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Devonshire Feb and Mar 16

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Green man at Spreyton church<br />

photo by Bruce Gibbs<br />

Green man at South Tawton church<br />

photo by Bruce Gibbs<br />

Three hares at Sampford Courtney<br />

photo by Bruce Gibbs<br />

some 45 metres across, making it a large<br />

<strong>and</strong> very important structure that would<br />

have been used for religious purposes. One<br />

writer, the late Roger Deakin, reflecting on the<br />

area around Bow, described the River Yeo as<br />

Devon’s river Ganges.<br />

The Green Man images would have been made<br />

by local woodworkers as they carried out the<br />

timber work in the construction of the areas<br />

churches. The creators of these images were<br />

talented craftsmen indeed, a look at the oak<br />

bosses of these churches will reveal a whole<br />

host of intricate designs, all carved by h<strong>and</strong><br />

<strong>and</strong> dating from the 14th <strong>and</strong> 15th centuries.<br />

The skill of these unknown workers is further<br />

demonstrated in some of the churches by a<br />

design showing three hares sat around the oak<br />

boss. At first glance, these hares all appear<br />

normal, but a closer look reveals that there<br />

are only three ears between them, making<br />

them, perhaps, some of the oldest optical<br />

illusions in the country.<br />

There are conflicting arguments as to why<br />

the Green Man is so well represented in<br />

this part of the county, but most have their<br />

origin in the Celtic sacred groves of the area.<br />

When the churches of mid Devon were being<br />

constructed in medieval times, the pagan<br />

worship of sacred groves was still something<br />

that lingered in the local population. One<br />

theory is that the Christian church deliberately<br />

incorporated the pagan Green Man image<br />

into the new buildings to demonstrate to the<br />

local population that Christianity was their<br />

religion. The other theory is that the local<br />

population had strongly held views when it<br />

came to their sacred groves <strong>and</strong> they weren’t<br />

prepared to let them go easily. Could it be<br />

that the local craftsmen employed to build the<br />

churches deliberately created the images as<br />

an act of rebellion against the rigidly enforced<br />

doctrines of the church?<br />

The simple truth is that nobody really knows<br />

why these symbols are so prevalent in the<br />

churches of the area, for every theory put<br />

forward at least another two are proposed to<br />

contradict it. Whatever the reason for their<br />

existence, one thing cannot be argued with;<br />

the images of the Green Man are true works<br />

of art that should be enjoyed <strong>and</strong> celebrated<br />

by us all.<br />

By Ian Parsons<br />

The approach to Spreyton Church - the avenue of trees recalling the<br />

sacred groves that once dominated the area<br />

photo by Bruce Gibbs<br />

Sampford Courtney Church<br />

photo by Bruce Gibbs<br />

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