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The metaphorical image of <strong>the</strong> ship triggered feelings of being lost, alienation,<br />

seclusion and isolation. I had <strong>the</strong> urge to represent this image somehow, asking<br />

myself where exactly does it belong – on <strong>the</strong> sea or <strong>the</strong> shore? What should I do<br />

with all its passengers? Different feelings of uncertainty and duality made me<br />

think of <strong>the</strong> ship as an inverted image. My intention was to empty that vessel and<br />

release its contents on <strong>the</strong> space without breaking its original structure.<br />

What has evolved is my installation of <strong>the</strong> ship turned upside-down which allows<br />

a space for people to consider and reflect on <strong>the</strong> role of madness and <strong>the</strong><br />

marginal in our own world. Where do we position ourselves as professionals<br />

when working with people from <strong>the</strong> margins? How do we engage with <strong>the</strong>m? Are<br />

we ready to receive what <strong>the</strong>y bring and what do we do with that? What do we do<br />

with our own madness and is it safe to accept it?<br />

Flor Ferraco is an artist, actor and Drama<strong>the</strong>rapist with a background in<br />

performing arts. She holds an MA in Art (Curtin University of Technology,<br />

Australia) and in Drama and Movement Therapy (Royal Central School of<br />

Speech and Drama, London). Her work explores <strong>the</strong> relationship between<br />

people, <strong>the</strong>atre and art and how <strong>the</strong>se can be mutually nurturing.<br />

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