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can see notifications when someone has<br />

received and read your scripts. So sharing<br />

scripts through InkTip saves time and provides<br />

assurance.<br />

When you capture someone’s attention<br />

with your pitch, the best opportunity for<br />

them to read or download your script is<br />

right then and there. The great thing about<br />

this new way of sharing scripts through<br />

InkTip is that you strike while the iron is<br />

hot. And, you don’t need to upload and<br />

send an attachment, which no one likes.<br />

This is another free service we are offering<br />

to our writers to help them along with their<br />

careers. Oh, and one of the cool things<br />

about this, besides being able to track how<br />

many people are reading your scripts, is that<br />

you keep your own email addresses for the<br />

contacts you know. All you are doing when<br />

you use the shared script service is generating<br />

a safe link that you can use without<br />

ever having to disclose contact information<br />

for your important contacts. These simple<br />

things put just a little bit of extra protection<br />

there for both producers and writers.<br />

Not too long ago, we set up a directory on<br />

our site where producers and writers alike<br />

can check out contests and festivals. One<br />

unique thing about this service is that if a<br />

contest is on our website, it means this contest<br />

actually does something for the writer.<br />

We directly ask each contest what they do<br />

for the finalists and winning writers. If the<br />

benefits aren’t enough, we don’t allow that<br />

contest to post on our website. So, we like<br />

contests that can help the writers in tangible<br />

ways, especially promoting the winners to<br />

their producer and rep contacts. If a contest<br />

is selecting the winning scripts and boasting<br />

about them to their producer and rep contacts,<br />

they aren’t going to just let any script<br />

be a winner or finalist. To me, this is also<br />

an indication that the people at the contest<br />

reading the scripts are probably a cut above<br />

as well. This contest and festival service is<br />

free to members and non-members alike.<br />

We are also launching an events portal.<br />

This is where writing groups can post their<br />

next meetings, film festivals can post their<br />

screenings, producer groups can post their<br />

workshops, the WGA, DGA, PGA, etc., can<br />

post any events they have going on, and so<br />

forth. There is always something going on in<br />

just about any part of the world that relates to<br />

filmmaking, and so these are events that one<br />

can attend to get to know other people in the<br />

industry, learn new things, stay connected,<br />

and get a little networking done. This is also<br />

a free service for members and non-members.<br />

Of course, we have just opened this<br />

portal, so maybe you won’t find much, but<br />

you can post your events now. And this<br />

will grow and grow and grow!<br />

On the horizon is another exciting development<br />

regarding industry pros bookmarking<br />

their favorite scripts on InkTip. When an<br />

industry pro does this, the site will check to<br />

see if the script listing is getting close to the<br />

end of its listing period on InkTip. If so, we<br />

will send that industry pro a quick reminder<br />

that they should read or download the script<br />

before it’s no longer available.<br />

Another thing we are also working on is<br />

alerting producers when a script has been<br />

posted on our site that matches the criteria<br />

they like.<br />

What has changed in the industry<br />

over the past 15 years?<br />

Fifteen years ago, the idea that producers<br />

and reps should be able to find good scripts<br />

and writers on the Internet was something<br />

no one thought was possible. And, in fact,<br />

probably no more than a hundred or so<br />

producers and reps were even open to it<br />

back then. Now, everyone uses the Internet<br />

to find scripts and writers. So, since our<br />

inception, thousands and thousands of producers<br />

and reps have registered for access<br />

to InkTip to find the writers and scripts they<br />

want without the hassles of having to reach<br />

out to dozens or more people to ask if they<br />

even have something they are looking for.<br />

The Internet is now the norm for people<br />

looking for writers and scripts. There are<br />

a lot of other changes relating to the film<br />

market, distribution and such, but that is<br />

not my area of expertise.<br />

InkTip cares about all produced<br />

films made through InkTip and<br />

continues to promote and help<br />

after a film has been made. Can<br />

you talk about how that works?<br />

Once a script or writer has been found, we<br />

want to do everything we can to:<br />

1. Help the writer take advantage of this<br />

momentum;<br />

2. Help the producer with any kind of<br />

promotion for this project that we can to<br />

assist in the success of the project for the<br />

benefit of both the writer and producer;<br />

3. Oftentimes, we’ll feature the film on<br />

our magazine cover. We’ll mention the<br />

progress of the project as it goes through<br />

its various phases, all the way through<br />

production and screenings. We’ll post it<br />

on our website, in our newsletters, etc.<br />

Register Today at www.InkTip.com<br />

What’s the catch?<br />

Well, I guess the only catch is that a producer<br />

or rep has to qualify for access.<br />

Writers pay InkTip a fee to have their<br />

scripts listed on our site, and they trust that<br />

we perform due diligence. So, for example,<br />

a person who has only PA credits and not<br />

working for an established company will<br />

not qualify.<br />

What’s the difference between<br />

InkTip and other script services?<br />

You know, I have never been a proponent<br />

of explaining the differences between our<br />

services and others’. It just seems like in<br />

order to do that, one has to put down other<br />

services in order to make one look good.<br />

I will tell you that the only things we are<br />

interested in are results. We get a few<br />

hundred scripts sold, optioned, writers<br />

hired, writers gaining representation<br />

and so on, every single year. And most<br />

importantly we average somewhere around<br />

30 feature-length movies made every year<br />

from writers and scripts that were found<br />

through InkTip.<br />

We do this year in and year out. We have<br />

writers who make their living as full-time<br />

writers, and it was in no small measure due<br />

to them using InkTip that producers and<br />

reps could find them.<br />

Though keeping our site and IMDb page<br />

updated can become time-consuming,<br />

most of the successes that we are directly<br />

responsible for are listed.<br />

For whichever service or company you are<br />

considering, disregard the hype and the<br />

hot air. Look for actual results – find the<br />

list of the movies made, the scripts sold,<br />

the writers hired, etc., as a result of others<br />

using that company’s services. If no such<br />

list exists, well then…<br />

What other benefits are there to<br />

using InkTip?<br />

As I have always said, it is fast and easy<br />

for producers to find exactly what they are<br />

looking for. There have been numerous<br />

occasions where we get a producer set<br />

up on InkTip, and literally 10 minutes<br />

to an hour later, that producer found the<br />

exact script he or she was looking for! It<br />

was my goal to make InkTip a place where<br />

everyone goes for scripts and writers, and I<br />

believe that is truer with each new day.<br />

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