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DANCE COLLECTION DANSE

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Ballard’s journey began in San Francisco, California,<br />

where her first memories of making movement are of<br />

directing pageant-like “movies” with her brother and<br />

neighbourhood children. She remembers her expansive<br />

view of the Bay Bridge and the Golden Gate City from her<br />

bedroom window in Twin Peaks – a vantage point that<br />

she believes gave her an innate sense of adventure and an<br />

insatiable thirst for exploration.<br />

Following her parents’ separation, Ballard moved to<br />

Los Angeles with her mother and began studying jazz<br />

dance with choreographer/actor Roland Dupree, best<br />

known for creating a style of dance known as “West Coast<br />

Jazz”. For a time, Ballard envisioned herself dancing on<br />

Hullabaloo (a variety show similar to American Bandstand<br />

that aired from 1965–1966). She also trained in Graham<br />

technique with former Graham dancer Fanya Sage.<br />

Although she inherited a strong work ethic from these<br />

early influences, a rebellious streak in high school<br />

eventually alienated Ballard from both academics and<br />

dance. It was only by happenstance – during an<br />

impromptu visit to her stepfather back in San Francisco<br />

– that Ballard wandered into the studios of Merriem<br />

Lanova’s San Francisco Conservatory of Ballet. Eyeing a<br />

return to dance as a potential source of personal restitution<br />

– and with nothing to lose – Ballard enrolled in the<br />

conservatory’s two-year diploma program.<br />

During Ballard’s time at the conservatory, she performed<br />

character roles in its student company Ballet<br />

Celeste, which toured across the Western United States,<br />

and she met her then-partner, fellow dancer William<br />

Starrett. When she graduated, a friend found her a job<br />

with Shirley Cobb Beckworth – daughter of baseball<br />

legend Ty Cobb and owner of a famous bookstore in Palo<br />

Alto. Meanwhile, Starrett had gone to Canada on a scholarship<br />

to the Royal Winnipeg Ballet’s (RWB) training<br />

program. Eager to remove the 3000 kilometres between<br />

Stephanie Ballard, Leslie Dillingham and Margie Gillis in Linda Rabin’s The White Goddess (1977)<br />

Photo: D. Héon, courtesy of Linda Rabin<br />

32 Dance Collection Danse

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