br />

huge bronze castings. I begin to understand<br />

why – when I ask if he describes himself as<br />

an artist or a theatre designer – he answers<br />

‘imagineer’.<br />

Photo by Peter Prior<br />

46

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