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Congrats to all those who gave a shit this year

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<strong>Congrats</strong> <strong>to</strong> <strong>all</strong> <strong>those</strong> <strong>who</strong> <strong>gave</strong> a <strong>shit</strong> <strong>this</strong> <strong>year</strong>.<br />

1. Stay late if you have <strong>to</strong>.<br />

2. If it sucks, say so.<br />

3. No time no budget no excuses.<br />

4. Read Simon Sinek.<br />

5. Let the dishes be dirty.<br />

6. Let her go. Obviously she doesn’t re<strong>all</strong>y love you.<br />

7. Your kids will be fine. That’s what therapy is for.<br />

8. Timesheets can wait until next week.<br />

9. Use the intern wisely.<br />

10. Respect leading and kerning.<br />

11. Find an excuse not <strong>to</strong> use a s<strong>to</strong>ck image.<br />

12. Never s<strong>to</strong>p thinking.<br />

13. One minute in the sun a day is <strong>all</strong> the vitamin D you need.<br />

14. Always defer <strong>to</strong> best option (not cheapest or fastest).<br />

15. Safe sucks.<br />

16. Good enough sucks.<br />

17. Get <strong>to</strong> know the cleaning crew.<br />

18. Learn <strong>to</strong> draw an idea with a Sharpie.<br />

19. Ignore stress and don’t create your own.<br />

20. Follow Lee Clow’s Beard.<br />

21. Read Hey Whipple Squeeze This.<br />

22. Chug Red Bull. Not the drink, but the marketing.<br />

23. Respect traditional media, but live in the future.<br />

24. Push the meeting if the work needs it.<br />

25. Don’t box me in.<br />

26. Collaboration is your co-pilot.<br />

27. Read Where the Suckers Moon.<br />

28. Peruse the annuals, but don’t obsess.<br />

29. Find a men<strong>to</strong>r.<br />

30. Collect inspiration.<br />

31. Keep a notepad by your bed for the 3am epiphany.<br />

32. Let the plants die. Or put them outside where they belong.<br />

33. Bring your dog <strong>to</strong> work.<br />

34. Under the desk powernaps are your friend.<br />

35. Pick Mike Sukle’s brain. (He’s won every <strong>year</strong>.)<br />

36. Don’t count on luck.<br />

37. Stay at a cheaper hotel <strong>to</strong> afford 4 more hours of graphics.<br />

38. Blow off that job interview at Droga <strong>to</strong> finish the project.<br />

39. Trust your gut and fight for it.<br />

40. Trust your team <strong>to</strong> clear the way.<br />

41. More opportunities less manda<strong>to</strong>ries.<br />

42. Don’t use the internet as your only resource.<br />

43. What holiday?<br />

44. “Wife is in labor so I have a few minutes <strong>to</strong> jump on the c<strong>all</strong>.”<br />

45. Stay close <strong>to</strong> the creative, no matter the project or your rank.<br />

46. If it looks like an ad, feels like an ad then it probably sucks.<br />

47. If you don’t love it, don’t make it.<br />

48. A truly great idea, will truly help people decide.<br />

49. You can get laid when you’re dead. (Well, maybe you can’t but you get the point.)<br />

50. Thank you for helping Denver suck less.


THE IDEAS IN THIS BOOK AND THE PEOPLE BEHIND THEM<br />

ARE NO LONGER ANONYMOUS.<br />

Ideas are fragile. They take time <strong>to</strong> incubate, and if exposed <strong>to</strong>o early, may not survive.<br />

It requires bravery <strong>to</strong> take them out of anonymity. To become accountable for them. To hold<br />

ideas up and stand behind them as judgment ensues. Will our ideas be known? Will they<br />

leave a mark in <strong>this</strong> world? Are you brave enough <strong>to</strong> stick with the ideas that will?<br />

Now more than ever, we work in an industry with the reach and ability <strong>to</strong> do great things.<br />

And when an idea is strong enough <strong>to</strong> be known—the world will be listening. This is no<br />

longer about clever headlines or shiny tactics alone, it’s the opportunity <strong>to</strong> drive culture and<br />

positively affect the human experience.<br />

Together, let’s use our collective power for the good of Colorado’s ideas and the people<br />

behind them. Lead by example and men<strong>to</strong>r others hungry for greatness. Rise through the<br />

ranks without stepping on others. Make an idea better without seeking any credit.<br />

Because the reputation of our region grows with each idea’s success—whether it comes from<br />

your agency or not.<br />

In <strong>this</strong> greater community spirit, The Fifty was created <strong>to</strong> showcase the power of ideas.<br />

There are no rankings or categories, just a group of core ideas standing t<strong>all</strong> after making the<br />

cut. This <strong>year</strong>, the competition for a spot in The Fifty was extremely <strong>to</strong>ugh with more entries<br />

than ever before. The winning ideas spread out across the most agencies ever <strong>to</strong> win as<br />

well—with 25 different shops represented. We also had our first multiple Judge’s Choice winner.<br />

Throughout these pages you’ll find ideas that were immediately inspired or appeared after a<br />

knock-down-drag-out staring contest with a blank page. Ideas that started off as silly aside<br />

comments and grew in<strong>to</strong> solid strategies through collaboration. Ideas that lived <strong>to</strong> be known<br />

because people pushed past mediocrity and committed <strong>to</strong> making them great. Big and sm<strong>all</strong><br />

ideas that ch<strong>all</strong>enged doubt, capsized the status quo, bettered the world, capitalized on<br />

culture, reimagined innovation, immersed the viewer or simply made the judges laugh.<br />

Thank you <strong>all</strong> for the hard work in 2015! The Colorado ad community should be very proud of<br />

<strong>this</strong> body of work. And as we <strong>all</strong> continue <strong>to</strong> raise the bar and support one another,<br />

I anticipate even more ideas boldly becoming known next <strong>year</strong>. Because brave and talented<br />

people will dare <strong>to</strong> put their names on the ideas they believe in, and make them happen.<br />

Jennifer Hohn<br />

Ad Club President<br />

Executive Creative Direc<strong>to</strong>r, Vladimir Jones<br />

THE FIFTY 2015<br />

3


Show Sponsors<br />

Club Sponsors<br />

THE FIFTY 2015<br />

5


The Judges<br />

SAM MACLAY<br />

Where: Albuquerque, New Mexico<br />

Title: Creative Direc<strong>to</strong>r/Partner<br />

Current: 3 Advertising<br />

Past: Rick Johnson & Company<br />

Brands: Facebook, Presbyterian MD, Beer Institute, Growth Energy<br />

Nods: Communication Arts, One Show, National ADDYs, Archive<br />

SERENA CONNELLY<br />

Where: New York City, New York<br />

Title: Creative Direc<strong>to</strong>r/Copywriter<br />

Current: Freelance<br />

Past: LBi US, Blast Radius, StrawberryFrog, R/GA, Leo Burnett<br />

Brands: Nike, Target, Levis, Hasbro, P&G Pampers<br />

Nods: Cannes, One Show Interactive, Webbys<br />

CHRIS MOORE<br />

Where: Vancouver, British Columbia<br />

Title: Associate Creative Direc<strong>to</strong>r<br />

Current: Rethink<br />

Past: MacLaren McCann, DDB Canada, DDB New Zealand,<br />

Freelance<br />

Brands: British Columbia Lottery, BC Hydro, Volkswagen,<br />

Nods: One Show, Communication Arts, Archive, D&AD<br />

STEPHEN CURRY<br />

Where: Birmingham, Alabama<br />

Title: Creative Direc<strong>to</strong>r<br />

Current: Lewis Communications<br />

Past: Hill Holliday, Adworks, WestWayne, The Morrison Agency<br />

Brands: Tiffin Mo<strong>to</strong>rhomes, S<strong>to</strong>ny Brook Medicine, Nashville Zoo,<br />

UVA Health<br />

Nods: Communication Arts, National ADDYs, Graphis, One Show<br />

CHARLIE WOLFF<br />

Where: Minneapolis, Minnesota<br />

Title: Creative Lead, Copywriter<br />

Current: F<strong>all</strong>on<br />

Past: Pereria & O’Dell, GSD&M<br />

Brands: Arby’s, Mattel, Skype, Dell, Muscle Milk, Ace Hardware,<br />

Zales<br />

Nods: One Show Entertainment, OMMA, Austin ADDYs: Best of<br />

Show<br />

THE FIFTY 2015<br />

7


2015 AD CLUB BOARD OF DIRECTORS<br />

Executive Direc<strong>to</strong>r: Tonja Roth<br />

President: Jenn Hohn, Executive Creative Direc<strong>to</strong>r, Vladimir Jones<br />

Vice-President: Jim O’Rourke, VP Media, The Integer Group<br />

Treasurer: Michelle Havemann, Direc<strong>to</strong>r of Production, Studio C3<br />

Immediate Past President: Tracy Broderick, VP Media, Karsh/Hagan<br />

2015 AD CLUB BOARD MEMBERS<br />

Amy Guttmann, Creative Direc<strong>to</strong>r, SE2<br />

Jason Van Peeren, Managing Direc<strong>to</strong>r, MJDinteractive<br />

Steve Babcock, Freelance Creative Direc<strong>to</strong>r<br />

Annie Coghill, PR/Social Media Direc<strong>to</strong>r, Amélie Company<br />

Jaclyn Collins, Direc<strong>to</strong>r of Client Services, ImageMakers<br />

Tricia Espinoza, Brand Direc<strong>to</strong>r, Cactus<br />

Rob Hofferman, Partner, Accounts, Grenadier<br />

Drew Peterson, Assistant Account Executive/Assistant Media Buyer, Karsh Hagan<br />

Sandy Schest, Project Account Executive, Atlas Advertising<br />

Jim Morrissey, Creative Direc<strong>to</strong>r, O’Brien<br />

Robin Ashmore, Principal, Amélie Company<br />

Maggie McEntee, Marketing & Communications Specialist, Denver Metro Chamber of Commerce<br />

The Fifty<br />

THE 2015 FIFTY CREATIVE<br />

Promotional Materials: PILGRIM Advertising<br />

Book Development:<br />

Connie Tran, Art Direc<strong>to</strong>r, Philosophy Communication<br />

Shina H<strong>all</strong>, Multi Media Account Manager, Denver Post<br />

THE 2015 FIFTY COMMITTEE<br />

Co-Chairs:<br />

Sandy Hazzard, Atlas Advertising<br />

Drew Peterson, Karsh Hagan<br />

Committee:<br />

Joseph Allesio, Freelance<br />

Alex Becknell, Brand Iron<br />

Shina H<strong>all</strong>, Denver Post<br />

Mariah Kamei, IMM<br />

Christina Sokol, Karsh Hagan<br />

Rhianna Taniguchi, Denver Post<br />

Amanda Weaver, Sticker Mule<br />

THE FIFTY 2015<br />

9


GRENADIER<br />

Rollerblade<br />

SunnyD: Back in the 1990’s, SunnyD was <strong>all</strong> the<br />

rage, especi<strong>all</strong>y with the teenage, ‘mega-gnarly’,<br />

rollerblading set. But, like Creed, Beanie Babies, The<br />

Macarena, and a lot of other things from the 90’s, the<br />

kids seemed <strong>to</strong> leave it behind. Of course, now <strong>those</strong><br />

kids are parents themselves, looking back on their<br />

childhoods with a healthy dose of nostalgia. So we<br />

thought we’d remind them of the good times with a<br />

new chapter of SunnyD’s most iconic commercial.<br />

Manchild 2: Radical!<br />

All: <br />

Manchild 1: Let’s see. We’ve got soda and purple stu…<br />

Oo! SunnyD!<br />

All: <br />

Mom: Look, I can’t do <strong>this</strong> any more.<br />

Manchild 1: C’mon, mom!<br />

Mom: No. You and your friends have been doing <strong>this</strong> for<br />

20 <strong>year</strong>s.<br />

Manchild 2: We need refreshment!<br />

Mom: You’re 36. You need a job.<br />

Manchild 3: Radical!<br />

Manchild 1: <br />

Womanchild: You’re funny, Mrs. B!<br />

Mom: Get out.<br />

All: <br />

ANCR: The great taste of SunnyD. Keep It Sunny People!<br />

All: <br />

Manchild 1: Good times!<br />

CREDITS<br />

Creative Direc<strong>to</strong>rs Randy Rogers, Wade Pasch<strong>all</strong>, Mark<br />

St. Amant // Art Direc<strong>to</strong>r Randy Rogers, Grant Minnis<br />

// Writers Wade Pasch<strong>all</strong>, Mark St. Amant // Associate<br />

Creative Direc<strong>to</strong>r Grant Minnis // Executive Producer<br />

Keith Dezen // Production Company Community Films<br />

// Direc<strong>to</strong>r Clay Williams // Executive Producer Lizzy<br />

Schwartz // Producer Helen Hollien // Line Producer<br />

Helen Hollien // Direc<strong>to</strong>r of Pho<strong>to</strong>graphy Guyla Pados<br />

// Editing Company HutchCo Technologies // Edi<strong>to</strong>r Jim<br />

Hutchins // Music Company JSM Music // Visual Effects<br />

Company Brickyard VFX // Visual Effects Edi<strong>to</strong>r Patrick<br />

Poulatian // Visual Effects Producer Linda Jackson //<br />

Computer Graphics Lead David Blumenfeld // Account<br />

Service Partner Rob Hofferman // Account Service Lead<br />

Becky Herman // Account Service Supervisor Ryan<br />

Smith // Planner Elisa Cantero<br />

Judge’s Choice - Stephen Curry, Sam Maclay<br />

Radical!<br />

On an executional level, <strong>this</strong> is pretty much a<br />

perfect television spot. Great writing, casting<br />

and acting. Nice details with <strong>all</strong> the ‘90s<br />

production <strong>to</strong>uches.<br />

Strategic<strong>all</strong>y, I love the idea that the brand was<br />

ready <strong>to</strong> poke fun at itself. The spot balances<br />

the feel of goofy nostalgia while still making<br />

SunnyD relevant in its category.<br />

THE FIFTY 2015<br />

11


CACTUS<br />

The Human Harmonic<br />

Project<br />

UC Health: In partnership with the University<br />

of Colorado Hospital (UCH), Cactus developed<br />

an innovative new way <strong>to</strong> turn science in<strong>to</strong> art.<br />

With the goal of reaching medical professionals<br />

across the country with UCH’s 2014 outcomes,<br />

Cactus partnered with Robot Repair, an audio<br />

production company, <strong>to</strong> turn medical data such as<br />

ECG heartbeat and EEG brainwave readings in<strong>to</strong><br />

a musical experience of the human body at work,<br />

c<strong>all</strong>ed The Human Harmonic Project. This unique<br />

audio track was then pressed on<strong>to</strong> a limited edition<br />

vinyl and made available <strong>to</strong> doc<strong>to</strong>rs nationwide at<br />

HumanHarmonic.com.<br />

The Human Harmonic Project aimed <strong>to</strong> capture<br />

the complexity of the human body and present the<br />

data in a new way that appeals <strong>to</strong> multiple senses.<br />

In addition <strong>to</strong> the downloadable harmonic MP3 file,<br />

Cactus developed visual elements for use across<br />

a variety of print pieces including the vinyl jacket<br />

and a direct mail piece. The track itself was pressed<br />

in<strong>to</strong> a cus<strong>to</strong>m pan<strong>to</strong>ne vinyl and the jacket was<br />

created from an intricate die cut that was inspired by<br />

cymatics, the study of sound visualization.<br />

CREDITS<br />

Judge’s Choice - Charlie Wolff<br />

A beautiful combination of effort, execution, and<br />

the transformation of a snoozer assignment in<strong>to</strong><br />

an award-worthy piece. Not <strong>all</strong> beautiful design<br />

is visual, and <strong>this</strong> is proof.<br />

Founder & CEO Joe Conrad // Partner & CCO Norm<br />

Shearer // Creative Direc<strong>to</strong>r Jeff Strahl // Designer<br />

Josh Jevons // Senior Copywriter Jenna Capobianco //<br />

Copywriter Ricky Lambert // Brand Direc<strong>to</strong>r Amy Hume<br />

// Project Manager Caitlin Wilson // VP, Digital & Content<br />

Production Kate Schmitz // Executive Producer<br />

Brooke Woodruff // Senior Production Designer<br />

Mark Tanner // Senior Print Producer Jamie Sharp //<br />

Digital Producer Aisling O’Suilleabhain // Interactive<br />

Designer and Developer Austin Lliteras<br />

THE FIFTY 2015<br />

13


GYRO<br />

WOW! ULTRA<br />

WOW! INTERNET AND CABLE: Accessing the<br />

show or movie you want <strong>to</strong> watch on TV has gotten<br />

way <strong>to</strong>o complicated. The menus are confusing, the<br />

inputs are numerous, and our content is scattered<br />

across multiple devices and streaming accounts.<br />

So <strong>to</strong> help launch ULTRA, a new product by WOW!<br />

Internet and Cable that organizes live TV, DVR<br />

recordings, and streaming accounts in<strong>to</strong> one, easy<strong>to</strong>-use<br />

menu, gyro competitively positioned it as a<br />

“Simplified Entertainment Experience.”<br />

To bring the idea <strong>to</strong> life, we dramatized the<br />

frustrations that people face with overcomplicated<br />

cable technology, and we reminded them - they don’t<br />

need a cable tu<strong>to</strong>r, or a tech savvy nephew, or a PHD<br />

in cable-ology <strong>to</strong> enjoy the entertainment they love –<br />

they just need ULTRA.<br />

Judge’s Choice - Chris Moore<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Aaron Stern // Art Direc<strong>to</strong>r Andy<br />

Dutlinger // Senior Art Direc<strong>to</strong>r Megan Latta // Senior<br />

Copywriter Justin Horrigan // Studio Direc<strong>to</strong>r Nancy Casey<br />

// Production Artist Erin Sturga // Client Services Direc<strong>to</strong>r<br />

Nancy Seidel // Management Supervisor Robert Tucker<br />

// Senior Account Executive Sara Zweig // Project Manager<br />

Samantha Powers // Strategy Direc<strong>to</strong>r Kim Lauersdorf //<br />

Strategist Evan Husted // Broadcast Direc<strong>to</strong>r Dugan O’Neil<br />

// Broadcast Producer Christine Ling // Broadcast Producer<br />

Mai Hyunh // Broadcast Editing Frank Effron // Broadcast<br />

Production Burbank Gamma Ray // Broadcast Music and<br />

Mix Beacon Street Studios // Direc<strong>to</strong>r of Pho<strong>to</strong>graphy<br />

James Whitiker<br />

I loved the Remote Control helper TV spots<br />

for WOW TV. The insight was great, the writing<br />

was fresh, and the spots were well executed.<br />

The kind of spots that make commercial breaks<br />

worth waiting for. Nice work.<br />

THE FIFTY 2015<br />

15


LRXD<br />

CADENCE & CAUSE<br />

CADENCE & CAUSE: Music has the power <strong>to</strong><br />

make listeners joyful, contemplative, connected<br />

and motivated —and, in some cases—affect global<br />

change. Our agency envisioned and designed the<br />

music community Cadence & Cause as a passion<br />

project <strong>to</strong> help artists change the world, one tune at a<br />

time, with a little help from their fans.<br />

The “Give-Get” model creates revenue for charities<br />

devoted <strong>to</strong> homelessness, clean drinking water and<br />

other causes by letting fans buy exclusive tunes,<br />

merchandise and experiences from their favorite<br />

bands. Nearly a dozen artists signed up for the<br />

website’s launch, including The Chainsmokers<br />

(“#Selfie”) and Brit band The 1975.<br />

The Cadence & Cause site is clean and functional.<br />

Key imagery carries a unique, angular look, and<br />

pho<strong>to</strong>s of artists personalize each project. Music<br />

preview and playback features are incorporated in<strong>to</strong><br />

each browser, and fans can sign up for the service<br />

via social media.<br />

https://www.cadenceandcause.com.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Jamie Reedy // Chief Creative Officer<br />

Kelly Reedy // Chief Digital Officer John Gilbert //<br />

Designer Chad Dickson // Copywriter Jamie Reedy<br />

// Developers Turpana Molina, Dan Alexander, Seth<br />

Musulin, Lionel Ramos, Patrick Ortell, Kevin Wanek //<br />

Production Austin Power, Tyler Ladd // Product Manager<br />

Andrew Straley // Founders Clay<strong>to</strong>n Warwick, Kelly<br />

Reedy<br />

THE FIFTY 2015<br />

17


VICTORS & SPOILS<br />

FNV Integrated<br />

Partnership for Healthier America: From<br />

soda <strong>to</strong> burgers <strong>to</strong> fruit roll-ups, brands have used<br />

advertising and celebrity endorsements <strong>to</strong> get kids<br />

<strong>to</strong> eat <strong>all</strong> kinds of stuff that isn’t good for them.<br />

And boy has it worked. But no one has ever used<br />

<strong>those</strong> same marketing tactics <strong>to</strong> get kids <strong>to</strong> eat the<br />

healthy stuff. So we did. With the help of Partnership<br />

for a Healthier America and the First Lady of the<br />

United States, we turned fruits and vegetables in<strong>to</strong><br />

a brand c<strong>all</strong>ed FNV. We recruited a team of big time<br />

celebrities. We featured them in print, OOH, and on<br />

an interactive brand website that <strong>all</strong>owed kids <strong>to</strong> sign<br />

their own endorsement deal with the brand. And we<br />

created a robust social media presence chock-full of<br />

funny, sharable content. Never once preaching. Never<br />

once pandering. Never once pushing a single health<br />

benefit. Just plain fun, clever advertising that proved<br />

the healthy foods could also be the cool foods.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>rs Noah Clark // Chief Marketing<br />

Officer Andy Nathan // Creative Direc<strong>to</strong>r Pat Horn //<br />

Associate Creative Direc<strong>to</strong>rs Rob Lewis, Ari Levi, Brock<br />

Johnson // Art Direc<strong>to</strong>rs Emilie Druss, Travis Brown //<br />

Copywriters Pete Nordstrom, Andrew Bridgers // Studio<br />

Manager Brent Erb // Producers Kaylin Fitzpatrick<br />

Horn, Lisa Effress // Community Manager Allison Gergly<br />

// Account Direc<strong>to</strong>rs Leslie Maddocks, Lynn Harris //<br />

Account Supervisors Rebecca Conrad // Account Manager<br />

Avery Henderson, Katie Funk // Account Coordina<strong>to</strong>r<br />

Annie Vlosich // Project Manager Jenny Stefanov //<br />

Digital Agency Legwork Studio // Production Company<br />

Copious // Pho<strong>to</strong>grapher Brian Bowen Smith, Justin<br />

Coit // Re<strong>to</strong>uching David Nadeau<br />

THE FIFTY 2015<br />

19


VLADIMIR JONES<br />

I Want To Hear<br />

Cochlear: When you’re pregnant, you have big<br />

dreams for your baby. But when that baby is born<br />

with a disability like being hearing impaired, you find<br />

it’s not the big dreams you miss. It’s the everyday<br />

moments most parents take for granted. Like c<strong>all</strong>ing<br />

up the stairs, “It’s time for breakfast” for the fourth<br />

time. Or singing your child <strong>to</strong> sleep at night. Our<br />

client has a way <strong>to</strong> give <strong>those</strong> special families a<br />

normal life. And so we created a campaign that was<br />

simple, insightful, and true the experience of real<br />

families <strong>all</strong> over the world.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Matt Fischvogt & Dave<br />

Cook // Creative Direc<strong>to</strong>r Jen Hohn // Copywriter Will<br />

Patterson // Art Direc<strong>to</strong>r Alan Rhatigan // Account<br />

Supervisors Ashley Dreyer, Annie Ratcliffe & Lauren<br />

Buonaiu<strong>to</strong><br />

THE FIFTY 2015<br />

21


STARZ<br />

Power<br />

Power: These pieces were created <strong>to</strong> promote the<br />

STARZ Original Series “Power,” a crime drama that<br />

delves deep in<strong>to</strong> the underworld of the New York<br />

drug trade. To build buzz, members of the media<br />

received a limited-edition painting highlighting the<br />

bright lights and dark shadows within the city,<br />

press materials in a box that opened and closed<br />

like subway doors, and decks of playing cards<br />

<strong>to</strong> play “Turf War,” a drug dealer-themed version<br />

of the classic game “War.” Each deck in the box<br />

represented a different borough and featured the<br />

show’s characters.<br />

CREDITS<br />

PWS2 Digital Kit // Creative Direc<strong>to</strong>r Kirk Dal<strong>to</strong>n //<br />

Interactive Art Direc<strong>to</strong>r Michael Chuang // Designer/<br />

Developer Keith Laubhan // Power Press Kit //<br />

Creative Direc<strong>to</strong>r Kirk Dal<strong>to</strong>n // Art Direc<strong>to</strong>r Ken Burke<br />

// ReToucher Tom Hamil<strong>to</strong>n // ReToucher Robbi Dixon<br />

// Copy Direc<strong>to</strong>r Greg Cotten // Copy Chris LaRocque<br />

// Print Production Marie Chancellor // Power Affiliate<br />

Kit // Creative Direc<strong>to</strong>r Kirk Dal<strong>to</strong>n // Art Direc<strong>to</strong>r Ken<br />

Burke // ReToucher Tom Hamil<strong>to</strong>n // ReToucher Robbi<br />

Dixon // Copy Direc<strong>to</strong>r Greg Cotten // Copy Chris<br />

LaRocque // Print Production Marie Chancellor // Artist<br />

Christian Dore // Power Suitcase // Creative Direc<strong>to</strong>r<br />

Kirk Dal<strong>to</strong>n // Art Direc<strong>to</strong>r Greg O’Leary // ReToucher<br />

Tom Hamil<strong>to</strong>n // ReToucher Robbi Dixon // Copy<br />

Direc<strong>to</strong>r Greg Cotten // Copy Chris LaRocque // Print<br />

Production Marie Chancellor<br />

THE FIFTY 2015<br />

23


CACTUS<br />

When To C<strong>all</strong><br />

Colorado Crisis Services: Every individual’s<br />

moment of crisis is different, but the feelings we<br />

experience in <strong>those</strong> moments are universal. This<br />

simple insight inspired a breakthrough campaign <strong>to</strong><br />

introduce Colorado Crisis Services, a progressive<br />

mental health initiative that offers a crisis hotline,<br />

walk-in stabilization centers and more. By developing<br />

a campaign that relates <strong>to</strong> Coloradans in their<br />

moments of crisis, Cactus successfully positioned<br />

Colorado Crisis Services as a trusted entry point <strong>to</strong><br />

support for individuals at any level of need—bringing<br />

much-needed awareness <strong>to</strong>, and engagement with,<br />

<strong>this</strong> new statewide network of care.<br />

CREDITS<br />

Founder, CEO Joe Conrad // Partner, CCO Norm<br />

Shearer // VP Creative Direc<strong>to</strong>r Brian Watson // VP,<br />

Brand Strategy Ainslie Fortune // Copywriter Ricky<br />

Lambert // Senior Art Direc<strong>to</strong>r Michael Maciolek //<br />

Senior Production Designer Mark Tanner // Senior Print<br />

Producer Jamie Sharp // Account Planner Molly Katz //<br />

Account Executive Erin Lombardi-Gordon // Re<strong>to</strong>ucher<br />

Mando-Matic<br />

THE FIFTY 2015<br />

25


SUKLE ADVERTISING<br />

You Can’t Make<br />

This Stuff<br />

Denver Water: It’s easy <strong>to</strong> convince people not<br />

<strong>to</strong> waste water when you’re in a drought. But what<br />

do you say when the reservoirs are full? You remind<br />

them that in any given <strong>year</strong>, it can go either way. How<br />

much water we get isn’t up <strong>to</strong> us. So please, keep<br />

using only what you need.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Mike Sukle // Associate Creative Direc<strong>to</strong>r<br />

Pedro Saldarriaga // Copywriter Jim Glynn // Producer<br />

Julie Mimmack // Digital Artist & Motion Graphics Matt<br />

Carpenter // Account Manager Sarah Nelson // Fabrica<strong>to</strong>r<br />

Tim & Alicia Sukle // Pho<strong>to</strong>grapher Joe Hancock<br />

THE FIFTY 2015<br />

27


AMELIE<br />

Drugged Driving<br />

CDOT: The Colorado Department of Transportation<br />

and Amélie Company launch a guerrilla effort <strong>to</strong> curb<br />

high driving<br />

Building on the success of the 2014 ‘Drive High,<br />

Get a DUI’ campaign, the Colorado Department<br />

of Transportation (CDOT) and Amélie Company<br />

celebrated 4/20 with a public awareness campaign<br />

aimed <strong>to</strong> reignite the marijuana safety conversation<br />

in Colorado.<br />

To educate marijuana users driving high will give<br />

them DUIs, Amélie Company developed a speci<strong>all</strong>yrigged<br />

sedan <strong>to</strong> be placed outside sporting events<br />

and concert venues. The car fills with smoke as if<br />

people are getting high inside. The smoke quickly<br />

dissipates showing the message “Drive High, Get a<br />

DUI” in neon lights.<br />

In addition, a fictional racing-themed arcade game<br />

was inst<strong>all</strong>ed in seven dispensaries across the state.<br />

The game appeared <strong>to</strong> be a standard arcade game,<br />

but when cus<strong>to</strong>mers approached, a message popped<br />

up first reminding them that while playing games was<br />

now legal, driving still was not. The cus<strong>to</strong>mers were<br />

then rewarded with free non-racing games, such as<br />

Donkey Kong, Dig Dug and BurgerTime.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Tom Van Ness // Associate Creative<br />

Direc<strong>to</strong>r Eric Hines // Art Direc<strong>to</strong>r Garrett Beach //<br />

Copywriter Jay Roth // Designer Eric Hines, Garrett<br />

Beach // Production Company, Smoking Car Classic<br />

Res<strong>to</strong>ration of Denver // Production Company, Video<br />

Game Boulder Classic Games // Illustra<strong>to</strong>r, Video Game<br />

Eric Larsen // Account Supervisor Mackie Clonts //<br />

Account Executive Brenna Hersey<br />

THE FIFTY 2015<br />

29


FEAR NOT<br />

PowerShares<br />

PowerShares: PowerShares is a pioneer in the<br />

financial ETF category. The problem was, more<br />

companies were asserting themselves as innova<strong>to</strong>rs<br />

in the financial space. We had <strong>to</strong> remind financial<br />

advisors that PowerShares always has and always<br />

will approach ETFs as a leader in innovation. We did<br />

just that with a set of films that liter<strong>all</strong>y and figuratively<br />

brought PowerShares <strong>to</strong> new heights.<br />

The first spot “Frozen Ascent” follows the journey of<br />

a climber <strong>who</strong> scales past businesspeople frozen<br />

in their day-<strong>to</strong>-day routine. A narra<strong>to</strong>r draws a line<br />

between <strong>those</strong> <strong>who</strong> settle for the same perspective<br />

and <strong>those</strong> <strong>who</strong> seek out perspectives far beyond it.<br />

The second spot, “Uphill Battle” reminds financial<br />

advisors that in the world of investing, the wrong <strong>to</strong>ols<br />

can only take you so far. The spot tells that s<strong>to</strong>ry with<br />

a bicycle journey from the city <strong>to</strong> the mountains, with<br />

several unexpected ch<strong>all</strong>engers along the way.<br />

PowerShares Frozen Ascent<br />

“Frozen Ascent” follows the journey of a mountain<br />

climber <strong>who</strong> scales past businesspeople frozen in their<br />

day-<strong>to</strong>-day routine. A narra<strong>to</strong>r draws a line between <strong>those</strong><br />

<strong>who</strong> settle for the same perspective and <strong>those</strong> <strong>who</strong> seek<br />

out perspectives far beyond it—a powerful analogy for<br />

what PowerShares sets out <strong>to</strong> create with its financial<br />

products.<br />

Voiceover: Vigor. Resolve. Tenacity. It’s what drives us<br />

forward and propels us onward. But without it, mediocrity<br />

sets in. Complacency takes over. It halts you, s<strong>to</strong>ps<br />

you, leaves you staring from the same direction. It’s a<br />

perspective that only offers so much. And it’s why we<br />

seek out perspectives far beyond it.<br />

PowerShares Uphill Battle Spot<br />

In the world of investing, the wrong <strong>to</strong>ols can only take<br />

you so far. “Uphill Battle” tells that s<strong>to</strong>ry with a bicycle<br />

journey from the city <strong>to</strong> the mountains, with several<br />

unexpected and ill-equipped ch<strong>all</strong>engers along the way.<br />

CREDITS<br />

Chief Creative Officer Blake Ebel // Creative Direc<strong>to</strong>r/<br />

Art Direc<strong>to</strong>r Matt Dimmer // Associate Creative Direc<strong>to</strong>r/<br />

Copywriter Mike King // Executive Producer Monica<br />

Wilkins // Producer Luke Rzewnicki // Production<br />

Company Caviar // Direc<strong>to</strong>r Reynald Gresset // Direc<strong>to</strong>r<br />

of Pho<strong>to</strong>graphy Arnaud Potier // Editing Company Beast<br />

Edi<strong>to</strong>rial // Edi<strong>to</strong>r Stephane Pereira // Visual Effects<br />

Eight VFX // Visual Effects Supervisor Jean-Marc<br />

Demmer // End Graphics Gentleman Scholar // Sound<br />

Design Stimmung // Music Stimmung // Mix Loren<br />

Silber @ Lime Studios<br />

THE FIFTY 2015<br />

31


GREENHOUSE PARTNERS<br />

/ FUTURISTIC FILMS<br />

Beauty is a Beast<br />

The 18: Female athletes are every bit as talented,<br />

passionate, and ruthless and male athletes.<br />

Despite that, men’s and women’s sports are viewed<br />

differently: Men tend <strong>to</strong> be judged by their ability,<br />

whereas women have been tradition<strong>all</strong>y judged by<br />

their appearance. In the run-up <strong>to</strong> the 2015 Women’s<br />

World Cup, The18.com asked us <strong>to</strong> help inspire not<br />

just young female athletes, but male and female<br />

fans of <strong>all</strong> ages. The resulting campaign served as a<br />

r<strong>all</strong>ying cry: Beauty is a beast. Because looking good<br />

and playing well don’t have <strong>to</strong> be mutu<strong>all</strong>y exclusive.<br />

Hoodie<br />

Male coach Voiceover: Faster<br />

Again<br />

Good Get up<br />

Do it again<br />

One more time<br />

You want <strong>to</strong> get <strong>to</strong> the next level, you’re going <strong>to</strong> have <strong>to</strong><br />

try harder<br />

Good<br />

Get up<br />

Do it again<br />

Again<br />

Again<br />

Again<br />

Sugar and Spice<br />

Little Girl Voiceover: Sugar and spice and everything nice<br />

That’s what little girls are made of<br />

Sunshine and rainbows<br />

And ribbons for hair bows<br />

That’s what little girls are made of<br />

Tea parties, laces, and baby doll faces<br />

That’s what little girls are made of<br />

Player: That’s what I’m made of<br />

CREDITS<br />

Creative Direc<strong>to</strong>r TJ Rhine // Art Direc<strong>to</strong>r Elliott Asbury<br />

// Copywriter Ian Caplan, Pax<strong>to</strong>n Wiers // Designer<br />

Elliott Asbury // Interactive Developer Caleb Mayfield<br />

// Pho<strong>to</strong>grapher Elliott Asbury // Post Production<br />

Futuristic Films // Executive Producer Sarah Liles<br />

// Direc<strong>to</strong>r/DP Bill Timmer (Futuristic) // Production<br />

Manager Alivia Olson // Movi Opera<strong>to</strong>r Frank Pickell<br />

(Futuristic) // 1st AC Tim Hardy // Post Production<br />

Futuristic Films // Edi<strong>to</strong>r Richie Kendal (Futuristic) //<br />

Color Correction Jonnie Sirotek (Futuristic)<br />

They Told Me<br />

Female layered Voiceover: Don’t get your dress dirty<br />

Cross your legs<br />

Wash that dirt from under your nails<br />

What’s your favorite doll?<br />

Remember your please and thank ‘s<br />

That color looks pretty on you<br />

Do you want <strong>to</strong> be a princess or a fairy?<br />

Be careful what you eat<br />

Be careful not <strong>to</strong> hurt yourself<br />

It’s okay <strong>to</strong> let him pay<br />

Always sit up straight<br />

Brush your hair<br />

Aren’t you going <strong>to</strong> wear makeup?<br />

That is so un-lady like<br />

Who said you can do that<br />

You can’t do that<br />

S<strong>to</strong>p doing that<br />

They <strong>to</strong>ld me a lot of things, but they didn’t tell me<br />

everything<br />

THE FIFTY 2015<br />

33


PILGRIM<br />

We’re Colorado Too<br />

Rocky Mountain Health Plans: If you live in<br />

Colorado, there are some things you just “get”. Like<br />

Rocky Mountain Health Plans for example. On the<br />

Western Slope, about 90% of people are already<br />

covered by Rocky Mountain Health Plans. So we<br />

wanted <strong>to</strong> make them feel good about their decision<br />

by reminding them that Rocky Mountain Health Plans<br />

truly understands their needs like no other health<br />

insurance company does, because Rocky Mountain<br />

Health Plans is from Colorado, <strong>to</strong>o.<br />

We introduced the new tagline “We’re Colorado, <strong>to</strong>o”<br />

and proved our point by showing other things that<br />

only Coloradoans can re<strong>all</strong>y “get”. The implication is,<br />

if you are an outsider, or an outside health insurance<br />

company, you just don’t get it.<br />

With a humorous mix of television, radio and print<br />

pieces our campaign was informative and rewarding<br />

for loyal cus<strong>to</strong>mers as well as helpful for <strong>those</strong> <strong>who</strong><br />

might be new <strong>to</strong> Colorado. It shows that if you live in<br />

Colorado your needs may be different, and therefore<br />

you need a different health insurance company —<br />

Rocky Mountain Health Plans.<br />

CREDITS<br />

Print Campaign // Creative Direc<strong>to</strong>r Holly Menges //<br />

Associate Creative Direc<strong>to</strong>r Gordy Hirsch // Copywriter<br />

Holly Menges / Eileen Hogan // Art Direc<strong>to</strong>r Andy<br />

Mason // Illustra<strong>to</strong>r Avi Kommell // Pho<strong>to</strong>grapher<br />

John Johns<strong>to</strong>n Pho<strong>to</strong>graphy // Account Direc<strong>to</strong>r<br />

Michelle Roche // Agency Producer Pattie Welch //<br />

TV Campaign // Creative Direc<strong>to</strong>r Holly Menges //<br />

Associate Creative Direc<strong>to</strong>r Gordy Hirsch // Copywriter<br />

Holly Menges // Art Direc<strong>to</strong>r Gordy Hirsch // Production<br />

Company Futuristic Films // Direc<strong>to</strong>r Alex Grossman //<br />

Producer Kristen Del Calzo // Account Direc<strong>to</strong>r Michelle<br />

Roche // Agency Producer Pattie Welch<br />

“PIT STOP STOPPER”<br />

(Ambient and light music playing from a hiker’s back pack)<br />

HIKER 1: (<strong>to</strong> a duck) What’s up duck? (To Hiker 2) What’s up<br />

bro? Sweet hose, love it.<br />

(Hiker 1 proceeds <strong>to</strong> frolic in the stream and drink from it, his<br />

s<strong>to</strong>mach hurts and begins <strong>to</strong> grumble.)<br />

HIKER 1: (To Hiker 2) I’m good!<br />

(Hiker 2 waves knowingly and hikes away.)<br />

END CARD: If you live here you get it.<br />

END CARD: Rocky Mountain Health Plans (logo). We’re<br />

Colorado, <strong>to</strong>o.<br />

“SKI SHOP”<br />

(We open on a snowy, Colorado mountain resort <strong>to</strong>wn and<br />

cut <strong>to</strong> interior of a ski rental shop. A young woman is picking<br />

up her skis.)<br />

SHOP GUY: So you just drop off of chair for and —<br />

(Young woman interrupts him as she swings her skis around.)<br />

YOUNG WOMAN: I’m good.<br />

(She swings her skis around and the shop guy has <strong>to</strong> duck<br />

so she doesn’t hit him. The folks standing in line behind her<br />

are not as lucky. Chaos ensues. Cut <strong>to</strong> our “right way” young<br />

woman, <strong>who</strong> carries her skis out the correct way, without<br />

injuring anyone.)<br />

END CARD: If you live here you get it.<br />

END CARD: Rocky Mountain Health Plans (logo). We’re<br />

Colorado, <strong>to</strong>o.<br />

Pack it in, Pack it out<br />

ANNCR: There are certain things a true Coloradan<br />

just knows. Like how <strong>to</strong> pack a backpack. How<br />

<strong>to</strong> recycle, upcycle and bicycle. How <strong>to</strong> take your<br />

dog everywhere and put hatch green chile on<br />

everything. How <strong>to</strong> say YOU-ray instead of OOOH-ray.<br />

How <strong>to</strong> drink water constantly, slather on lip balm<br />

excessively, and still get other stuff done. How <strong>to</strong> not<br />

get a sunburn at eight thousand feet. How <strong>to</strong> use low<br />

octane at high altitude. And how <strong>to</strong> carry your skis<br />

without knocking someone out every time you turn<br />

around. You do not want <strong>to</strong> be the reason everyone<br />

is wearing helmets.<br />

A true Coloradan also knows the only health<br />

insurance company that was born and bred here is<br />

Rocky Mountain Health Plans. We’ve been serving<br />

Coloradans and our pack it in, pack it out lifestyle for<br />

over 40 <strong>year</strong>s. We have one of the largest networks<br />

of providers, letting you choose <strong>who</strong>’s right for<br />

you. A variety of plan options <strong>to</strong> meet the needs of<br />

Coloradans. And our people are <strong>all</strong> local, so we get<br />

it. Rocky Mountain Health Plans. We’re Colorado,<br />

<strong>to</strong>o. Visit RMHP dot org and get <strong>to</strong> know us.<br />

White Knuckle<br />

ANNCR: There are certain things a true Coloradan<br />

just knows. Like how <strong>to</strong> say Colorado instead of<br />

Colo-rah-do. How <strong>to</strong> talk craft without any reference<br />

<strong>to</strong> scrapbooking. How <strong>to</strong> drink from a river without<br />

getting sick. How <strong>to</strong> bake a cake, boil water, or cook<br />

anything at altitude. How <strong>to</strong> “dress up” in a mountain<br />

<strong>to</strong>wn. How <strong>to</strong> love orange and blue. How <strong>to</strong> not start<br />

a wildfire, embarrass yourself on the T-bar or get<br />

tricked in<strong>to</strong> eating a certain type of oyster. And how<br />

<strong>to</strong> drive down a mountain pass without riding the<br />

break, white-knuckling the steering wheel, or freaking<br />

out about the absence of guardrails.<br />

A true Coloradan also knows the only health<br />

insurance company that was born and bred here is<br />

Rocky Mountain Health Plans. We’ve been serving<br />

Coloradans and our pack it in, pack it out lifestyle for<br />

over 40 <strong>year</strong>s. We have one of the largest networks<br />

of providers, letting you choose <strong>who</strong>’s right for<br />

you. A variety of plan options <strong>to</strong> meet the needs of<br />

Coloradans. And our people are <strong>all</strong> local, so we get<br />

it. Rocky Mountain Health Plans. We’re Colorado,<br />

<strong>to</strong>o. Visit RMHP dot org and get <strong>to</strong> know us.<br />

THE FIFTY 2015<br />

35


THE INTEGER GROUP<br />

Drink Good. Do Good.<br />

Naked Juice: Nearly 24 million Americans have limited<br />

access <strong>to</strong> fresh, affordable fruits and vegetables. That didn’t<br />

sit well with Naked Juice, which is why they teamed up with<br />

Wholesome Wave and The Integer Group <strong>to</strong> create the ‘Drink<br />

Good Do Good’ campaign—a bountiful initiative designed <strong>to</strong><br />

bring 500,000 pounds of fresh produce <strong>to</strong> communities in need.<br />

To build awareness around the food desert crisis and<br />

encourage high-quality consumer engagement with the<br />

cause, a series of web films was created. The films featured<br />

Michel Nischan, a renowned chef <strong>who</strong> is passionate about<br />

solving the food desert crisis, and Adrian Grenier, a soci<strong>all</strong>y<br />

conscious activist <strong>who</strong> grew up on the Upper East Side and<br />

has some serious love for his home<strong>to</strong>wn. They also featured<br />

some real New Yorkers <strong>who</strong> live in food deserts and deal with<br />

the crisis firsthand.<br />

As the films shine a spotlight on the problem, viewers engaged<br />

with campaign content <strong>to</strong> learn more about the crisis, show<br />

their support, and get credit for helping the cause. When a<br />

consumer <strong>to</strong>ok a pho<strong>to</strong> holding a fruit or vegetable, shared it<br />

using #DrinkGoodDoGood, and tagged a friend <strong>to</strong> do the same,<br />

Naked donated 10 pounds of fresh produce <strong>to</strong> Wholesome<br />

Wave in their fight against food deserts. The campaign reached<br />

its goal of 500,000 pounds by Oc<strong>to</strong>ber 1, 2015.<br />

The campaign also featured a grass-roots initiative with an<br />

iconic glass Naked “Bottle<br />

For Good”. Each bottle purchased contributed <strong>to</strong> the over<strong>all</strong><br />

donation from Naked <strong>to</strong> Wholesome Wave.<br />

Directly driving sales of Naked Juice. Driving affinity for the<br />

brand. Encouraging consumer engagement with a big social<br />

reward. The Drink Good Do Good campaign did a lot of good<br />

for both the brand and our neighbors in need.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Scott Meyer // Group Creative<br />

Direc<strong>to</strong>r Patrick Sullivan // Creative Direc<strong>to</strong>rs Andrew<br />

McGuire, Dustin Bredice // Associate Creative Direc<strong>to</strong>rs<br />

Lee Perlman, Jason Shiskowsky, Cort Langworthy<br />

// Art Direc<strong>to</strong>rs Tim Ratchford // Digital Art Direc<strong>to</strong>r Josh<br />

Schneider // Copywriter Meghan Beckel // Producer<br />

Angela Mateus // Group Account Direc<strong>to</strong>r Chava Ziff //<br />

Digital Account Direc<strong>to</strong>r Kathryn McClenahan // Account<br />

Service Mary Reed // Production Company Greenpoint<br />

Pictures // Direc<strong>to</strong>r Logan Roos // Line Producer Luke<br />

Stevens // Edi<strong>to</strong>r Herman Nieuwoudt<br />

THE FIFTY 2015<br />

37


KARSH HAGAN<br />

Life On Your Terms<br />

InnovAge: InnovAge provides cus<strong>to</strong>mized care <strong>to</strong><br />

help people age independently in their own home for<br />

as long as possible.<br />

We were inspired by true s<strong>to</strong>ries shared in passing<br />

by our client. Real examples of how InnovAge<br />

caregivers go the extra mile <strong>to</strong> provide a deeper<br />

level of care. We researched a library of s<strong>to</strong>ries that<br />

would become our print ads. For TV, we developed<br />

a commercial that tells the s<strong>to</strong>ry of Stella, <strong>who</strong>’s<br />

living a full life in her own home, thanks <strong>to</strong> the<br />

cus<strong>to</strong>m support of InnovAge.<br />

This is Stella. She’s lived on Sycamore Street for 34<br />

<strong>year</strong>s. Here’s her favorite spot. Here’s her dog. Here’s<br />

her dog’s favorite spot. Here’s her neighbor, Nancy.<br />

Stella’s up 43 games <strong>to</strong> 29. (Domino) 44 games. Here’s<br />

her China. Here’s how she tells time. Here’s the day<br />

she moved here. Here’s when she’s leaving. (Never)<br />

And here’s her caregiver from InnovAge that makes that<br />

possible. InnovAge provides cus<strong>to</strong>mized care <strong>to</strong> help<br />

seniors stay in their own home. This is life on your terms.<br />

CREDITS<br />

Associate Creative Direc<strong>to</strong>r Darren Brickel // Copywriter<br />

Dave Fymbo // Art Direc<strong>to</strong>r Adam Nelson // Designer<br />

Kristine Crawford // Producer Becky Ferguson //<br />

Account Management Carol Quinn // Pho<strong>to</strong>graphy<br />

Randal Ford // Video Production Company Liberal<br />

Media Films, Randal Ford Direc<strong>to</strong>r // Video Edi<strong>to</strong>rial<br />

CharlieUniformTango<br />

THE FIFTY 2015<br />

39


GRIT<br />

IMT Peach Bellini<br />

Can Design<br />

Infinite Monkey Theroem: The Infinite Monkey<br />

Theorem is an urban winery in Denver’s trendy, but<br />

gritty, RiNo district. The wine brand usu<strong>all</strong>y moves<br />

through the category with a back <strong>all</strong>ey punk rock<br />

swagger and an f* you if you don’t like it sensibility.<br />

For the launch of new Peach Bellini wine in a can,<br />

Grit <strong>to</strong>ok <strong>all</strong> the masculine confidence of the IMT<br />

brand combined it with the art deco flamboyancy<br />

of Peach Bellini era <strong>to</strong> create a wine can that truly<br />

stands out.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Sean Topping // Art Direc<strong>to</strong>r / Designer<br />

Kelsey Jankauskas // Account Manager Liz Deets //<br />

Account Manager Bridget Rogers<br />

THE FIFTY 2015<br />

41


MATCH<br />

Progressive Insurance<br />

Progressive Insurance: A mo<strong>to</strong>rcycle is a <strong>to</strong>ol that<br />

helps some people navigate through their deep-rooted passion<br />

for adventure. Becoming one with the bike for a long haul,<br />

traveling light and embracing the unknown is the pursuit of the<br />

“r<strong>all</strong>yist,” a rough and tumble individual <strong>who</strong> must forfeit the<br />

comfort of personal grooming, shiny boots and easy parking.<br />

However, there is an important <strong>to</strong>ol that these thrillseekers don’t<br />

have <strong>to</strong> forfeit: reliable insurance. By providing services that<br />

fill the gaps in riders’ needs, Progressive communicated an<br />

understanding of r<strong>all</strong>y culture that helped them rise <strong>to</strong> the <strong>to</strong>p of<br />

the consideration set.<br />

As the #1 mo<strong>to</strong>rcycle insurer, Progressive is passionate about<br />

its riders and the mo<strong>to</strong>rcycle community. In 2015, Boulder<br />

agency Match Marketing Group created the Flo’s Chop Shop<br />

for biker men and women, a pop-up unisex salon that hit<br />

several s<strong>to</strong>ps at r<strong>all</strong>ies throughout the <strong>year</strong> across the U.S.<br />

Named after Progressive’s spokesgal, these pit s<strong>to</strong>ps offered<br />

bikers a place <strong>to</strong> get personal tune ups after their long road trips<br />

and primp and prep for r<strong>all</strong>y festivities. From free beard trims <strong>to</strong><br />

boot shines, manicures <strong>to</strong> maps, VIP parking <strong>to</strong> sunscreen, Flo’s<br />

Chop Shop offered valuable services, grub, music and essential<br />

supplies <strong>to</strong> celebrate the riders’ arrivals. Presented in a fun<br />

rockabilly atmosphere, Progressive radiated authenticity <strong>to</strong> the<br />

attendees and established itself as a true partner.<br />

Progressive and Flo’s Chop Shop teamed with the Movember<br />

Foundation for Mos & Mo<strong>to</strong>s, designed <strong>to</strong> raise awareness<br />

and create a positive change for men’s health among the<br />

bike r<strong>all</strong>y culture. For each Flo’s Chop Shop shave during<br />

Movember, Progressive donated $10, and they encouraged<br />

visi<strong>to</strong>rs <strong>to</strong> join the Mos & Mo<strong>to</strong>s team, as they matched a<br />

designated amount of donations dollar for dollar.<br />

As of November 17th, 9,000 attendees have been groomed<br />

at Flo’s Chop Shop, and what’s more, they’re hitting<br />

Facebook and Twitter <strong>to</strong> tell their friends: The program has<br />

received 778k social impressions.<br />

CREDITS<br />

Experiential Agency Match Marketing Group // Creative<br />

Agency 96 Octane<br />

THE FIFTY 2015<br />

43


CACTUS<br />

Odell Mood Pairing<br />

Odell Brewing Co: Research shows food pairing<br />

(the art of complementing food with drink) has<br />

been around since the time a caveman said, “This<br />

mammoth is salty. I need a drink.” We wanted <strong>to</strong><br />

go deeper. Thus, Mood Pairing was born. Cactus<br />

created the Odell Brewing Mood Pairing <strong>to</strong>ol <strong>to</strong> let<br />

consumers find the right beer for the right moment.<br />

This interactive function of Odell’s new website<br />

fac<strong>to</strong>rs in things like weather, food plans, <strong>who</strong>’s on<br />

the hi-fi, what you did <strong>to</strong>day and what you’re about<br />

<strong>to</strong> do. Advanced algorithms calculate what beer you<br />

should enjoy right now. The best part? No matter<br />

what mood you’re in, there’s always a perfect Odell<br />

beer for you.<br />

CREDITS<br />

Founder & CEO Joe Conrad // Partner & CCO Norm<br />

Shearer // Creative Direc<strong>to</strong>r Ryan Johnson // Designer<br />

Josh Jevons // Copywriter Andy Bar<strong>to</strong>sch // Brand<br />

Direc<strong>to</strong>r Summer Hershey // Project Manager Rachel<br />

Plaster // VP Digital and Content Production Kate<br />

Schmitz // Direc<strong>to</strong>r, Creative Technology Andrew Baker<br />

// Digital Producer Zach Meyer // Interactive Designer<br />

& Developer Austin Lliteras // Developer Tom Metz //<br />

Developer Mark Thoney // Developer Bret Glassett<br />

THE FIFTY 2015<br />

45


SPILLT<br />

In Transit Show<br />

Packaging<br />

Time Warner Cable NY1 News: Our long<br />

standing partners at TWC/NY1 News reached out<br />

the team at Spillt <strong>to</strong> develop a show package for<br />

the NYC metro area show, In Transit. The show<br />

itself focuses on the unique ch<strong>all</strong>enges, lifestyle and<br />

his<strong>to</strong>ry associated with commuting in the bustling<br />

metropolis that is New York City. Focusing our<br />

design heavily on map based elements as well as<br />

iconography, we developed a fully editable <strong>to</strong>olkit<br />

of a dozen elements. Our execution involved<br />

projection mapping geometry in Cinema 4D and<br />

animation/compositing in After Effects. The NY1<br />

News team was ecstatic with the results and “In<br />

Transit” has quickly become one of their premiere<br />

show segments on air. This edit is a representation<br />

of <strong>all</strong> the elements build for the on-air show.<br />

CREDITS<br />

Animation Jason Oberg, Derek Superville // Art Direc<strong>to</strong>r<br />

Ed Rhine // Creative Direc<strong>to</strong>r Ed Rhine, Ryan Bramwell<br />

// Designer Jason Oberg, Ed Rhine, Tom Bik //<br />

Producer Rebecca Olson<br />

THE FIFTY 2015<br />

47


VLADIMIR JONES<br />

Parent Fearlessly<br />

Bright by Three: Being a new parent is a little<br />

scary. In fact, it’s downright terrifying. First time<br />

parents are as new <strong>to</strong> <strong>this</strong> chapter in life as their<br />

newborn is <strong>to</strong> the world. Working from that truth,<br />

we dropped <strong>all</strong> the pretense of pulling a parent’s<br />

heartstrings and spoke <strong>to</strong> them in a way that lets<br />

them be ok with being new <strong>to</strong> <strong>this</strong> world <strong>to</strong>o. And<br />

with each new parenting tip and trick from Bright by<br />

Three, we’ve empowered them <strong>to</strong> Parent Fearlessly.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Jen Hohn // Copywriter Will<br />

Patterson // Interactive Art Direc<strong>to</strong>r Chris Powell //<br />

Art Direc<strong>to</strong>r Elaine Williams (print) // Art Direc<strong>to</strong>rs Rik<br />

Patenaude & Kelly Fitzgerald (video) // Production<br />

Assistant Audra Schwartz // Account Supervisors Molly<br />

Davis & Kaitlin Cronk // Pho<strong>to</strong>grapher Paul Ripke<br />

// Production House Riposte // Edi<strong>to</strong>r Rob Nickels //<br />

Direc<strong>to</strong>r Jim Elkin & Roshambo // Prop Production Will<br />

Patterson & Rik Patenaude // Music Kelly Fitzgerald<br />

THE FIFTY 2015<br />

49


FEAR NOT<br />

Wynkoop Brewing<br />

Company Rebrand<br />

Wynkoop Brewing Company: Between names<br />

like John Hickenlooper and Russell Scherer <strong>to</strong> laying<br />

the groundwork for Colorado’s celebrated craft beer<br />

scene, Denver’s Wynkoop Brewing Co has a rich<br />

his<strong>to</strong>ry <strong>to</strong> say the least. Our ch<strong>all</strong>enge was <strong>to</strong> refresh<br />

essenti<strong>all</strong>y every aspect of the iconic brand and<br />

celebrate its his<strong>to</strong>rical past.<br />

It started with a logo. A bold, urban-inspired mark<br />

that reflects the city block it occupies, yet feels<br />

unique <strong>to</strong> the craft brewery category. We also<br />

impacted the interior of the space. A brew log of over<br />

300 his<strong>to</strong>ric beer recipes, including the first Wynkoop<br />

beer ever brewed, became w<strong>all</strong>paper for interior w<strong>all</strong>s<br />

while messages celebrating the brewery’s his<strong>to</strong>ry<br />

and people became proclamations of the brewery’s<br />

trailblazing spirit.<br />

In the process, we discovered Wynkoop Street was<br />

named after legendary local character Ned Wynkoop,<br />

Denver’s first sheriff. An homage celebrating the man,<br />

the myth and the legend of Ned became a prominent<br />

w<strong>all</strong> graphic. Upstairs, the billiards room got a facelift<br />

with new table numbers and a reimagined house<br />

rules mural.<br />

CREDITS<br />

Chief Creative Officer Blake Ebel // Creative Direc<strong>to</strong>r<br />

Jorge Lamora // Associate Creative Direc<strong>to</strong>r/Copywriter<br />

Mike King // Designers Jorge Lamora, Jacob Gerhardt<br />

// Account Supervisor Meagan Nelson<br />

THE FIFTY 2015<br />

51


VERMILION<br />

Fuel for Big Ideas<br />

Whole Foods Market, Rocky Mountain<br />

Region: Fort Collins is a city alive with the<br />

entrepreneurial energy of new ideas, ‘git ’er done’<br />

confidence, and economic growth. It’s a place where<br />

people believe they can and then do. For the refresh<br />

of the community’s Whole Foods Market, we knew it<br />

would take an anything-other-than-ordinary approach<br />

<strong>to</strong> create an in-s<strong>to</strong>re experience that truly connects.<br />

Fortunately for us, the team at the Rocky Mountain<br />

Region of Whole Foods Market is a collection of<br />

bold thinkers <strong>to</strong>o. Rather than imposing the familiar<br />

Whole Foods Market s<strong>to</strong>ry, <strong>to</strong>gether we thought:<br />

let’s shine a spotlight on the community’s own s<strong>to</strong>ry<br />

within their Whole Foods Market. The resulting decor<br />

and messaging strategy follow the entrepreneurial<br />

process around the s<strong>to</strong>re from the back-of-the-napkin<br />

idea <strong>to</strong> its vibrant completion. Because in Fort Collins<br />

good food is “Fuel for Big Ideas.”<br />

CREDITS<br />

Account Manager Margaret Thompson-Gough // Art<br />

Direc<strong>to</strong>r Kevin Bonner // Designer Julia Williams //<br />

Strategist Thaddeus Napp // Copywriters Kristi Fisher,<br />

Thaddeus Napp<br />

THE FIFTY 2015<br />

53


CACTUS<br />

Holiday Scratch<br />

Colorado Lottery: Scratch tickets have long been<br />

an easy and fun gift <strong>to</strong> give during the holidays. This<br />

<strong>year</strong>, the Colorado Lottery launched the first-ever $50<br />

ticket with an instant $3 million <strong>to</strong>p prize. So Cactus<br />

had a two-part s<strong>to</strong>ry <strong>to</strong> tell: first, remind people <strong>to</strong><br />

give Scratch and second, introduce <strong>this</strong> new ticket<br />

with a huge prize at stake. With a unique media buy,<br />

we created :15 bookend spots <strong>to</strong> tell one continuous<br />

s<strong>to</strong>ry while communicating both messages. Viewers<br />

saw the first spot leading in<strong>to</strong> the break, and the<br />

second just before the return <strong>to</strong> programming.<br />

CASH CARD 1<br />

We open on a man visiting his sweet grandma on<br />

Christmas morning. We’re in grandma’s living room,<br />

which has a kitschy holiday feel. She hands him a card.<br />

GRANDMA: I almost forgot.<br />

JIMMY: Thank you, Grandma!<br />

He opens the holiday-themed card and a $20 bill f<strong>all</strong>s<br />

out. Then a few more bills f<strong>all</strong> out. Then more bills. Then,<br />

bills and coins start pouring out of the card. Jimmy has<br />

a giant grin on his face. His grandma is also smiling and<br />

giggling. Every so often, she sweetly says, “Oh my!”<br />

VO: Give Holiday Scratch. The gift that keeps on giving.<br />

We cut <strong>to</strong> an in-situation art card with the holiday<br />

Scratch tickets and Lottery logo.<br />

CASH CARD 2<br />

We are back <strong>to</strong> grandma’s house. Money has now<br />

flooded the living room. Jimmy and his grandmother are<br />

chest deep in cash. We see a Chihuahua in a Christmas<br />

sweater walking a<strong>to</strong>p the mountain of cash. Money is<br />

still pouring out of the card. Jimmy has a giant grin<br />

on his face. His grandma is also smiling. She giggles<br />

occasion<strong>all</strong>y, and sweetly says, “Oh my!”<br />

VO: Give Granted Wishes. With a shot at 3 million dollars<br />

instantly, it’s the gift that keeps on giving and giving and<br />

giving.<br />

We cut <strong>to</strong> an in-situation art card with the Granted<br />

Wishes Scratch ticket, Lottery logo, and words<br />

“BIGGEST SCRATCH PRIZE EVER.”<br />

CREDITS<br />

Founder & CEO Joe Conrad // Partner & CCO Norm<br />

Shearer // Creative Direc<strong>to</strong>r Ryan Johnson // Sr. Art<br />

Direc<strong>to</strong>r Matt Chiabotti // Copywriter Ricky Lambert<br />

// Brand Direc<strong>to</strong>r Summer Hershey // Senior Project<br />

Manager Monica Hemmert // Executive Producer Brooke<br />

Woodruff // Production Company Film Orange // Direc<strong>to</strong>r<br />

The Direc<strong>to</strong>r Brothers // Editing Company Idolum //<br />

Edi<strong>to</strong>r William Bullen // Audio Post Rocky Mountain<br />

Recorders<br />

THE FIFTY 2015<br />

55


GYRO<br />

Listen <strong>to</strong> Your Body<br />

DPC Midstream: As the cost of healthcare<br />

continued <strong>to</strong> skyrocket across the U.S, DCP<br />

Midstream, the number one processor of natural gas<br />

needed healthier employees. With “Listen To Your<br />

Body,” gyro launched a fully integrated, incentive<br />

based Wellness program <strong>to</strong> convince the DCP<br />

workforce <strong>to</strong> make significant lifestyle changes.<br />

Through the voice of handmade felt organs (such<br />

as the colon and spleen) and their mortal enemies<br />

(such as French fries and cigarettes), the message<br />

successfully encouraged employees <strong>to</strong> lead<br />

healthier lives. As a result, DCP lowered healthcare<br />

expenditures by 12 million dollars.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Doug Kamp // Executive<br />

Creative Direc<strong>to</strong>r Aaron Stern // Art Direc<strong>to</strong>r Megan<br />

Latta // Art Direc<strong>to</strong>r Kristan Butler // Art Direc<strong>to</strong>r<br />

Praveena Dewars // Copywriter Shannon Flood //<br />

Copywriter Justin Horrigan // Studio Direc<strong>to</strong>r Nancy<br />

Casey // Production Artist Erin Sturga // Client Services<br />

Direc<strong>to</strong>r Nancy Seidel // Management Supervisor Robert<br />

Tucker // Project Manager Chantel Dahl // Strategy<br />

Direc<strong>to</strong>r Kim Lauersdorf // Edi<strong>to</strong>r Steve Morrison //<br />

Pho<strong>to</strong>graphy Megan Latta<br />

THE FIFTY 2015<br />

57


VICTORS & SPOILS<br />

Backcountry Beer<br />

Upslope: Upslope had been nation<strong>all</strong>y recognized<br />

with awards for its great beer, but on the shelf, many<br />

still didn’t recognize the brand. What <strong>this</strong> Boulder<br />

brewery needed was a way <strong>to</strong> own its Colorado<br />

roots in the same way that other craft breweries<br />

s<strong>to</strong>od for bicycling or ska music. So, <strong>to</strong> release<br />

their anticipated Ok<strong>to</strong>berfest, we built Upslope’s<br />

first Backcountry Tap Room—a bar 2.5 miles in<strong>to</strong><br />

the Colorado backcountry that could only be<br />

accessed by outdoor enthusiasts, and consequently,<br />

Upslope’s biggest fans. We teased and promoted<br />

the event using social media, local beer blogs, and<br />

some good old fashioned grassroots marketing. The<br />

result? Hundreds hiked in<strong>to</strong> the Rockies <strong>to</strong> enjoy<br />

great beer in the great outdoors, and pretty much<br />

guaranteed our very first Backcountry Tap Room<br />

wouldn’t be the last.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Noah Clark // Creative<br />

Direc<strong>to</strong>r Kate McQuail Kayne // Art Direc<strong>to</strong>r Travis<br />

Brown // Copywriter Andrew Bridgers // Studio Manager<br />

Brent Erb // Project Manager Jenny Stefanov // Account<br />

Direc<strong>to</strong>r Alex Kayne // Account Coordina<strong>to</strong>rs MacGregor<br />

Brown // Activation Agency Match Marketing Group<br />

THE FIFTY 2015<br />

59


ZENMAN<br />

Adventure Nannies<br />

Adventure Nannies: Designed by Zenman, the<br />

Adventure Nannies site is heavy on the functionality<br />

while also looking pretty sexy. The site features<br />

shifting navigation that starts at the bot<strong>to</strong>m of the<br />

page with a large featured image which sticks <strong>to</strong> the<br />

<strong>to</strong>p of the browser as the user scrolls down. There<br />

are also hover effects on the CTAs, with an overlay<br />

that displays additional content when a user’s mouse<br />

is over the image. And on the Resources Page, each<br />

image has an image grid at the <strong>to</strong>p that animates<br />

multiple images in and out. The site is responsive,<br />

creative, and pho<strong>to</strong>graphic.<br />

The design process was not without its ch<strong>all</strong>enges.<br />

Image optimization proved difficult, as the website<br />

features huge, beautiful images that the team wanted<br />

<strong>to</strong> showcase, but needed <strong>to</strong> be wary of load time<br />

and resources. Designing a method for showcasing<br />

and filtering <strong>all</strong> of the available nannies proved<br />

ch<strong>all</strong>enging, <strong>to</strong>o.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Keith Roberts // Art Direc<strong>to</strong>r Keith<br />

Roberts // Copywriter Zenman team // Designer<br />

Zenman team // Pho<strong>to</strong>grapher Sarah Law // Branding<br />

Dan Quay<br />

THE FIFTY 2015<br />

61


CACTUS<br />

Cactus Welcome Kit<br />

Cactus: A lot of work goes in<strong>to</strong> finding great talent,<br />

so when we add a new person <strong>to</strong> the Cactus family,<br />

we think it’s an achievement worth celebrating. So<br />

we designed a new-employee welcome kit that’s<br />

equal parts introduc<strong>to</strong>ry handshake, triumphant highfive<br />

and motivational catalyst. Each box contains a<br />

personalized welcome letter (made from a cus<strong>to</strong>m<br />

copper letterpress that doubles as their desk<br />

nameplate) and an employee handbook that shares<br />

a bit about our his<strong>to</strong>ry, our culture and our high-bar<br />

expectations <strong>to</strong> bring their best <strong>to</strong> Cactus every day,<br />

with promises that we’ll bring ours in return. We also<br />

include a few cus<strong>to</strong>m tees, some daily on-the-job<br />

essentials and a sweet lid <strong>to</strong> cover up that precious<br />

noggin of theirs.<br />

CREDITS<br />

The development, design and creation of <strong>this</strong> kit was<br />

a collaborative effort with full-team contributions from<br />

Cactus’ creative, production and leadership teams.<br />

THE FIFTY 2015<br />

63


AMÉLIE COMPANY<br />

Excuses vs. Reasons<br />

Colorado Advisory Council for Persons with<br />

Disabilities: The Council employs Amélie Company<br />

<strong>to</strong> make Coloradans think twice before they park.<br />

Amélie Company conducted market research in<br />

early 2015 on behalf of The Colorado Advisory<br />

Council for Persons with Disabilities (“The Council”)<br />

<strong>to</strong> inform campaign development surrounding<br />

parking for persons with a disability. Turns out most<br />

able-bodied people do not think access <strong>to</strong> parking<br />

for people with disabilities is a problem, even if they<br />

have witnessed abuse.<br />

The research supported a mass media campaign,<br />

integrated with PR and social media, <strong>to</strong> create<br />

awareness around the need for and abuse of<br />

parking for people with disabilities. The campaign<br />

casted real people with real disabilities through<br />

the Phamaly Theatre Company, and had them<br />

deliver excuses people use <strong>to</strong> deny the disabled<br />

community their right <strong>to</strong> equal access. In the end,<br />

the campaign shows, your excuses will never be as<br />

good as their reasons.<br />

Excuses 1:<br />

Tren<strong>to</strong>n: “I already ordered ahead. I’ll just park here.”<br />

Pricilla: “I’m just running <strong>to</strong> the ATM. I’m not ‘re<strong>all</strong>y’<br />

parking.”<br />

VO: “Your excuses will never be as good as their<br />

reasons. No plates? No placard? No parking.”<br />

SUPER: Tagline with URL – coloradodisabilitycouncil.org<br />

Excuses 2:<br />

Everett: “I forgot the 6-pack, I’ll be right back!”<br />

Megan: “I’m just grabbing something real quick.”<br />

VO: “Your excuses will never be as good as their<br />

reasons. No plates? No placard? No parking.”<br />

BUTTON – Everett: “It’s not like it’s a crime, right?”<br />

SUPER: Tagline with URL – coloradodisabilitycouncil.org<br />

Excuses 3:<br />

Adam: “Nobody ever parks here anyway.”<br />

Mary Ann: “I’m just dropping off <strong>this</strong> DVD.”<br />

VO: “Your excuses will never be as good as their<br />

reasons. No plates? No placard? No parking.”<br />

SUPER: Tagline with URL – coloradodisabilitycouncil.org<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Pat Feehery // Art Direc<strong>to</strong>r Eric Hines<br />

// Copywriter Olivia Abtahi // Designer Eric Hines //<br />

Direc<strong>to</strong>r Dan Knudson // Production Company One<br />

Floor Up, Rachel Farha // Producer Bryan Lynn // Post<br />

Production - TV One Floor Up // Post Production - Print<br />

Stephen Hausrath // Account Supervisor Mackie Clonts<br />

// Account Coordina<strong>to</strong>r Kate Hinson // Casting through<br />

The Phamaly Theatre Company<br />

THE FIFTY 2015<br />

65


KARSH HAGAN<br />

Platform T<br />

Platform T: Tea is the second most consumed<br />

beverage in the world. Second not <strong>to</strong> coffee, but <strong>to</strong><br />

water. That’s why aspiring tea-artisans and founders<br />

of Platform T came <strong>to</strong> us with the hopes of turning<br />

their vision of creating a tea lounge in<strong>to</strong> a reality. With<br />

the dreams of traveling <strong>to</strong> the corners of the globe<br />

where tea is grown, our brand strategy was simple:<br />

celebrate tea’s rich his<strong>to</strong>ry and create a vibrant<br />

community for the people <strong>who</strong> love it.<br />

Starting from the ground up, the name and logo<br />

both natur<strong>all</strong>y bring <strong>to</strong> life the lure of travel and<br />

the global s<strong>to</strong>ry of tea. Then, <strong>to</strong> coincide with their<br />

brand launch and opening of their first tea lounge,<br />

Platform T needed packaging and collateral design<br />

<strong>to</strong> embody their fresh take on the tradition of tea. By<br />

finding inspiration in everything from ornate iron train<br />

archways, <strong>to</strong> <strong>to</strong>pographic map patterns, we created<br />

designs <strong>to</strong> work across their 50 different tea blends.<br />

We also worked with a <strong>to</strong>p local architecture firm on<br />

a vision for the interior by contrasting rustic wood and<br />

s<strong>to</strong>ne textures throughout the lounge’s interior. Every<br />

passenger crosses a platform before they reach their<br />

destination, and our goal is <strong>to</strong> be the platform that<br />

leads people in<strong>to</strong> the world of tea.<br />

CREDITS<br />

Senior Art Direc<strong>to</strong>r/Designer Camille King // Senior<br />

Copywriter Karen Morris // Designer Lindsey Mills //<br />

Copywriter Laurel Kelleher // Executive Creative Direc<strong>to</strong>r<br />

Charlotte Isoline // Account Manager Anne-Marie<br />

Salci<strong>to</strong><br />

THE FIFTY 2015<br />

67


O’BRIEN ADVERTISING<br />

Re-Brand<br />

Heritage College: We were given the task of<br />

creating a new and consistent look and feel for<br />

Heritage College, while at the same time driving<br />

enrollment across 10 campuses throughout the U.S.<br />

This was more than a fresh coat of paint. This was<br />

up-front research, brand building, and aligning <strong>all</strong><br />

of the key stakeholders. We developed a brand that<br />

transformed Heritage College’s s<strong>to</strong>ry, one that shines<br />

the spotlight on the boldness and bravery of its<br />

students <strong>to</strong> better themselves and their communities.<br />

CREDITS<br />

Owner, CEO Terri O’Brien // Creative Direc<strong>to</strong>r Jim<br />

Morrissey // Brand Strategist Chris Conner // Art<br />

Direc<strong>to</strong>r Ashlynn Dawes // Designer Karen Hofmeister<br />

+ Ian Nordeck // Copywriter DJ Ursetta + Bradley Hein<br />

// Designer/Production Manager Carson Kraig // Chief<br />

Strategy Officer Cassie Augustine Jones<br />

THE FIFTY 2015<br />

69


EBB+FLOW CREATIVE<br />

Charter Communications<br />

Type Family<br />

Charter Communications: Charter<br />

Communications wanted <strong>to</strong> design a type family they<br />

could use primarily for the program guide and user<br />

interface for their cable television offerings. We were<br />

commissioned <strong>to</strong> design a full type family including<br />

roman, italic and slab serif variations. Rutledge is<br />

an elegant, efficient, modern sans serif designed<br />

<strong>to</strong> legibly display information on televisions and<br />

moni<strong>to</strong>rs.<br />

We designed these usage posters <strong>to</strong> display the<br />

breadth, versatility and functionality as well as the<br />

spirit of the type family.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r / Designer Shane Kendrick<br />

THE FIFTY 2015<br />

71


GRIT<br />

Aceso Packaging<br />

Aceso: Hemp is one of the most incredible plants on<br />

the planet. And Aceso harnesses its power by extracting<br />

carefully selected cannabinoids, including natur<strong>all</strong>yoccurring<br />

CBD. Then they pair <strong>those</strong> cannabinoids<br />

with natural ingredients that have powerful terpenes,<br />

flavonoids and vitamins of their own.<br />

The packaging for Aceso had <strong>to</strong> stand out in a sea<br />

of hippy dippy lookalikes and bring forward the clean<br />

science based nature of the product.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Sean Topping // Art Direc<strong>to</strong>r Lauren<br />

Sobo<strong>to</strong>r // Account Direc<strong>to</strong>r Ashley Einerson // Account<br />

Manager Elsie Blackman<br />

THE FIFTY 2015<br />

73


STARZ<br />

Rocky<br />

ENCORE: As fans of the films, we wanted <strong>to</strong> create<br />

a piece for ENCORE that would resonate with <strong>all</strong><br />

Rocky enthusiasts. Being near the end of the <strong>year</strong>,<br />

the budget for shoots had been exhausted. The<br />

ch<strong>all</strong>enge was <strong>to</strong> entice Rocky fans, and attract new<br />

ones, in an entertaining, modern way, using only clips<br />

from the movies.<br />

This “Rocky Remix” concept showcases the iconic<br />

moments and quotable lines from the beloved<br />

Rocky franchise. It’s <strong>all</strong> any fan needs <strong>to</strong> get fired<br />

up and watch.<br />

Intro:<br />

Do other fighters pound raw meat?<br />

No, I think I invented it.<br />

I’m gonna bust you up.<br />

Go For it.<br />

(Rocky Song)<br />

He’s a deadly weapon, he’s one of a kind.<br />

He’s hungry; champ of <strong>all</strong> time.<br />

The man comes straight ahead, he’s tailor made for me.<br />

The bums hiding, the bums running, he don’t wanna face<br />

me.<br />

He’s <strong>all</strong> wrong for us baby; get out while you can.<br />

Yo Adrian! I’m just a man.<br />

No, I don’t hate Balboa, but I pity the fool.<br />

This man is dangerous; I must break you.<br />

Lock the door, hide the kids.<br />

Balboa’s going <strong>to</strong> show you what a champion is.<br />

The New Year’s gonna see a Rocky start,<br />

Come on bring it <strong>to</strong> me.<br />

Absolutely.<br />

1…2…3…4…5… (countdown of <strong>all</strong> 5 movies)<br />

Font Messaging:<br />

Rocky New Year’s Day Marathon<br />

Playing All Day January 1<br />

“Rocky! Rocky! Rocky! Rocky!” (Crowd noise under<br />

messaging)<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Michael G<strong>all</strong>egos // Producer Abbie<br />

Lunsford // Designer Christian Dore // Edi<strong>to</strong>r Rich<br />

Tramazzo // Audio Edi<strong>to</strong>r Eric Gerd<br />

THE FIFTY 2015<br />

75


CACTUS<br />

Where Education<br />

Comes Alive<br />

Denver Zoo: A day at Denver Zoo provides much<br />

more than mere entertainment. It provides unique<br />

educational experiences and firsthand learning<br />

opportunities. Denver Zoo is the place where gibbons<br />

perform acrobatic feats before your eyes, where<br />

the thunderous roars of a lion reverberate in your<br />

eardrums, and where the coarse fur of a giraffe can<br />

be felt between your fingertips. Denver Zoo is where<br />

education comes alive. Cactus brought <strong>this</strong> idea <strong>to</strong><br />

life through a variety of non-traditional out-of-home<br />

executions that blended <strong>to</strong>gether juxtaposing images<br />

of educational <strong>to</strong>ols with the first-hand educational<br />

experiences found only at Denver Zoo.<br />

CREDITS<br />

Founder & CEO Joe Conrad // Partner & CCO Norm<br />

Shearer // VP, Creative Direc<strong>to</strong>r Brian Watson // Brand<br />

Direc<strong>to</strong>r Summer Hershey // Copywriter Ricky Lambert<br />

// Art Direc<strong>to</strong>r Claire Gipson // Senior Production<br />

Designer Mark Tanner // Senior Print Producer Jamie<br />

Sharp // Project Manager Caitlin Wilson // Pho<strong>to</strong>graphy<br />

& Composite Re<strong>to</strong>uching Mando-Matic // Printing<br />

Sign Language XL<br />

THE FIFTY 2015<br />

77


VLADIMIR JONES<br />

1991 Gif Certificates<br />

Sizzler: Sizzler restaurants haven’t had much<br />

impact on popular culture since the 90s. But that <strong>all</strong><br />

changed when the Internet found and spread one of<br />

their videos that was produced in 1991. The video<br />

was embarrassing <strong>to</strong> be sure, what with the shoulder<br />

pads and bad hairstyles, but we had Sizzler embrace<br />

the cheese and laugh along with joke. We decided<br />

<strong>to</strong> have Sizzler make the most of their time in the<br />

limelight and thank the Internet for their blast-fromthe-past,<br />

newfound fame. Strategic<strong>all</strong>y launched on<br />

#ThrowbackThursday, we created GIFs of the funniest<br />

scenes from the viral video and made 1991 GIF<br />

Certificates – the first-ever, actual GIF coupons good<br />

for a Sizzler meal for two for what price? $19.91. We<br />

shared these GIF certificates on their social media<br />

channels and posted stills from the video as memes<br />

about both the 90s and Sizzler’s famous cheese<br />

<strong>to</strong>ast. The video made the rounds on Buzzfeed, Good<br />

Morning America, Huffing<strong>to</strong>n Post and more. And we<br />

jumped on it <strong>to</strong> maximize Sizzler’s interaction with<br />

fans. It was a moment that reminded Sizzler and the<br />

world of their past, and let the Internet have a laugh<br />

and a smile. And of course, some cheese <strong>to</strong>ast <strong>to</strong>o.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>rs Matt Fischvogt, Dave<br />

Cook & Ryan Johnson // Creative Direc<strong>to</strong>r Jen Hohn<br />

// Copywriters Aylâ Larsen & Thomas Fowler // Art<br />

Direc<strong>to</strong>r Rik Patenaude // Account Supervisors Ashley<br />

Dreyer & Julia Mulhern // Social Leila Qualhiem,<br />

Maddy Wold & Grace Evelyn // Production House<br />

Riposte<br />

THE FIFTY 2015<br />

79


THE INTEGER GROUP<br />

Only in Colorado<br />

Coors Banquet: “Colorado has never been more<br />

prominent on the national stage. People <strong>who</strong> don’t<br />

live here wish that they did. Wherever you go in the<br />

country, you will see the “C” of the Colorado flag<br />

proudly emblazoned across the chests of residents<br />

and <strong>to</strong>urists alike. It signals the wearer as someone<br />

<strong>who</strong> values authenticity and experiences over<br />

pretense. With <strong>this</strong> surge in awareness and pride,<br />

many brands wants <strong>to</strong> lay claim <strong>to</strong> being a Colorado<br />

local, but very few have the heritage <strong>to</strong> support it.<br />

Coors Banquet, the flagship beer of Coors Brewing<br />

Company, has been brewed in Colorado since the<br />

1870s. It has only ever been brewed in Golden,<br />

Colorado. For a variety of reasons, many Coloradans<br />

are not aware of <strong>this</strong> unbroken connection and<br />

commitment <strong>to</strong> our state.<br />

The Coors Banquet “Colorado Proud” campaign<br />

aims <strong>to</strong> make Coors’ connection <strong>to</strong> Colorado public<br />

knowledge and deflate the claims of pretenders. This<br />

campaign will position Coors Banquet firmly in the<br />

minds of any consumer looking for a beer that is<br />

truly, authentic<strong>all</strong>y a product of Colorado.”<br />

CREDITS<br />

Associate Creative Direc<strong>to</strong>r Tony Molinaro // Art Direc<strong>to</strong>r<br />

Sarah Godfrey // Copywriter Michael Tully // Regional<br />

Account Supervisor Trish Hardie-Frankel<br />

THE FIFTY 2015<br />

81


NARRATOR GROUP<br />

“There’s got <strong>to</strong> be a<br />

better way”<br />

WestWorks Studios: Independent producers,<br />

videographers and creative teams here are <strong>all</strong>-<strong>to</strong>ofamiliar<br />

with the limited studio options along the Front<br />

Range. They’ve had <strong>to</strong> pack equipment in<strong>to</strong> tight<br />

spaces, or dress up a large, dusty warehouse <strong>to</strong><br />

look like a sm<strong>all</strong> room. Perhaps even worse, they’ve<br />

had <strong>to</strong> bring clients in<strong>to</strong> makeshift spaces that look<br />

neither polished nor professional.<br />

With <strong>this</strong> playful campaign, we positioned WestWorks<br />

Studios as a problem solver … and invited our<br />

audiences <strong>to</strong> try something easier and better.<br />

The media buy in the spring was both local and national<br />

and registered 22,000 impressions and an 85% view<br />

through rate over the course of a single week.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r/Art Direc<strong>to</strong>r Jay Sunny // Copywriter<br />

Mark Toft // Animation Björn Benckert // Producer Nate<br />

Rich<br />

THE FIFTY 2015<br />

83


AMÉLIE COMPANY<br />

DUI<br />

CDOT: CDOT and Amélie Company Launch “A Few<br />

Can Still be Dangerous”<br />

Thanks <strong>to</strong> effective education and enforcement, most<br />

Coloradans recognize that when they drink they<br />

should not get behind the wheel. However, research<br />

conducted by Amélie showed that the group most at<br />

risk of driving impaired, 21- <strong>to</strong> 35-<strong>year</strong>-old males, do<br />

not think a few drinks can impair their ability <strong>to</strong> drive.<br />

To help change <strong>this</strong> common misperception,<br />

The Colorado Department of Transportation, in<br />

partnership with Amelie Company, launched a<br />

summer DUI awareness campaign – “A Few Can Still<br />

Be Dangerous.”<br />

“A Few Can Still Be Dangerous” served as an<br />

important reminder that even if an individual has only<br />

had a few drinks, it doesn’t mean it’s safe <strong>to</strong> drive.<br />

Using humor rather than scare tactics, the campaign<br />

featured two 30-second spots highlighting dangerous<br />

scenarios in which people ignore the hazards<br />

around them, such as tarantulas on the loose or<br />

children playing with chainsaws. The spots reminded<br />

viewers that even things in sm<strong>all</strong> numbers can be<br />

dangerous, including alcoholic drinks. Airing on cable<br />

TV and pre-roll throughout the state, the spots were<br />

supported by radio and OOH in the Denver, Colorado<br />

Springs and Fort Collins metro areas.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Jenna Capobianco // Associate<br />

Creative Direc<strong>to</strong>r Eric Hines // Art Direc<strong>to</strong>r Chelsea<br />

Anderson // Copywriters Jenna Capobianco, Chelsea<br />

Anderson // Designer Eric Hines, Chelsea Anderson<br />

// Direc<strong>to</strong>r Alex Grossman // Production Company 8th<br />

Street Productions, Steve DeVore // Agency Producer<br />

Kristen Del Cazo // Post Production - Broadcast<br />

Futuristic // Post Production - Print Stephen Hausrath //<br />

Account Supervisor Mackie Clonts // Account Executive<br />

Brenna Hersey<br />

THE FIFTY 2015<br />

85


PHILOSOPHY COMMUNICATION<br />

F5 Tornados<br />

F5: The idea of driving through America’s heartland<br />

doesn’t usu<strong>all</strong>y <strong>to</strong>p most lists of places <strong>to</strong> vacation.<br />

Thrillseekers on the lookout for a wild unorthodox<br />

experience find F5 Tornado Chasing Safaris <strong>to</strong><br />

be one bone-chilling ride, one that induces an<br />

uncontrollable dose of profanity as seen in <strong>this</strong><br />

poster campaign.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Rand<strong>all</strong> Erkelens // Copywriter Jay<br />

Roth // Art Direc<strong>to</strong>r Lisa Fisbeck<br />

THE FIFTY 2015<br />

87


FEAR NOT<br />

Holiday<br />

Einstein Bros: To mark the arrival of the 2015<br />

holiday season, we created a campaign, nay, a<br />

place c<strong>all</strong>ed Jollyville. Jollyville is a happy little winter<br />

wonderland. A place where the water flows like coffee<br />

and fresh bagels instinctively flock like the lox of<br />

Capistrano. We created <strong>all</strong> the illustrations in house<br />

and applied them both inside and outside of the<br />

s<strong>to</strong>re with a series of unique packaging elements and<br />

menu boards.<br />

CREDITS<br />

Chief Creative Officer Blake Ebel // Creative Direc<strong>to</strong>r<br />

Jorge Lamora // Associate Creative Direc<strong>to</strong>r/Copywriter<br />

Mike King // Art Direc<strong>to</strong>r/Designer Jacob Gerhardt //<br />

Illustra<strong>to</strong>r Jacob Gerhardt // Senior Account Manager<br />

Jon Barnett<br />

THE FIFTY 2015<br />

89


CACTUS<br />

Odell IPA Campaign<br />

Odell Brewing Company: In the world of craft<br />

brewing, IPAs have become the testing ground for<br />

new flavors. But a lot of that experimentation has<br />

resulted in over-hopped, over-hyped, palate-blasting<br />

beers. Odell created their IPA (simply c<strong>all</strong>ed “IPA”)<br />

in 2007 at the beginning of the American-style<br />

IPA explosion. With finesse and care, they made<br />

a solidly hoppy beer with a balanced finish.<br />

Research confirmed that Odell’s IPA has a perfect<br />

combination of complexity and approachability that<br />

appeals <strong>to</strong> craft-beer fanatics and novices alike.<br />

It’s the IPA for everyone, which is what we built<br />

our 2015 IPA campaign around. Laser-etched,<br />

wood die-cuts created a handcrafted canvas for<br />

the campaign, further illustrating the care Odell<br />

Brewing Co. The campaign included social, print,<br />

on-premise and in-s<strong>to</strong>re.<br />

CREDITS<br />

Founder & CEO Joe Conrad // Partner & CCO Norm<br />

Shearer // Creative Direc<strong>to</strong>r Ryan Johnson // Senior Art<br />

Direc<strong>to</strong>r Michael Maciolek // Copywriter Shea Tullos //<br />

Brand Direc<strong>to</strong>r Summer Hershey // Senior Production<br />

Designer Mark Tanner // Senior Print Producer Jamie<br />

Sharp // Project Manager Rachel Plaster // Digital<br />

Producer Brit Tucker // Interactive Designer & Developer<br />

Austin Lliteras // Production Partner Public Letterpress<br />

& Engraving<br />

THE FIFTY 2015<br />

91


TRI STATE<br />

Tri State Power<br />

Pho<strong>to</strong>graphy<br />

Tri State: We, as Tri-State G&T, wanted <strong>to</strong> create<br />

a campaign that was a visual representation of<br />

how Power Makes it Possible in the communities<br />

that our members serve. Power is the visual<br />

representation of the work that electricity does<br />

in our everyday lives. Power has the unique ability<br />

<strong>to</strong> capture the hearts and minds of people of <strong>all</strong><br />

ages, providing a platform <strong>to</strong> tell the s<strong>to</strong>ry of what<br />

makes electric cooperatives and public power<br />

districts special.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Melissa Kendrick // Pho<strong>to</strong>grapher<br />

Willie Petersen // Pho<strong>to</strong>graphy Assistant Josh Groth<br />

THE FIFTY 2015<br />

93


GINGER & BACON<br />

Strange But Good -<br />

Year of the Cocktail<br />

Ginger & Bacon: When you work in advertising,<br />

the holidays bring copious amounts of gifts from<br />

vendors. Which got us <strong>to</strong> thinking, shouldn’t we be<br />

giving them something in return? And after <strong>all</strong> of the<br />

early mornings, late nights and rounds of revisions<br />

we’ve put our vendors through, we figured they could<br />

probably use a few drinks—a <strong>year</strong>’s worth of them<br />

<strong>to</strong> be precise. We started by creating the Strange<br />

But Good Cocktail Book, a collection of original<br />

recipes and original illustrations. Then we paired the<br />

books with <strong>all</strong> of the ingredients needed <strong>to</strong> make<br />

a single serving winter cocktail. And we kept the<br />

creative liquor consumption flowing by launching the<br />

@strange_but_good Instagram account, a steady<br />

supply of season<strong>all</strong>y relevant cocktail recipes. Cheers<br />

<strong>to</strong> collaboration!<br />

CREDITS<br />

Design/Writing/Production Camille King & Karen Morris<br />

// Pho<strong>to</strong>graphy Camille King, Karen Morris & Levi<br />

Tijerina<br />

THE FIFTY 2015<br />

95


VICTORS & SPOILS<br />

FNV Social<br />

Partnership for Healthier America: From<br />

soda <strong>to</strong> burgers <strong>to</strong> fruit roll-ups, brands have used<br />

advertising and celebrity endorsements <strong>to</strong> get kids<br />

<strong>to</strong> eat <strong>all</strong> kinds of stuff that isn’t good for them.<br />

And boy has it worked. But no one has ever used<br />

<strong>those</strong> same marketing tactics <strong>to</strong> get kids <strong>to</strong> eat the<br />

healthy stuff. So we did. With the help of Partnership<br />

for a Healthier America and the First Lady of the<br />

United States, we turned fruits and vegetables in<strong>to</strong><br />

a brand c<strong>all</strong>ed FNV. We recruited a team of big time<br />

celebrities. We featured them in print, OOH, and on<br />

an interactive brand website that <strong>all</strong>owed kids <strong>to</strong> sign<br />

their own endorsement deal with the brand. And we<br />

created a robust social media presence chock-full of<br />

funny, sharable content. Never once preaching. Never<br />

once pandering. Never once pushing a single health<br />

benefit. Just plain fun, clever advertising that proved<br />

the healthy foods could also be the cool foods.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Noah Clark // Chief Marketing<br />

Officer Andy Nathan // Creative Direc<strong>to</strong>r Pat Horn //<br />

Associate Creative Direc<strong>to</strong>rs Rob Lewis, Ari Levi, Brock<br />

Johnson // Art Direc<strong>to</strong>rs Emilie Druss, Travis Brown<br />

// Copywriters Pete Nordstrom, Andrew Bridgers<br />

// Studio Manager Brent Erb // Producers Kaylin<br />

Fitzpatrick Horn, Lisa Effress // Community Manager<br />

Allison Gergly // Account Direc<strong>to</strong>rs Leslie Maddocks,<br />

Lynn Harris // Account Supervisors Rebecca Conrad<br />

// Account Manager Avery Henderson, Katie Funk //<br />

Account Coordina<strong>to</strong>r Annie Vlosich // Project Manager<br />

Jenny Stefanov // Digital Agency Legwork Studio //<br />

Production Company Copious // Pho<strong>to</strong>grapher Brian<br />

Bowen Smith, Justin Coit // Re<strong>to</strong>uching David Nadeau<br />

THE FIFTY 2015<br />

97


FUTURISTIC FILMS<br />

Zealots of Zag<br />

New Belgium Brewing Company: Working in<br />

conjunction with Cultiva<strong>to</strong>r Advertising and Design,<br />

Futuristic Films created a series of short films<br />

that would provide the impetus for New Belgium<br />

Brewery’s Summer online media campaign.<br />

Each episode of “Zealots of Zag” tells the s<strong>to</strong>ry of<br />

someone exploring divergent and unusual paths, an<br />

ethos celebrated by New Belgium Brewery and their<br />

community. The subjects ranged from an avant-garde<br />

musician from San Francisco, a Cleveland based<br />

performance artist and a community s<strong>to</strong>ry-telling<br />

group in Richmond, Virginia.<br />

Direc<strong>to</strong>r Jasper Gray combined documentary<br />

techniques with a strong visual s<strong>to</strong>rytelling approach<br />

that brings you right in<strong>to</strong> each s<strong>to</strong>ry and highlights<br />

the perspective and individuality of the characters.<br />

The four films were rolled out over the Summer of<br />

2015 <strong>to</strong> promote repeated engagement with New<br />

Belgium’s expanding online community and were<br />

supported by clips and trailers especi<strong>all</strong>y created<br />

for pre-roll and social outlets such as Instagram and<br />

Vine <strong>to</strong> create an integrated online campaign<br />

CREDITS<br />

Direc<strong>to</strong>r Jasper Gray (Futuristic) // Executive Producer<br />

Sarah Liles (Futuristic) // DP Frank Pickell (Ep<br />

1-3), Robert Mura<strong>to</strong>re (Ep 4) // 1st AC Will Gardner<br />

(Futuristic)/Brandon Carter // Production Manager<br />

Alivia Olson // Advertising Agency Cultiva<strong>to</strong>r (Monte<br />

Mead, Steve Moore, Kent Smith, Tim Abare) // Post<br />

Production Futuristic Films<br />

THE FIFTY 2015<br />

99


VLADIMIR JONES<br />

The Ringman<br />

Hyde Park: Let’s face it. Guys need a little help<br />

finding the perfect engagement ring. And Hyde<br />

Park Jewelers needed a little help connecting with<br />

their bridal millennial audience. So we created The<br />

Ringman, the wingman <strong>who</strong> helps a bro get engaged.<br />

He became a character on social media, giving out<br />

funny and useful proposal and ring-buying tips in<br />

different posts. Suave and smart, he tapped in<strong>to</strong><br />

common proposal blunders and hooked you up<br />

with Hyde Park Jewelers, the foolproof way <strong>to</strong> get it<br />

right. By breaking out of the stuffy, outdated notions<br />

of proposals and engagement rings, The Ringman<br />

spoke <strong>to</strong> millennials on their level and engaged them<br />

like never before.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Matt Fischvogt & Dave<br />

Cook // Creative Direc<strong>to</strong>r Jen Hohn // Copywriter Aylâ<br />

Larsen // Art Direc<strong>to</strong>r Rik Patenaude // Production<br />

Assistant Audra Schwartz // Account Supervisors<br />

Erin Schneiderman & Christina Hoener // Social Kyla<br />

Applegate<br />

THE FIFTY 2015<br />

101


KARSH HAGAN<br />

Palace Pale Ale<br />

Brown Palace: To pay homage <strong>to</strong> the great state<br />

it has c<strong>all</strong>ed home for over a century, The Brown<br />

Palace created Palace Pale Ale. Partnering with<br />

brewmasters from Parker, CO brewery, H<strong>all</strong> Brewing<br />

Co, they created the light-bodied ale with loc<strong>all</strong>ygrown<br />

malts and hops, as well as water from The<br />

Brown Palace’s artesian well. Karsh/Hagan started<br />

with a logo, then brought a distressed design and<br />

locals-only attitude through everything from beer<br />

taps, <strong>to</strong> a can label <strong>to</strong> advertising posters.<br />

CREDITS<br />

Art Direction/Design Kelsey Wittenberg // Copywriting<br />

Megan Cohen // Creative Direction Darren Brickel //<br />

Account Direction Camille Ziccardi // Print Production<br />

Allison Tonini<br />

THE FIFTY 2015<br />

103


GYRO<br />

Good Friend, Maybe<br />

Not the Best Coworker<br />

DCP Airstream: DCP Midstream, the number one<br />

processor of natural gas, needed <strong>to</strong> drum up more<br />

resumes for hiring needs. The problem was that<br />

their Talent Acquisition department was inundated<br />

with a large quantity of resumes from under-qualified<br />

“friends” of employees. So <strong>to</strong> rein in the quantity<br />

and increase the quality of referrals, gyro helped<br />

remind employees that fun friends aren’t immediately<br />

qualified as the best coworkers.<br />

CREDITS<br />

Executive Creative Direc<strong>to</strong>r Aaron Stern // Art Direc<strong>to</strong>r<br />

Megan Latta // Art Direc<strong>to</strong>r Kristan Butler // Copywriter<br />

Justin Horrigan // Studio Direc<strong>to</strong>r Nancy Casey //<br />

Production Artist Christine Bakke // Client Services<br />

Direc<strong>to</strong>r Nancy Seidel // Management Supervisor Robert<br />

Tucker // Senior Account Executive Scott Anderson //<br />

Strategy Direc<strong>to</strong>r Kim Lauersdorf // Pho<strong>to</strong>graphy John<br />

Rose<br />

THE FIFTY 2015<br />

105


CACTUS<br />

Hook or Crook<br />

Cactus: A demonstration of Cactus’ packaging<br />

design abilities, Hook or Crook is a branded<br />

interpretation of Peach Street Distillers’ three tequila<br />

products – and the ultimate gift for clients and<br />

vendors. Embodying the rugged cowboy spirit, and<br />

inspired by the hearty settlers of Colorado’s Old<br />

West, Cactus created the Hook or Crook brand in<br />

homage <strong>to</strong> Western settlers <strong>who</strong> survived by any<br />

means necessary—by hook or by crook. Cactus’<br />

creative and production teams carried the Hook<br />

or Crook brand concept through every facet of the<br />

design, boldly combining southwestern styles with a<br />

modernized interpretation of vintage typography and<br />

filigree. To give the product a rustic yet high-end feel,<br />

Cactus had the cork laser engraved with Hook or<br />

Crook’s vintage-inspired logo.<br />

CREDITS<br />

Founder & CEO Joe Conrad // Partner & CCO Norm<br />

Shearer // Designer Josh Jevons // Copywriter Ryan<br />

Johnson // Senior Print Producer Jamie Sharp //<br />

Production Company Public Letterpress & Laser<br />

Engraving // Pho<strong>to</strong>grapher Klug Studio<br />

THE FIFTY 2015<br />

107


THE INTEGER GROUP<br />

Ad Club Sympathy<br />

Cards<br />

Ad Club: Advertising is a lot fun. But it can also<br />

suck. For <strong>this</strong> campaign we decided <strong>to</strong> focus on the<br />

latter. We wanted you <strong>to</strong> know that the Ad Club feels<br />

your pain. They know what it’s like because they’re<br />

ad people <strong>to</strong>o. They also know that getting involved<br />

in the Ad Club is a great thing. It’s a place where<br />

you can meet like-minded ad people, do some fun<br />

creative work, and maybe even land a better job. And<br />

clearly, there’s a lot of pain here in Denver, because<br />

<strong>this</strong> <strong>year</strong> the Ad Club’s Committee Mixer events had<br />

their best turn out ever.<br />

CREDITS<br />

Creative Direc<strong>to</strong>r Matt Hawley // Sr. Art Direc<strong>to</strong>r Dave<br />

Brackenbury // Sr. Copywriter Joel Maron // Illustra<strong>to</strong>r<br />

Angie (Angiemakes.com)<br />

THE FIFTY 2015<br />

109


Thanks <strong>to</strong> our sponsors<br />

THE FIFTY 2015<br />

111


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Creativity requires chemistry from a team, and that isn’t born from just any cookie-cutter crew with the requisite skills.<br />

For innovative ideas <strong>to</strong> take root and creativity <strong>to</strong> blossom, it takes the perfect blend of skills, experience and corporate cultural fit.<br />

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© 2015 The Creative Group. A Robert Half Company. An Equal Opportunity Employer M/F/Disability/Veteran. TCG-1215


ACES 2015<br />

THE FIFTY 2015<br />

121


Aces recognize the vendors, suppliers, production companies and independent<br />

professionals <strong>who</strong> work behind the scenes for the Colorado advertising and<br />

marketing community. Aces are nominated and voted on by members of Ad Club.<br />

Congratulations <strong>to</strong> <strong>this</strong> <strong>year</strong>’s winners.<br />

Best Social Media Company Ello<br />

Educa<strong>to</strong>r of the Year Dave Oakes<br />

Best Website Development Company Karsh Hagan<br />

Best Video Production Company Image Brew<br />

Best TV or Radio Rep Deb Fox, Altitude<br />

Best Talent Agency Radical Artists<br />

Best Sound Edi<strong>to</strong>r Coupe Studios<br />

Best Pho<strong>to</strong>grapher Bryce Boyer<br />

Best Traditional Printer D&K Printing<br />

Best Nontraditional Printer Western Die<br />

Best Freelancer (any type) Jay Roth<br />

Best Digital Rep Jennifer McC<strong>all</strong>um, YuMe<br />

Best Media Buyer/Planner Christina Sokol, Karsh Hagan<br />

Best Intern Erin Mowry, R&R Partners<br />

Best Industry Blog The Denver Egotist<br />

Best Post Production Company PostModern<br />

Best PR Company Sprocket Communications<br />

Best Mobile App Developer 303Software<br />

Best Outdoor Company Mile High Outdoor


Here’s why you didn’t make it in <strong>this</strong> book <strong>this</strong> <strong>year</strong>.<br />

51. The server is down.<br />

52. Wifi is down.<br />

53. We have our last kickb<strong>all</strong> game of the season.<br />

54. My boss wants it <strong>this</strong> way.<br />

55. Client is always right.<br />

56. We don’t have time <strong>to</strong> do a pho<strong>to</strong>shoot.<br />

57. S<strong>to</strong>ck is cheaper and faster.<br />

58. Happy hour with friends.<br />

59. It’s our anniversary.<br />

60. I don’t have the latest Creative Suite.<br />

61. It was country music day on Sonos.<br />

62. Conference c<strong>all</strong> presentation with the client is fine with me.<br />

63. Powder day.<br />

64. Rockies game with my bae.<br />

65. My external HD just <strong>shit</strong> the bed.<br />

66. The coffee maker is broken.<br />

67. Just tell me how big and where <strong>to</strong> put it.<br />

68. My wireless mouse battery died.<br />

69. That was in the 2002 CA.<br />

70. Timesheets are due. Then I gotta do my expense report.<br />

71. Jury duty.<br />

72. Just shoot it with your phone.<br />

73. Let me get through <strong>this</strong> mountain of emails first.<br />

74. Let’s just go with that first idea.<br />

75. Our agency is led by account people.<br />

76. I have <strong>to</strong> go meet the cable guy.<br />

77. Parent teacher conferences.<br />

78. Suuuuuuuper hungover.<br />

79. Good enough.<br />

80. The file is missing links and fonts.<br />

81. Can’t find the font.<br />

82. The team won’t choose my idea anyway.<br />

83. The client sucks.<br />

84. I’d like <strong>to</strong> see <strong>this</strong> place survive without me.<br />

85. There’s more dispensaries than Starbucks.<br />

86. Can’t blow off my trainer.<br />

87. My mom thought it was hilarious.<br />

88. Was up ‘til midnight doing freelance.<br />

89. Kegs with Legs.<br />

90. Looong ass traffic meeting, ran out of time.<br />

91. My band has a gig <strong>to</strong>night.<br />

92. Had a gout attack <strong>this</strong> morning.<br />

93. I wish the creative brief was better.<br />

94. C’mon, it’s tampons guys.<br />

95. Let’s start it <strong>to</strong>morrow. Or Monday.<br />

96. He fin<strong>all</strong>y asked me out!<br />

97. We’ve run it for 4 <strong>year</strong>s, what’s another? Why reinvent the wheel?<br />

98. I’d like <strong>to</strong> see Alex Bogusky try and do that here.<br />

99. We’re out of beer.<br />

100. It’s 5:00pm.

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