Kama Sutra
Kama Sutra
Kama Sutra
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<strong>Kama</strong> <strong>Sutra</strong><br />
● TRANSLATOR'S<br />
NOTES<br />
- Preface<br />
- Introduction<br />
● PART I:<br />
INTRODUCTORY<br />
- Chapter I<br />
- Chapter II<br />
- Chapter III<br />
- Chapter IV<br />
- Chapter V<br />
● PART II: ON SEXUAL<br />
UNION<br />
- Chapter I<br />
- Chapter II<br />
- Chapter III<br />
- Chapter IV<br />
- Chapter V<br />
- Chapter VI<br />
- Chapter VII<br />
- Chapter VIII<br />
- Chapter IX<br />
- Chapter X<br />
● PART III: ABOUT THE<br />
ACQUISITION OF A<br />
WIFE<br />
- Chapter I<br />
- Chapter II<br />
- Chapter III<br />
- Chapter IV<br />
- Chapter V<br />
● PART IV: ABOUT A<br />
WIFE<br />
- Chapter I<br />
- Chapter II<br />
● PART V: ABOUT THE<br />
WIVES OF OTHER<br />
PEOPLE<br />
- Chapter I<br />
- Chapter II<br />
- Chapter III<br />
- Chapter IV<br />
- Chapter V<br />
- Chapter VI<br />
● PART VI: ABOUT<br />
COURTESANS<br />
- Introductory Remarks -<br />
Chapter I<br />
- Chapter II<br />
- Chapter III<br />
- Chapter IV<br />
- Chapter V<br />
- Chapter VI<br />
● PART VII: ON THE<br />
MEANS OF ATTRACTING<br />
OTHERS TO ONE'S SELF<br />
- Chapter I<br />
- Chapter II<br />
● CONCLUDING<br />
REMARKS<br />
● MODERN KAMA<br />
SUTRA<br />
Introductory remarks<br />
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PART VI<br />
This Part VI, about courtesans, was prepared by Vatsyayana from a treatise on<br />
the subject that was written by Dattaka, for the women of Pataliputra (the<br />
modern Patna), some two thousand years ago. Dattaka's work does not appear<br />
to be extant now, but this abridgement of it is very clever, and quite equal to<br />
any of the productions of Emile Zola, and other writers of the realistic school of<br />
today. Although a great deal has been written on the subject of the courtesan,<br />
nowhere will be found a better description of her, of her belongings, of her<br />
ideas, and of the working of her mind, than is contained in the following pages.<br />
The details of the domestic and social life of the early Hindoos would not be<br />
complete without mention of the courtesan, and Part VI is entirely devoted to<br />
this subject. The Hindoos have ever had the good sense to recognise<br />
courtesans as a part and portion of human society, and so long as they<br />
behaved themselves with decency and propriety they were regarded with a<br />
certain respect. Anyhow, they have never been treated in the East with that<br />
brutality and contempt so common in the West, while their education has<br />
always been of a superior kind to that bestowed upon the rest of womankind in<br />
Oriental countries.<br />
In the earlier days the well-educated Hindoo dancing girl and courtesan<br />
doubtless resembled the Hetera of the Greeks, and, being educated and<br />
amusing, were far more acceptable as companions than the generality of the<br />
married or unmarried women of that period. At all times and in all countries,<br />
there has ever been a little rivalry between the chaste and the unchaste. But<br />
while some women are born courtesans, and follow the instincts of their nature<br />
in every class of society, it has been truly said by some authors that every<br />
woman has got an inkling of the profession in her nature, and does her best, as<br />
a general rule, to make herself agreeable to the male sex.<br />
The subtlety of women, their wonderful perceptive powers, their knowledge,<br />
and their intuitive appreciation of men and things are all shown in the following<br />
pages, which may be looked upon as a concentrated essence that has been<br />
since worked up into detail by many writers in every quarter of the globe.<br />
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