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The Collateral Company - Clever Collateral

Craig Green of The Collateral Company shares tips with NZBusiness Magazine to get the most out of your Promotional Products.

Craig Green of The Collateral Company shares tips with NZBusiness Magazine to get the most out of your Promotional Products.

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OCTOBER 2014<br />

Now includes<br />

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PledgeMe’s Anna Guenther<br />

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ACCOUNTANTS BEYOND THE<br />

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AND ADVISORS COMFORT ZONE<br />

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Can they be one Shirley Keith’s inspiring<br />

the clouds<br />

and the same? business journey


MARKETING COLLATERAL<br />

<strong>Clever</strong> collateral<br />

Summer’s just around the corner, which means dreaming<br />

up incentives and rewards for staff and customers and<br />

decking out your summer events. Craig Green shares<br />

some tips on getting the best in branded wares.<br />

In previous marketing roles, it was<br />

common to have promotional product<br />

suppliers come to show me suitcases<br />

full of cheap promo items, and it was<br />

up to us to imagine our logo on their<br />

wares and how we might use them.<br />

<strong>The</strong>re was a real disconnect between<br />

the brands and marketing campaigns<br />

and the kinds of ‘trinkets and trash’<br />

on offer.<br />

<strong>The</strong>se suppliers didn’t understand<br />

our brands, our consumers or<br />

marketing strategy.<br />

Nowadays there’s a move away<br />

from using suppliers to working with<br />

creative agencies that specialise in<br />

marketing collateral and can add<br />

value; matching creative concepts with<br />

your campaign objectives.<br />

Replacing ‘promotional products’<br />

and ‘branded merchandise’, the<br />

marketing-speak ‘collateral’ applies<br />

to any branded item used to support<br />

a sales or marketing objective.<br />

<strong>The</strong>se can range from event signage<br />

to giveaways, from stationary and<br />

uniforms through to incentive rewards.<br />

Used strategically, marketing<br />

collateral can enhance your campaign,<br />

drive brand awareness and create<br />

brand loyalty. Used poorly and they<br />

can align your business and brand to<br />

cheap junk.<br />

As consumers have become<br />

increasingly savvy and budgets are<br />

tighter post-GFC, business owners<br />

and marketing teams realise their<br />

collateral must work harder to achieve<br />

their promotional objectives. <strong>The</strong>re’s<br />

no value if your giveaways end up in<br />

the bin or a kid’s toy box at the end<br />

of your event. <strong>The</strong> days of slapping<br />

a logo onto a generic giveaway<br />

are coming to an end, in favour<br />

of campaign-relevant, useful and<br />

bespoke items.<br />

As with any creative agency, the<br />

quality of concepts a collateral partner<br />

provides will depend on the quality<br />

of the brief they receive. For the best<br />

results, detail your campaign strategy<br />

and objectives. This will save you<br />

time in the long run as it will allow<br />

your agency to provide relevant<br />

concepts right from the start. What<br />

is the purpose of the campaign? Who<br />

are you targeting? Are you aiming to<br />

reward, inspire, connect or incentivise?<br />

Other considerations for your<br />

brief include:<br />

• What quantity do you require/what<br />

is the budget per engagement?<br />

• What do you want to achieve in<br />

using collateral?<br />

• How much time have you allowed<br />

for production?<br />

• Should it be durable, made from<br />

natural materials or recyclable?<br />

Time is hugely important and<br />

unfortunately many just don’t leave<br />

enough weeks in their timeline<br />

to ensure the best outcome. <strong>The</strong><br />

alternative means going with branding<br />

stock items, using air freight or<br />

producing items that are lower<br />

quality had there been more time for<br />

product development.<br />

A typical offshore order might take<br />

a month to produce and a month to<br />

sea freight. <strong>The</strong> more time you have,<br />

the more time you will have to tweak<br />

artwork and examine pre-production<br />

samples – so when you do go into<br />

production, you are absolutely<br />

comfortable and confident in the<br />

end product.<br />

We worked with Copyright Licensing<br />

New Zealand to produce a paper<br />

clip in the shape of their logo. As<br />

simple as this sounds, it actually took<br />

several rounds of samples before<br />

we had a shape and wire thickness<br />

that was practical and that the client<br />

was happy with. Fortunately time<br />

allowed for samples and adjustments<br />

until the item was perfect. <strong>The</strong> client<br />

was thrilled with the result; it made<br />

a unique gift and a regular brand<br />

reminder to their stakeholders.<br />

Once you receive a quote to<br />

produce your collateral, check that<br />

the costings are comprehensive and<br />

consider the following:<br />

• Have you been provided the costs<br />

to produce the item as per the final<br />

specifications?<br />

• If the specs have changed during<br />

the product development stage,<br />

so have the costs – have they<br />

accounted for this?<br />

• Have they included freight?<br />

• Have they locked in the<br />

currency rate?<br />

• Does it include Customs and Duty<br />

charges for imports? (International<br />

suppliers often won’t know this.)<br />

Offshore options<br />

With a global supply chain, there’s<br />

literally a world of options out there.<br />

We have production partners in China,<br />

Australia, Mexico and the US. Offshore<br />

production is fantastic for custom<br />

or bulk items but can be fraught<br />

when it comes to quality control<br />

and reliability. Having long-term<br />

relationships helps.<br />

Even for the most experienced,<br />

offshore production can sometimes<br />

go wrong. You need someone who<br />

understands the sampling and<br />

production process, the different<br />

cultural business procedures and<br />

etiquette and someone who has<br />

people on the ground to check<br />

production quality, to deliver what<br />

you’re expecting and are paying for.<br />

You need to be confident that your<br />

creative collateral partner can manage<br />

any unexpected issues – but you also<br />

need to ensure you have left sufficient<br />

time in your project timeline to allow<br />

them to do so.<br />

With the popularity of trading<br />

websites it is possible to place<br />

orders with seemingly cheap offshore<br />

suppliers and agents but this too is<br />

fraught with risk, unexpected costs<br />

and often no recourse if things go<br />

wrong. You might get a bargain, but<br />

there are many stories of companies<br />

who paid a supplier up front but<br />

when they received the order it wasn’t<br />

what they were expecting. Foreign<br />

suppliers rarely understand New<br />

Zealand importing procedures and<br />

port charges so buyers can also face<br />

additional unexpected costs.<br />

We’ve had briefs where the sourcing<br />

and materials used were as important<br />

to the client as the item itself. When<br />

Hell Pizza launched their ‘Day of the<br />

Dead’ campaign they were eager that<br />

the products we supplied for their<br />

store fit-outs were authentic Day of<br />

the Dead decorations. We could have<br />

mass produced items from a factory<br />

in China, instead we engaged a rural<br />

village co-op in Mexico. Even though<br />

few customers would have known this<br />

sourcing story, it was important to the<br />

philanthropic directors at Hell.<br />

Love NZ engaged us to provide their<br />

bin collectors with high-viz vests made<br />

from recycled PET plastic. This made<br />

a great story of their teams providing<br />

a second use for the recyclable<br />

materials that they were collecting.<br />

Sometimes the story is as<br />

important to the campaign as the<br />

collateral itself.<br />

When it comes to putting your<br />

brand on marketing collateral, with the<br />

right creative partner your imagination<br />

is your limit.<br />

Don’t settle for trinkets and trash<br />

you’ve seen a dozen times before. If<br />

you’re bored with those items, so are<br />

your consumers. A creative partner<br />

should have their finger on the pulse<br />

and provide new and unique concepts<br />

to make your brand stand out.<br />

Each piece of collateral is an<br />

opportunity to get your brand into<br />

your customer’s hands.<br />

›› Craig Green is director of the <strong>Collateral</strong> <strong>Company</strong>, a specialist<br />

in the creative design and production of marketing collateral for<br />

campaigns, consumer promotions, events and corporate gifts.<br />

Visit www.thecollateralcompany.com or to check out examples<br />

of their work: www.pinterest.com/thecollateralco<br />

54 NZB October 2014 nzbusiness.co.nz NZB October 2014 nzbusiness.co.nz 55

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