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Vane Magazine Issue 4

Issue 4 of Vane features new designers making an impact, the latest unique musicians on the scene and everything else for you to love this summer.

Issue 4 of Vane features new designers making an impact, the latest unique musicians on the scene and everything else for you to love this summer.

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SUMMER 2015/2016 V A N E M A G A Z I N E<br />

SEA ISSUE 04<br />

s e a<br />

F A S H I O N . B A C K S T A G E . C U L T U R E


EDITORS NOTE:<br />

While half of the world spends their Christmas and end<br />

of year shoveling snow or wrapped in blankets, we’re<br />

out having BBQs, getting sunburnt, and relaxing with<br />

good music, good food and good reads. With some of<br />

the best new bands hitting our shores over the summer<br />

festivals, we caught up with The Internet, Purity Ring and<br />

Lontalius who are all playing at the Auckland Laneway<br />

Festival in February. This issue is a celebration of finally<br />

having some down-time as the year comes to a close,<br />

with summer essentials to enjoy and unique plant stores<br />

to check out, we hope <strong>Vane</strong> issue 4 kickstarts your<br />

holidays and we’ll see you in the new year.<br />

STAFF & CONTRIBUTORS<br />

Editor-In-Chief and Graphic Designer:<br />

Leena Park: leena@vanemagazine.com<br />

Photographers: E-I-C, Amazir Aknine: amaziraknine@<br />

gmail.com<br />

Interviewers: E-I-C, Chris Smith:<br />

chris@vanemagazine.com<br />

Writers: Taylor Compain: taylorparehuia@gmail.com<br />

Illustrators: Sabrina David: sabrinacdavid@gmail.com<br />

Hair / Makeup artists: Tylah Britow:<br />

tylahbritow@hotmail.co.nz<br />

Website:<br />

vanemagazine.com<br />

Facebook:<br />

vanemagazineonline<br />

COVER<br />

Instagram:<br />

vane_magazine<br />

Twitter:<br />

vane_magazine<br />

Model Indiana wears<br />

Top by Moochi<br />

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SUMMER ESSENTIALS P 4<br />

INTERVIEW WITH SEAN KELLY P 10<br />

FEATURE: GREEN SCENE P 12<br />

INTERVIEW WITH PURITY RING P 12<br />

INTERVIEW WITH THE INTERNET P 28<br />

NORTH KOREA P 38<br />

INTERVIEW WITH LONTALIUS P 42<br />

ARTICLE: 21ST CENTURY TeRRORISM P 46


We got our hands on some knick-knacks for you to check out this summer.<br />

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1. Drink: San Pellegrino sanpellegrinofruitbeverages.com<br />

2. Hand Wash: Smith & Co. from Flo & Frankie<br />

3. Candle: Captives captives.co.nz<br />

4. Hat: Moochi moochi.com


1. Hand Balm: Smith & Co. from Flo & Frankie<br />

2. Lip balm: Grown Alchemist grownalchemist.com<br />

4. Linen Spray: Surmanti from Flo & Frankie<br />

5. Hat: Moochi moochi.com<br />

3. Ice cream: Oob Organic oob.co.nz<br />

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1. Flats: Soludos from From & Frankie<br />

2. Swimwear: Acacia Swimwear from Tosca & Salome<br />

3. Drink: San Pellegrino sanpellegrinofruitbeverages.<br />

4. Towel: Ottoloom ottoloom.co.nz<br />

5. Hat: Moochi moochi.com


1. Sunglasses: Komono from Flo & Frankie<br />

2. Bralette: Queen of the Foxes from Flo & Frankie<br />

3. Candle: Ashley & Co. ashleyandco.co.nz<br />

8<br />

4. Cologne: Montblanc montblanc.com


Profile<br />

it girl<br />

lauren elise trend<br />

After young designer Lauren Trend showcased her Cut ‘N’ Paste<br />

collection as part of her graduation project she quickly became<br />

the girl everyone was talking about, this is Laurens profile.<br />

Name: Lauren Elise Trend, Age: 22, Hometown: I grew up<br />

on the Mornington Peninsula and currently live in Carlton with<br />

my older brother Luke. Inspiration for cut ‘n’ paste collection:<br />

I became quite transfixed with the stages of design process and<br />

tried to capture these signifiers of construction/process within the<br />

outcomes themselves. So naturally each garment became an<br />

iteration of the next and there’s very much this oscillation between<br />

two and three dimensionalities – in my research I also gravitated<br />

towards this idea of fashion’s relationship with image. Fashion<br />

designers you aspire to: I think Matthew Linde’s Centre for Style<br />

is pioneering contemporary fashion practice, first in Melbourne<br />

now internationally. I’m very much interested in practitioners and<br />

designers that value the curation and communication of fashion<br />

just as much if not more than the product. How you dress day to<br />

day: According to mood. Your days consist of… Up until now it’s<br />

just been working in the studios on this collection and writing my<br />

Honours thesis and I’ve genuinely loved spending all day every day<br />

doing that! However I am looking forward to having days off to just<br />

wake up and wander, read, see friends and enjoy spending time<br />

on the coast with family. Favourite time of the year: Definitely<br />

this time of year!! The transition from spring into summer is hands<br />

down my favourite: End of the Uni year, loads of birthdays, NGV<br />

summer series, Christmas, New Years – yeah it’s a great time.<br />

Favourite musician: Jane Birkin, Francoise Hardy & Patti Smith.<br />

Dead Tie, sorry. Best place to eat in your hometown: My best<br />

friend Tori’s – nothing beats our record, red wine & cooking nights.<br />

We’re pretty obsessed cooking and conjuring up recipes that better<br />

the last. Melbourne is underrated for: I don’t know whether its<br />

underrated, but I feel as though there are incredible things going<br />

on in Melbourne’s art/design scene at the moment – it’s insanely<br />

inspiring to be a part of such a progressive community. A film you<br />

want to live in: Either Deray’s La Piscine, Woody Allen’s Annie<br />

Hall… or play Joan Jett in The Runaway’s. (Kristen Stewart tho


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Interview<br />

Interview by Leena Park<br />

S E A N<br />

K E L L Y<br />

We talked to winner of the 13th season of Project Runway Sean Kelly,<br />

who’s already become a big name in the NZ fashion scene.<br />

We all know you as the winner of project runway season 13,<br />

did you feel that being on Project Runway was harder or more<br />

challenging coming from a small town in New Zealand?<br />

No, I don’t think it was a disadvantage coming from New Zealand<br />

and being on the show. It was a very equal playing field (minus<br />

Amanda who had been on season 11) none of the other designers<br />

has worked under the conditions that we worked with on the show.<br />

The pressure to preform at such a high level was felt by all of the<br />

contestants, and it became a mental game of how to control your<br />

emotions of exhaustion while still producing creative work, challenge<br />

after challenge.<br />

What was it like to work amongst Tim Gunn and the PR judges?<br />

Tim Gunn has made a huge impact on my life, and he continues<br />

to stay in touch, whenever you work with someone with years of<br />

experience in the industry you and only learn and grow from their<br />

advice. I feel very lucky to be able to have worked with Tim, Zac,<br />

Nina and Heidi.<br />

What made you move to New York in the first place? And what do<br />

you love about NYC<br />

I first moved here on a graduate visa, with no job, no real plan; I<br />

was looking for design work straight out of school. New York has<br />

everything you could ever want, there is so much going on here<br />

everyday and you never know what will be around the next corner.<br />

That is what I love about New York.<br />

You definitely have a sophisticated aesthetic, what’s the earliest<br />

memory you have designing?<br />

My earliest memories are of trying make a simple t-shirt for myself really<br />

trying to figure out how to turn 2D into 3D using newspaper when I<br />

was young. I would try to make things for my self by experimenting,<br />

figuring out sleeve shapes, necklines, finishing’s all by trial and error.<br />

Before learning pattern making, these steps are very important to<br />

experience and experiment with before your mind has been retrained<br />

with a set of “rules” of pattern making.<br />

How would you describe your style to someone who hasn’t seen<br />

your work?<br />

Modern, Clean, Contemporary with a focus on textile developments.<br />

Other than the opportunities has anything else changed since<br />

before being on PR?<br />

There are people all over the world who are watching the season<br />

at different times, and I get waves of support from different places<br />

as it screens, which is amazing to have a global audience. I got<br />

recognized in an airport in China this year, which was strange but<br />

nice.<br />

What the best part of being a fashion designer?<br />

Being able to express your vision and tell stories to an audience. Also<br />

the ability to work with your hands and the hands of other talented<br />

artist, designers and technicians.<br />

Lastly, can you tell us about anything you are working on next?<br />

SS16 production and the next collection.<br />

Photo by Lawrence Smith


Feature<br />

Now that summer’s here and the trees are green again, we took a look at some of<br />

Auckland’s best plant stores offering the next addition to your house or garden.<br />

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Ponsonby Plants<br />

252D Ponsonby Rd, Ponsonby, Auckland<br />

House of Botanica<br />

Online only: www.houseofbotanica.co.nz<br />

Often overlooked, sitting at the end of the restaurants and big-name<br />

shops in Ponsonby is a nice local store called Ponsonby Plants.<br />

Walking into the store you realise it’s a much than it looks, and<br />

plants stacked on shelves and hanging from the ceiling everywhere<br />

you turn. Ponsonby Plants will most likely have whatever you need<br />

amongst its wide range of indoor plants, outdoor plants, gift plants,<br />

flowers, pots, small and tall cacti, stone ornaments, the list goes on.<br />

House of Botanica is the perfect plant store for gifts or decorations.<br />

With great prices and the coolest little knick-knacks, they also offer<br />

botanical styling, floral design and plant hire for corporate events.<br />

If you’re not into ordering online you can find their goodies at the<br />

Ponsonby Market NZ Pop-up store or at the weekend Silo markets<br />

over the summer.<br />

Bioattic<br />

62 Ponsonby road, Grey Lynn, Auckland<br />

The Botanist<br />

City Works Depot 13/90 Wellesley St Auckland<br />

Bioattic should be number one on your list if you’re after specialty<br />

or gift plants – that’s terrariums, cacti, bonsai plants and so on. As<br />

just a small store at the start of Ponsonby road, Bioattic offers a<br />

range of intricate, high-end small plants and pots, they may be a<br />

little pricy but it’s all about quality, but even if you’re not buying you<br />

can still enjoy a complementary green tea while browsing Bioattic’s<br />

marvellous creations.<br />

The Botanist is a plant shop/florist/café that resides under the car<br />

park of the City Depot. Although they don’t have as wide a range<br />

as other Auckland plant stores, they have some great selections and<br />

have some of the best options and service when it comes to flowers.<br />

But the main appeal is that The Botanist doubles as a café, so you<br />

can enjoy a hot cappuccino and an egg muffin under beautiful<br />

hanging plants and flower-filled walls.


Interview<br />

Interview by Chris Smith<br />

P U R I T Y<br />

R I N G<br />

Megan and Corin are back leading the Synth-pop<br />

scene with Another Eternity.<br />

14


Future-pop duo Purity Ring have been on the frontlines of the<br />

synth-pop electronic scene since blowing up with their debut<br />

album Shrines in 2012, now they have cemented their place in the<br />

scene with their critically acclaimed sophomore album – Another<br />

Eternity. We talked to Corin Roddick from the band about their<br />

music, influences and success.<br />

How have you guys been? Are you on tour at the moment?<br />

We actually just got home from tour 2 days ago, right now we’re in<br />

LA, we just finished a full European tour for the last month.<br />

Congratulations on your latest album Another Eternity, it’s been<br />

quite a big year for you guys, being on Kimmel and blowing up so<br />

quickly, how’s that been?<br />

Thank you yeah it’s been pretty amazing, we didn’t really know what<br />

to expect at all, but I guess that’s always how it is though, you just<br />

have to make music that you wanna make and then hope for the<br />

best.<br />

Is it a big experience coming from Edmonton in Canada? And<br />

getting the recognition so young?<br />

Oh well I don’t feel young I’m 25 now, I feel like we were young<br />

when we started the band so now I feel like an old man (laughs) but<br />

in a good way. The town we’re from in Canada isn’t super small, it’s<br />

definitely a city but it’s a very isolated place. And there was not much<br />

was coming out of the city but now there’s been a few bands coming<br />

out, like Mac De Marco’s also from Edmonton and a few other acts,<br />

but for a for a long time the idea of making music for a living and<br />

being from Edmonton was completely a crazy idea, I’d never heard<br />

of anyone ever doing that before. I’ve seen that you’ve said for this<br />

latest album you’ve made more of a collaborative effort.<br />

Do you share any roles in the song-writing process, like do you<br />

write any of the lyrics or does Megan have any hand in the<br />

production?<br />

Generally our roles are pretty separate, I don’t write any of the<br />

lyrics and Megan doesn’t actually do any of the production but we<br />

give each other so much feedback that we end up having a lot of<br />

influence over the other persons parts so I think that’s a pretty good<br />

way to work because it’s nice to have a second opinion, especially<br />

when you’re doing so much stuff on your own, someone else to<br />

bounce ideas off can really change a song or shape it.<br />

Your band has a very cool aesthetic, what are the influences for<br />

the aesthetic? Does it come from movies or art or just music?<br />

It comes from all sorts of stuff really, for me I’m a huge sci-fi fan,<br />

I’ll watch pretty much any sci-fi movie even if it’s terrible (laughs),<br />

I just love the aesthetics of them, like usually if it’s a terrible sci-fi<br />

there’s one moment in there that I’m like “oh that looks really neat”<br />

and that definitely influences me, there’s a few visual artists that I<br />

appreciate and I watch a decent amount of anime which I think<br />

probably influences our aesthetic also.<br />

I also read somewhere that Megan actually creates some of the<br />

clothes used in your stage shows; do you have much of an interest<br />

in fashion also?<br />

Yeah Megan creates all the clothes but I’m definitely interested in<br />

fashion as well, I can’t make my own clothes but I know what I like<br />

16


and Megan and I have worked together so much that at this point<br />

when she makes something for me it’s just gonna be exactly what I<br />

like, so for me fashion is really important, and the fact that Megan<br />

is actually able to create clothing from scratch for us I think is one of<br />

the greatest things about our band.The way the sounds are built on<br />

your albums is quite fascinating with all the different layers and beats.<br />

What’s your song-writing process like?<br />

The song-writing process is really different every time, we don’t really<br />

have a formula that we stick to. Sometimes it’ll just start with a weird<br />

sample of something that I recorded and I’ll stretch it around and<br />

pitch it up and down and make a weird loop and that might turn into<br />

a song which eventually Megan sings on. Or there’s times where she<br />

just comes with a vocal melody and nothing else and we’ll record<br />

that and I’ll build something around it, when I’m just making music<br />

on my own I don’t start with drums every time or synths every time, it<br />

just can be anything and I think that’s a good thing to keep doing. I<br />

found that working with Megan, pretty much anytime I find that we’re<br />

falling into a habit or routine then we immediately panic and try to<br />

switch it up.<br />

You’ve said before that a lot of your beats are hip-hop influenced.<br />

Who are some of your hip-hop influences, like different producers<br />

and artists?<br />

There’s a lot of producers that I admire, I think 40 - who does most<br />

of the stuff for Drake is really incredible, he’s just kind of created a<br />

whole new genre of hip-hop production. And also guys like Mike<br />

Will (Made It) who have just from year to year made whatever’s<br />

fresh and it somehow always stays ahead of the curve which is pretty<br />

special.<br />

You’ve worked with rapper Danny Brown in the past also, are<br />

there any other hip-hop artists in particular that you would want<br />

to work with?<br />

Yeah there are definitely a handful of rappers that I would love to<br />

work with at some point. Kendrick (Lamar) is I think one of the best<br />

rappers of our generation so to do something with him would be<br />

amazing.<br />

Yeah that would be an amazing collaboration..<br />

..Yeah so I’ll say that for now. In general if it’s an artist that I like and<br />

they’re willing to work with me directly then I’m pretty open to it, I try<br />

to avoid the other way that things happen where you have like songwriting<br />

sessions with a bunch of different producers and writers and<br />

you’re just trying to write catchy songs and pitch them to whoever,<br />

I’m more interested in working one on one with the artist to create<br />

a piece of music together, that way it just feels more like something<br />

natural rather than trying to create results in a test tube or something<br />

(laughs).<br />

So Purity Ring are playing at Laneway Festival here in Auckland in<br />

February, what can your fans here expect from that show?<br />

For the Laneway show we’re definitely going to bring the whole<br />

lighting production experience that we have been using lately, it’s<br />

kind of hard to describe without seeing it but try to imagine a few<br />

thousand little floating lights and stuff that kind of work in an almost<br />

holographic sense together, and then mixed in with the light crystal<br />

instrument that I play most of the melodies on. Yeah can’t wait!<br />

Photos via online sources


sea<br />

Photography and Styling: Leena Park, Photography<br />

Assistant: Chris Smith, Hair and Makeup: Tylah Britow,<br />

Model: Indiana Cooper RPD Models.<br />

18


Crop Top by COOP, Pants by Trelise Cooper.


20


Left page: Crop Top by COOP, Pants by Trelise Cooper.


This page: Top by Moochi, Opposite page: Scarf by Moochi.<br />

22


24


Left page: Dress by Ruby, Hat by Moochi, This page: Swimsuit by Cantik Swimwear, Shorts by COOP.


Opposite page: Dress by COOP.<br />

26


Interview<br />

Interview by Chris Smith<br />

T H E<br />

I N T E R N E T<br />

An interview with Syd The Kid, lead<br />

singer and producer of The Internet<br />

28


Have you heard of the Internet? Not URLS and emails, but soulful<br />

melancholic pop and funky bass lines. Syd and Matt – both<br />

members of the huge hip-hop collective Odd Future - formed The<br />

Internet in 2011, and with their unique neo-soul style, quickly<br />

found fame and a dedicated fan-base through the internet (the<br />

other internet).<br />

Now a Grammy-nominated 6 piece band, they’ve had a massive<br />

year with the release of their third album Ego Death, we talked to<br />

singer/producer/band-leader Syd tha Kyd about their music and<br />

success.<br />

Congratulations on the release of your latest album - Ego Death,<br />

how has the response been?<br />

It’s been great. Just thankful to have the opportunity.<br />

You’ve stated that everyone in the band has played a part in<br />

the production of this album, how is the rest of the writing split<br />

between the band, for example is Syd the primary lyricist?<br />

I am but I wrote with a few other writers for Ego Death, like Nick<br />

Green and Taylor Parks. James Fauntleroy wrote a song for us and<br />

Steve Lacy, our guitar player, wrote a chorus. So did Matt.<br />

The Internet started finding success through sites like Myspace<br />

and Soundcloud, how do you think this ease of making and<br />

sharing music will affect the music industry?<br />

With the more opportunities there seems to be more competition.<br />

There are a lot of artists out there who you and I have never heard<br />

of that are doing really well for themselves. I think that’s its biggest<br />

and best effect. You can connect with people all over the world<br />

and create your own audience. So I think it gives artists the illusion<br />

that competition is tougher because everything is in your face, but in<br />

reality there’s room for everyone, probably.<br />

Ego Death has a more vocal driven sound than your previous<br />

records, what were your main sources of inspiration when it came<br />

to making this album?<br />

We wanted to move on from the funk/jazz sound and towards<br />

something a little more powerful, sonically. Personally I was inspired<br />

a lot by N.E.R.D during this one. I also wanted my voice to be bigger<br />

on this one but I’m not sure I achieved that. Still love what I got.<br />

Where did the idea of Ego Death come from? Does much of the<br />

lyrical content relate to the album’s title?<br />

Matt suggested it. At first I said I wasn’t sure because it was so bold.<br />

A week later after I’d forgotten all about it and he suggested it again<br />

and I thought it was perfect. I wanted to be bolder. The lyrics relate<br />

to the definition of Ego Death. It was me using my Ego to boost<br />

my confidence while at the same time having to keep it in check. It<br />

almost cancels out. But we didn’t have the title until we had finished<br />

the whole album.<br />

What are your favourite songs to play live?<br />

Probably Just Sayin’ and Curse. And Love Song -1.<br />

How was working with Janelle Monáe and how did this<br />

collaboration come about?<br />

30


It was really chill. Matt has known her for a long time and so he<br />

reached out to her. She was in town for an event and she stopped by<br />

my house for a little while and that’s when we recorded her part. She<br />

just started freestyling melodies and we recorded them. She didn’t<br />

stay long though so we didn’t have time to finish it with her, but we<br />

were able to make use of what she gave us.<br />

What are your plans after you finish touring, are you writing any<br />

more music or working on another album?<br />

I’ve just been writing so far. It’s all random stuff right now, but it’s<br />

fun. I’m exploring new sounds and discovering new ways to use my<br />

voice. Haven’t started work on the next album yet. I want to do a little<br />

more exploring and experimenting first.<br />

Photos via online sources


32


sand<br />

Photography and Styling: Amazir Aknine, Hair and<br />

Makeup: Leanne Magill, Model: Gemma Roberts<br />

Portfolio Models NZ.


34


Left page: Dress by Keepsake, Sunglasses by Karen Walker, This page: Dress by Keepsake, Shoes by Birkenstock.


This page: Top and Shorts by Keepsake, Opposite page: Dress by Keepsake.<br />

36


Culture<br />

NORTH<br />

KOREA<br />

Liberty in North Korea is an organization committed to the rescue<br />

of North Korean refugees. We looked at the current state of<br />

North Korea and what LiNK is doing for it’s people<br />

38


Kim Jong-un, nuclear weapons, brainwashed citizens,<br />

these are just some of the things people think of when<br />

they think of North Korea, but there’s much more to the<br />

isolated country than you see on the 6 o’ clock news.<br />

With a heavy focus on war and military, constant surveillance,<br />

forced dictator worship and 6 known concentration camps holding<br />

approximately 150,000 – 200,000 prisoners (40% of which will<br />

die from malnutrition), North Korea is looking more and more like<br />

a modern day Nazi Germany. An estimated 100,000-300,000<br />

people have defected from North Korea since the oppressive regime<br />

took over in 1953 after the Korean War over 60 years ago, with<br />

many of them being seperated from their families seeking refuge<br />

in the USA, Russia, and South Korea. There are a number of<br />

organizations set up to assist in these escapes, as well as aiding<br />

North Korean citizens in need and doing what they can to help the<br />

people’s crisis, one of these groups is a US/South Korean based<br />

organization called Liberty in North Korea (or LiNK). LiNK explained<br />

to us what they do, their goals, and the importance of focusing on<br />

the people of North Korea.<br />

Liberty in North Korea<br />

Starting out as a small group in 2004 to raise awareness for the<br />

people’s crisis, LiNK grew over the years to become one of the<br />

leading groups in the fight for the North Korean people, vice<br />

president Justin Wheeler explains that “Our vision as an organization<br />

is to work with the people to accelerate change in North Korea”,<br />

they achieve this through refugee rescues, resettlement assistance<br />

and “changing the narrative”.<br />

Changing the Narrative<br />

Unless you’ve been living under a rock (or an oppressive totalitarian<br />

government) for the past 2 years then you probably would’ve heard<br />

of the 2014 comedy film “The Interview” starring and directed by<br />

Seth Rogen and James Franco. The film follows 2 entertainment<br />

hosts’ journey to North Korea to interview leader of the DPRK Kim<br />

Jong-un (and then assassinate him with orders from the CIA). The<br />

film caused a stir worldwide and even threats of violence from the<br />

war-obsessed country and it’s hot-tempered leader, many believed<br />

it being an effective way of pointing out the ridiculousness of North<br />

Korea’s government and create awareness while others argued that<br />

depicting cardboard cutout fruit stores and a Katy Perry loving Kim<br />

Jong-un could harm the already uninformed public’s perception of<br />

North Korea by taking focus away from the people and creating a<br />

disconnect. LiNK seems to be in the latter of these camps, saying<br />

“Mainstream media has defined North Korea as crazy Kims and<br />

nuclear weapons, which has created a barrier preventing ordinary<br />

people around the world from getting involved”, this people > politics<br />

approach is what makes LiNK a unique cause, with many of their<br />

refugees sharing their stories in TED Talks, LiNK’s Refugee Stories<br />

blogs, and even in their full length films such as ‘The People’s Crisis’<br />

and ‘Danny from North Korea’.<br />

North Korea and the Changing World<br />

Since the death of Kim Jong-un in 2011 and the subsequent change of<br />

leadership to his son Kim Jong-un, there has been a growing change<br />

in North Korea, with mainstream awareness constantly expanding<br />

and technology such as micro SD cards, USBs and small laptops<br />

being so easily available, it is harder for the regime to maintain total<br />

control over the people. The more that the North Korean people<br />

40


(especially the youth) see aspects of the outside world, the more<br />

likely it is that they’ll want to leave or even defy the oppression of the<br />

DPRK. LiNK tells us that this awareness of the outside world is a very<br />

important factor in changing the status-quo, saying “Appropriating<br />

speech patterns, fashions and hairstyles influenced by South Korean<br />

and other foreign media provides a low risk way for young North<br />

Koreans to publicly signal their shift away from and even rejection<br />

of traditional culture and restrictions.” While we probably won’t be<br />

seeing large protests or riots anytime soon, LiNK believes this is an<br />

important step in the right direction.<br />

The Refugees<br />

At the moment, LiNK has rescued 405 refugees, and that’s not just<br />

getting them out of North Korea, they are given a home, education<br />

opportunities and the promise of safety, LiNK is able to achieve this<br />

for another person with every $3000 made in donations. Over the<br />

years they have set up a number of shelters and safe-travel routes<br />

through China and Southeast Asia for the North Korean escapees,<br />

after which they are taken to either South Korea or the US where<br />

they’ll receive resettleme<br />

nt assistance. The refugees are finally given the freedom to live the<br />

life they want, with many going to College and pursuing ambitious<br />

careers, as well as sharing their stories and raising awareness,<br />

paving the way for the rest of their people.<br />

Words by Chris Smith, Photos by Bjorn Bergman and<br />

courtesy of LiNK


42


Interview<br />

Interview by Chris Smith<br />

L O N T A L I U S<br />

An interview with New Zealand’s rising electronic artist,<br />

Eddie Johnston


44


At just 18 years old, Eddie Johnston is already known for being<br />

2 New Zealand musicians – Lontalius and Race Banyon. Eddie<br />

creates chill electronic remixes under the name Race Banyon,<br />

playing DJ shows and festivals. But as Lontalius, he sings<br />

vulnerable, raw lyrics and RnB-inspired melodies over soft<br />

electronic, self-produced beats. We talked to Eddie about being<br />

Lontalius and Race Banyon.<br />

How has your year been? What have you been up to lately?<br />

It’s been great! I just spent a month in Los Angeles working on new<br />

music. It was a lot of fun.<br />

You have an incredible work ethic and you’re constantly releasing<br />

music, do you do anything else besides making music?<br />

I don’t do much else. I would have started university this year but<br />

decided I would focus on music. I don’t make enough though really.<br />

What’s your typical process when it comes to writing songs? Does<br />

the beat or lyrics come first?<br />

Sometimes I will have lyrics or vocal ideas first, but generally I am just<br />

messing around with Ableton or on a guitar and I’ll find something<br />

to start writing to.<br />

Does this process differ when you’re recording under your musical<br />

alias ‘Race Banyon’? Do you get into a different mindset from<br />

‘Lontalius’?<br />

The process isn’t all that different, but it is definitely a different mindset.<br />

Race Banyon is a dance/electronic project. It is production<br />

focused. Lontalius is for me writing songs about my feelings.<br />

collaboration come about?<br />

He found my music through a mutual friend, and we became friends!<br />

He sent me a bunch of different things to sing on, and one of them<br />

stuck out to me. I’m very happy he decided to put it on his album!<br />

Who would be your dream artist to collaborate with?<br />

I’ve been dreaming about writing with Alessia Cara. Or Justin Bieber.<br />

What do you think of the NZ music scene? Do you think there’s<br />

much competition when it comes to other local electronic artists?<br />

There are some good things, but it is bleak and it is broken, especially<br />

the electronic scene. The scene doesn’t care about non-white male<br />

producers and the most important people in the industry won’t talk<br />

to anyone under 25. But the internet allows some of us to do well<br />

without having to associate with an NZ scene.<br />

How is writing/playing in the US going?<br />

Great, I am going to move out here as soon as I can. There is so<br />

much opportunity here.<br />

What are your plans for the summer?<br />

I’m gonna continue making music and I’m doing some shows as<br />

Race Banyon at the summer festivals. Mostly making music though.<br />

Photos courtesy of Eddie Johnston<br />

Canadian producer Ryan Hemsworth has taken an interest in your<br />

music and you’ve even worked with him on a track, how did this


Culture<br />

21st Century Terrorism<br />

The word Terrorism has been used more in the last five years than it has the last hundred.<br />

Words by Taylor Compain<br />

I for one, living in my quiet house, have had no real reason to use the<br />

word Terrorism; let alone put forward my own opinions of or draw<br />

judgment on individuals who are neatly filed away under its title. The<br />

word itself comes with equal parts emotion and politics, which moves<br />

it out of ‘Polite Dinner Conversation’ and straight into ‘Don’t Get<br />

Me Started’. Political Gain is synonymous when it comes to defining<br />

terrorism, but is surprisingly (although not actually surprising) one of<br />

the more recent additions to its repertoire, not being mentioned until<br />

a short 28 years ago which not only demonstrates a spike in the war<br />

for power but more so the human race’s knack for denial.<br />

Terrorism, for something so widely discussed, spat out and shouted,<br />

still does not have a solidified and universal definition, but more of<br />

a keyhole - to squint through and see only the corner of an empty<br />

room - leaving us to create our own images and conclusions of what<br />

may have happened before the room was locked and the key lost.<br />

Educated-though-unpopular opinions are constantly overshadowed<br />

by ill informed rants being made into worldwide views simply<br />

because they are supporting the ‘home team’. This originates from the<br />

overwhelming need we feel to conform, which alters our abilities to<br />

judge unbiased. In saying that - obviously not all unpopular opinions<br />

are right nor are popular ones wrong, I have just found that our ability<br />

to keep an open mind and extend empathy toward another view<br />

is limited. I however, can only speak on behalf of the world I have<br />

experienced - which compared to many is extremely sheltered. From<br />

someone sitting behind a computer, it is easy to form opinions and<br />

speak so detached but all it does is continue to add proof to how<br />

the mass hysteria on terror has a far longer reach than its intended<br />

victims.<br />

What does a Terrorist look like to you? As many are hesitant to admit,<br />

the image we associate when we hear ‘terrorist’ is more common than<br />

not, a man of Middle-Eastern descent with explosives attached to his<br />

body screaming ‘Praise to Allah!’ before detonating the explosives<br />

and killing hundreds of innocent people nearby. Reality of the matter<br />

is that a terrorist can look like anyone; A pre-teen wielding a machine<br />

gun in Somalia - too young to realize the weight of their actions, a<br />

group of masked men who identify as ISIS members – beheading a<br />

man via viral video, mentally unstable college students in the United<br />

States who take to their peers with machine guns, presidents, prime<br />

ministers, leaders, chairmen, soldiers, men, women should all be<br />

sitting under ‘potential terrorist’<br />

My most prominent feeling over the state of our current world is a<br />

sense of confusion. It consistently mystifies me how humans, as an<br />

entire species can be so proud and mighty that we turn our backs<br />

on our own kind to spread fear and hysteria for selfish gains. After<br />

I take a little breather to tone down the dramatics, logical thinking<br />

kicks in as I remind myself of all the acts of terrorism that have been<br />

inflicted over the last hundred years (see. Nazi Germany, 1933-45,<br />

Tiananmen Square, 1989 and Jackson, Mississippi, 1945 onwards)<br />

and suddenly my prior confusion clears, (short-lived yes, but they<br />

say ignorance is bliss) and is almost instantly replaced with shame.<br />

Terrorism, whether it is coming from the media, our governments,<br />

religions or just one person with an unshakable belief, makes me<br />

ashamed of the societies we inhabit, claiming to be constantly<br />

evolving, but moving further toward destruction than growth. I find<br />

myself struggling to understand why peace is so unattainable when<br />

we breed terror and hatred in spades.<br />

The flip side to living among 21st Century Terrorism is bearing witness<br />

to how far we have progressed in the last hundred years. Our want<br />

to display empathy, kindness and acceptance toward each other<br />

makes our current day the best one to live in, with barriers between<br />

race, gender, religion and status constantly being broken down. In<br />

an age where information is unlimited and the whole world can be<br />

present through your screen, I am hoping there is going to be a time<br />

when unity will be what we value most and the need for terror and<br />

intimidation will cease to be recognized.<br />

Photo by Jean Gaumy<br />

46


C R E D I T<br />

Credits for issue #4:<br />

Page 4 Free-hand writing by Sabrina David: @sabrinacdavid<br />

Page 5 Products courtesy of Lily & Louis: lilyandlouis.com and Flo &<br />

Frankie: floandfrankie.com<br />

Page 9 Profile with Lauren Trend: laurenelisetrend.com<br />

Page 10 Interview with Sean Kelly: seankellynyc.com, Photo from<br />

nzfashionweek.com<br />

Page 14 Interview with Purity Ring: purityringthing.com, Photos from<br />

purityringthing.com and pitchfork.com<br />

Page 18 Clothes for editorial from Trelise Cooper, COOP:<br />

trelisecooper.com, Ruby: rubynz.com, Moochi: moochi.co.nz,<br />

Cantik Swimwear: cantikswimwear.com, Model from: rpdmodels.<br />

com<br />

Page 28 Interview with The Internet, Photos by Adrian Samano,<br />

Odd Future and courtesy of songkick.com<br />

Page 38 Photos by Bjorn Bergman and courtesy of Liberty in North<br />

Korea: libertyinnorthkorea.org<br />

Page 42 Interview with Lontalius: soundcloud.com/lontalius, Photos<br />

courtesy of Eddie Johnston: facebook.com/lontalius<br />

Page 46 Photo by Jean Gaumy: magnumphotos.com/jeangaumy<br />

Page 48 Image from Almost Famous (2000) by Cameron Crowe


Last words<br />

“It’s all happening”<br />

- Almost Famous (2000)<br />

48

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