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Edmund Reid

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just touched to guide-rope expected to be paid a shilling each. Then an inspector entered the station, having<br />

coincidentally just returned from the Crystal Palace where he had seen <strong>Reid</strong> take off. They came up with a plan<br />

to help <strong>Reid</strong> escape unseen. A police officer went out and found a horse-drawn brake which was taken back to<br />

the station. <strong>Reid</strong> concealed himself under a seat and the brake drove off through the oblivious crowd. <strong>Reid</strong> was<br />

reunited with his friends at the South London Music Hall.<br />

Deciding to settle the claim out of court, <strong>Reid</strong> eventually paid the<br />

onion farmer £20, but thought that if it had gone to court he would<br />

have won, or been fined less than £20. One thing he was certain of<br />

though was that he never wanted to go to Barking again. 21<br />

As a young man <strong>Reid</strong> had an interest in parachuting and had once<br />

made a small parachute which he attached to a mouse’s tail with<br />

cotton threads. He then dropped the mouse from a high building.<br />

The parachute worked and the mouse scurried off with the parachute<br />

still attached to its tail. <strong>Reid</strong> had also seen a monkey and a cat<br />

making parachute descents at the music halls.<br />

Without giving any specific details of his own parachute jumps,<br />

<strong>Reid</strong> explained his method:<br />

Now let us suppose I am about to make a parachute descent.<br />

The first thing I do is to see that the balloon is ready with the<br />

bag of ballast at its side. I may here mention that on the top<br />

of the parachute is a wire hook, and that has to be hooked into<br />

a ring. I told you of inside the canvas tube at the side of the<br />

balloon, and having seen that that is all right, and that all the<br />

cords attached to the parachute are clear, and not in a tangle,<br />

then I attach my basket to my seat which is fastened to the<br />

ropes that hold the net over the balloon, in such a way that I<br />

can slip in and release myself when I want to. Then I take my<br />

place on my seat, hold the ropes, and cry ‘Let go,’ and the men<br />

standing round holding the balloon down, let go, and the world<br />

appears to drop away from me.<br />

When I begin to lose sight of the people on earth, I slip into my<br />

basket and leave the rest to do its work; my weight releases<br />

the basket from the seat, the hook in the ring becomes straight and comes out of the tube and the<br />

parachute opens like an umbrella.<br />

When the balloon is released of its weight the bag of ballast pulls the top down, and the mouth up, and<br />

lets the hot air out, and the question is which reaches the ground first, you or the balloon.<br />

That is my style of parachuting, with a basket to stand in. In the case of a balloon you may sometimes<br />

pick the place for coming down, but with the parachute you must come down where it likes to drop you.<br />

When you are up in a balloon, or dropping with a parachute, there you are, don’t you know, you may<br />

call yourself professor, captain, or some other grand name, it’s all the same, you have got to get down. 22<br />

This eccentric detective, daring balloonist and notable man of Kent, whether up in the air, or with his feet on<br />

terra firma, remains one of the most interesting and unusual individuals associated with the Whitechapel murders.<br />

21 Whitstable Times, 5 April 1913.<br />

22 Whitstable Times, 20 April 1913.<br />

NICHOLAS CONNELL is the co-author of The Man Who Hunted Jack the Ripper: <strong>Edmund</strong> <strong>Reid</strong>-Victorian Detective.<br />

Ripperologist 147 December 2015 13

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