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Special Issue #13 ISSN 1547-5957

LiteraryHatchet13

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TABLE OF CONTENTS<br />

i ride a train<br />

joyce richardson<br />

we will pardon the witches of salem<br />

joyce richardson<br />

le cirque<br />

lee glantz<br />

beach thing<br />

mary king<br />

only me<br />

mckinley henson<br />

barely a portrait, images, transitions<br />

michael lee johnson<br />

crossing the border divide<br />

michael lee johnson<br />

this isn’t a nightmare<br />

william doreski<br />

clay-colored<br />

william doreski<br />

the girl on the moor<br />

michelle deloatch<br />

red wave<br />

michelle deloatch<br />

a youthful old soul<br />

nicholas powell<br />

POETRY<br />

197<br />

203<br />

204<br />

205<br />

206<br />

207<br />

217<br />

226<br />

230<br />

237<br />

238<br />

239<br />

15 December 2015<br />

248<br />

249<br />

254<br />

255<br />

256<br />

272<br />

273<br />

277<br />

282<br />

283<br />

291<br />

292<br />

faust<br />

phil slattery<br />

hungry moon<br />

robert perez<br />

find shelter<br />

wendy l. schmidt<br />

eight arms to hold<br />

robert perez<br />

chop those mice<br />

sally basmajian<br />

mutual rape<br />

soren james<br />

a corporeal dilemma<br />

stephanie smith<br />

a thought and a violin<br />

stephanie smith<br />

the screams of winter<br />

stephanie smith<br />

what makes the man?<br />

t.c. powell<br />

me that was<br />

tyree campbell<br />

staying in on pay-day night<br />

bradford middleton<br />

REVIEWS & ESSAYS<br />

edgar g. ulmer’s detour into<br />

darkness<br />

denise noe<br />

292<br />

6 The Literary Hatchet

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