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Asmat Shields, Papua (Irian Jaya), Indonesia

Asmat Shields, Papua (Irian Jaya), Indonesia

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<strong>Asmat</strong> <strong>Shields</strong>, <strong>Papua</strong> (<strong>Irian</strong> <strong>Jaya</strong>), <strong>Indonesia</strong><br />

The <strong>Asmat</strong> inhabit a vast swamp on the south coast of the island of New Guinea<br />

in the <strong>Indonesia</strong>n province of <strong>Irian</strong> <strong>Jaya</strong>. Until recently, their culture focused on<br />

warfare and headhunting. <strong>Shields</strong> (jamasj) are protection from both the physical<br />

and spiritual powers of the enemy. The Christian missions and the <strong>Indonesia</strong>n<br />

government have ended overt tribal warfare, but raids still occur in remote areas.<br />

Shield motifs, and the ancestor for whom a shield is named, give its owner<br />

power. Many designs are headhunting symbols.<br />

Figure 1: <strong>Asmat</strong> war shield collected near Basim Village, <strong>Irian</strong> <strong>Jaya</strong>, <strong>Indonesia</strong><br />

decorated with cuscus (tree kangaroo) tail designs. (Area A) This area is the most<br />

accessible, the closest to the coastal government administrative center of Agats,<br />

so the shields are frequently seen in collections.<br />

Figure 2: <strong>Asmat</strong> war shield collected in Sawa-<br />

Erma Villages, <strong>Irian</strong> <strong>Jaya</strong>, <strong>Indonesia</strong>. (Area B)<br />

The head section is filigreed into two ancestor<br />

figures. The largest designs on the body are tar,<br />

flying fox/fruit bat motifs, the smaller ones<br />

include possum tails and two ancestor figures on<br />

the right top and bottom.<br />

Tobias Schneebaum's book, <strong>Asmat</strong> Images,<br />

divides <strong>Asmat</strong> shields into four major stylistic<br />

types:<br />

� "Those of Area A are rectangular in<br />

shape, with an ancestor figure at the top, phallic<br />

in formation...."<br />

� "Area B shields are wider, more oval,<br />

with a clearly separated head section most often<br />

called the rayfish, visi, but sometimes referred to as a turtle, mbu,<br />

or a cassowary, pi. The entire shape of the shield is that of a<br />

phallus."<br />

� "Area C has the largest shields, the top<br />

coming to a point, the bottom flat. The top area is an<br />

abstracted human head, with the central hour-glass<br />

form being the forehead, the sides the cheeks."<br />

� "Area D shields are similar to those of<br />

Area C and may be mistaken from them at times.<br />

However, the head often has a clear-cut, incised<br />

eyes and nose and a completely different style of<br />

motifs."<br />

Figure 3: <strong>Asmat</strong> war shield collected at Komasjma<br />

Village, <strong>Irian</strong> <strong>Jaya</strong>, <strong>Indonesia</strong>, incised with an<br />

unusual floral motif. (Area C).<br />

Old <strong>Asmat</strong> shields were roughed out with stone<br />

tools and the fine relief detailing finished with cassowary bone chisels or shell<br />

tools. The coastal people make chisels from nails salvaged from driftwood and<br />

have apparently been doing this for a long time. We found that the backs of many<br />

shields from Areas C and D are still shaped with the distinctive dish-shaped cuts of<br />

stone tools, even though most carvers have steel tools and use them to carve the<br />

fronts and designs. On the coast, shields are made from the lightweight prop roots<br />

of mangrove trees, but inland a harder wood is used. Most shields are large, from<br />

roughly 5 to 6 feet tall (170 - 200 cm), although smaller ones are made, especially<br />

for sale.<br />

The white color comes from burned and powdered mussel shells on the coast or,<br />

farther inland, from kaolin clays. Yellow comes from clay traded out from the<br />

foothills behind the <strong>Asmat</strong> swamp. When burned it turns into the red colors. Black


comes from crushed charcoal. All colors have magical qualities and represent different aspects of the<br />

<strong>Asmat</strong> world, both seen and unseen. Red is the color of beauty and power. The <strong>Asmat</strong> say that red painted<br />

around the eyes "imitates the color around the eyes of a black king cockatoo when angry and gives a man a<br />

fearsome look."<br />

Figure 4: <strong>Asmat</strong> war shield collected on the Braza River, <strong>Irian</strong> <strong>Jaya</strong>,<br />

<strong>Indonesia</strong>. The design is probably a fish pattern, enam. (Area D)<br />

The <strong>Asmat</strong> <strong>Shields</strong><br />

Traditionally, shields were carved prior to a headhunting reprisal raid, which<br />

was organized to avenge the death of the ancestor for whom the shield was<br />

named. A shield always represents an ancestor. It is named after him and the<br />

ancestor's spirit is believed to be present in the shield and make the owner<br />

fierce, powerful and invincible. <strong>Shields</strong> are considered so powerful that it may<br />

control the owner. <strong>Shields</strong> also provide spiritual help to the owner in hunting<br />

regular prey for food.<br />

A shield is carved out of the lightweight flattened (or plank) buttress root of a<br />

mangrove tree-- the root is planed to half an inch thick, except for a<br />

protrusion left on one side for a handle. The front of the shield is carved in<br />

high relief. They include symbols of wild boar tusks or bones, flying foxes,<br />

the tails of tree kangaroos, whirlpools. Some symbols are believed to be so<br />

powerful that just by seeing these symbols, the enemy will flee in terror or be<br />

immobilized in fear. But such powerful symbols require strict rituals of<br />

appeasement. A special feast, the yamas pokumbu is held to call upon the<br />

ancestor's spirit to enter the war shields.

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