Dwell 2015 11
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T<br />
The rural landscape of Foster,<br />
Rhode Island, a town 30 minutes<br />
west of Providence by car, is<br />
farmland reclaimed by trees. After<br />
the area was clear-cut and mainly<br />
used for agriculture a century ago,<br />
nature has slowly regenerated a<br />
sylvan blanket over its gently rolling hills. It’s there<br />
that artist Allison Paschke decided to build a<br />
530-square-foot retreat from the urban thrum. “It’s<br />
sort of like a miniature cottage a miniature distance<br />
from the miniature city,” she says.<br />
To design the structure, Paschke enlisted the<br />
expertise of Providence-based architecture firm 3SIXØ,<br />
a studio she had previously worked with on a loft renovation.<br />
While she enjoys living in the city, she yearned<br />
for a place where she could commune with nature.<br />
“I brought them this rather, in retrospect, idiotic<br />
drawing,” she says of an early meeting with the<br />
architects. “It was half house and half greenhouse.<br />
I wanted to communicate the idea that I would be<br />
living in a world of plants and nature and not just in<br />
an ordinary habitation.”<br />
Chris Bardt, a founding partner (along with Kyna<br />
Leski) of 3SIXØ, and Jack Ryan, a senior associate at the<br />
firm and the project architect, collaborated closely<br />
with Paschke to refine her idea of a house that would<br />
offer a connection with the land while still providing a<br />
sense of security. “Allison came and said, ‘I don’t want<br />
a cabin; I want a cottage,’” Bardt says. “We spent a lot<br />
of time talking about how it should echo a bygone<br />
era—that postwar period where everyone dreamed of<br />
spending the summer in a cottage.”<br />
“They knew from working with me on the loft that<br />
the most important thing about the space would be ><br />
The deck is furnished with<br />
pieces from Design Within<br />
Reach (above left). Key to the<br />
space-efficient floor plan is<br />
a strategically placed set of<br />
recessed areas, including<br />
the sleeping nook and writing<br />
desk (above). The modest<br />
entry to the cottage (below)<br />
opens up to steeply angled<br />
ceilings for dramatic spatial<br />
effect. The bathroom is<br />
outfitted with a Kohler sink,<br />
black tile, and a countertop<br />
from Williams & Sons Slate<br />
& Tile (opposite, above).<br />
The kitchen area, which has<br />
IKEA cabinets with custom<br />
doors and pulls by Doug<br />
Mockett, is also recessed,<br />
with a lofted area above it<br />
(opposite, below).<br />
100 NOVEMBER <strong>2015</strong> DWELL