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PM 40051145<br />

<strong>FOCUS</strong><br />

Victoria’s monthly magazine of people, ideas and culture February 2016 $3.95


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Visit the artist in his studio or online:<br />

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2 February 2016 • <strong>FOCUS</strong>


contents<br />

February 2016 VOL. 28 NO. 5<br />

STERLING STANFORD<br />

CHARTERED PROFESSIONAL ACCOUNTANTS<br />

4 OUR <strong>FOCUS</strong> IS CHANGING<br />

After 28 years as a monthly, we’re going to decarbonize a bit.<br />

Leslie Campbell<br />

12 OPTION 10: OUR BEST BET TO AVOID SEWERCIDE?<br />

Fisheries Act requirements for sewage treatment in Victoria<br />

could be met for less than $200 million.<br />

David Broadland<br />

16 STANDOFF AT POLAK SPRINGS<br />

Shawnigan Lake residents dig in for a long fight to protect their water<br />

from a controversial contaminated soil landfill.<br />

Judith Lavoie<br />

18 WHOSE SECRET INSTRUCTIONS WASTED $100 MILLION?<br />

The likely cost of the unjustified firing of eight Ministry of Health researchers<br />

is staggering, yet no one has been held accountable.<br />

Alan Cassels<br />

20 TRANS MOUNTAIN OPPONENTS GET BOOST FROM FEDS<br />

How the National Energy Board found itself<br />

under attack by everyone in January.<br />

Briony Penn<br />

22 ILLUMINATING THE EVERYDAY<br />

Barbara Callow uses light to bring life to the painted form.<br />

Aaren Madden<br />

36 CALLING YOUR INNER GYPSY<br />

Swain on swing: The 5th Annual Victoria Django Festival.<br />

Mollie Kaye<br />

38 THE VALLEY<br />

Issues around policing and mental health lie at the heart of<br />

award-winning playwright Joan MacLeod’s work.<br />

Monica Prendergast<br />

40 NATURE IS FORECLOSING<br />

The Climate Nexus calls for a transformative discussion<br />

on adapting our life-support systems to climate change.<br />

Amy Reiswig<br />

editor’s letter 4<br />

readers’ views 6<br />

talk of the town 12<br />

palette 22<br />

the arts in february 26<br />

vibe 36<br />

curtain call 38<br />

coastlines 40<br />

urbanities 42<br />

natural city 44<br />

finding balance 46<br />

ON THE COVER<br />

“Fan Tan Alley” by Barbara<br />

Callow, 24 x 20. See<br />

story on page 22.<br />

Kim Sterling, FCPA, FCGA<br />

Experienced • Knowledgeable • Approachable<br />

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for Individuals and Small Businesses<br />

307 – 1625 Oak Bay Avenue<br />

250-480-0558<br />

www.sg-cga.ca<br />

Time Regained<br />

Specialty antique and vintage desks<br />

42 SEWERCIDE<br />

Local politicians are bumbling toward a multi-billion-dollar<br />

sewage treatment plan the community doesn’t need.<br />

Gene Miller<br />

44 A BIRDING EVANGELIST’S BIG YEAR<br />

Knowing our fellow creatures inspires Ann Nightingale’s passion.<br />

Maleea Acker<br />

Your desk, your sanctuary. Timeless. Soulful.<br />

A selection of desks now available<br />

at Bolen Books and Russell Books<br />

46 SNUGGLE UP WITH KOSELIGHET<br />

The yarn that keeps us knitted together, especially through winter.<br />

Trudy Duivenvoorden Mitic<br />

250-477-7457<br />

www.timeregained.net<br />

February 2016 • www.focusonline.ca<br />

3


editor’s letter<br />

Our focus is changing<br />

LESLIE CAMPBELL<br />

After 28 years as a monthly, we’re going to decarbonize a bit.<br />

DISCOVERY ISLANDS LODGE<br />

Quadra Island’s Kayak Inn<br />

Discover affordable backcountry comfort<br />

at our truly-green kayaker’s inn near<br />

Quadra’s best sea kayaking!<br />

• Friendly, oceanfront B&B<br />

• Guest kitchen & sauna<br />

• Parks, lakes & hiking trails<br />

www.Discovery-Islands-Lodge.com<br />

In 1988 I started the pre-cursor to Focus, a monthly magazine called<br />

Focus on Women. Those were the days when a person with no<br />

money, a friend’s Mac Plus, a waxer, a bit of moxie, and a lot of<br />

help from friends, could start a magazine. And survive. Although<br />

when I think of producing page layouts on that six-inch screen, I am<br />

not sure how we did it.<br />

Technology has always been key to being able to produce a monthly<br />

magazine. From 28 years on, though, the “advanced desktop publishing<br />

technology” we used back in ’88 seems archaic. When I rented a<br />

photocopier that could re-size logos for the ads, which were all cut<br />

and paste affairs, it was a huge step forward. Those were pre-scanner<br />

days. The “waxer” was a little electric hand-roller that had a cavity<br />

containing melted wax. You rolled the back of pages with the wax<br />

and pasted them onto large, four-page printer flats, carefully aligning<br />

them with the print area (a light table helped). Then we had to paste<br />

up the editorial images and ads. Photo mechanical transfers (PMTs)<br />

were screened photos made for us to the needed size at Island Blueprint<br />

on a room-size camera.<br />

Once completed, the flats were driven to the printer—after which<br />

I collapsed for a few days. Then I and some volunteers loaded our<br />

cars with bundles of magazines and dropped them off at numerous<br />

distribution sites.<br />

It’s fascinating for me—321 editions later—to reflect on such beginnings<br />

and the changes I’ve lived through as an editor and owner of a<br />

local magazine. I was there before scanners and faxes and pagers<br />

and cell phones, let alone digital cameras, the internet and online<br />

proofing. When I compare the early days of producing Focus on<br />

Women to our pre-press production now, about the only similarity is<br />

still having a few late nights prior to our press deadline—and thankfully<br />

not as late.<br />

Besides the technology, there have been other changes of course.<br />

The biggest one was the shift in focus. In 2004, David Broadland and<br />

I transformed Focus on Women to Focus: “Victoria’s monthly magazine<br />

of people, ideas, and culture.” Around the same time, we went<br />

from newsprint to full-colour glossy pages. And soon thereafter,<br />

we started publishing our stories on our website, www.focusonline.ca.<br />

Though there’ve been plateaus, change has been a near constant<br />

in our publishing careers. But it’s the web that has been the biggest<br />

game-changer. Research is so much easier that we do a lot more of<br />

it. We can publish stories almost instantaneously. Online, we can reach<br />

far more people, for far less cost, at the expense of far fewer or no<br />

trees. If we find out a new fact, or heaven forbid, find out something<br />

we published is not accurate, we can immediately correct it online,<br />

rather than wait a full month. We can reach younger people for whom<br />

a printed product seems a bit alien. The web allows more possibilities,<br />

too, for interaction, between Focus and our readers, as well as<br />

between readers who share the stories. It also allows stories to be told<br />

with sound and moving images.<br />

For those very reasons, the web has been massively disruptive to<br />

the publishing industry. For years now we’ve been hearing of the<br />

transformations among media players; the movement of ad revenue<br />

away from print and towards the web; the lack of a sustainable model<br />

4 February 2016 • <strong>FOCUS</strong>


Focus presents: Kirk Béasse Psychology<br />

ADVERTISEMENT<br />

BECAUSE MANY OF OUR READERS still express a<br />

strong affinity for reading words on paper, we will<br />

continue to print Focus but on a bi-monthly schedule—<br />

starting next month with our March/April edition.<br />

for funding investigative journalism, particularly at the local level;<br />

the competition for attention from Facebook and all that click bait<br />

the internet dishes up.<br />

It can be unsettling at times. This January alone brought news of<br />

Postmedia collapsing its newsrooms in four cities; the 141-year-old<br />

Nanaimo Daily News being shuttered by Black Press; the even older<br />

Guelph Mercury (the only paper in its city) closing its print operations;<br />

the elimination of 200 positions at Rogers Media (which<br />

owns 40 magazines, as well as TV and radio stations); and the<br />

loss of hundreds more jobs at the Toronto Star. Again, that’s just in<br />

the past month in Canada.<br />

It is hard for big and small players alike to find a way to pay for<br />

quality journalism. But it may well be easier for small, nimble, lean<br />

publishers like Focus to carve out a niche for journalism’s survival.<br />

We have less baggage and are fuelled more by passion for telling our<br />

community’s stories than by making a profit.<br />

Inevitably, the web is the place to be for virtually any publisher.<br />

For Focus, the opportunities luring us to do more online are too many<br />

to resist. Our digital magazine offers the ability to produce more journalism<br />

about local and regional issues and the arts, as well as a<br />

community forum, all without the big press bill. We can provide<br />

updates on the website about developments in the stories our writers<br />

cover regularly—from homelessness, sewage treatment, and the City’s<br />

new bridge, to art shows and environmental news.<br />

Because many of our readers still express a strong affinity for reading<br />

words on paper, we will continue to print Focus but on a bi-monthly<br />

schedule—starting next month with our March/April edition (my<br />

322nd). The print edition will be more robust, with more pages, more<br />

visual arts coverage, interviews, and investigative reporting. But<br />

the reduced frequency of printing and the fewer constraints on our<br />

time that will accompany it, will allow us to explore how to further<br />

our mission—to foster dialogue on important local social, political<br />

and environmental issues and celebrate the arts—in the wide-open<br />

spaces online.<br />

Finally, applying the climate change lens, all businesses are going to<br />

have to work towards decarbonizing their businesses. For us the obvious<br />

way to do that is to lower our consumption of CO 2 -absorbing trees.<br />

At Focus we strive to provide independent, critical analysis of issues<br />

that would likely otherwise not be covered. We plan to do more of<br />

that more often, online.<br />

Though independently owned by David and I, Focus is really a<br />

community project, reflecting this special place of ours and involving<br />

the people who inhabit it. Thanks for being here—in print and online.<br />

www.focusonline.ca • February 2016<br />

After 28 years with Focus, Leslie Campbell thinks<br />

she’ll make it to 30—though she never would have<br />

believed that back in 1988. And she never would<br />

have imagined all the twists and turns and wonders<br />

along the way.<br />

Looking to the body to help heal the mind<br />

When I reach out for<br />

“<br />

support from others, I hope<br />

for gentleness, respect,<br />

and caring. This is what I<br />

strive to provide those who<br />

reach out to me.<br />

“<br />

—Mr. Kirk Béasse<br />

Registered Psychologist<br />

We all go through stressful situations in our lives—the death of a family<br />

member, the loss of a job, challenges with family or friends, or a more<br />

general sense of anxiety. When we try to avoid uncomfortable emotions,<br />

and don’t fully express and experience what we feel, the pressure can build in our<br />

bodies and minds until, eventually, something has to give.<br />

When it does, there are often major consequences—and opportunities. Kirk Béasse,<br />

a Registered Psychologist in Victoria, is passionate about bringing mind and body<br />

together to help people heal in a more holistic way. “Clients who have physical symptoms—in<br />

their stomach, head, or chest—can work with the tangible experience<br />

they’re having in their bodies and connect it with their emotional lives to uncover<br />

deeply symbolic and powerful access points to healing and understanding.”<br />

Kirk’s bright, beautiful, tranquil office, nestled beneath three giant Sequoia trees<br />

in Fairfield, helps clients feel comfortable the moment they walk in the door. The<br />

feedback he hears most often, he says, “is a feeling of being safe and understood<br />

when talking to me—that my particular approach helps them fully integrate their<br />

experiences and understand themselves more deeply.”<br />

“I’ve had my own challenges,” Kirk explains. “It took years for me to recognize that<br />

the painful feelings I was having in my chest were directly linked to anxiety.” Seeing<br />

how stress was directly affecting his own health, he took a multi-layered approach<br />

that led him to new ways of caring for himself on all levels—physical, emotional, and<br />

spiritual—and this is what informs his transformative work with clients.<br />

“It’s tempting to imagine that everyone else has it together,” says Kirk, but it’s<br />

not true, and it leads to more suffering. “Having someone to trust and confide in<br />

is such a necessary part of moving through the inevitable challenges of life,” says<br />

Kirk. “It is so much easier to deal with when you can work together with someone.”<br />

While Kirk has extensive psychology training and certification, years of family<br />

and community therapy experience, and cross-cultural awareness, he says he believes<br />

the core of his successful approach comes from his ability to forge a strong relationship<br />

with clients.<br />

“A person can have all kinds of skills and technical expertise,” he says, “but if<br />

they are not deeply compassionate and human in their interactions, their effectiveness<br />

as a helper will be greatly diminished. A saying that resonates with me very<br />

deeply is ‘all healing happens in relationship.’ When I reach out for support from<br />

others, I hope for gentleness, respect, and caring. This is what I strive to provide those<br />

who reach out to me.”<br />

Kirk Béasse, Master of Counselling<br />

Registered Psychologist #2207<br />

250-507-4322 • kirkbeasse.com • contact@kirkbeasse.com<br />

5


eaders’ views<br />

Super Intent City<br />

An excellent article by Leslie Campbell<br />

on the homeless camp. Perhaps we should all<br />

be grateful to the Intent residents for forcing<br />

this issue onto the front page instead of<br />

languishing among everyone’s “to do” lists.<br />

Six weeks of mud and cold are more than most<br />

advocates could—or would—endure for a<br />

cause. Maybe we should give them a medal!<br />

Instead of spreading fear, Central Middle<br />

School and its parent advisory council should<br />

be seizing this opportunity for education.<br />

Almost every camper, from military veteran<br />

to outdoor enthusiast, has a story to tell if<br />

teachers have enough courage to cross the<br />

street and take their classes to meet them. What<br />

could be more important to our children than<br />

learning that we are all citizens, we all have<br />

rights and we all have something to share. It<br />

is up to us to make this issue our issue, not just<br />

“their” issue.<br />

Alison Acker<br />

As a partial solution to the homelessness<br />

problem has anyone considered housing the<br />

homeless on large sea going barges like the<br />

ones used by Seaspan? It could be docked in<br />

the industrial section of Victoria Harbour thus<br />

eliminating residential concerns. The barge<br />

could be fitted with multi levels of suite sized<br />

sea containers for shelter. The sea containers/suites<br />

would be butted up to one another around<br />

the periphery of the barge allowing the back<br />

portion to act as a safety barrier. Entrance to<br />

each suite/room would face inward to an inner<br />

courtyard with ground/central floor area serving<br />

Editor: Leslie Campbell Publisher: David Broadland<br />

Sales: Mollie Kaye, Bonnie Light, Rosalinde Compton<br />

ADVERTISING & SUBSCRIPTIONS<br />

250-388-7231 Email focuspublish@shaw.ca<br />

EDITORIAL INQUIRIES and letters to the editor<br />

focusedit@shaw.ca<br />

WEBSITE www.focusonline.ca<br />

MAIL Box 5310, Victoria, V8R 6S4<br />

SUBSCRIPTIONS<br />

(Tax included):<br />

$21/year (6 editions)<br />

$42.00/2 years (12 editions)<br />

Copyright © 2016. No portion of this publication may be<br />

reproduced in whole or in part without written permission<br />

of the publisher. The views expressed herein are not necessarily<br />

those of the publisher of Focus Magazine.<br />

Canadian Publications Mail Product Sales Agreement<br />

No. 40051145<br />

as central washroom facility. Access to and<br />

from the barge could be a tastefully gated and<br />

fenced walkway from the street eliminating<br />

access to adjacent properties. Just a thought.<br />

R. W. McKay<br />

Scientists to CRD: petition the feds<br />

The current sewage treatment schedule<br />

seems too short to allow proper planning,<br />

or to take advantage of broad changes expected<br />

to come with decarbonization. I suspect there<br />

are a number of people in positions of responsibility<br />

who would love to see the whole issue<br />

punted down the road for a few decades.<br />

Maybe it makes sense to set a completion<br />

date of 2030, with a phased plan and funding<br />

for the first stages. It could go something<br />

like this:<br />

1. New federal funding for green infrastructure<br />

is announced, and the lower island<br />

has just the opportunity. Our local MPs carry<br />

the banner in Ottawa, and lobby for assurances<br />

in place of the promised existing grants.<br />

2. BC adopts the advisory panel recommendation<br />

to ramp the carbon tax up to $150<br />

per tonne by 2030 (adding to the business<br />

case for heat recovery).<br />

3. BC Hydro Power Smart and similar new<br />

resources provide financial and technical<br />

support to the project.<br />

4. We slowly start again. Studies of innovative<br />

and successful projects in other jurisdictions<br />

are done. Emerging technologies for treatment<br />

of chemicals and pharmaceuticals, heat<br />

recovery and power generation are evaluated<br />

objectively. Locations (existing pump stations,<br />

sea platforms, and other) are evaluated. Deeper<br />

public consultation is conducted; not just<br />

town halls, but all kinds, for example, asking<br />

windsurfers, kiteboarders and sailors what<br />

potential outfalls have the best wind for turbines<br />

to power plant(s); asking sailors where the<br />

strongest and steadiest currents might provide<br />

the best ocean power; involving the arts<br />

community in planning an innovation-themed<br />

site art process.<br />

5. Governments and large private building<br />

owners participate in the planning, with the<br />

hope of new heating and power generating<br />

systems for their facilities. Groups of buildings<br />

are identified where district energy would<br />

be a good fit.<br />

Dreaming in technocolor? Maybe, but I<br />

think all options should stay on the table until<br />

something that makes sense emerges; something<br />

with a net contribution to the region,<br />

and to the next generation of Victorians.<br />

Bob Landell<br />

Amalgamation: the plumber’s dilemma<br />

Thank you to Mr Miller for bringing the<br />

amalgamation issue back to the forefront early<br />

in the new year.<br />

A couple of comments he may wish to<br />

ponder:<br />

During the 2014 municipal election 75<br />

percent of those who voted in Greater Victoria<br />

municipalities (representing 90 percent of the<br />

CRD population) voted “Yes” to questions<br />

dealing with reform of local government. In<br />

addition, numerous polls consistently show a<br />

very high level (over 80 percent) in favour<br />

of some form of governance review or change.<br />

Yes, we have this sticky thing called democracy.<br />

Hard cheese, I know.<br />

Andrew Sanction, the Canadian academic<br />

who writes about amalgamation, posted a<br />

Facebook comment on July 2, 2015 that his<br />

writing “has been almost exclusively in the<br />

context of the legislated (i.e. forced) amalgamations<br />

that were so prevalent in eastern<br />

Canada a decade or two ago” and have not<br />

included voluntary amalgamations.<br />

As recently as October 25, 2015 Sancton<br />

tweeted “Of course amalg can work if that is<br />

what citizens in each affected muni want. I<br />

have never suggested otherwise.”<br />

Obviously there is a huge research gap<br />

of the type required in Greater Victoria,<br />

where there is a massive grassroots appetite<br />

to look at reform. It is reasonable to expect<br />

a study will be useful to provide information<br />

hitherto unobtainable.<br />

Banishment of the word “amalgamation”<br />

might appeal to Mr Miller. This is a type of<br />

strategy adopted by various countries in past<br />

decades, notably Germany in the 1930s.<br />

How did this work out for them? Perhaps,<br />

instead, we can speak of “unification,”<br />

completed during Germany’s more successful<br />

latter decades.<br />

Supporters of local government reform are<br />

united in a common belief that the region must<br />

be improved. They represent the full political<br />

spectrum of voters who can’t be pigeonholed<br />

and dismissed as lefties, middle, or right wing.<br />

For the first time, thousands of people have<br />

an organization, such as Amalgamation Yes,<br />

around which to coalesce and advocate for<br />

change, and they will not be deterred from<br />

their democratic rights to determine how they<br />

are governed.<br />

Thoughtful discourse can take us a long way<br />

to improving our regional problems. An unbiased<br />

study of the current governing structure<br />

will inform and equip us to vote Yes or No for<br />

change on a future binding referendum.<br />

6 February 2016 • <strong>FOCUS</strong>


But Mr Miller’s desperate and corrosive<br />

comments designed to insult and shut down<br />

the conversation are not helpful.<br />

Lesley Ewing, board member,<br />

Amalgamation Yes<br />

Gene Miller responds: Yes, I’m enraptured<br />

by the political management of 1930s Germany,<br />

want to reassert it locally, and won’t be happy<br />

until cyborgian storm troopers are breaking<br />

down the doors of Amalgamation Yesterday<br />

advocates and even people who simply want<br />

to preserve democratic institutions…and<br />

forcing these citizens to watch as their puppies<br />

are kicked to death. [Add Miller’s demonic<br />

laughter here.] I wonder how you could tell I<br />

was that kind of guy.<br />

Is it that hard to read history’s wind? Grand<br />

scale-bureaucracy is waning in our emergent<br />

post-centralized world that will see its political<br />

geography become more local and<br />

autonomous. I wrote: “The future is filled<br />

with the collapse of impossibly large and<br />

unmanageable structures—political, social,<br />

economic—that contribute little to citizen<br />

well-being or community pleasure. Desperately,<br />

longingly, people will look for alternatives<br />

and for models of workable, rich, sustaining<br />

community. We live in one.”<br />

We live in one.<br />

In my opinion, it would be much more<br />

useful if folks spent less time maundering<br />

about democratic rights and more time exercising<br />

them by further improving our exquisite<br />

local governments.—GM<br />

Gene Miller’s fear of amalgamation red flag<br />

is really a red herring. Sure, it is easy to cherry<br />

pick other cities’ experience with amalgamation<br />

and say, for example: “ Look at Toronto—a<br />

Harris horror show.”<br />

Steady on, Gene. Before Harris made Toronto<br />

a mega city it had two tier government—a<br />

metropolitan government that looked after<br />

the needs of the whole region and six boroughs<br />

looking after local issues—down from 13 as<br />

it happens. Metro government acted on behalf<br />

of the region without divided loyalty. Boroughs<br />

looked after problems at the local level. This<br />

system worked well. It is common. Too bad<br />

Toronto no longer has this system. Too bad<br />

this region doesn’t have it. It is not for nothing<br />

that Jack Knox calls us “dysfunction by the<br />

water.” This has not escaped the notice of<br />

voters who asked for the Province to also take<br />

notice and take a lead towards achieving better<br />

governance. The ball is in the Province’s court.<br />

John Olson<br />

Cameron Moffatt, Dr Natasha Kipot, Dr James McCowan<br />

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www.focusonline.ca • February 2016<br />

7


eaders’ views<br />

Pro amalgamation proponents have been so vocal over the last few<br />

years, that I was beginning to doubt my own concerns about how amalgamation<br />

of our municipalities would not save money and result in<br />

more bureaucracy and less public engagement. Then I happened to be<br />

flipping through Focus, randomly landed on this article that mixed the<br />

words plumbing and amalgamation—and lo, my belief that amalgamation<br />

would be disastrous has been restored. Good public policy is<br />

based on solid research and analysis; the research shows there is little<br />

to gain and a lot to lose with amalgamation.<br />

Thank you Gene Miller.<br />

Steve Coe<br />

Commissioner Lowe’s open window<br />

In regards to David Broadland’s article “Commissioner Lowe’s open<br />

window,” Stan Lowe’s conduct and actions may not be as transparent<br />

as they appear.<br />

First, consider that the Office of the Police Complaint Commission<br />

(OPCC) is staffed partly by former police officers. Also, few people<br />

realize that complaints to the OPCC about police departments are<br />

first investigated by officers working at the very same police departments<br />

about which the complaints have been made. Since complaints<br />

about BC police departments are not conducted in an arms-length<br />

manner, considerable opportunity for misconduct by the OPCC exists.<br />

Here is one example: In 2010, a former BC Complaint Commissioner,<br />

Don Morrison, conducted an investigation into the OPCC’s investigation<br />

of a complaint about the Saanich Police Department. Former<br />

commissioner Morrison issued a legal opinion citing misconduct by<br />

the OPCC and by current Commissioner Lowe in disregarding “deceit<br />

and abuse of authority,” including inappropriate threats of arrest, by a<br />

police officer. Mr. Morrison also concluded that Commissioner Stan<br />

Lowe’s role in the matter had been “fatally compromised” because of<br />

egregious failure to consider evidence, ignoring regulations for handling<br />

complaints and not following legislation governing the OPCC.<br />

Mr. Morrison recommended that an external investigation be<br />

conducted into the OPCC’s handling of this complaint. Commissioner<br />

Lowe was advised of this finding, but he has never responded or taken<br />

any further action.<br />

Regarding the VPD chief ’s inappropriate communications with<br />

another police officer’s wife, there may be other motives for Commissioner<br />

Lowe’s sudden interest in providing an “open window.” In the past<br />

year, there have been reports of other police departments in Canada<br />

questioning whether police boards should be run by civilians. The Police<br />

Complaint Commissioner has issued what appears to be an order to<br />

the Victoria and Esquimalt mayors with respect to their conduct as<br />

VPD Board members. I believe that sets a dangerous precedent.<br />

Civilian oversight must not be bullied nor dispensed with; it should<br />

be strengthened with respect to all public authorities, especially the police.<br />

Lois J. Sampson<br />

Split DFO in two<br />

When I was a kid in the 60s, in addition to the spectacular beauty<br />

seen from BC Ferries, I also looked forward to an affordable and<br />

delicious salmon sandwich. No White Spot on the boat in those days.<br />

And no doubt the salmon was wild.<br />

I admire Alexandra Morton’s epic work to keep profit-driven salmon<br />

farms off our coast so wild salmon can survive; however, there is an<br />

intractable dilemma—the farms exist because there are two classes of<br />

consumers: those who can afford wild salmon and those who can’t<br />

in the capitalist world market.<br />

Do we want wild salmon to be a food of privilege?<br />

Anything that restricts fish farms increases the farmed and wild<br />

salmon price under capitalism. Anything that limits the wild catch also<br />

increases the price. That prevents more people from having access to<br />

salmon, except the well-to-do.<br />

The only fair and ecological solution is to start the long rewilding<br />

process. That means abolishing fish farms, allowing coastal<br />

First Nations enough to feed themselves, and decommodifying salmon<br />

with world quotas.<br />

Frances Pearson<br />

Walbran logging<br />

In response to your article “In terms of emissions logging the Walbran<br />

makes no sense,” besides emissions there is another salient point in not<br />

cutting old-growth forests. This came to me one very hot summer day<br />

while riding my bike down a long exposed hill which leads into Mt<br />

Douglas Park. When I entered the park, which is old-growth forest, the<br />

temperature plunged what felt like 20 degrees. And I realized that forests,<br />

especially old-growth forests, are wonderful natural air conditioners.<br />

With this in mind, let’s consider the glaciers of the Himalayas,the<br />

Hindu Kush, and Kilimanjaro to name a few. Most, if not all of the oldgrowth<br />

forests in their foothills have been stripped. Now when the hot<br />

air from the plains rushes up the slopes, there is no forest to cool the<br />

air. Consequently the glaciers melt.<br />

And I might add that old-growth forests do something else called<br />

respiration which sends up into the atmosphere vast amounts of water<br />

which comes down as rain. When these forests are cut, it stops respiration<br />

which helps create drought.<br />

Old-growth forests are vital and it would help the biosphere immensely<br />

to leave them be.<br />

Stephen Fairclough<br />

Premier Clark: Please decarbonize<br />

Under Letters in your January issue I see where Dorothy Field<br />

addresses her concerns re LNG and the destruction of the Peace<br />

River Valley in a letter to Ms Clark. Even though I’ve read just a few<br />

articles so far, I’m beginning to see a thread—the increasing loss of<br />

our fragile environment.<br />

I found myself remembering what the author Yann Martel did to<br />

enlighten Stephen Harper. He mailed him a carefully chosen book<br />

every two weeks, some accompanied by a note, some not. After reading<br />

Briony Penn’s article on her visit to New Zealand and Trudy Duivenvoorden’s<br />

on championing something local, I found myself wanting to find them<br />

on the Focus website and email them to the Premier because of the notso-subliminal<br />

lessons in them. But then, using Yann’s approach, I wonder<br />

if a subscription to Focus might be an easier way to get these powerful<br />

messages to her on a continual basis! I’m more than willing to gift<br />

her with a subscription and pay extra to have it registered so she has<br />

to sign for it. Otherwise, I fear, Ms Clark’s legacy may centre around<br />

her leadership and complicity in the destruction of all we hold dear<br />

in this beautiful province.<br />

Rosemary Baxter, Courtenay<br />

Tomorrowland: Victoria and the New Economy<br />

In his December column, Gene Miller paints a rosy picture about<br />

how “Victoria is ground zero…a living laboratory, a model in the transition<br />

to the sharing economy, a place the world could visit and study.”<br />

Apparently people will flock to this former colonial outpost on the<br />

8 February 2016 • <strong>FOCUS</strong>


southern tip of Vancouver Island to admire “the contours of an<br />

open-ended future” which is being shaped before our very eyes.<br />

Mr Miller embraces the notion of post-capitalism “sharing” like<br />

an ardent born-again evangelist who, having repudiated the sin of<br />

substance abuse and anti-social behaviour, now finds salvation in the<br />

modern American consumerism gospel according to Messrs Paul Mason<br />

and Jeremy Rifkin.<br />

Allegedly, Victoria “seems to have the right DNA for this—the<br />

unplanned purpose for which this place was made.” The city possesses<br />

not only that elusive quality of being “self-aware” but also enjoys the<br />

unique role of being a “global crucible for this profound social and<br />

economic transformation.”<br />

According to this fanciful urban mythologist, Victoria is known<br />

for its “love of generosity,” “benign climate and fecund nature,” and<br />

not a lot of “financial aggression and make-a-zillion triumphalism.”<br />

The sharing economy, however, isn’t about sharing relationships,<br />

redistributing wealth, or establishing a collaborative global village. It<br />

is simply another slick way to make money, most of which ends up in<br />

the pockets of multi-billion-dollar entities, investment banks, and<br />

accredited private investors.<br />

The sharing economy is a network of digitally-mediated commercial<br />

exchange platforms that facilitate a link between those who own<br />

something and those who wish to use that something on a short-term<br />

basis. It’s about owners of goods and services making money by offering<br />

consumers access to their goods, services or resources for a given period<br />

of time and for a specified fee.<br />

It’s a pity the author hasn’t assessed one of the darlings of the “sharing”<br />

economy, AirBnB. This multi-billion-dollar venture-capital backed<br />

peer-to-peer short-term lodging service is having a negative impact on<br />

affordable rental housing in many high-cost-of-living cities around the<br />

world in which it now operates. (See “The Sharing Economy Isn’t About<br />

Sharing at All,” Gina M. Eckhardt and Fleura Bardhi, Harvard Business<br />

Review, January 28, 2015.)<br />

While 58 hotels operate in the Victoria area, a variety of online<br />

vacation rental platforms now offer hundreds of premium condo suites<br />

and penthouses for well-heeled short-stay guests. Local residents<br />

seeking permanent rental accommodation are being squeezed out of<br />

the housing market in favour of the higher valued, “sophisticated<br />

sharing guests” who are hosted by condo owners seeking additional<br />

income opportunities without being regulated or taxed as a hospitality<br />

industry provider.<br />

While some “sharing” platforms present an unassuming face to<br />

the world, others reflect predatory, anti-competitive business practices,<br />

such as the new “Uber” ride-sharing service, backed by Google and<br />

Goldman Sachs. (See “Debating the Sharing Economy,” Juliet Schor,<br />

October 2014, www.greattransition.org) Or, they represent the corporatization<br />

of auto-sharing services such as Zipcar.<br />

The new “sharing” economy favours concentrating ever greater<br />

amounts of wealth in fewer and fewer hands in the shortest time possible,<br />

with little or no interference by government or regulators.<br />

Whom does the “sharing” economy serve, and who really enjoys its<br />

promised “benefits”?<br />

V. Adams<br />

Tried everything else? Now make<br />

a resolution to try something that WORKS<br />

Victoria Podiatric Laser Clinic<br />

Laser Treatments for Fungal Nails<br />

Covered by most Extended Health Plans<br />

350 - 1641 Hillside Ave • 250-592-0224<br />

Learn more at: www.victoriapodiatriclaserclinic.com<br />

Gene Miller responds: Hey, V. Adams, fabulous letter! Puts me in<br />

my place. You have me entirely rethinking my perspective, and<br />

now I recognize that the “sharing economy” is simply a Trojan horse<br />

for more capitalist agglomeration by mega-corporations. I’ve been<br />

www.focusonline.ca • February 2016<br />

9


eaders’ views<br />

an inadvertent cheerleader for the billionaires.<br />

I simply didn’t realize it. I feel like such<br />

a fool.<br />

My friend, life right now is a matrix of<br />

rackets run by the cynical and the self-absorbed.<br />

Victoria, within my poetics, is the capital<br />

of innocence and (relative) social honesty.<br />

Do you really want to fault me and tear down<br />

my propositions about Victoria’s potential<br />

to emerge as a centre for economic and social<br />

sharing, as practiced by the Fernwood NRG<br />

(Neighbourhood Resources Group), various<br />

co-housing projects and a range of other<br />

community-scale initiatives? What, too sunny<br />

and hopeful for you?<br />

Please give me a call (250-514-2525) so<br />

we can plan to meet. We have lots to talk<br />

about and I’ll buy the coffee.—GM<br />

sions, all protected. The message is “What’s<br />

left, the rest of you—the ‘crazies’ as one Liberal<br />

MLA calls engaged citizens—can have.”<br />

Early in 2016 the “government” will hand<br />

us a Great Bear Rainforest plan conceived<br />

through the same kind of ideological scheme<br />

proposed for the Okanagan. Hand-picked<br />

enviros, regional Indian bands, commercial<br />

interests and the timber industry—annointed<br />

by government—have sliced up the Great<br />

Bear pie without having ever done an environmental<br />

impact assessment, without an<br />

open process for incorporating public scrutiny,<br />

and “free” of the best conservation science.<br />

Citizens who did submit comment saw it disappear<br />

into the maw of government who fed it<br />

to the insider participants.<br />

The Great Bear “plan” capitulates to vested<br />

interests like all insider deals do. Scientifically<br />

sound conservation measures are disembowelled<br />

by pro-business and timber industry<br />

bias in legislation and management plans that<br />

state habitat protection is acceptable only<br />

if it can be implemented “without unduly<br />

reducing the supply of timber from British<br />

Columbia’s forests.” The Liberal government<br />

commissioned a report by MLA Mike Morris—<br />

“Improving wildlife habitat management in<br />

BC”—that rightly recognizes the timber<br />

supply protection clause “significantly lowers<br />

the threshold protecting our biodiversity”<br />

and “This…has contributed to a degradation<br />

of biodiversity.”<br />

British Columbians want to be optimistic<br />

about 2016. We know we are entitled to a<br />

great deal more “democracy” but we’re going<br />

to have to battle for it.<br />

Dr Brian L. Horejsi, Penticton<br />

Missing and murdered indigenous<br />

women inquiry<br />

An open letter to Minister Bennett, Minister<br />

Wilson-Raybould, and Minister Hajdu:<br />

We are a group of families from the traditional<br />

territories of the Indigenous peoples<br />

living in the Province of BC. We are family<br />

members of loved ones who have gone missing<br />

or who are now passed on to the spirit world<br />

after being violently murdered. We are writing<br />

after hearing that there is planning ahead<br />

for a pre-inquiry process, which will then lead<br />

to a National Inquiry into Missing and Murdered<br />

Indigenous Women and Girls. We are writing<br />

to advise of our experiences (or lack of experiences)<br />

in the Oppal Inquiry, which took place<br />

here in BC from 2012-2014.<br />

First of all, we are relieved to hear that there<br />

is a pre-inquiry process being planned in order<br />

Slicing Up The Great Bear Pie<br />

I’d like to think that most British Columbians<br />

have heard of the Great Bear Rainforest—one<br />

of the most biologically productive landscapes<br />

in the world, stretching from the Yukon-Alaska-<br />

BC corner all the way south to Bute Inlet, from<br />

the interior coastal range west to the Pacific.<br />

It harbours runs of salmon in the millions,<br />

great bears and wolves, birds that nest only in<br />

ancient trees, rainfall that can reach four metres<br />

annually, and extensive forests hundreds of<br />

years old.<br />

Remarkably, you and I—and all British<br />

Columbians—still own the Great Bear,<br />

although we are morally and ethically obligated<br />

to hold it in trust for all of Canada and<br />

the rest of the world.<br />

Its presumed protection and management<br />

rests in Victoria with people like Premier Clark,<br />

Forests Minister Steve Thompson and an<br />

entrenched public service historically steeped<br />

in resource exploitation.<br />

For 50 years it has been managed almost<br />

exclusively for the timber industry; a half<br />

century of insider politics have effectively<br />

left the people of BC on the outside looking<br />

in. Roughly one-tenth of the area was designated<br />

Protected Areas in the ’90s, then a series<br />

of land-resource management plans carved<br />

up the remainder for various forms of “management,”<br />

almost all it based on logging and<br />

road building.<br />

Some of you are familiar with the fraudulent<br />

insider committee originally set up to<br />

massage public comment on the South Okanagan<br />

park plan; you have seen the offensive and<br />

absurd conditions Minister of Environment<br />

Mary Polak has set for Park designation;<br />

hunting, off-roading, grazing, helicopter intrufor<br />

our voices to be heard. This did not happen<br />

with the Oppal Inquiry. We want to ensure<br />

that you are aware of the issues that we, as<br />

families, had to deal with as a result of the<br />

lack of consultations with the Province of<br />

British Columbia. We believe that there are<br />

many lessons learned from the Oppal Inquiry<br />

that can be addressed in the planning of the<br />

National Inquiry.<br />

When the Oppal Inquiry began, the Province<br />

of BC already had appointed a commissioner<br />

and its staff, and had finalized its terms of reference.<br />

No one had any opportunity to make<br />

recommendations for anything. We believe<br />

that commissioners for the National Inquiry<br />

must be appointed with consultations with<br />

families and advocates of MMIWG to advise<br />

regarding who the commissioners should be.<br />

We would recommend four commissioners.<br />

Families need to be informed about what<br />

an Inquiry actually is and what it will do, and<br />

be informed about the process at all stages.<br />

The terms of reference should not already<br />

be set in stone, as they were in the Oppal<br />

Inquiry. Consultations with families and advocates<br />

must include the discussions of the terms<br />

of reference.<br />

There must be a family/advocate advisory<br />

committee to provide advice to the commissioners<br />

at all stages of the inquiry.<br />

All families and advocate organizations<br />

must be given immediate standing with<br />

proper resources provided to legal counsel<br />

at the Inquiry. This did not happen at the<br />

Oppal Inquiry and we, as families, were<br />

totally silenced.<br />

Proper support (i.e. mental health counsellors,<br />

Elder guidance) should be provided at<br />

the pre-inquiry and inquiry process. We feel<br />

that we will also require supports for at least<br />

a year after the National Inquiry and right<br />

now. Families are already being triggered.<br />

We wish to reiterate that you must meet<br />

with families in northern communities as well<br />

as on Vancouver Island.<br />

Lorelei Williams, Michele Pineault,<br />

Elaine Williams, Harriet Prince, CJ Julian,<br />

Bernie Williams, Lillian Howard,<br />

Gertie Pierre, Melody Pierre,<br />

Lila Purcell, Mona Woodward<br />

LETTERS<br />

Send letters to<br />

focusedit@shaw.ca<br />

10 February 2016 • <strong>FOCUS</strong>


Focus presents: Peninsula Gallery<br />

ADVERTISEMENT<br />

New owner expands Peninsula Gallery’s horizons<br />

Peninsula Gallery in Sidney<br />

When Ying Tang heard through a friend that<br />

Peninsula Gallery was for sale a couple of<br />

years ago, she leapt at the chance to buy<br />

it. She had been visiting many galleries in Western<br />

Canada, looking for an opportunity to invest in the art<br />

business. When she saw Peninsula Gallery, she says,<br />

“I fell in love with it right away.”<br />

The gallery, originally founded by Larry Hanlon and<br />

a partner, is approaching its 30th anniversary. Ying,<br />

a filmmaker (TV dramas mostly) for 15 years and former<br />

news reporter in China, was impressed by the wellmaintained<br />

and established gallery with its high calibre<br />

of artists. The gallery’s long-time representation of<br />

Robert Bateman was especially attractive.<br />

Mr Bateman, at 85, is so busy with various causes<br />

he doesn’t have much time to paint, and what he does<br />

paint gets snapped up quickly. A new piece brought to<br />

the gallery in November was immediately sold. But the<br />

gallery is also involved in the “secondary market” for<br />

Bateman’s work so always has some of his works, such<br />

as “Defensive Stand,” shown in the photo below. Gallery<br />

Manager Jonathan Jia, who serves on the board of the<br />

Robert Bateman Foundation, says, “He’s a wonderful<br />

man; so intelligent on so many topics.”<br />

As one of the largest galleries on Vancouver Island,<br />

Peninsula hosts about 40 artists. “We carry the whole<br />

portfolio of artists from the previous owner,” says<br />

Ying. Besides Bateman, artworks at Peninsula include<br />

other western Canadian masters such as Alan Wylie,<br />

Michael Svob and Carol Evans, as well as some who<br />

cite Bateman as an inspiration—Alan Hancock<br />

with his wildlife images, and Jim Park. Park, who<br />

attended Robert Bateman Secondary School, is one<br />

of the new artists the gallery represents. A Koreanborn<br />

Vancouver artist in his 30s, he paints full-time<br />

and sells everything he produces. His large (60 x 48<br />

inches) painting of a dramatic coastal mountain scene<br />

testifies to his impressive gift for capturing water,<br />

mountains and light.<br />

Much of their first year and a half, says Jonathan,<br />

was spent getting to know the artists they had inherited,<br />

doing studio visits near and far. Jonathan, a lifetime<br />

art lover, known to paint a bit himself, enjoyed it thoroughly.<br />

He and his family arrived in Victoria in 2013<br />

after ten years in Calgary where Jonathan worked as<br />

an accountant. “We’ve now got to know every one of<br />

our artists, which allows us to represent them better,”<br />

he says. Besides those already mentioned, the Peninsula<br />

Peninsula’s new owner Ying Tang, manager Jonathan Jia, and Robert Bateman’s “Defensive Stand”<br />

carries Kathryn Amisson’s paintings of wondrous skies,<br />

Clement Kwan’s portraits, Ice Bear’s abstracts, Michael<br />

O’Toole’s sea and landscapes, Catherine Moffat’s still<br />

lifes, Dennis Magnusson’s large scale flower portraits,<br />

and others. There’s also a fine selection of sculptures<br />

available from such artists as Lindsay Branson, Douglas<br />

Fisher, Jack Kreutzer, and Brent Cooke.<br />

Ying and Jonathan, who bring international expertise<br />

in art investment to their clientele, are very selective<br />

about new artists they take on (besides Jim Park, they<br />

now represent Tofino-based artist Mark Hobson) and<br />

are devoting some time to cross-cultural art development.<br />

They recently created a book on Canadian artist<br />

Real Fournier and shipped 49 of his paintings for a twoweek<br />

long exhibit at the Today Art Museum, one of the<br />

top museums in China. Canadian Ambassador Guy St<br />

Jacques attended the opening reception. They have<br />

also worked hard to make sure Robert Bateman is wellknown<br />

in China. “Many Chinese collectors are now<br />

looking at investing in his work,” says Ying.<br />

And now they are excited to introduce a Chinese<br />

artist to Canada and the local art scene: Hongwei Yang,<br />

China’s premiere woodcut artist. Yang was recently a<br />

visiting scholar at Columbia University, and earlier<br />

studied under teacher Bing Xu who is a member of the<br />

Asian Art Council of the Vancouver Art Gallery, and<br />

whose works represented China in the 2015 Venice<br />

Biennial. Says Ying, “Hongwei’s style is unique, rare.<br />

You can find a lot of Chinese oils and calligraphy here<br />

but nothing like this.” Indeed, the 38-inch-square woodcuts<br />

in the “Island Series” are stunning and unusual.<br />

Also helping out Ying and Peninsula’s clients is Elma<br />

Tankink who has worked in the gallery for 23 years.<br />

People from near and far bring Elma their art for framing.<br />

Her experienced eye and technical expertise can make<br />

a painting sing. Says Ying, “Many reframe a beloved<br />

painting and find it looks immediately different.”<br />

Those who wander into Peninsula Gallery are in for<br />

a special time. Experience the comfortable, spacious<br />

gallery and art that stimulates but also soothes the soul.<br />

Peninsula Gallery<br />

2506 Beacon Avenue, Sidney, BC<br />

250-655-1282 • www.pengal.com<br />

11


talk<br />

of the<br />

town<br />

Judith Lavoie 16 Alan Cassels 18 Briony Penn 20<br />

Option 10: our best bet to avoid sewercide?<br />

DAVID BROADLAND<br />

Fisheries Act requirements for sewage treatment in Victoria could be met for less than $200 million.<br />

Are politicians better at solving problems or creating them?<br />

After following Victoria’s billion-dollar sewage treatment<br />

issue for several years, I’ve concluded they’re awfully good<br />

at creating them. The failure to find a reasonable solution to the treatment<br />

issue seems to stem from local politicians not being able to decide<br />

whether the problem they’re trying to solve is an environmental question<br />

or a question about how to meet funding deadlines.<br />

In this conflicted state, the politicians have allowed themselves<br />

to be led to a solution designed by senior government technocrats<br />

far more intent on creating giant construction projects than protecting<br />

orca. The ease with which local political leaders have allowed themselves<br />

to be controlled by the impulses and promises of upper levels<br />

of government has been astonishing. The promise of federal and<br />

provincial funding—and the fear of losing any of that loot—grabbed<br />

them firmly by the throat several years ago, choking off any further<br />

supply of oxygen to their brains.<br />

At the same time, local political leaders have failed to listen to,<br />

or act on, concerns from their constituents about the obviously-flawed<br />

underpinnings of the federal and provincial regulations that led to<br />

this billion-dollar moment. Just before last fall’s federal election, I<br />

asked Victoria MP Murray Rankin if he would support a sciencebased<br />

determination of whether Victoria’s existing sewage treatment<br />

system is harming the environment, and whether any treatment<br />

proposal brought forward should be scientifically evaluated to determine<br />

whether it will provide a net environmental benefit. Rather than<br />

addressing those questions squarely, Rankin would only say “The<br />

existing sewage system does not meet provincial regulations and<br />

federal Fisheries Act requirements.”<br />

Such unquestioning acceptance of Fisheries Act “requirements” has<br />

been the modus operandi of almost all the politicians involved over<br />

the last five years in this costly ($76 million and counting) exercise in<br />

futility. If Rankin is so certain that those requirements should be adhered<br />

to, why doesn’t he tell us why?<br />

In the absence of informed political leadership, scientists have had to<br />

step forward. Some time ago, 10 prominent local marine scientists<br />

penned a letter to Focus in which they stated: “The federal government’s<br />

‘one size fits all’ regulations are clearly inappropriate in failing to take<br />

account of differences in receiving environments and hence different<br />

impacts and risks. The CRD’s willing compliance is disappointing.”<br />

Recently, those same ten scientists again wrote to Focus stating: “At<br />

the very least, we urge the CRD to petition the federal government to<br />

reclassify Victoria’s discharges as medium or low risk, with treatment<br />

deadlines of 2030 and 2040 respectively, rather than (as is now the<br />

case) high risk requiring treatment by 2020. That way we would have<br />

time for the rational, quantitative evaluation of potential problems<br />

and their solution if necessary, rather than rushing into expensive treatment<br />

systems that would largely address non-problems.”<br />

Underlining those scientists’ concerns about the CRD’s unquestioning<br />

acceptance of a high risk classification is a recently-released<br />

study by Victoria-based DFO scientists who concluded that upgrading<br />

all Victoria and Vancouver sewage treatment facilities to a secondary<br />

level of treatment would have a “negligible effect” on environmental<br />

conditions in the Salish Sea.<br />

While there’s little support from the scientific community for the<br />

CRD to proceed in the direction it’s moving, there’s even less support<br />

from the broader community for the mounting cost of meeting provincial<br />

and federal requirements.<br />

All of the current options on the table—including the original<br />

McLoughlin Point proposal—would likely exceed a billion dollars<br />

in capital costs. Oak Bay Mayor Nils Jensen’s recent push in the Times<br />

Colonist to resuscitate a project the municipality of Esquimalt has<br />

already rejected is founded entirely on Jensen’s contention that the<br />

2010 estimate of $783 million for that project still applies. But the<br />

latest estimate from the CRD on McLoughlin is $879 million. That<br />

new figure accounts for 11.5 percent inflation on engineering and<br />

construction costs since 2010. Even that $879 million is suspect,<br />

though. In 2010, the accountancy firm Ernst & Young independently<br />

estimated the McLoughlin project would cost $830 million. It provided<br />

that estimate for the business case study for the project that was<br />

required by the Province. If an 11.5 percent inflation premium is<br />

applied to Ernst & Young’s estimate, the cost of McLoughlin Point<br />

rises to $925 million.<br />

The lowest-cost option developed as an alternative to McLoughlin—<br />

a secondary treatment plant at Rock Bay—has been estimated at<br />

$1.03 billion. Victoria Mayor Lisa Helps exhibited a sketchy grasp<br />

of the history of the sewage treatment issue when she suggested<br />

“conceptual” estimates for Rock Bay-based options would be followed<br />

by lower cost estimates. There is no record of a local municipal<br />

government completing a major infrastructure project at a lower<br />

cost than originally estimated. Helps herself has been intimately<br />

involved with the notorious Johnson Street Bridge project as it<br />

ballooned from $77 million in 2011 to close to $140 million today.<br />

It’s incomprehensible that Helps would claim the cost for a Rock<br />

Bay plant will go down.<br />

Cost is a major determinant of the level of public support for the<br />

treatment project. Ipsos, on behalf of the CRD, recently asked Victorians:<br />

“At what price would you consider the solution to be so expensive that<br />

you would not be willing to support it?” If the project cost households<br />

more than $1 per day, 67 percent of respondents said they wouldn’t<br />

support it. Yet CRD calculations for annual household costs for the<br />

least expensive Rock Bay option, which assumed promised federal<br />

and provincial grants would materialize, showed that households in<br />

every participating municipality except Colwood would pay more<br />

than a $1 per day. Once cost overruns are figured in, most households<br />

would pay well over $2 per day. That will be onerous for many in our<br />

community. If local scientists with expert knowledge of the environmental<br />

conditions in the Strait of Juan de Fuca say this expenditure is<br />

unnecessary, why aren’t local political leaders listening?<br />

Many pro-treatment advocates have told me their support is based<br />

on the precautionary principle: if an action or policy has a suspected<br />

12 February 2016 • <strong>FOCUS</strong>


WHEN SENIOR GOVERNMENTS IMPOSE unreasonable regulations that have no useful outcome other than to<br />

create vast profits for engineering and construction companies, what are communities to do? Should they huff and<br />

puff and fall all over themselves in order to meet an unreasonable regulation by some artificially-important date?<br />

risk of causing harm to the public or to the environment, in the absence<br />

of scientific consensus that the action or policy isn’t harmful, the burden<br />

of proof that it’s not harmful falls on those taking the action.<br />

There is actually strong scientific consensus that the current method<br />

of marine treatment is not causing harm. Regardless, shouldn’t the<br />

precautionary principle also be applied to the action being demanded<br />

by the Province and Environment Canada? Shouldn’t the proponents<br />

of treatment bear the burden of proof that what they propose will not<br />

cause harm? There are reasons to be concerned that what the CRD<br />

hopes to build will cause harm to both the environment and humans.<br />

Let me give you one example.<br />

In last month’s edition I wrote about a peer-reviewed study prepared<br />

by local DFO research scientists Sophie Johannessen, Rob Macdonald,<br />

and others. Their study looked at the impact secondary sewage treatment<br />

would have on environmental conditions in our waters. The<br />

study’s authors stated: “Secondary treatment…will reduce fluxes of<br />

some contaminants, but will have negligible effect on regional budgets<br />

for organic carbon, nitrogen, oxygen, metals and PCBs. Removal of<br />

PBDEs from wastewater will affect regional budgets, depending on<br />

how the sludge is sequestered.”<br />

Johannessen’s and Macdonald’s study indicated, then, that the<br />

only substantial difference that secondary treatment could make<br />

would be removal of some contaminants, especially polybrominated<br />

diphenyl ethers, which are used as flame retardants in a variety of<br />

household objects.<br />

As I mentioned last month, PBDEs are persistent organic pollutants<br />

and are thought to be endocrine disruptors. They may produce adverse<br />

reproductive, developmental, neurological, and immune effects in<br />

both humans and wildlife. There is broad concern that PBDEs, like<br />

PCBs, bioaccumulate. (See the 2014 US EPA fact sheet for more information<br />

on the language scientists are using regarding these effects.)<br />

Environment Canada and Health Canada have stated it’s their objective<br />

to reduce the concentration of PBDEs in the Canadian environment<br />

“to the lowest level possible.” Consequently, the manufacture and use<br />

of PBDEs have recently been banned in Canada.<br />

According to scientists, the three main pathways for PBDEs to enter<br />

marine waters are atmospheric deposition (44-56 percent), sewage<br />

(25-38 percent), and surface runoff (18 percent). Here’s how PBDEs<br />

get into sewage effluent: First they are released from something in our<br />

home that contains them—like a foam mattress—and attach to particles<br />

of dust, some of which settle on our clothing. Finally, when we<br />

wash our clothes the PBDEs head to the Strait of Juan de Fuca through<br />

the sewers. Secondary sewage treatment could remove as much as 80<br />

percent of the estimated 8.3 kilograms of PBDEs currently discharged<br />

through Victoria’s outfalls each year. Diverting 80 percent of that—<br />

just under seven kilograms a year—was the only potential environmental<br />

benefit Johannessen et al identified that could be obtained from spending<br />

a billion dollars on secondary sewage treatment.<br />

But even obtaining that small benefit would depend on what happens<br />

to the end product of sewage treatment—the biosolids. As I wrote<br />

last month, none of the current avenues available to the CRD for<br />

disposing of these contaminated biosolids would safely isolate or<br />

destroy the PBDEs.<br />

Anaerobic biodigestion doesn’t affect PBDEs. Landfilling the<br />

biosolids would result in ever-increasing levels of PBDEs in the<br />

landfill’s leachate. A study by BC scientists of the level of PBDEs in<br />

Comparative cost estimates: McLoughlin Point, Rock Bay, Option 10<br />

Development cost* McLoughlin Point** Rock Bay*** Option 10****<br />

Liquid Treatment Plant(s) $351 M $416 M $25 M<br />

Outfall(s) $38 M $43 M $120 M<br />

Conveyance and pumping $176 M $246 M $35 M<br />

Land $13 M $67 M $0<br />

Biosolids Treatment $347 M $258 M $0<br />

2015 Subtotal $925 M $1030 M $180 M<br />

2020-2030 I&I reduction $420 M $420 M $0<br />

2030 Additional Treatment Capacity $253 M***** $253 M***** $0<br />

Total out to 2030 $1598 M $1703 M $180 M<br />

Notes<br />

* Includes all contingencies, engineering, project management, CRD administration, inflation to mid-point of construction, etc<br />

** Based on independent study by Ernst & Young, 2010, plus 11.5 percent inflation since<br />

*** Lowest cost option, one-plant secondary treatment, biosolids treatment at Rock Bay<br />

**** Based on comparisons with similar project estimates<br />

***** The need for additional treatment capacity is expected as soon as 2030. This estimate if from the Rock Bay estimates by Urban Systems/Carollo<br />

www.focusonline.ca • February 2016<br />

13


leachate from municipal landfills across Canada shows some landfills<br />

with highly elevated levels of PBDEs in their leachate. We can only<br />

guess where those PBDEs are coming from.<br />

Likewise, spreading biosolids on farm or forest land would allow<br />

the PBDEs to accumulate in animals—some destined for human<br />

consumption—or be washed into aquatic environments.<br />

Incineration of the biosolids would put the PBDEs into our airshed,<br />

with some being converted to extremely toxic furans and dioxins.<br />

How about gasification? A 2012 publication from the UN that<br />

provided “Guidance on best available techniques and best environmental<br />

practices for the recycling and disposal of articles containing<br />

polybrominated diphenyl ethers” noted that gasification would result<br />

in the production of dioxins and furans. It concluded, “Currently<br />

pyrolysis and gasification cannot be considered best available techniques<br />

or best environmental practices for treatment of<br />

POP-PBDE-containing materials until long-term full-scale applications<br />

have shown to result in products and product flows that can<br />

be considered environmentally sound.”<br />

Do Victorians want to be guinea pigs in that experiment?<br />

If proponents of treatment want to apply the precautionary principle<br />

to the current marine-based treatment system (in spite of reassurances<br />

from scientists), then why haven’t they supported repeated calls for<br />

proof that the proposed treatment plan won’t cause harm? Part of<br />

the answer to that is that the CRD doesn’t know what it would do with<br />

those biosolids. Conveniently for the CRD, that lack of a plan makes<br />

it difficult to criticize.<br />

We are in a crazy-making situation: The community’s political<br />

leaders are being stampeded to meet funding deadlines for a billiondollar<br />

construction project—one justified by the technocrats entirely<br />

on environmental grounds—without having any plan for how to isolate<br />

or destroy the toxins a treatment plant will produce.<br />

One way out of this insanity would be to find a course of action that<br />

would cost far less than $1 billion, doesn’t depend on funding from<br />

senior governments, allows Victoria to meet federal regulations and<br />

doesn’t eliminate the possibility of pursuing some other course of<br />

action in the future. Believe it or not, there is such an option.<br />

Let’s call it “Option 10.” Just like Jensen’s and Helps’ options, Option<br />

10 will require new outfalls. But in every other respect it’s completely<br />

different. Unlike the mayors’ options, Option 10 wouldn’t involve any<br />

land that isn’t already used for sewage treatment. It wouldn’t require<br />

the excavation of a single kilometre of roads for new pipes. There would<br />

be no polluting of our airshed or permanent storage of vast quantities<br />

of chemical-laden human crap at the Hartland Landfill. Instead of<br />

a billion dollars, Option 10 would cost in the neighbourhood of $180<br />

million and would take less than two years to construct.<br />

Here’s the nuts and bolts of Option 10 (see below): Small, circular<br />

underground tanks (swirlpools) would be located at both Macaulay<br />

Point and Clover Point immediately downstream from the existing<br />

Option 10 from the air: no other facilities or pipelines would be required<br />

Effluent<br />

supply line<br />

Existing Clover Point<br />

Treatment Centre<br />

Swirlpool<br />

Saltwater<br />

pumps<br />

Swirlpool<br />

Effluent<br />

supply line<br />

Existing Macaulay Point<br />

Treatment Centre<br />

Saltwater<br />

pumps<br />

Saltwater<br />

intake<br />

New outfall<br />

Saltwater<br />

intake<br />

New outfall<br />

14 February 2016 • <strong>FOCUS</strong>


WE ARE IN A CRAZY-MAKING SITUATION: The community’s political leaders are being stampeded to<br />

meet funding deadlines for a billion-dollar construction project—one that has been justified by the technocrats<br />

entirely on environmental grounds—without having any plan for how to isolate or destroy the toxins<br />

a treatment plant will produce.<br />

treatment facilities. At both locations three large axial-flow saltwater<br />

pumps would draw water from the ocean and swirl that a couple of<br />

times around the tank, mixing it thoroughly with a smaller stream<br />

of effluent coming from the existing screening and settling facilities.<br />

The mixture of seawater and effluent would then drain by gravity<br />

through a kilometre-long outfall.<br />

The ratio of seawater to effluent would be carefully controlled by<br />

continuous sampling of the concentration of suspended solids in the<br />

super effluent being discharged through the outfall. Each of the new<br />

outfalls would need to have significantly greater hydraulic capacity<br />

than the existing outfalls; that’s because the effluent discharged by the<br />

outfall’s diffuser (think of a giant underwater lawn sprinkler) would<br />

contain up to 90 percent seawater. With such a system, the Fisheries<br />

Act regulations that are currently holding Victorians hostage for a<br />

billion-dollar ransom could be met.<br />

The Fisheries Act regulations don’t prohibit the discharge of effluent<br />

from sanitary sewers, they simply specify the allowable levels of four<br />

different characteristics common to all sewage. Victoria’s sewage effluent<br />

exceeds the allowed value for only two of those characteristics: suspended<br />

solids and carbonaceous biochemical oxygen demand. All the community<br />

needs to do is dilute its effluent to meet the Fisheries Act regulations.<br />

During drier weather, the effluent that flows out of the outfalls at<br />

both Macaulay Point and Clover Point exceeds the regulatory limit<br />

on suspended solids by a factor of about 10. By adding 9 litres of<br />

seawater to every litre of effluent, the concentration of suspended<br />

solids in the resulting super effluent would meet the technical requirements<br />

of the Fisheries Act regulations. By meeting the regulations’<br />

limit on suspended solids, the regulatory limit on biochemical oxygen<br />

demand would also be met.<br />

This strategy would also meet the intention of the Fisheries Act<br />

regulations, which is to ensure that water is not “deleterious to fish or<br />

fish habitat or to the use by man of fish that frequent that water.” In<br />

the case of sewage effluent, the “water” the Act measures and regulates<br />

is the water inside the sewage outfall.<br />

The Fisheries Act regulations are intended, in effect, to protect a<br />

hypothetical fish that is swimming inside an outfall. Although there<br />

is no evidence that fish are swimming inside either of Victoria’s outfalls,<br />

according to the regulations that doesn’t matter. Perversely, the regulations<br />

have nothing to say at all about the condition of the water<br />

immediately outside the outfall, where actual fish can be found.<br />

As a tool for environmental protection, then, the Act’s wastewater<br />

systems effluent regulations are exceedingly blunt. Those 10 local<br />

marine scientists were being too polite when they characterized the<br />

regulations as “one size fits all.” They’re unreasonable.<br />

When senior governments impose unreasonable regulations that<br />

have no useful outcome other than to create vast profits for engineering<br />

and construction companies, what are communities to do?<br />

Should they huff and puff and fall all over themselves in order to meet<br />

an unreasonable regulation by some artificially-important date?<br />

In such a situation, protecting the economic integrity of a community<br />

by simply diluting the effluent inside the outfalls so that it conforms<br />

with the Act and goes no further seems a reasonable response. The<br />

Act doesn’t prescribe how to conform to the regulations—that’s left<br />

entirely to the affected community.<br />

Let me whet your appetite for this idea with a cash bonus that would<br />

completely pay for Option 10. Both Mayor Jensen’s and Mayor Helps’<br />

options would cost in excess of $1 billion. But with both there would<br />

be significant additional cost just down the road. Both options would<br />

require the City of Victoria, Saanich, Esquimalt and Oak Bay to spend<br />

hundreds of millions on reducing the amount of rainfall and groundwater<br />

that is leaking into sewers. Capital and operating costs for sewage<br />

treatment increase with the volume treated, so eliminating rainwater<br />

saves money. The CRD has estimated that would cost $420 million for<br />

the municipalities participating in the treatment project, but that cost is<br />

not included in the billion-dollar price tags. The City of Victoria’s engineering<br />

department has estimated $330 million for the City of Victoria<br />

alone to eliminate its inflow and infiltration “problem.”<br />

With Option 10, though, inflow and infiltration aren’t a problem.<br />

Instead, they’re a natural benefit—a gift from the sky—that helps to<br />

dilute the effluent and reduce the concentration of suspended solids<br />

closer to the Fisheries Act regulations’ limit. That extra water would<br />

reduce the amount of seawater that needs to be pumped and thus<br />

would lower the operating costs of Option 10. Under Option 10, the<br />

region would save not only the $800 million difference in capital cost<br />

for treatment compared to the CRD’s options, but also the $420 million<br />

cost of waterproofing sewers. (The Uplands’ combined sewer/storm<br />

drains is a special case that does need to be fixed.)<br />

Option 10 shouldn’t be the CRD’s starting position, though. It<br />

ought to be its fallback position. To start with, our regional, provincial<br />

and federal representatives should be going to the federal and<br />

provincial governments and presenting Option 9.<br />

In exercising Option 9, our leaders try to negotiate an annual voluntary<br />

payment to allow the community to continue to use the giant<br />

tidal-powered treatment system off Clover Point and Macaulay Point<br />

until such time as either the federal or provincial government provides<br />

scientific proof that the current system is doing harm. If the feds or<br />

the Province can’t provide that proof within four years, the community<br />

gets its money back and stops payments.<br />

Under the Fisheries Act, fines levelled against polluters often go to<br />

the Environmental Damages Fund. According to Environment Canada,<br />

the fund provides “a mechanism for directing funds received as a<br />

result of fines, court orders, and voluntary payments to priority<br />

projects that will benefit our natural environment.”<br />

What might be an appropriate voluntary payment to offer the federal<br />

government in the negotiation? CRD taxpayers are currently paying<br />

about $10 million each year for the never-ending sewage treatment<br />

planning process. That’s only enriching already mega-rich consultants<br />

like Stantec. Instead, why not offer the feds the $10 million per year<br />

we would otherwise pay to Stantec or the consultant de jour? If the<br />

feds say “No,” then we go to Option 10.<br />

David Broadland is the publisher of Focus Magazine.<br />

www.focusonline.ca • February 2016<br />

15


Standoff at Polak Springs<br />

talk of the town<br />

JUDITH LAVOIE<br />

Shawnigan Lake residents dig in for a long fight to protect their water from a controversial contaminated soil landfill.<br />

Under rocks covered with snow, between<br />

a barbed wire fence and a sign warning<br />

of potential contamination, water is<br />

running underground and emerging in a small<br />

stream. The sound of flowing water, combined<br />

with an eerily empty settling pond behind<br />

the fence at a controversial contaminated soil<br />

landfill, reinforces the absolute conviction<br />

of Shawnigan Lake residents such as Cliff<br />

Evans that untreated contaminated water<br />

is flowing from the landfill into Shawnigan<br />

Creek and, ultimately, into Shawnigan Lake,<br />

the community’s source of drinking water.<br />

“You can hear it running underneath. That’s<br />

why we have put up a sign saying “Warning,<br />

this water may be contaminated with untreated<br />

effluent,” said Evans as he led a group of<br />

Shawnigan residents and media on a tour of<br />

the perimeter fence.<br />

It is a charge emphatically denied by South<br />

Island Resource Management Ltd (SIRM),<br />

the company that last year took over management<br />

of the operation from South Island<br />

Aggregates. SIRM says categorically that no<br />

water that has come into contact with contaminated<br />

soil at the site is discharged until it<br />

has been treated. “If I had any doubt about<br />

this site, I would shut it down myself,” said<br />

Todd Miziuk, SIRM co-owner.<br />

Miziuk went a step further at a council<br />

meeting in Port Moody, where much of the<br />

contaminated soil originates, and drank a<br />

bottle of water from the site. “This is treated<br />

contact water, no colour and no orange<br />

sludge,” Miziuk said, referring to orangebrown<br />

“Polak Springs” water, bottled by<br />

landfill opponents and labelled with a photo<br />

of BC’s Environment Minister Mary Polak.<br />

The bottled water skirmish, with SIRM<br />

claiming the orange sludge is naturally occurring<br />

iron bacteria and opponents saying it is<br />

an example of contamination flowing from<br />

the lot adjacent to the quarry and landfill,<br />

also owned by Cobble Hill Holdings, illustrates<br />

the emotionally charged fight that has<br />

galvanized Shawnigan Lake’s 8000 residents.<br />

Regardless of potential risks from the landfill<br />

site, concerns about the drinking water<br />

supply are already affecting the health of residents<br />

according to Dr Bill Moulaison, a family<br />

doctor in Shawnigan Lake for 24 years.“I am<br />

seeing a considerable amount of angst and<br />

NDP Leader John Horgan: “Shut this thing down<br />

and let’s start working on a solution that’s in<br />

the interest of the people that live here.”<br />

anxiety in the community. There are several<br />

people in my office on a daily basis with<br />

increasing anxiety,” he said.<br />

But Muziak points to numerous tests<br />

showing no risk to public health and accuses<br />

opponents of running a campaign based on<br />

false statements and misinformation.<br />

Evans and other volunteers, who patrol<br />

the perimeter of the site for about one hour<br />

a day and document alleged permit infractions,<br />

however, have little faith in company<br />

assurances or scientific reports that, in 2013,<br />

led the Province to approve a permit allowing<br />

the site to accept 100,000 tonnes of contaminated<br />

soil (contaminated with salts,<br />

hydrocarbons, glycols, etc) a year for 50<br />

years—a decision upheld by the Environmental<br />

Appeal Board.<br />

“We keep sending the [list of problems] to<br />

the Ministry of Environment and Ministry<br />

of Mines and they ignore them,” Evans said<br />

with a shrug.<br />

But with the issue uniting almost all factions<br />

in the village and no sign of the residents<br />

PHOTO: JUDITH LAVOIE<br />

backing down, it will become increasingly<br />

difficult for the Province to ignore the<br />

Shawnigan Lake battle. The complicated<br />

saga includes two court cases, a bribery<br />

complaint to RCMP, anonymous informers,<br />

charges of a secret profit-making deal,<br />

competing scientific reports, demonstrations,<br />

arrests and recent accusations by SIRM<br />

of vandalism after a large patch of yellow<br />

snow was found near the water treatment<br />

plant, forcing the company into a full spill<br />

response. (The yellow snow has since been<br />

found to be stained with marking dye, something<br />

which has aroused SIRM suspicions<br />

that it was dumped by someone trying to<br />

track flow from the landfill.)<br />

High profile opposition to the landfill from<br />

NDP leader John Horgan, Green Party leader<br />

Andrew Weaver, and diverse personalities<br />

such as children’s entertainer Raffi Cavoukian,<br />

plus an all-out effort by Shawnigan Residents<br />

Association and local politicians to focus<br />

attention on what they believe is a fight for<br />

their health and the community’s future, is<br />

propelling the issue up the provincial agenda.<br />

“This is an enormous issue,” said Horgan,<br />

holding a bottle of the murky water. “The<br />

government is tone-deaf to the fact that the<br />

entire community is saying ‘don’t do this’<br />

and a handful of permit holders are holding<br />

sway over the people of this region,” said<br />

Horgan, questioning whether anyone from<br />

government had looked at the amphitheatre<br />

topography and runoff paths into the lake<br />

before issuing the permit.<br />

“It’s not rocket science; it’s not even science.<br />

It’s a tone-deaf government that didn’t look<br />

at the circumstances they were creating…Shut<br />

this thing down and let’s start working on<br />

a solution that’s in the interest of the people<br />

that live here.”<br />

Weaver is using his scientific background<br />

to argue for a shutdown. Previous tests<br />

conducted by Weaver from Lot 21 runoff<br />

found high levels of iron and manganese<br />

and, in January, Weaver scrambled over<br />

rocks in the ephemeral stream, close to the<br />

settling pond, to collect more samples. The<br />

tests found elevated levels of sodium and<br />

sulphur apparently originating from Pacific<br />

Coast Terminal soils dumped at the site,<br />

Weaver said.<br />

16 February 2016 • <strong>FOCUS</strong>


“<br />

IN MY OPINION it would be prudent for the Ministry of Environment<br />

to immediately cease operations at the facility.”<br />

—Andrew Weaver, BC Green Party<br />

“While it is clear to me that there are no<br />

immediate health concerns to the residents<br />

of Shawnigan Lake from the samples I collected,<br />

questions still remain. In my opinion it would<br />

be prudent for the Ministry of Environment<br />

to immediately cease operations at the facility,”<br />

he said.<br />

But Polak shows no sign of wavering and<br />

said she must respect the independence of<br />

ministry technical experts and ensure she<br />

does not act without appropriate evidence.<br />

“The original decision to grant the permit<br />

was made by a ministry statutory decision<br />

maker who is a technical expert, independent<br />

of any political process,” she said.<br />

A ministry spokesman said far from ignoring<br />

complaints that the company is in non-compliance,<br />

staff have investigated the site several<br />

times. “To date, samples have shown no<br />

concerns for human health or environmental<br />

impacts,” said the spokesman.<br />

Those on the front line, such as Sonia<br />

Furstenau, Cowichan Valley Regional District<br />

director for Shawnigan Lake, are not mollified<br />

by ministry reassurances. “I want the<br />

government of BC to understand that this<br />

community is totally determined, totally<br />

committed to stopping this insanity from<br />

carrying on,” said Furstenau as she watched<br />

a helicopter, provided by a well-wisher, lift<br />

off from Shawnigan village, carrying contingents<br />

of media and politicians on trips over<br />

the landfill and quarry site.<br />

The view from the helicopter shows the<br />

close proximity of the site to Sooke Lake, the<br />

source of Greater Victoria’s drinking water,<br />

and, even though there is no evidence of<br />

hydrogeological ties, the geography has<br />

the potential to make other communities<br />

uncomfortable.<br />

“It’s actually closer to Sooke Lake than<br />

Shawnigan Lake,” mused Calvin Cook,<br />

Shawnigan Residents Association president,<br />

gazing down from the helicopter at the<br />

site, where, outside the gates, about 500<br />

protesters waved placards while trucks sat<br />

immobile on the approach road.<br />

IN VICTORIA, COUNCILLORS unanimously<br />

passed a motion in January asking<br />

that the permit be revoked and that contaminated<br />

site regulations and contaminated<br />

soils permitting be amended to allow thorough<br />

local government input, with full<br />

consideration of local land use regulations.<br />

However, the struggle may be decided in<br />

the courts rather than by protests or politics.<br />

A BC Supreme Court decision is expected<br />

shortly on a regional district petition asking<br />

the court to enforce zoning bylaws. In another<br />

court action, the Supreme Court is hearing<br />

a case brought by Shawnigan Residents<br />

Association, expected to last until late January,<br />

asking for a judicial review of the Environmental<br />

Appeal Board decision. It is a case fraught<br />

with twists and turns, some of it hinging on<br />

whether new material is admissible.<br />

An envelope, delivered anonymously in<br />

July to the Residents Association, documented<br />

a secret profit-sharing deal between South<br />

Island Aggregates, Cobble Hill Holdings and<br />

Active Earth Engineering Ltd, the company<br />

that wrote the technical report for the site.<br />

The documents allegedly show Active Earth<br />

agreed to write the report for a 50-50 split<br />

of the landfill’s future profits, through a<br />

numbered company.<br />

While Cobble Hill Holdings and Active<br />

Earth have conceded such an agreement<br />

existed as a method of ensuring the engineering<br />

company was paid, their lawyers say<br />

it was never enacted and was then abandoned.<br />

The Province has said that site studies were<br />

also conducted by ministerial staff.<br />

But opponents want to know how much<br />

reliance was placed on an engineering report<br />

they claim was tainted. “Our stand is that<br />

these documents were concealed from the<br />

Environmental Appeal Board,” Cook said.<br />

“We feel the board would have made a<br />

different decision if they were fully aware<br />

of all the information they should have been<br />

aware of.”<br />

Documents released as part of a court<br />

order include allegations, not yet proved in<br />

court, that former Malahat First Nation<br />

Chief Michael Harry, who supported the<br />

landfill, was receiving a “consulting fee per<br />

tonne of soil.”<br />

The documents include a February 2014<br />

email from South Islands Aggregates co-owner<br />

Marty Block to Active Earth engineers which<br />

says “I am hopeful that in the future we won’t<br />

have to deal with First Nations, but, that<br />

being said, we must be in agreement that they<br />

get paid first, in fact they normally hit us up<br />

before the damn job ever starts, for example<br />

we sent them to Vegas for New Years.”<br />

Block, although still with Cobble Hill<br />

Holdings, has no connection with SIRM and<br />

has had nothing to do with the site operation<br />

since last year, when SIRM took over<br />

operation of the landfill from SIA.<br />

Revelations about dealings with the Malahat<br />

First Nation prompted Shawnigan resident<br />

David Hutchinson to ask RCMP for a criminal<br />

investigation, but, as is usual, RCMP<br />

would not confirm whether an investigation<br />

is underway<br />

Michael Harry has since stepped down<br />

and the new Malahat chief and council have<br />

written to Polak expressing serious concerns<br />

about information used to make the decision.<br />

“We ask that you provide the Nation<br />

with information that confirms that the<br />

science provided by Active Earth has been<br />

re-assessed,” says the letter signed by Chief<br />

Caroline Harry. “If the ministry is unable to<br />

provide the requested information or has<br />

not undertaken an independent re-assessment,<br />

the Nation must reconsider its position<br />

on the permit.”<br />

In an interview with Focus, Caroline Harry<br />

was more blunt.<br />

“I want the permit to be ended completely.<br />

I see the damage this has done to Shawnigan<br />

Lake,” she said. The Malahat appeared in<br />

court in late January, backing residents’ appeal<br />

for a stay of the permit on the basis of concerns<br />

around Active Earth’s involvement.<br />

Concerns have also been expressed by<br />

Cowichan Tribes Chief William Seymour.<br />

That support is heartening for opponents,<br />

but, so far, there is no sign of a resolution or<br />

even a truce.<br />

“It’s only going to get bigger,” said Furstenau.<br />

“We are not going away. We are only getting<br />

stronger and louder over time.”<br />

Judith Lavoie is an awardwinning<br />

journalist specializing<br />

in the environment, First<br />

Nations, and social issues.<br />

Twitter @LavoieJudith<br />

www.focusonline.ca • February 2016<br />

17


talk of the town<br />

Whose secret instructions wasted $100 million?<br />

ALAN CASSELS<br />

The likely cost of the unjustified firing of eight Ministry of Health researchers is staggering, yet no one has been held accountable.<br />

Next month will mark four years since<br />

whistleblower Alana James raised<br />

concerns to BC’s Office of the Auditor<br />

General about contracting and drug research<br />

irregularities in the BC Ministry of Health.<br />

Her complaint ignited a tiny fuse that led to<br />

a powder keg within the Ministry of Health.<br />

Thus began a truly unprecedented and bizarre<br />

chain of events that included the botched firing<br />

of eight employees and researchers, numerous<br />

investigations, a suicide, apologies, settlements<br />

and reinstatements. There have been few<br />

answers as to why all this happened, and no<br />

one in government has been held accountable.<br />

At the time James raised those concerns, Mike<br />

de Jong was the Minister of Health.<br />

Since then we’ve seen an election come and<br />

go, a second explosion when it was revealed<br />

that an RCMP investigation into the firings<br />

that the government claimed was underway<br />

was never provided with evidence by the government,<br />

and a massive scandal—now dubbed<br />

“Deletegate,” about government employees<br />

deleting emails or otherwise not keeping records<br />

of vital public business—which could explain<br />

why many FOI requests about the Health<br />

Ministry firings came back “no records found.”<br />

All this led last summer to a massive outcry for<br />

a public inquiry to explain who set the charges<br />

that blew up the biggest ministry in the provincial<br />

government.<br />

In late December 2015, the last two lawsuits<br />

were settled between the government and Bill<br />

Warburton (a contractor) and Rebecca<br />

Warburton (an employee in the Ministry of<br />

Health). While it might seem like a bit of closure<br />

has been achieved, the public is still no closer<br />

to knowing who led what appeared to be a<br />

vindictive, opaque and ham-fisted attempt to<br />

freeze numerous research projects in BC<br />

and destroy the reputations of people working<br />

in drug safety evaluation. The coziness between<br />

the pharmaceutical industry and the current<br />

government, on full display for the last decade,<br />

provides strong potential motives and is delicious<br />

bait for conspiracy theorists. But again,<br />

no answers and no accountability.<br />

The lack of clarity on the issue came to a<br />

head last summer with shrill calls for a public<br />

inquiry. A compromise of sorts was found with<br />

Jay Chalke. BC’s new Ombudsperson hit the<br />

ground running as he was appointed to conduct<br />

Former Health Minister Mike de Jong<br />

a thorough investigation and get to the bottom<br />

of things. He demanded money, staff, and<br />

legislative authority to do the investigation<br />

and he basically got what he asked for.<br />

However, few people expect that the<br />

Ombudsperson is going to turn up a smoking<br />

gun to answer the “Why?” question around<br />

the biggest scandal ever to hit a BC provincial<br />

ministry. He may have the power to subpoena<br />

witnesses and get testimony, but it may be<br />

another year before we have any answers.<br />

Meanwhile, can we estimate the financial<br />

impact of this debacle—how much has it cost<br />

BC taxpayers, so far?<br />

There have been direct costs which are, to<br />

some degree, estimable, and indirect costs that<br />

may never be known. After some back and<br />

forth with the Ministry of Health, which<br />

admitted that it’s difficult to tease out the costs<br />

of this investigation from everything else it<br />

does, I received no numbers from the Ministry<br />

other than what has been publicly available or<br />

what I have received from FOI requests filed<br />

by others. How to fill in the blanks? It’s worth<br />

at least a back-of-the-envelope calculation.<br />

We do know the tab for the call centre that<br />

was set up to deal with an alleged data breach<br />

($1.1 million) even though the centre received<br />

very few calls. Through an FOI, it was learned<br />

the government had spent an additional $2.1<br />

million on the investigation up to March<br />

2014 (which would include staff costs but<br />

not legal costs).<br />

That doesn’t include lawyer Marcia McNeil’s<br />

two-month investigation and report later in<br />

2014, which found the process flawed but<br />

failed to answer central questions around<br />

accountability because of “a dearth of documents.”<br />

Her bill was $80,069 and there were<br />

certainly other costs, such as staff time to brief<br />

her and prepare documents, so the final costs<br />

for this are likely closer to $130,000.<br />

We also know that the budget for the<br />

Ombudsperson’s investigation was set at<br />

$885,000, and that he requested an additional<br />

$1.188 million, bringing that total towards<br />

$2 million.<br />

Other related costs were four separate<br />

contracts with Deloitte dealing with data security<br />

matters: $1.6 million.<br />

Here’s some guesstimates around other<br />

taxpayer costs related to the scandal:<br />

• The Auditor General investigation and<br />

staff time dealing with the initial complaint:<br />

$100,000 to $200,000.<br />

• Legal fees for the fired union employees:<br />

$60,000 to $150,000 (plus whatever the<br />

BCGEU had to pay their own legal teams).<br />

• Comptroller General’s investigation and<br />

report, staff time, etc: $100,000-$200,000.<br />

• The Office of the Information and Privacy<br />

Commissioner investigation: $100,000 to<br />

$200,000.<br />

• RCMP costs: There was no investigation,<br />

but there was apparently lots of back<br />

and forth between the Ministry and the RCMP,<br />

so it’s clear some staff time was used: $10,000<br />

to $50,000.<br />

• The Stephen Brown Review: This is the<br />

deputy minister who reviewed the issue in<br />

2013. Since he was already being paid, we’ll<br />

never know how much of his and his staff’s<br />

time went to this review because there are no<br />

records, but this undoubtedly chewed through<br />

considerable time: $40,000 to $100,000.<br />

• Further government expenses for legal<br />

and internal management. Government-hired<br />

lawyers make up to $400 per hour but it is<br />

almost impossible to determine how many<br />

hours they billed the government for: $560,000<br />

to $700,000.<br />

• Finance Committee costs. Several meetings<br />

of MLAs, staff time: $20,000 to $30,000.<br />

• Staff time to process Freedom of Information<br />

requests (finding documents, legal review, etc).<br />

18 February 2016 • <strong>FOCUS</strong>


THE DEATH of our drug safety monitoring capacity means more wasteful<br />

spending on drugs, and also that many more people will suffer and even<br />

die from the adverse effects of drugs—and that cost is incalculable.<br />

This is almost impossible to estimate but with<br />

dozens of FOI requests and efforts by government<br />

to stop releases, let’s say $125,000 to<br />

$150,000.<br />

• Settlements with Bob Hart, Ron Mattson,<br />

Malcolm Maclure, and Bill and Rebecca<br />

Warburton, modestly guesstimated at $250,000<br />

to $600,000.<br />

What does this add up to? Somewhere<br />

towards $10 million in public funds, though<br />

I could be way off (either way) on some of the<br />

staff time estimates and the settlements.<br />

But that is just the beginning of what this<br />

scandal has cost.<br />

For the bigger picture we’d have to consider<br />

all the delayed and cancelled research and<br />

evaluation projects that were either in progress<br />

or in the pipeline. If you dial things back to<br />

2011, PharmaCare had numerous drug safety<br />

evaluations in progress, looking at the safety<br />

of drugs for Alzheimer’s disease; smoking<br />

cessation drugs including Champix (considered<br />

so dangerous other jurisdictions in the<br />

world have stopped paying for it); Accutane,<br />

for acne (known to cause birth defects); antipsychotics<br />

(given to one-third of seniors in BC’s<br />

longterm care facilities in 2012/13); and new<br />

anticoagulants (very expensive drugs which<br />

are replacing Warfarin).<br />

The Alzheimer’s study has been completed<br />

but the government has yet to make a decision<br />

on whether to continue to fund these<br />

drugs, considered by most independent experts<br />

to be ineffective, and for some patients, intolerable<br />

and toxic. The three-year delay caused<br />

by the Ministry’s turmoil has meant three more<br />

years of profits for the companies and costs<br />

of probably $30 to $40 million for the taxpayer.<br />

Blood glucose test strips were also going to be<br />

re-evaluated but those studies were delayed<br />

for four years, meaning a waste of about<br />

$10 million per year, or about $40 million<br />

(new limits were placed on them in January<br />

2015). The cancellation of research on atypical<br />

antipsychotic use means both avoidable<br />

deaths each year plus other costs in the use of<br />

the drugs deemed toxic for many seniors, especially<br />

those with dementia—likely in the tens<br />

of millions.<br />

What are we up to now? It’s not a stretch<br />

to say that the cost of the scandal has been<br />

in excess of $100 million due mostly to delayed<br />

and cancelled research programs and halted<br />

policy changes.<br />

Perhaps the biggest frustration in this scandal<br />

is the sense of loss of what had been a worldclass<br />

capacity and willingness to evaluate drug<br />

safety in BC. With PharmaNet, our provincewide<br />

pharmacy database covering every<br />

soul in the province, we collect some of the<br />

most robust data in the country, meaning we<br />

can assess with a good deal of precision how<br />

well drugs are being tolerated. Yet with the<br />

ongoing chill over the Ministry, very few independent<br />

drug safety evaluations are being<br />

carried out. In fact the Research and Evidence<br />

Development branch at PharmaCare was<br />

destroyed and has never been restarted.<br />

So the math only goes so far in capturing<br />

the impact of this scandal.<br />

Is it acceptable that PharmaCare, a government<br />

agency that spends over $1.4 billion per<br />

year of public money on drugs, is overseen by<br />

a government with a chronic habit of siding<br />

with the pharmaceutical industry (and which<br />

receives political donations from them)? Is it<br />

acceptable that government has failed to revamp<br />

important evaluation studies that are measuring<br />

the population effects of the drugs it pays for?<br />

The loss to our health system—which I’m<br />

pegging at perhaps $100 million dollars—may<br />

some day be fully accounted for. The death<br />

of our drug safety monitoring capacity means<br />

more wasteful spending on drugs, and also<br />

that many more people will suffer and even<br />

die from the adverse effects of drugs—and<br />

that cost is incalculable.<br />

I admit that my back-of-the-envelope calculations<br />

may be wildly off, but let me ask you,<br />

dear readers: Do you have any data to help<br />

me make those calculations more accurate?<br />

Do you work in the Ministry of Health? Do<br />

you have any hard numbers I could put into<br />

my spreadsheet? More importantly, do you<br />

know who initiated the firings and why? Please<br />

contact me. Brown envelopes most welcome.<br />

Alan Cassels is a drug policy<br />

researcher and author in Victoria.<br />

He attended the press briefing<br />

in September 2012 when the<br />

scandal was announced to the<br />

world, and has been following<br />

the saga ever since.<br />

Thank you!<br />

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www.focusonline.ca • February 2016<br />

19


Trans Mountain opponents get boost from feds<br />

BRIONY PENN<br />

How the National Energy Board found itself under attack by everyone in January.<br />

talk of the town<br />

January 2016 was a month full of news<br />

around Kinder Morgan’s Trans Mountain<br />

pipeline. As dozens of intervenors gave<br />

their final arguments in the closing days of the<br />

National Energy Board’s hearings, the federal<br />

government made moves towards living up<br />

to their pre-election promises.<br />

The NEB hearings on the risks and benefits<br />

of the 987-kilometre pipeline will be<br />

wrapped up on February 5. During ten days<br />

of hearings in Burnaby, a flurry of intervenors<br />

delivered varied condemnations of both the<br />

project and its approval process, deeming the<br />

NEB process flawed and reliant on inadequate<br />

data. Of particular concern to coastal British<br />

Columbians is the quadrupling of tankers shipping<br />

dilbit off our shores. On January 25,<br />

Victoria Mayor Lisa Helps and Councillor<br />

Ben Isitt joined the chorus, expressing grave<br />

concern about the effects of an oil spill on<br />

Victoria’s environment and economy.<br />

Earlier, on January 11, the BC Liberals<br />

rejected the project in their final argument in<br />

front of the NEB on the basis of inadequate<br />

details of spill-response plans, noting these<br />

plans fall short of a “world-leading standard.”<br />

BC Green Party leader, scientist and MLA<br />

Andrew Weaver delivered his final argument<br />

January 20, concluding the application is<br />

incomplete with inadequate data on the behaviour<br />

of bitumen.<br />

Federal Green leader and Saanich Gulf-<br />

Islands MP Elizabeth May was also an intervenor<br />

and gave a scorching testimony, citing serious<br />

issues with evidence, First Nations rights, and<br />

process, particularly the exclusion of the public<br />

from hearing rooms and the lack of oral crossexamination.<br />

“In essence, none of the witnesses<br />

were available to answer any question—whether<br />

orally or in writing,” she said.<br />

(Neither federal nor provincial NDP representatives<br />

appeared as intervenors, though the<br />

party has stated the NEB process is a failure.)<br />

The BC Civil Liberties Association also<br />

appeared as an intervenor and, like Elizabeth<br />

May, condemned the hearings as potentially<br />

unlawful by not allowing the public to attend.<br />

First Nations from all over BC, as well as<br />

US indigenous groups, appeared in late January,<br />

too, expressing concerns about the impact of<br />

all that coastal oil tanker traffic on their fishing<br />

rights and cultural heritage. The additional<br />

350 tankers a year mean “all risk and no<br />

reward,” said a lawyer for the US tribes.<br />

AMONG ENVIRONMENTAL intervenors<br />

were Raincoast Conservation Foundation’s<br />

Misty Macduffee and Karen Wristen of Living<br />

Oceans, both veteran researchers. Along with<br />

lawyers at Ecojustice they helped prepare a<br />

joint final argument based on the behaviour<br />

of spilled diluted bitumen in the marine environment.<br />

Their particular concern is its impact<br />

on marine and Fraser River fish species and<br />

the southern resident killer whales. They also<br />

looked at air quality and other human health<br />

impacts, as well as economic considerations.<br />

They argued that the NEB doesn’t have enough<br />

information before it about the project’s environmental<br />

effects and how they will be mitigated;<br />

that the project will have significant environmental<br />

impacts that are not justified by any<br />

benefits of the project; and, relatedly, that the<br />

project is not in the public interest.<br />

The rules, however, are such that they were<br />

not allowed to present what they believe is<br />

critical new evidence from the US independent<br />

non-profit National Academy of Sciences<br />

(NAS). Coming out just one week before Kinder<br />

Morgan’s final written evidence in December,<br />

the NAS report provides evidence that diluted<br />

bitumen doesn’t behave like Kinder Morgan<br />

says it behaves.<br />

With the new principles and longer timeframe<br />

announced by the federal government<br />

on January 27, there’s now a good possibility<br />

that the NAS information will factor<br />

into the government’s final decision, but<br />

meanwhile the NEB has indicated it is too<br />

late for their process.<br />

Tanker and humpback whale in Haro Strait<br />

What the NAS concluded in their 126-page<br />

report is this: “In comparison to other commonly<br />

transported crude oils, many of the chemical<br />

and physical properties of diluted bitumen,<br />

especially those relevant to environmental<br />

impacts, are found to differ substantially from<br />

those of the other crude oils. The key differences<br />

are in the exceptionally high density,<br />

viscosity, and adhesion properties of the bitumen<br />

component of the diluted bitumen that dictate<br />

environmental behaviour as the crude oil is<br />

subjected to weathering…For this reason spills<br />

of diluted bitumen pose particular challenges<br />

when they reach water bodies. In some cases,<br />

the residues can submerge or sink to the bottom<br />

body. Importantly, the density of the residual<br />

oil does not need to reach or exceed the density<br />

of the surrounding water for this to occur.”<br />

(italics theirs)<br />

This is a hugely important finding from a<br />

highly authoritative source. It means that within<br />

hours of an ocean spill, dilbit separates into<br />

its original components. The hydrocarbons<br />

evaporate and the air around the spill becomes<br />

explosive, while the bitumen sinks. Normal<br />

spill response technologies like skimmers and<br />

dispersants, the NAS found, are inadequate<br />

because the time window for their effectiveness<br />

is very small. Once bitumen has sunk,<br />

there really is no way to clean it up.<br />

According to the NAS report, the “weathered”<br />

bitumen components that form within<br />

days of a spill mean that “spills of diluted<br />

bitumen should elicit unique, immediate<br />

actions in response.”<br />

According to Macduffee this is the most<br />

comprehensive review on dilbit yet produced<br />

and renders Kinder Morgan’s final submis-<br />

PHOTO: JUDITH LAVOIE<br />

20 February 2016 • <strong>FOCUS</strong>


KINDER MORGAN’S submission that dilbit would be expected to float<br />

following a spill was accepted without being subject to cross examination,<br />

but, under National Energy Board rules, critical new evidence from the<br />

US National Academy of Sciences that dilbit sinks was disallowed.<br />

sion inadequate since all its modelling of environmental<br />

impacts and oil spills is predicated<br />

on earlier assumptions that spilled dilbit<br />

performed like any other crude oil and didn’t<br />

sink. Kinder Morgan stated in their submission<br />

to the NEB that “Dilbits…[and other<br />

Group 3 hydrocarbons] have been transported<br />

throughout the world and the general<br />

behaviour of these oils are quite comparable<br />

with respect to fate and weathering, and spill<br />

countermeasures.” (italics added) Kinder<br />

Morgan also stated that dilbit proved “no<br />

different than what might be expected of<br />

other conventional heavy crudes when exposed<br />

to similar conditions.”<br />

The NAS report, commissioned by the US<br />

Congress to consider that country’s own spill<br />

response preparedness, first became available<br />

in its pre-publication form online in early<br />

December. Raincoast and Living Oceans<br />

immediately filed a motion to have its evidence<br />

included because of its significance. The NEB,<br />

however, accepted Kinder Morgan’s argument<br />

that it was “procedurally unfair to permit<br />

the filing of new evidence, prepared by third<br />

parties, on the eve of argument. Kinder<br />

Morgan said fairness requires that participants<br />

have a sufficient opportunity to test<br />

new evidence by asking questions to those<br />

who prepared it, and there is not enough<br />

time to do so in this case.”<br />

Raincoast and Living Oceans argued back<br />

that most evidence is from third party research,<br />

and that doesn’t provide a basis for dismissal—<br />

just an argument for bringing back oral cross<br />

examination which Stephen Harper got rid<br />

of in his last fiddle with the NEB. Kinder<br />

Morgan also argued that it was a pre-publication<br />

report and “it was difficult to ascertain<br />

which part of the Report contained errors.”<br />

According to Macduffee, the NEB could<br />

have gone back to the federal government<br />

to ask for an extension to provide time for<br />

the company to review this critical evidence,<br />

but didn’t.<br />

Now, with the federal government giving<br />

itself more time to make a decision, and<br />

promising its decision will be based on science<br />

(as well as traditional indigenous knowledge<br />

and other relevant evidence), the NAS’ findings<br />

do stand a chance, ultimately, of being<br />

weighed in the final decision on the project.<br />

AT A PRESS CONFERENCE ON JANUARY<br />

27, Natural Resources Minister Jim Carr and<br />

Environment Minister Catherine McKenna<br />

introduced five new principles that will guide<br />

its decision-making on major natural resource<br />

projects while the government undertakes a<br />

broader review of environmental assessment<br />

processes (which is expected to take two years).<br />

For the Trans Mountain Expansion project,<br />

the government promised to “undertake deeper<br />

consultations with Indigenous peoples and<br />

provide funding to support participation in<br />

these consultations; assess the upstream greenhouse<br />

gas emissions associated with the project;<br />

and appoint a Ministerial Representative to<br />

engage communities, including Indigenous<br />

communities potentially affected by the project,<br />

to seek their views and report back to the<br />

Minister of Natural Resources.”<br />

While the NEB deadline for its recommendations<br />

on Trans Mountain remains May 2016,<br />

the government has given itself until December<br />

2016 (it had been set for August 2016) to<br />

consider the NEB’s recommendation and carry<br />

out the extra consultations and assessments<br />

before making a decision on the pipeline.<br />

Elizabeth May spoke at a press conference<br />

after the announcement and expressed her<br />

approval, given the situation. She said the<br />

Conservatives, through Bill C-38, had<br />

“wrecked” the environmental assessment<br />

process, allowing the Energy Board to leave<br />

climate change out of their review. “Energy<br />

regulators should never be asked to do environmental<br />

reviews,” May said. Explaining<br />

that Canada would be mired in litigation if<br />

the government interfered at this stage in the<br />

NEB process, she felt these new measures<br />

offered a “reasonable approach” and “provide<br />

more confidence” until a complete overhaul<br />

could be done.<br />

Andrew Weaver said he was thrilled with<br />

the federal government’s announcement: “As<br />

a climate scientist, I see including upstream<br />

emissions on energy projects as a major step<br />

forward for Canada.” He is still opposed to<br />

the Trans Mountain pipeline going ahead:<br />

“This announcement does nothing to alleviate<br />

my concerns on spill response and spill preparedness.<br />

For British Columbians the central issue<br />

is about the potential for a catastrophic accident<br />

and not as much about the climate impacts<br />

of the project. On these grounds the project<br />

should still be rejected.”<br />

Not everyone was happy with the fed’s<br />

interim measures. Besides condemnation from<br />

Conservatives, regional First Nations chiefs<br />

from Quebec, Manitoba and BC issued a<br />

strong joint statement slamming “artificial<br />

timelines, the sidelining of critics, a lack of<br />

oral cross-examination of the companies’<br />

evidence, and the exclusion of key elements<br />

of evidence such as the behaviour of sinking<br />

dilbit,” as well as the NEB itself—“a politicized<br />

and industry-captured ‘rubber stamper’<br />

that pays only lip service to the respect for<br />

the positions and rights of First Nations.”<br />

UBCIC President Grand Chief Stewart Phillip<br />

said, “What needs to be demonstrated is<br />

the federal government’s willingness to<br />

take NO for an answer from First Nations<br />

like Tsleil-Waututh Nation who are exercising<br />

their sovereign decision-making power.”<br />

The chiefs and others also complained that<br />

the new review guidelines omit reference to<br />

the downstream greenhouse gas emissions of<br />

tarsands bitumen, which comprise most of the<br />

total emissions (climate economist Mark<br />

Jaccard’s analysis estimates 90 percent).<br />

In that same last week of January, the NEB<br />

itself was reprimanded by the federal<br />

Commissioner of the Environment and<br />

Sustainable Development Julie Gelfand who<br />

came out with the results of an audit of the<br />

NEB. In her statement, she said, “Our audit<br />

concluded that the Board did not adequately<br />

track companies’ implementation of pipeline<br />

approval conditions, and that it was not consistently<br />

following up on company deficiencies.<br />

We found that the Board’s tracking systems<br />

were outdated and inefficient.” In both types<br />

of cases that were audited, about half were<br />

lacking in proper oversight, which means the<br />

NEB was not meeting its regulatory mandate.<br />

The NEB has agreed with the auditor’s conclusions<br />

and stated it will, among other things,<br />

“clarify the consequences for companies that<br />

do not undertake corrective action.”<br />

Lack of faith in the NEB, combined with<br />

Minister Carr’s stated determination to move<br />

oil resources to tidewater, mean pipeline opponents<br />

are, at most, cautiously optimistic about<br />

the new government’s direction.<br />

Briony Penn PhD is the author<br />

of the new book, The Real<br />

Thing: The Natural History of<br />

Ian McTaggart Cowan.<br />

www.focusonline.ca • February 2016<br />

21


Creative<br />

Coast palette22 the arts in february26 vibe 36 curtain call 38 coastlines 40<br />

When Barbara Callow is at the grocery store or the farmers’<br />

market making produce selections, she has a larger set<br />

of criteria than most. Fruit and vegetables in particular<br />

need to meet standards not just of freshness and nutritional value,<br />

but of aesthetics as well. Such is the case for many a still life<br />

painter like herself. “An artist is always looking at the world in terms<br />

of what they can paint,” she says, admitting, “Quite often I will buy<br />

something just because I like the look of it, then I will bring it home<br />

and take photos, then eat it later.”<br />

The tantalizing, lumpy irregularity of a pear’s surface will catch<br />

the light in just the right way when tumbled onto a crisp white<br />

cloth laid over a wooden table. So, into the shopping basket it goes.<br />

An apple may be attractive because of the way the skin, with its mottled<br />

swaths of red, gold and green, already looks painted on. Gather several<br />

into a wooden bowl, and again the light’s reflections rendered in<br />

oil on canvas is what brings them to life.<br />

Though Callow paints in a variety of genres using different media,<br />

she says, “I like painting these [still lifes] because it’s fun to use light<br />

to make the form. I like to paint the reflections, that way you can get<br />

the highlights on fruit especially. A very strong directional light on<br />

your subject makes a strong form,” she explains. Many of Callow’s<br />

still life paintings are of a traditional style—fruit, vessel and swag<br />

of fabric arranged on a table—but some present a contemporary view,<br />

such as “Apples in a Wooden Bowl,” which zeroes in on—and thus<br />

communicates—the sensual potential of the humble fruit. This and<br />

other paintings bring to mind works by prominent East Coast painter<br />

Mary Pratt. So taken was Pratt with the way sunlight came through<br />

her kitchen window to illuminate fruit, preserves or even filleted fish<br />

on foil, she produced paintings from these scenes that seem to layer<br />

sanctity over the domestic sphere.<br />

“Light is important to most artists,” Callow says. “They use light<br />

a lot and it influences whatever they are going to paint.” It plays as<br />

much a role in meaning and delineation as the object itself, no matter<br />

the style of painting. While Pratt’s works are nearly photo-realistic,<br />

light is just as essential to Callow’s practice. “Not that I don’t admire<br />

the highly-detailed painting, but it’s not quite as moving—to me,<br />

anyway—as more impressionistic, gestural painting,” she relates.<br />

Immediacy of experience is conveyed by the quick gestural stroke.<br />

Callow has come to her preferred style over a life which, from an<br />

early age, nearly always included an art practice. She was born in<br />

Victoria in 1956. Her father worked in the printing industry while<br />

her mother was a homemaker. Seeing an interest and aptitude in their<br />

daughter—“I was addicted to drawing as a kid,” Callow laughs—<br />

they enrolled her in art classes. As a teen she was “lucky enough at<br />

Oak Bay High School to have Carole Sabiston and Bill West as art<br />

teachers, which was phenomenal.” She credits both national luminaries<br />

for their early support and guidance.<br />

In fact, Callow attended the University of Victoria with the intention<br />

to become an art teacher herself. However, “I ended up getting<br />

married and having kids instead,” she says. Moving to Vancouver<br />

Illuminating the everyday<br />

AAREN MADDEN<br />

Barbara Callow uses light to bring life to the painted form.<br />

“Apples in a Wooden Bowl” 14 x 11 inches, oil on canvas<br />

in 1977, she had a son and daughter and completed a two-year Visual<br />

Arts Diploma program at Langara College. Callow eventually worked<br />

in the printing industry as well, mainly in graphic design and prepress<br />

areas. Returning to Victoria 15 years later, she worked for the<br />

Queen’s Printer before “retiring” in 1996 to devote herself to art fulltime.<br />

“I never worked this hard when working at an outside job,” she<br />

laughs, quick to add, “It doesn’t feel like work.” A member (and<br />

former executive) of the Federation of Canadian Artists, she has<br />

become an award-winning and internationally-collected artist.<br />

Early on in this phase of life, looking to heighten skills she was not<br />

previously able to hone daily, she took workshops and masterclasses<br />

from artists like Caren Heine, Marney Ward, Deborah Tilby, and<br />

Keith Hiscock. Many went from being mentors to friends and colleagues,<br />

22 February 2016 • <strong>FOCUS</strong>


Supporting arts,<br />

culture and our community.<br />

John West<br />

& Holly Harper<br />

With 50 years of<br />

combined real estate<br />

experience, John<br />

and Holly share your<br />

passion for Greater<br />

Victoria's unique and<br />

exciting housing<br />

opportunities.<br />

1286 Fairfield Road, Victoria<br />

250-385-2033 • www.HollyAndJohn.ca<br />

www.newportrealty.com<br />

PHOTO: CARL TESSMANN<br />

Barbara Callow<br />

and Callow herself teaches many workshops now (including one in<br />

February at Coast Collective Gallery). It is as valuable for her practice<br />

as it is for the students of a wide range of experience that<br />

attend them. “When they ask questions, you start to realize what<br />

exactly you are or aren’t doing. You become more aware; you have<br />

to figure out why and how,” she says.<br />

The why and how, for her, usually returns to light, no matter which<br />

genre she is working in. Besides still life, Callow paints landscapes and<br />

urban scenes in oil and watercolour. Like the Impressionists, the Group<br />

of Seven and Emily Carr, from whom she gathers the most inspiration,<br />

she is an avid plein air painter. Painted sketches done on sight<br />

are of a subject chosen because of the way the fog plays on a beach or,<br />

in the past seven-odd months, how the light will hit a particular branch<br />

WEST END GALLERY<br />

The Art of Romance<br />

February 13 -25, 2016<br />

1203 Broad Street Open Daily<br />

250-388-0009 westendgalleryltd.com<br />

“Cranberry Roses” by Elka Nowicka, 36 x 24 inches, mixed media on canvas<br />

www.focusonline.ca • February 2016<br />

23


“Red, Yellow, Green” 12 x 20 inches, oil on canvas<br />

“Fernwood Square” 8 x 10 inches, watercolour and ink<br />

24 February 2016 • <strong>FOCUS</strong>


1040 MOSS ST | AGGV.CA<br />

“The Road Home” 16 x 20 inches, oil on canvas<br />

or mossy patch in the woods near her new home in Cumberland. In<br />

“The Road Home,” the long shadows reaching across the bumpy road<br />

are compelling to Callow and compositionally satisfying in the horizontal<br />

counterpoint they add to the vanishing road.<br />

The raking light of winter and, any time of year, the early or late<br />

day are what she likes the best. “I am just looking out my window<br />

now. It’s late morning and there are beautiful long shadows,” she<br />

describes over the phone. “It’s the low light at this time of year. I<br />

guess it’s the moisture in the air from the ocean,” she suspects. More<br />

diffuse, perhaps, than the crisp prairie light.<br />

It is a major component of generating sense of place, as is local<br />

specificity. Again in “The Road Home,” one will notice how the light<br />

plays on the rugose surface of the road. Callow likes its roughness:<br />

“It is a sort of subversiveness,” she offers, adding, “There are very<br />

interesting back lanes around Cumberland here—old garages, chimneys<br />

sticking out of them, that sort of thing. They are not manicured;<br />

they have just sort of evolved over the years.”<br />

Callow is attracted to the particular quirk inherent in any urban<br />

area that has seen such an evolution. It’s what she explores in her urban<br />

scenes, which she usually does in watercolour and ink to heighten the<br />

character of the architecture. In “Fernwood Square,” ink snakes in a<br />

fine, jittery line along the building’s cornice to suggest its weathered<br />

state. And then the pale watercolour wash of sun on its façade gives<br />

it vitality. Follow that light as it spills through the upstairs window,<br />

and one could imagine it landing, just so, on a perfect bowl of apples.<br />

See “Apples in a Wooden Bowl” at the juried group show, Red,<br />

February 3-21 at Coast Collective Gallery. 103-318 Wale Road, Colwood,<br />

250-391-5522, www.coastcollective.ca. Barbara Callow is teaching a<br />

workshop at Coast Collective, February 13 & 14. See www.coastcollective.ca.<br />

Find Barbara Callow online at www.barbaracallow.ca.<br />

WATER + PIGMENT + PAPER<br />

JANUARY 30 - MAY 23. 2016<br />

Enter the unexpected world of watercolours! Not<br />

often recognized as an experimental medium,<br />

we'll explore the groundbreaking work of known<br />

and not so well known artists who pushed<br />

watercolour boundaries, spanning over 200 years.<br />

For the very reason that the raking light illuminates the<br />

moss the way it does, Aaren Madden’s favourite West<br />

Coast season is winter.<br />

GRACE WILSON MELVIN | SUMMER RADIANCE II WATERCOLOUR, TEMPERA, INK,<br />

WOMEN'S COMMITTEE CULTURAL FUND, COLLECTION OF THE AGGV<br />

www.focusonline.ca • February 2016<br />

25


BLOOM<br />

Paintings byBonnie Laird<br />

www.bonnielaird.com<br />

Opening Reception Saturday, February 6th, 7-9pm<br />

Exhibition continues to March 3, 2016<br />

FEATURING THE<br />

PAINTINGS OF:<br />

Continuing to February 6<br />

CONVIVIUM<br />

Gage Gallery<br />

Solo exhibition of work by Shelby<br />

Assenheimer, who paints on canvas with<br />

acrylics and layers of glazes, and markmaking<br />

and sgraffito provide counterpoint<br />

rhythm. Abstracted scenes of the transitioning<br />

seasons conjure messages of our<br />

relationship with each other and the world<br />

around us. 2031 Oak Bay Ave, 250-592-<br />

2760, www.gagegallery.ca.<br />

Continuing to February 20<br />

OFFERINGS/ OFFRANDES<br />

Open Space<br />

This collaborative multimedia installation<br />

by France Trépanier with guest<br />

artists invites viewers to contemplate<br />

“presence” instead of presents, when<br />

considering the gifting process. The exhibition<br />

explores the meaning of gifting<br />

and offering in three components: performative<br />

rituals, longhouse and website.<br />

Artist talk Feb 6, 3:30pm. 510 Fort St,<br />

250-383-8833, www.openspace.ca.<br />

Continuing to February 24<br />

ALL YOU NEED IS HEART<br />

Goward House<br />

Show and sale by the Oak Bay Art<br />

Club. Artists’ reception Jan 31, 1:30-<br />

3:30pm. Hours Mon-Fri, 9am-4pm.<br />

2495 Arbutus Road, 250-477-4401,<br />

www.gowardhouse.com/shows.<br />

Continuing to February 27<br />

HIDE IN PLAIN SIGHT<br />

Deluge Contemporary Art<br />

An exhibition of new work by James<br />

Lindsay and Lance Austin Olsen. These<br />

contemporaries have evolved highly<br />

developed visual languages through<br />

five decades of continuous artistic activity<br />

and experimentation with abstraction.<br />

Wed-Sat, 12-5pm. 636 Yates St, 250-<br />

385-3327, www.deluge.ca.<br />

Continuing to April 3<br />

ASIAN ART ACQUISITIONS<br />

Art Gallery of Greater Victoria<br />

Works from a wide range of cultures,<br />

media and time periods to honour many<br />

dedicated Asian art patrons in Victoria,<br />

Canada and the US. 1040 Moss St, 250-<br />

384-4171, www.aggv.ca.<br />

Continuing to April 4<br />

WILDLIFE PHOTOGRAPHY<br />

Royal BC Museum<br />

Winners of an international photography<br />

competition include images by<br />

Canadians Connor Stefanison, Don Gutoski,<br />

Josiah Launstein (under 10 years). Tours,<br />

camps, workshops. 250-356-7226,<br />

www.royalbcmuseum.bc.ca.<br />

visual arts<br />

Continuing to April 17<br />

PA SI A MA<br />

(THE FIRE IS JUST STARTING)<br />

Art Gallery of Greater Victoria<br />

A new work by Port Alberni artists<br />

Klewetua, Rodney Sayers and Emily Luce.<br />

Constructed from local, rough-cut cedar<br />

and fir from two Port Alberni mills, the<br />

structure makes reference to two traditions<br />

common in British Columbia: the<br />

European sauna and the First Nations<br />

smokehouse. 1040 Moss St, 250-384-<br />

4171, www.aggv.ca.<br />

Continuing to April 17<br />

SOSAKU HANGA<br />

Art Gallery of Greater Victoria<br />

During the early 20th century, Japanese<br />

artists studying in Europe discovered that<br />

many acclaimed Western artists handled<br />

all aspects of the printmaking process<br />

from the first sketch to the last pull of the<br />

print. This discovery resulted in a new<br />

approach to printmaking in Japan. The<br />

AGGV’s permanent collection is one of<br />

the largest and most comprehensive sosaku<br />

hanga collections in the world. 1040 Moss<br />

St, 250-384-4171, www.aggv.ca.<br />

Continuing to May 23<br />

WATER + PIGMENT + PAPER<br />

Art Gallery of Greater Victoria<br />

This investigation into the Gallery’s<br />

collection of watercolour paintings uncovers<br />

an unexpected array of works that challenge<br />

assumptions about the medium.<br />

Spanning nearly 200 years of production<br />

and including works by Maxwell Bates,<br />

Pat Martin Bates, Emily Carr, Pegi Nicol<br />

MacLeod, Jack Shadbolt, Herbert Siebner,<br />

Margaret Peterson, Mark Tobey and Vera<br />

Weatherbie. Opening reception Jan<br />

29, 8-10pm. 1040 Moss St, 250-384-<br />

4171, www.aggv.ca.<br />

February 3–21<br />

RED<br />

Coast Collective Gallery<br />

Red is energizing. It sets our emotions<br />

alive and motivates us to take action. This<br />

show is all about the power of RED–in<br />

paintings, photography, glass art, sculpture<br />

and fabric art. Artists reception: Feb<br />

5, 7:30pm. www.coastcollective.ca, 103-<br />

318 Wale Rd, Colwood, 250-391-5522.<br />

February 6–March 3<br />

BLOOM: BONNIE LAIRD<br />

Martin Batchelor Gallery<br />

Bonnie Laird’s paintings of “undefined<br />

floral imagery embrace light, shadow,<br />

and ambiguous space to explore ideas<br />

of introspection, memory and dreams.”<br />

Opening reception Feb 6, 7-9pm. 712<br />

Cormorant Street, 250-385-7919,<br />

www.martinbatchelorgallery.ca.<br />

26 February 2016 • <strong>FOCUS</strong>


“The Struggle,” by Cameron Kuntz, at Gage Gallery in February<br />

February 9–27<br />

BODY & SOUL<br />

Gage Gallery<br />

Artists Arlene Nesbitt and Cameron<br />

Kuntz (image above) speak to the dialogue<br />

between Body and Soul and take us on a<br />

philosophical journey that is symbolic, yet<br />

personal and unique–exploring and<br />

responding to ideas and relationships<br />

between the material world and the spiritual<br />

one. From the esoteric to the physical,<br />

from the ethereal to the bawdy, their work,<br />

featuring drawings, paintings, photography<br />

and poetry, pulls us into that mysterious<br />

world of discovery and possibility. Reception,<br />

Feb 11, 7-9pm. 2031 Oak Bay Ave, 250-<br />

592-2760, www.gagegallery.com.<br />

February 12–March 9<br />

REMEMBERING ART THOMPSON<br />

Alcheringa Gallery<br />

This exhibition honours the late Nuu-<br />

Chah-Nulth artist, Art Thompson with a<br />

Serigraph Retrospective 1974- 2004.<br />

Well-versed in many artistic styles of the<br />

coast, Art developed his own innovative<br />

and distinctive interpretation of Nuu-Chah-<br />

Nulth design over many years. As a survivor<br />

of the Residential School System, Thompson<br />

passionately advocated for healing, transformation<br />

and change, by representing<br />

these themes in his art, and also by being<br />

a passionate community speaker on residential<br />

school abominations. This evolution<br />

of form and themes can be seen in Art<br />

Thompson’s pursuit for truth and healing<br />

throughout his life. 621 Fort St, 250-383-<br />

8224, www.alcheringa-gallery.com.<br />

February 18–March 9<br />

AUTO CORREKT<br />

Polychrome Fine Art<br />

Solo show of paintings by Cameron<br />

Kidd, whose paintings of graphic imagery<br />

are loaded with bold colour and refined<br />

lines, reflecting his long association with<br />

urban art aesthetics. Opening Feb 18,<br />

7-9pm. 977-A Fort St, 250-382-2787,<br />

www.polychromefinearts.com.<br />

February 24–March 6<br />

SPRING SHOWCASE<br />

Coast Collective Gallery<br />

This gallery exhibit will highlight the<br />

strength and diversity of southern Vancouver<br />

Island’s arts community. Meet the Artists<br />

Reception: Friday, Feb 26, 7:30-9:30pm.<br />

www.coastcollective.ca, 103-318 Wale<br />

Rd, Colwood, 250-391-5522.<br />

February 29–April 2<br />

MACDOUGALL & SPARANESE<br />

Eclectic Gallery<br />

Dan MacDougall presents the “Sea<br />

Wall Project”, encompassing painting,<br />

photography, fabric printing, sculpture,<br />

and the notion of preserving fragments<br />

of nature as a museum might. Alanna<br />

Sparanese uses the encaustic process<br />

combining bees wax, resin, pigment and<br />

photo transfer, fused by blow torch to<br />

render subtle, dreamlike images. Opening<br />

reception with artists March 5, 3-5pm.<br />

Eclectic’s Winter Salon, featuring pottery<br />

and paintings by regional artists, continues<br />

through February. 2170 Oak Bay Ave,<br />

250-590-8095, www.eclecticgallery.ca.<br />

Pulp and Process<br />

February 11 – March 8<br />

A group exhibition of works on paper<br />

by contemporary Canadian artists<br />

Opening reception Thursday, February 11th, 7 - 9pm<br />

606 View Street • 250.380.4660 • www.madronagallery.com<br />

“Tide Loppers” by Meghan Hildebrand, 11 x 14 inches, watercolour on paper<br />

www.focusonline.ca • February 2016<br />

27


METAL TYPE, SPECIAL COLLECTIONS AND UNIVERSITY ARCHIVES, UVIC LIBRARIES, PHOTOGRAPH BY JOHN FREDERICK<br />

February 19–May 16<br />

NEW BOOK HISTORIES: PUBLISHERS, PRINTERS & PRESSES<br />

Legacy Maltwood, University of Victoria<br />

This exhibition traces the role of publishers and printers in literary history from<br />

early production in scriptoria to 21st-century BC small presses. Learn how early<br />

publishers remade the codex in the 16th century, how 18th-century printers made<br />

Shakespeare, what drove Dickens to become his own publisher, how Lady Chatterley’s<br />

Lover escaped the censors, and why serial publication mattered. The exhibit, from<br />

UVic’s Special Collections and Archives, is curated by students of English 500 supervised<br />

by Dr Janelle Jensted. Mearns Centre-McPherson Library, UVic. www.uvac.uvic.ca.<br />

“MADRONA DRIVE” PAUL JORGENSEN, 24 X 36 INCHES, ACRYLIC ON CANVAS<br />

February 13–25<br />

THE ART OF ROMANCE<br />

West End Gallery<br />

Sweeten your Valentine this year with art! Local artist Elka Nowicka presents a<br />

series of floral paintings that will outlast any fresh bouquet and Alain Bédard captures<br />

romance by painting cozy café tables set for two. Ariane Dubois’ dreamy new paintings<br />

hint at love in the air while Grant Leier gets straight to the point with “A Crazy<br />

Little Thing Called Love,” as do Gabryel Harrison’s exquisitely painted red roses. Paul<br />

Jorgensen’s new paintings playfully capture cherished West Coast landscapes. There’s<br />

more and jewelry too. 1203 Broad St, 250-388-0009, www.westendgalleryltd.com.<br />

UNTITLED (BOWHEAD WHALE), TIM PITSIULAK, 36 X 96 INCHES, COLOURED PENCIL ON PAPER<br />

February 11–March 8<br />

PULP AND PROCESS<br />

Madrona Gallery<br />

A group exhibition of works on paper by contemporary Canadian artists. This<br />

show explores the various creative, often surprising ways artists use paper in their<br />

practice. From watercolours to detailed drawings, prints to three-dimensional collages.<br />

Featured artists include Meghan Hildebrand, Luke Ramsey, Barry Hodgson, Miles<br />

Hunter, Morgana Wallace and Catilin McDonagh. Also featuring Inuit artists Shuvinai<br />

Ashoona, Ningeokuluk Teevee and Tim Pitsiulak. Opening reception on Thursday<br />

February 11, 7-9pm. 606 View Street, 250-380-4660, www.madronagallery.com.<br />

“CLOUD OVER ISLAND” JIM PARK, 48 X 60 INCHES, OIL ON CANVAS<br />

Throughout February<br />

INTRODUCING JIM PARK<br />

Peninsula Gallery<br />

Jim Park’s primary goal is to unravel the relationship between one place and another,<br />

between what he can see and what is obscured by darkness. He approaches each<br />

painting without any set formula, in an effort to simplify the process, and be faithful<br />

to the creative evolution of each individual work. Born in 1978 in South Korea, Jim<br />

Park moved to Canada at age 13 and completed his BFA at the Emily Carr Institute<br />

of Art and Design. His work is collected both publicly and privately in Canada and U.S.<br />

100-2506 Beacon Ave, 250-655-1282, www.pengal.com.<br />

28<br />

February 2016 • <strong>FOCUS</strong>


“To Begin Again” by Kimberly Kiel, 36 x 36, oil on canvas<br />

Kimberly Kiel<br />

2184 OAK BAY AVENUE VICTORIA<br />

www.theavenuegallery.com 250-598-2184<br />

Exhibition<br />

RED, February 3-21 2016 | OPENING RECEPTION, February 5, 2016 | 7:30pm - 9:30pm<br />

RED is energizing. It sets our emotions alive and motivates us to take action. Come celebrate the<br />

Coast Collective’s Official Grand Opening on Friday night, February 5th. Try your hand at crafting<br />

an artisanal valentine and meet the artists from RED!<br />

This Valentine’s Day, Be Original, Buy Local<br />

At our local artisan Gift Shop, you can find one-of-a-kind, handmade Valentines cards and<br />

gifts for all the loves in your life, and support your arts community at the same time. Or give<br />

someone you love the gift of learning, with one of our dozens of workshops.<br />

www.focusonline.ca • February 2016<br />

29


February 3<br />

BLACK PIONEERS OF BC<br />

Royal BC Museum<br />

12-1pm, Newcombe Hall, 675 Belleville St. Free/<br />

by donation. 250-356-7226, www.royalbcmuseum.bc.ca.<br />

February 5<br />

THE ILLUMINATION EVENT<br />

Victoria Conference Centre<br />

The Victoria Yoga Conference hosts an evening of<br />

inspirational speakers as its opening night event. 7-<br />

9:30pm. $50 at www.victoriayogaconference.com.<br />

February 6 & 7<br />

THE WALL JAM PROJECT<br />

Victoria Conference Centre<br />

As part of the Victoria Yoga Conference marketplace,<br />

an interactive art installation–a social experiment to<br />

foster conversation using blank, white walls in an empty<br />

gallery. Free for conference delegates; $10 day/$15<br />

weekend. www.victoriayogaconference.com.<br />

readings & presentations<br />

February 14–March 13<br />

AFTERNOONS AT THE GALLERY<br />

Art Gallery of Greater Victoria<br />

A 4-part art lecture series focusing on the “shock of<br />

the new,” looking at art between the wars. 2-4pm, Feb<br />

14 & 21, Mar 6 & 13, 1040 Moss St. $35/ $30 per<br />

lecture or $120/ $100 for package (packages until Feb<br />

14 only). Tickets at 1040 Moss St, or www.aggv.ca.<br />

February 15<br />

PRAIRIE SUNSET<br />

Eric Martin Pavilion<br />

Dion Manastyrski will give a slide show presentation<br />

and share stories behind his new hardcover historical<br />

photography book, Prairie Sunset: A Story of Change.<br />

A short film will follow. The project began in 2003,<br />

when Manastyrski began photographing abandoned<br />

artifacts in the Canadian prairies: old homes, barns,<br />

schools, and churches. 6:30pm, Fort St. by Lee Ave. By<br />

donation. Books available for sale (cash only) and<br />

signing. More at www.moviemonday.ca.<br />

O’Malley’s<br />

Greenscapes<br />

Certified Horticulturist<br />

GARDEN SERVICES<br />

• pruning<br />

• bed tending<br />

• lawn maintenance<br />

• what have you<br />

Bryan O’Malley<br />

250.389.1783<br />

February 6<br />

WHAT’S IT WORTH?<br />

Art Gallery of Greater Victoria<br />

Learn the value of your treasures at this event organized<br />

by the Gallery Associates. Local auctioneers Alison<br />

Ross and Jeff Dean will verbally appraise your art,<br />

antiques, collectibles and other items. Up to two portable<br />

items will be evaluated at morning (10am-12:30pm)<br />

and afternoon (1:30-4pm) sessions. $35 includes Gallery<br />

exhibition access and light refreshments. Tickets at the<br />

Gallery, 1040 Moss St, or www.aggv.ca.<br />

February 6 & 13<br />

REPAIR CAFÉ<br />

Two venues<br />

Experienced “fixers” on hand to help you repair<br />

broken items: clothes, furniture, appliances,<br />

toys, bicycles, etc. Free with donations welcome.<br />

Feb 6, 10:30am-1:30pm: Pearkes Rec Centre, 3100<br />

Tillicum Rd. Feb 13, 9:30am-12:30pm: Victoria<br />

Public Library, central branch, 735 Broughton St. Info:<br />

www.repaircafe.org/en/locations/repair-cafe-victoria-bc.<br />

February 7<br />

FAMILY FAITH FAIR<br />

Cadboro Bay United Church<br />

Hosted by the Victoria Multifaith Society in honour<br />

of World Interfaith Harmony Week, on the theme of<br />

the spiritual education of children. Included will be a<br />

fundraising effort for the Syrian Refugee Program. Donations<br />

to the refugee program by cash or cheque will provide<br />

automatic entry in the prize draw. 1:30-4:30pm, 2625<br />

Arbutus Rd. Free. Info: victoriamultifaith@gmail.com.<br />

February 8<br />

PAINTED DOG TALK<br />

Robert Bateman Centre<br />

A fundraising and awareness event highlighting<br />

and supporting the work being done by Dr Gregory<br />

Rasmussen and the local community near Victoria Falls,<br />

Zimbabwe to protect the endangered African Painted<br />

Dog. 7-9pm, 470 Belleville St. $21.80 regular / $80.11<br />

VIP (includes time with Dr Rasmusseun and free refreshments)<br />

at www.oasesconservation.org/painted-dog.<br />

February 15<br />

FABLES IN FEBRUARY<br />

1831 Fern Street<br />

The Victoria Storytellers Guild invites you to hear<br />

and tell stories. Doors at 7:15pm, stories start at 7:30pm.<br />

$5/ students $3. Refreshments. Parking on Begbie.<br />

250-477-7044, www.victoriastorytellers.org.<br />

February 15<br />

JENNIFER ROBSON<br />

Munro’s Books<br />

The bestselling author of Somewhere in France and After<br />

the War is Over presents her newest book, Moonlight<br />

Over Paris. Set in a bohemian paradise teeming with<br />

actors, painters, and writers, the book recounts the<br />

artistic flourishing of France’s capital in the 1920s.<br />

7:30pm, 1108 Government St. 250-382-2464,<br />

www.munrobooks.com.<br />

February 16<br />

CANADIAN CLUB OF VICTORIA<br />

Harbour Towers Hotel<br />

Luncheon and talk by Louise Mandell, titled “The<br />

Truth and Reconciliation Commission Report: What<br />

now?” Mandell, QC, Chancellor of Vancouver Island<br />

University (VIU), is an Aboriginal rights lawyer and<br />

advocate for Canada’s First Nations. Tickets and info:<br />

www.thecanadianclubofvictoria.com.<br />

February 18<br />

FROM SNIPPETS TO SERIES<br />

University of Victoria<br />

Lecture with Dr Leslie Howsam (University of Windsor)<br />

on Historical Writing and the Book Historians. 4pm,<br />

room A003 Lower Level, Mearns Centre for Learning,<br />

McPherson Library. www.uvic.ca/library/locations/-<br />

home/spcoll/events<br />

February 19<br />

BLACK HISTORY ROUND TABLE<br />

École Victor-Brodeur<br />

Topic: “The Black French Community: Minority Among<br />

Minorities.” Followed by storytelling show. 6:30pm,<br />

637 Head St. By donation; register: vaccsociety@gmail.com.<br />

30 February 2016 • <strong>FOCUS</strong>


eadings & presentations<br />

February 20<br />

SEEDY SATURDAY<br />

Victoria Conference Centre<br />

Non GMO seeds, seedlings, fruit and olive trees,<br />

seed and used garden book exchanges (bring yours!),<br />

food and garden products, lots of speakers. New<br />

vendors. 10am-4pm, 720 Douglas St. $7 cash, under<br />

16 free. www.jamesbaymarket.com/seedysaturday,<br />

250-381-5323<br />

February 21<br />

THE SONG OF POETS<br />

Congregation Emanu-El Synagogue<br />

A fundraiser for the synagogue’s Syrian Refugee<br />

Family Sponsorship Project. Original poetry by Judith<br />

Castle, Dvora Levin, Isa Milman and Barbara Pelman,<br />

published poets and members of Congregation Emanu-<br />

El, will be featured with music by The Klez reflecting<br />

the essence of the poetry. 2pm (doors 1:30 pm), 1461<br />

Blanshard St. Light refreshments. Admission by donation.<br />

250-382-0615 or info@congregationemanuel.ca.<br />

February 25<br />

THE BANTAMS<br />

James Bay New Horizons<br />

The Victoria Historical Society presents “The<br />

Bantams: Victoria’s Unknown Soldiers” with Sidney<br />

Allinson. Based on his book, the military historian,<br />

novelist and chairman of the Pacific Coast Branch<br />

of the Western Front Association will relate the fate<br />

of this unique group. 7:30pm, 230 Menzies St.<br />

www.victoriahistoricalsociety.bc.ca.<br />

WILD<br />

HONEY<br />

By MICHAEL FRAYN<br />

Adapted from an original play by<br />

ANTON CHEKHOV<br />

FEBRUARY<br />

11-20, 2016<br />

DIRECTOR<br />

PETER McGUIRE<br />

SET DESIGNER<br />

DALLAS ASHBY<br />

COSTUME DESIGNER<br />

GRAHAM McMONAGLE<br />

LIGHTING DESIGNER<br />

MICHAEL WHITFIELD<br />

SOUND DESIGNER<br />

CAROLYN MOON<br />

STAGE MANAGER<br />

REBECCA MARCHAND<br />

PHOENIXTHEATRES.CA TRES.CA<br />

| 250.721.8000<br />

PREVIEWS @ 8PM: FEB. 9 & 10 | EVENINGS @ 8PM: MON. - SAT. |<br />

MATINEE @ 2PM: SATURDAY FEB. 20<br />

February 25<br />

CITY TALKS: CITIES OF REFUGE<br />

Legacy Art Gallery<br />

A presentation by Alison Mountz, Professor and<br />

Canada Research Chair in Global Migration, Department<br />

of Geography, Wilfrid Laurier University and Visiting<br />

Professor of Canadian Studies, Harvard University will<br />

explore the potential of all cities to become sites of refuge.<br />

7:30pm, 630 Yates Street. Free. www.thecitytalks.ca.<br />

February 27<br />

BLACK HISTORY MONTH CLOSING GALA<br />

Cedar Hill Rec Centre<br />

Pulchérie Mboussi, on behalf of the Victoria African<br />

and Caribbean Cultural Society, presents awards to<br />

several members of the black community who have<br />

distinguished themselves in the public, private and<br />

community sectors. Live music and dance celebration<br />

to follow. Dress code: black tie or African attire. 6:30pm,<br />

3220 Cedar Hill Rd. Admission by donation. RSVP at<br />

www.blackhistorymonthclosinggala.eventbrite.ca.<br />

February 29<br />

VANDANA SHIVA<br />

Farquhar Auditorium, UVic<br />

An evening lecture on the resilience of organic<br />

agroecosystems, innovative responses to the global<br />

industrial food system, and global examples that can<br />

inform local efforts here. 8-9pm, book signing to follow,<br />

University Centre. $20 advance at www.tickets.uvic.ca.<br />

Send your listing in the above format<br />

to focusedit@shaw.ca<br />

by the 15th of preceding month<br />

www.focusonline.ca • February 2016<br />

31


32 February 2016 • <strong>FOCUS</strong>


February 2–28<br />

THE VALLEY<br />

Belfry Theatre<br />

Joan MacLeod’s latest play. See story,<br />

page 38. 250-385-6815, www.belfry.bc.ca.<br />

February 6<br />

THE HUNT<br />

Intrepid Theatre Club<br />

A multidisciplinary investigation<br />

into masculinity, featuring and conceived<br />

by Impulse Theatre’s Artistic Director<br />

Andrew Barrett with John Han. 5pm &<br />

8pm shows, 2-1609 Blanshard St. $10<br />

at door only, starting 1 hour before showtime.<br />

www.intrepidtheatre.com.<br />

February 11–20<br />

WILD HONEY<br />

Phoenix Theatre, UVic<br />

Adapted from Anton Chekhov. This<br />

cocktail of melodrama and farce takes<br />

audiences to a provincial country estate<br />

where friends, neighbours and family<br />

gather for a party. Ages 13+. Fine Arts<br />

district, west side of campus, outside Ring<br />

Rd. 250-721-8000, finearts.uvic.ca.<br />

February 12–March 26<br />

MILLION DOLLAR QUARTET<br />

Chemainus Theatre<br />

Elvis, Jerry Lee Lewis, Carl Perkins, and<br />

Johnny Cash meet for the first (and only)<br />

time. Their red-hot jam session created<br />

a score of rock ‘n’ roll hits, including “Blue<br />

Suede Shoes,” “Fever,” “Great Balls of<br />

Fire,” and more. 1-800-565-7738,<br />

www.chemainustheatrefestival.ca.<br />

February 16–March 5<br />

BAD JEWS<br />

Theatre Inconnu<br />

Three young Jewish adults find themselves<br />

together in the aftermath of their<br />

grandfather’s funeral. A vicious and hilarious<br />

brawl over family, faith and legacy<br />

ensues. 1923 Fernwood Rd. Feb 16: $7<br />

preview; Feb 23: pay what you wish.<br />

$14/ $10 at www.ticketrocket.co.<br />

theatre<br />

February 17–21 & 24–27<br />

WHERE THERE’S A WILL<br />

Craigdarroch Castle<br />

2016 marks the 400th anniversary of<br />

Shakespeare’s legacy, and the Greater<br />

Victoria Shakespeare Festival is celebrating<br />

the greatest English dramatist in song,<br />

verse and cake. Meet Elizabeth I, Christopher<br />

Marlowe, Anne Hathaway, and Bill himself.<br />

Afterwards, recite your favourite line or<br />

couplet as part of “We are Shakespeare,”<br />

a global video project initiative. 8pm,<br />

1050 Joan Cres. www.vicshakespeare.com.<br />

February 18–20<br />

ACTION REVUE<br />

Metro Studio<br />

This presentation will delve deep into<br />

the differences and similarities between<br />

feminine and masculine. 8pm, 1411<br />

Quadra Street. $22 at www.ticketrocket.co.<br />

February 26–March 6<br />

ROBINSON & CRUSOE<br />

Metro Studio<br />

In this family production from<br />

Kaleidoscope Theatre, two unlucky soldiers<br />

from opposing sides find themselves<br />

stranded on the roof of a house adrift<br />

at sea. Together they must overcome their<br />

heightened suspicions if they are to make<br />

it out of this ordeal alive. 1411 Quadra<br />

St. $20 adults/ $13 age 17 & under at<br />

250-386-6121, www.rmts.bc.ca.<br />

dance<br />

February 26 & 27<br />

LES BALLETS JAZZ DE MONTRÉAL<br />

Royal Theatre<br />

Contemporary dance works by choreographers<br />

from Greece, Brazil and Israel.<br />

In Kosmos, Andonis Foniadakis draws<br />

his inspiration from the modern world,<br />

the frenetic pace of everyday. The score<br />

for Rodrigo Pedeneiras’ Rouge includes<br />

throat singing, the sound of waves, the<br />

rustling wind, and the cry of wild geese.<br />

Itzik Galili’s Mono Lisa, too, promises<br />

dynamic movement.7:30pm. From $29<br />

at 250-386-6121, www.rmts.bc.ca.<br />

Early Music<br />

Society<br />

OF THE ISLANDS<br />

S<br />

Back<br />

Bach<br />

Before Piffaro, fa<br />

The<br />

Renaissance Band<br />

PHILADELPHIA<br />

PHIA<br />

For 30 years, the gold<br />

standard ard in Renaissance<br />

wind music performance<br />

Recorders, rs, shawms, sackbuts,<br />

pipes<br />

20<br />

February 2016<br />

Box office<br />

Alix Goolden Hall 8pm<br />

250-386-6121<br />

www.earlymusicsocietyoftheislands.ca<br />

w.<br />

theislands.ca<br />

“WINDSWEPT SHORE” RON PARKER, 36 X 28 INCHES, OIL ON CANVAS<br />

Throughout February<br />

RON PARKER<br />

The Avenue Gallery<br />

Ron Parker’s oil paintings represent the culmination of all the skills he has acquired<br />

over 36 years of painting. He began with wildlife in the 1970s, learning how to render<br />

feathers, fir and foliage realistically, then began figurative paintings and portraits.<br />

In 2003 he began a series of over 400 “essentialist” paintings focused on form and<br />

rhythm using acrylics. In 2013 Ron embraced the medium of oil paints. By working<br />

wet into wet and using only one coat of paint in most paintings, he has returned to<br />

realistic, detailed renderings of landscape. But now he can create subtle water reflections,<br />

smooth gradations in clouds, as well as refined detail in foliage, capturing<br />

the detail, light, texture, colour and mood of any scene.<br />

“Windswept Shore,” left, is Parker’s majestic tribute to Clover Point in Victoria, where<br />

wind-whipped waves crash upon beached kelp as the storm clouds build—a typical<br />

West Coast day. 184 Oak Bay Ave, 250-598-2184, www.theavenuegallery.com.<br />

www.focusonline.ca • February 2016<br />

33


February 4<br />

SCHUBERT’S WINTERREISE<br />

Phillip T. Young Recital Hall<br />

Daniel Lichti, bass baritone, and pianist, conductor,<br />

author, vocal coach, and accompanist Leslie De’Ath<br />

perform Franz Schubert’s epic song cycle, a setting of<br />

24 poems by Wilhelm Müller. 8pm, MacLaurin Building,<br />

UVic. Free. www.finearts.uvic.ca/music/events.<br />

February 4–7<br />

PACIFIC BAROQUE FESTIVAL<br />

Two venues<br />

Presenting German baroque music before Bach.<br />

Including performances by the Pacific Baroque Festival<br />

Ensemble, the renowned German soprano Dorothee<br />

Mields, and the Victoria Children’s Choir. Program details<br />

and tickets: www.pacbaroque.com.<br />

February 5<br />

JIM BYRNES<br />

Mary Winspear Centre<br />

The Juno-award winning blues musician performs.<br />

7:30pm, 2243 Beacon Ave, Sidney. $40.95 at 250-<br />

656-0275, www.marywinspear.ca.<br />

February 5<br />

WINDS OF CHANGE<br />

Farquhar Auditorium, UVic<br />

University of Victoria Wind Symphony with the Naden<br />

Band of the Royal Canadian Navy performing Symphony<br />

No. IV: Bookmarks from Japan by Julie Giroux and Pictures<br />

at an Exhibition by Modest Mussorgsky (Ravel/Lavender).<br />

8pm, University Centre. $15/ $10 seniors & alumni/<br />

$5 students at 250-721-8480, www.tickets.uvic.ca.<br />

February 6 & 7<br />

BARB TOWELL & TINA CHANG<br />

Two venues<br />

Towell, mezzo-soprano, and Chang, piano, perform<br />

classical and popular vocal songs. Feb 6: 2:30pm, St<br />

Andrew’s Church, 9686 Third St, Sidney. Feb 7: 2:30pm,<br />

St Mary’s Church, 1701 Elgin Rd, Oak Bay. $25/ $20<br />

at door or 250-386-6121, www.rmts.bc.ca.<br />

February 7<br />

ALEX CUBA<br />

Mary Winspear Centre<br />

A singer-songwriter and musician pushing the boundaries<br />

of Latin music. 7:30pm, 2243 Beacon Ave, Sidney.<br />

$44.63 at 250-656-0275, www.marywinspear.ca.<br />

February 11–21<br />

THE BARBER OF SEVILLE<br />

Royal Theatre<br />

With its byzantine plot twists and irresistible music,<br />

Rossini’s farce is a conspiracy on behalf of youth, hope,<br />

and the joy of first love. Performance dates: Feb 11,<br />

13, 17, 19, 21, 805 Broughton St. From $25 at 250-<br />

386-6121, www.rmts.bc.ca.<br />

February 12<br />

THE LONELY<br />

Roxy Theatre<br />

A group of experienced musicians and performers<br />

in tribute to Roy Orbison. 7pm, 2657 Quadra St. $35.50/<br />

$30.25 at 250-382-3370, www.bluebridgetheatre.ca.<br />

music<br />

February 12–14<br />

VICTORIA DJANGO FESTIVAL<br />

Various venues<br />

Three nights of ’gypsy swing’ concerts, dance halls<br />

and speakeasy. See story page 36.<br />

February 14<br />

BARBARA EBBESON & ALISON NISHIHARA<br />

St Mary’s Church<br />

West Coast performers Ebbeson (mezzo-soprano)<br />

and Nishihara (piano) present Schubert’s song cycle<br />

The Beautiful Miller, paired with a cycle by Grieg, The<br />

Mountain Maid. Sung in German and Norwegian<br />

respectively. 2:30pm, 1701 Elgin Rd. $23.50 at 250-<br />

386-6121, www.rmts.bc.ca.<br />

February 17<br />

MATT ANDERSEN<br />

Farquhar Auditorium, UVic<br />

The renowned blues singer/ guitarist performs with<br />

a guest. 7:30pm, University Centre. $39/ $31/ $23<br />

at UVic Box Office, 250-721-8480, www.tickets.uvic.ca.<br />

February 17–March 23<br />

LENTEN CONCERTS<br />

St Mary’s Anglican Church<br />

Annual Lenten lunchtime concerts on Weds. Feb<br />

17: Curt Bergen, organ; Kelly Kyungch Chang, violin.<br />

Feb 24: Nathan MacDonald, baritone; Alana Hayes,<br />

mezzo-soprano; Csinszka Redai, piano. 12:10-12:55pm,<br />

1701 Elgin Road. Bring lunch. Coffee and tea provided. By<br />

donation ($8 suggested), proceeds to BC Cancer<br />

Foundation. 250-598-2212 or info@stmarysoakbay.ca.<br />

February 19<br />

BRUCE VOGT<br />

Phillip T. Young Recital Hall<br />

The pianist performs the late sonatas of Ludwig van<br />

Beethoven. 8pm, MacLaurin Building, UVic. $18/ $14<br />

at 250-721-8480, www.tickets.uvic.ca.<br />

February 19 & 21<br />

VICTORIA CHAMBER ORCHESTRA<br />

Two venues<br />

An all-Beethoven program with Symphony No. 1<br />

in C Minor and Symphony No. 3 in E Flat. Feb 19: 8pm,<br />

First Metropolitan Church, 932 Balmoral Rd (at Quadra). Feb<br />

21: 2pm, Oak Bay United Church, 1355 Mitchell St.<br />

$20/ $15; music students free at Long & McQuade,<br />

Ivy’s Bookshop, door, www.victoriachamberorchestra.org.<br />

February 20<br />

BACK BEFORE BACH<br />

Alix Goolden Hall<br />

Early Music Society of the Islands presents Philadelphia’s<br />

Piffaro: The Renaissance Band performing a program<br />

exploring the repertoire familiar to JS Bach’s father,<br />

Johann Ambrosius Bach. 8pm $30 at 250-386-6121,<br />

www.rmts.bc.ca. Also watch for Tafelmusik, March 5.<br />

February 27<br />

LAFAYETTE STRING QUARTET<br />

Phillip T. Young Recital Hall<br />

With pianist Arthur Rowe in a program including music<br />

by Murray Adaskin, Dmitri Shostakovich and Antonín<br />

Dvorák. 8pm, MacLaurin Building, UVic. $25 at 250-<br />

721-8480, www.tickets.uvic.ca.<br />

February 27<br />

DIEMAHLER CHAMBER GROUP<br />

St Mary’s the Virgin Church<br />

An Oak Bay Rotary fundraising concert for literacy<br />

and Syrian refugees. 2:30pm, 1701 Elgin Rd. $25<br />

(students by donation) at Ivy’s Bookshop or 250-386-<br />

6121, www.rmts.bc.ca.<br />

February 28<br />

JAZZ AT THE GALLERY<br />

Art Gallery of Greater Victoria<br />

Pianist Miles Black will interpret Oscar Peterson.<br />

2pm, 1040 Moss St. $35/ discount for AGGV or U-JAM<br />

members, includes gallery admission. Available at the<br />

gallery or 250-384-4171. Info and full lineup:<br />

www.aggv.ca/events/jazz-gallery-2016.<br />

February 28<br />

MAY LING KWOK<br />

Phillip T. Young Recital Hall<br />

The recording artist and instructor performs piano<br />

works by Mozart and Schumann. 2:30pm, MacLaurin<br />

Building, UVic. $18/ $14 seniors, students & alumni at<br />

250-721-8480, www.tickets.uvic.ca.<br />

February 29<br />

BRAHMS DOUBLE<br />

Royal Theatre<br />

Victoria Symphony Concertmaster Terence Tam and<br />

Principal Cello Brian Yoon play the Brahms’ Double<br />

Concerto. Schubert’s Symphony No. 9, led by VS Principal<br />

Guest Conductor Bernhard Gueller, concludes the concert.<br />

8pm. From $30 at 250-386-6121, www.rmts.bc.ca.<br />

Saturdays in February<br />

CHOIR REHEARSALS<br />

Cadboro Bay United Church<br />

The Victoria Good New choir invites people of all<br />

ages–families, children and seniors included–to join<br />

the choir. People are welcome to visit a rehearsal before<br />

joining. Repertoire includes music from the sixteenth<br />

century to funk, rock ’n roll, gospel, and more. Performances<br />

take place at many venues around Victoria throughout<br />

the year. Seasonal or semester fees for families, adults,<br />

youth, and first-time members are available on the<br />

choir website; children under 12 years are free when<br />

accompanied by an adult member. Info: 250-658-<br />

1946, www.victoriagoodnewschoir.com.<br />

Sunday nights in February<br />

FOLK MUSIC CONCERTS<br />

Norway House<br />

Feb 7: Morgan Davis; Feb 14: Odell Fox; Feb 21:<br />

Genevieve and the Wild Sundays; Feb 28: Paradise<br />

Street. $5/ 16 & under free. Feature performers after<br />

open stage unless noted. 7:30pm, 1110 Hillside Ave.<br />

250-475-1355, www.victoriafolkmusic.ca.<br />

Throughout February<br />

UVIC MUSIC EVENTS<br />

Phillip T. Young Recital Hall, UVic<br />

Concerts, lectures, workshops and recitals featuring<br />

School of Music faculty, students and guests. Several<br />

free and by donation events. Full listings at<br />

www.finearts.uvic.ca/music/events.<br />

34 February 2016 • <strong>FOCUS</strong>


music<br />

February 5–14<br />

VICTORIA FILM FESTIVAL<br />

Various venues<br />

Beginning with an opening gala, over 150 local,<br />

Canadian and international films will be screened over<br />

10 days. Special programs include Canadian Wave, French<br />

Canadian Wave, Indigenous and Asian and<br />

World Perspective. Also in the schedule are special<br />

events, including “in conversation” sessions with industry<br />

heavyweights, Sips ‘n’ Cinema, and family events.<br />

ConVerge returns to VFF for one day with over 30<br />

pop up cinemas screening films in unexpected locations<br />

from the City Hall clock tower to a dog house to<br />

a limousine. ConVerge starts with a street party on Friday,<br />

Feb 12 on Broad St, 4:30-7pm with music from local<br />

band Bucan Bucan. (Free; all ages).<br />

VFF films will be screened at the Vic Theatre, the<br />

Odeon, Parkside Hotel and Spa, and Star Cinema<br />

in Sidney. $2 membership required. Tickets, schedule<br />

and info: www.victoriafilmfestival.com.<br />

February 10<br />

AWARENESS FILM NIGHT: INHABIT<br />

Edward Milne Comm School, Sooke<br />

Permaculture evening, with the film Inhabit and<br />

panel discussion with three Sooke permaculture<br />

maestros. 7-9pm, 6218 Sooke Rd. By donation.<br />

www.awarenessfilmnight.ca.<br />

4-7 February, 2016<br />

Discover German baroque<br />

music before Bach<br />

Dorothee Mields<br />

Soprano<br />

Ben Butterfield Tenor<br />

Sumner Thompson<br />

Baritone<br />

Marc Destrubé,<br />

Artistic Director, violin<br />

Pacific Baroque<br />

Festival Ensemble<br />

Victoria Children’s<br />

Choir<br />

Alix Goolden<br />

Performance<br />

Hall<br />

907 Pandora Ave<br />

Christ Church<br />

Cathedral<br />

Quadra Street at<br />

Rockland<br />

Program details<br />

and tickets:<br />

pacbaroque.com<br />

February 26<br />

FILM SCREENING AND FEAST<br />

Open Space<br />

Since May 2015, Indigenous youth and artist mentors<br />

have been active in exploring different aspects of art<br />

practice. Participants are creating short films, finalizing<br />

a publication project and developing media installations.<br />

A public screening and community feast will<br />

showcase their projects and celebrate the program.<br />

5pm, 510 Fort St. By donation. 250-383-8833,<br />

www.openspace.ca.<br />

FESTIVAL SPONSOR PRESENTED IN<br />

PARTNERSHIP WITH<br />

THE GALLERY<br />

AT MATTICK’S FARM<br />

February 26<br />

FILM SCREENING<br />

Café Simpatico<br />

Western Canada premier of Life Is Waiting: Referendum<br />

and Resistance in Western Sahara, a documentary<br />

on Western Sahara and refugee camps in Algeria.<br />

Discussion to follow. 7:30pm, 1923 Fernwood Rd. By<br />

donation. Info: bbcf@bbcf.ca.<br />

Mondays in February<br />

MOVIE MONDAYS<br />

Eric Martin Pavilion<br />

Feb 1: What Happened Miss Simone? followed by<br />

guest Erin Michalak, PhD, Network Lead Associate<br />

Professor, Mood Disorders Centre, Dept of Psychiatry,<br />

UBC; Feb 8: Monsoon; Feb 15: Prairie Sunset author<br />

presentation and short films. Screenings at 6:30pm,<br />

Fort St by Lee Ave. By donation. www.moviemonday.ca.<br />

Throughout February<br />

MOVIE SCREENINGS<br />

Vic Theatre<br />

Including Spotlight Feb 1-4 and Victoria Film Festival<br />

screenings Feb 5-14. Most screenings at 4, 7 or<br />

9pm, 808 Douglas St. Listings at www.thevic.ca.<br />

Awakening the Dreamer, Changing the Dream<br />

with Gertie Jocksch, SC DMin<br />

4 Tuesdays, February 9 - March 1, 10am - 12pm<br />

$75 or $20 drop in<br />

Friends Meeting House, 1831 Fern Street<br />

Cosmic Story, Earth Story, Sacred Story<br />

with Gertie Jocksch, SC DMin<br />

& Margaret Walters, BA<br />

Saturday, February 20, 10am - 4pm<br />

$95 + applicable taxes<br />

Best to register by February 6, at RRU Continuing<br />

Studies, www.royalroads.ca/continuing-studies<br />

Please do not let cost deter you from<br />

attending—ask us about our scholarships.<br />

See website for more winter programs.<br />

earthliteracies@gmail.com<br />

250-220-4601 • www.earthliteracies.org<br />

Louise Monfette<br />

February 2 - 28<br />

Opening Reception Sat. Feb. 6, 1-3pm<br />

Artist in attendance<br />

109-5325 Cordova Bay Road • 250-658-8333<br />

www.thegalleryatmatticksfarm.com<br />

Open 10am - 5:30pm every day<br />

“Palm Desert Lines # 4” 24 x 18 inches, acrylic<br />

www.focusonline.ca • February 2016<br />

35


vibe<br />

ensemble Hot Club D’Europe—convenes at the cozy and intimate<br />

Hermann’s Jazz Club on the evening of February 14.<br />

Whether you’re a serious student of Gypsy jazz or just a casual passerby,<br />

this particular form of virtuosic, guitar-based acoustic swing lifts the<br />

spirits and inspires awe without any blare or bombast.<br />

“Gypsy jazz is incredible music, it just hits you with the soul and the<br />

technical prowess,” Swain says as he explains his passion for the art<br />

form. “No other jazz musician had the impact of Django Reinhardt,<br />

and how fascinating is it that this member of the Roma community—<br />

a community who faced incredible prejudice in Europe—found a home<br />

within African-American music in the 20s…and did it in Paris.”<br />

And while our region boasts a healthy population of what Swain<br />

calls “wonderful exponents of the form,” some of whom will grace the<br />

stages of the festival, headlining this year’s lineup is top international<br />

ensemble Hot Club D’Europe, featuring acclaimed virtuoso guitarist<br />

Paulus Schafer. “It’s our fifth year, and we’re finally bringing in some<br />

Old World masters,” Swain enthuses. Schafer, a native of the Netherlands,<br />

“has played with everybody and grew up in the tradition, not far from<br />

where Django Reinhardt was raised. Just the fact that we’re bringing<br />

those guys in for two exclusive concerts is a bit of a dream come true.”<br />

Swain wanted the festival to include some of the genesis of the<br />

legendary Reinhardt’s inspiration, and explore the Roma roots of the<br />

tradition. Bulgarian-born Vancouver violinist Lache Cercel and The<br />

Roma Swing Ensemble, featuring vocalist Miriam Bellamore, will offer<br />

this elemental aspect, he says. “It’s a more diverse, more international<br />

program than we’ve ever put forward; I’m excited about that.”<br />

Expanding the offerings into other areas of swing, Swain is also<br />

highlighting Vancouverites Petunia and the Vipers, “a veteran five-<br />

February can be a time<br />

of conflict in many<br />

hearts and relationships,<br />

as most of us fall into<br />

one of two opposing camps:<br />

those who would rather<br />

ignore the culturally-enforced<br />

mass celebration of romantic<br />

love in the middle of the<br />

month, and those who crave<br />

some kind of significant<br />

observance.<br />

It’s hard to know in which<br />

camp legendary jazz guitarist<br />

Django Reinhardt would<br />

have found himself, but the<br />

5th annual Victoria Django<br />

Festival offers what I’d call<br />

the perfect solution for the<br />

Valentine-phobic and -philic<br />

who are simply looking for<br />

a damned good time. The<br />

purpose of the three-day<br />

swingin’ smorgasbord is to<br />

fill the dark nights with music, celebration, food and drink—and show<br />

me the person in this town who doesn’t need some of that as we plod<br />

through these stubbornly soggy days of midwinter.<br />

Envisioned and organized by celebrated local bassist Oliver Swain—<br />

himself a longtime Gypsy jazz enthusiast—the Victoria Django Festival<br />

aims to deliver on more than just the musical front. Back in the day,<br />

Swain says, “they would have a full dance floor, good food, a full<br />

bar…We’re modelling this after the underground venues in Paris of the<br />

1920s; we try to stay in the spirit of providing fine traditional European<br />

bistro food and a kickin’ dance floor—and if you don’t want to<br />

dance all night, there’s lots of places to just relax and enjoy the music.”<br />

Swain hand-picked some of the best local providers of artisan food<br />

and drink: Hoyne’s Brewery, Pizzeria Prima Strada, and The Whole<br />

Beast Charcuterie, among other favourites.<br />

If that’s not enough to break the spell of sedentary screen time on<br />

the sofa, this festival offers more to those who overcome their inertia<br />

and dare to venture out. Friday and Saturday audiences will be in for<br />

a true “1930s European Hot Club” scene, with two adjacent venues<br />

offering contrasting entertainment experiences each night. Ticket<br />

holders can experience cabaret seating and a full dance floor in one<br />

area—along with food and beverage service available during concerts.<br />

Or pop into the more “concert-style” side of things, where jam sessions<br />

organically blossom and the focus is on listening. One admission price<br />

allows patrons to freely roam.<br />

Sunday’s event sounds like a winner if you’re looking for a more<br />

classically “romantic” experience. It’s fitting that this full-on dinner<br />

show—with a four-course, French-inspired Valentine’s Day feast created<br />

by guest chef Cosmo Meens and paired with international headliner<br />

Calling your inner Gypsy<br />

MOLLIE KAYE<br />

Swain on swing: The 5th Annual Victoria Django Festival.<br />

Oliver Swain Paulus Schafer Petunia<br />

36 February 2016 • <strong>FOCUS</strong>


“<br />

I’VE BEEN PASSIONATELY performing this music for<br />

years, and I wanted to do a Gypsy jazz music festival—<br />

and an event where there was food and dancing and<br />

concert experience all rolled into one night.”—Oliver Swain<br />

piece I’ve been following for a few years.” The band’s lead vocalist,<br />

he says, “is just a remarkable artist; he’s doing some really interesting<br />

things, and diversifying our lineup a bit by bringing in a full-on Western<br />

Swing ensemble.” Victoria-based groups the Marc Atkinson Trio and<br />

Trio Voltaire (with whom Swain himself will take up his bass<br />

during the shows) round out the list of performers.<br />

When I asked Swain whether he would be performing, he said<br />

that in the past few years of the festival, he hung back, but looks<br />

forward to taking the stage this time. “I’m an artist first; I’ve been<br />

passionately performing this music for years, and I wanted to do a<br />

Gypsy jazz music festival—and also wanted to do an event where<br />

there was food and dancing and concert experience all rolled into<br />

one night.”<br />

The impassioned, rhythmic precision of authentic renditions of<br />

labyrinthine 1920s and 30s Gypsy jazz repertoire does tend to inspire<br />

dancers of all ages to hit the floor; after all, the art form developed<br />

in an era when people came out to dance, not just listen.<br />

“All of our groups say they often end up doing [straight] concerts,”<br />

remarks Swain, “but one of the things that sets us apart from the way<br />

a lot of jazz is presented is to have the dance component, and our<br />

artists love it. They absolutely love the fact they can do a concert<br />

set on one side, then walk down the hall and play for dancers.”<br />

There are swing lessons offered before the Friday and Saturday shows,<br />

and a competition each night (with prizes) for the more experienced<br />

and flashy aficionados of the dance. Join in, or sit steadfastly in your<br />

chair—either way, the visual spectacle of swirling skirts, fancy footwork,<br />

and acrobatic “aerial” lifts is worth the price of admission. “During<br />

the show, people are really cuttin’ a rug,” says Swain. “It’s a total crowd<br />

favourite. Elite dancers from Vancouver and Seattle are now coming<br />

in to participate. Have a drink or snack and watch some pretty worldclass<br />

dancers; come early and learn a few steps.”<br />

Victoria Django Festival runs February 12-14. On Friday, Feb 12,<br />

Petunia & The Vipers and The Marc Atkinson Trio, 8pm at White<br />

Eagle Hall, 90 Dock Street: $25 advance (available at Hoyne Brewery,<br />

Lyle’s Place & Larsen Music) / $30 door; Saturday, Feb 13, Hot<br />

Club D'Europe, Petunia & the Vipers, Lache Cercel and the Roma<br />

Swing Ensemble, Trio Voltaire, 8pm at St Andrews Church & Kirk<br />

Hall, 680 Courtney: $40 advance / $45 door; Friday & Saturday pass:<br />

$60 advance / $70 door. Sunday, Feb 14, 6pm dinner concert with Hot<br />

Club D'Europe at Hermann’s Jazz Club, 753 View: $80 advance.<br />

Musicians can also check out DJANGOCAMP afternoon workshops<br />

with Paulus Schafer (Guitar), Olli Soikkeli (Guitar) and Lache Cercel<br />

(violin), $40 per class, booked at Larsen Music, 250-389-1988. See<br />

www.victoriadjangofestival.com.<br />

Mollie Kaye, a local writer and passionate lover of all<br />

things swing, will see you on the dance floor.<br />

Ea rly<br />

Music Society<br />

OF THE ISLANDSS<br />

House of<br />

Dreams<br />

TD<br />

Tafelmusik Baroque Orchestra<br />

ra<br />

TORONTO<br />

5<br />

March<br />

2016<br />

Alix Goolden Hall 8pm 8<br />

A magical multi-media journey<br />

to the meeting places of<br />

Baroque art and music<br />

www.earlymusicsocietyoftheislands.ca<br />

w.<br />

theislands.ca<br />

Box office 250-386-6121<br />

February 2 — 28<br />

2016<br />

The<br />

Valley<br />

BYJoan<br />

MacLeod<br />

DIRECTED BY ROY SURETTE<br />

“Relentlessly topical – and deeply<br />

empathetic” THE GLOBE AND MAIL<br />

TICKETS ON SALE NOW<br />

250 385 6815 / belfry.bc.ca<br />

1291 Gladstone at Fernwood<br />

www.focusonline.ca • February 2016<br />

37


The Valley<br />

curtain call<br />

MONICA PRENDERGAST<br />

Issues around policing and mental health lie at the heart of award-winning playwright Joan MacLeod’s work.<br />

Joan MacLeod<br />

The production of The Valley by Canadian playwright Joan<br />

MacLeod at the Belfry Theatre is a cause for cultural celebration.<br />

We are very fortunate to have MacLeod call herself a local<br />

playwright since moving to Vancouver Island in 2004.<br />

An associate professor of Creative Writing at the University of<br />

Victoria, MacLeod won the Governor General’s Award in 1991 for<br />

Amigo’s Blue Guitar, and has been shortlisted for it twice since. Her<br />

one-woman play The Shape of a Girl, a response to the Reena Virk<br />

murder here, won the Jessie Richardson and Betty Mitchell awards<br />

in Vancouver in 2001. The play toured across the country and has<br />

been performed many times internationally to this day (it has been<br />

translated into six languages). In 2011, MacLeod was the recipient<br />

of the prestigious Siminovitch Prize ($100,000) for playwriting. Jury<br />

chair Maureen Labonté said, “Joan is a master of expressing the<br />

profoundest human emotions, putting to paper the vulnerability, the<br />

compassion, the weaknesses and strengths of the human spirit.”<br />

I am pleased to call MacLeod my colleague at UVic, but my own<br />

connection to MacLeod goes back to 1987 when I saw her performing<br />

in her first play Jewel at the Tarragon Theatre in Toronto. The actress<br />

who was to play the role in this first of MacLeod’s numerous onewoman<br />

plays had left the production during rehearsal. MacLeod<br />

ended up playing the role of a young widow whose husband died<br />

in the Ocean Ranger oil rig disaster off the coast of Newfoundland.<br />

I was very moved by the play, found it beautifully<br />

written, honest and powerful. Although<br />

MacLeod was clearly not a professional actor,<br />

she delivered the text with simplicity and<br />

directness. I immediately placed Jewel on a<br />

list of plays I wanted to do myself someday<br />

(I did so in 2000), and became a fan of<br />

MacLeod’s work. I saw her next play Toronto,<br />

Mississippi at Tarragon and have been following<br />

her career ever since.<br />

After MacLeod and I became colleagues<br />

we have kept in touch the way overbusy<br />

professors usually do, with the occasional<br />

email, classroom guest visit, or chat on opening<br />

nights. I knew about the productions of The<br />

Valley that had been done at Alberta Theatre<br />

Projects in Calgary and at the Tarragon<br />

Theatre, both in 2013. When I learned that<br />

the play was part of the Belfry’s 2015-2016<br />

season, I invited MacLeod for lunch to<br />

talk about the genesis of the play and its<br />

reception elsewhere.<br />

Most of MacLeod’s plays have a social<br />

issue driving them at their heart. She is a<br />

socially engaged writer who has often been<br />

inspired by current events. The Valley addresses<br />

the ongoing challenges faced by those with<br />

mental health problems, particularly in their<br />

often negative (if not fatal) encounters with<br />

the police. In the play we see the after-effects of an encounter on a<br />

subway platform between a first year university student named<br />

Connor, who is suffering from depression, and a police officer named<br />

Dan. The encounter ends with Dan breaking Connor’s jaw and a<br />

number of his teeth.<br />

MacLeod tells me that the play arose in part from her concerns<br />

as a university instructor after witnessing too many students falling<br />

apart for various reasons, often including anxiety and depression.<br />

“These are very vulnerable years for young people,” she says. “I<br />

became more aware of the everydayness of mental illness. I can see<br />

the stress we create for students.” Indeed, stress and anxiety are the<br />

number one health issues for postsecondary students. And in some<br />

cases these conditions can tip students into depression.<br />

The play also developed in part as a response to the tasering death<br />

of Robert Dziekanski by RCMP officers at the Vancouver airport in<br />

2007. This event angered MacLeod, understandably so. She began<br />

to be interested in investigating how police officers deal with the<br />

complex job of being frontline workers with those who are mentally<br />

ill. “I go into writing plays with a certain bias,” MacLeod tells me,<br />

“and I want to get rid of that bias. I grew up with a negative attitude<br />

toward the police, but that changed as I aged and saw the<br />

need for the police, for them to protect me. These biases and how I<br />

try to address them are always interesting to explore.”<br />

38 February 2016 • <strong>FOCUS</strong>


“<br />

I BECAME MORE AWARE of the everydayness of<br />

mental illness. I can see the stress we create for students.”<br />

—Joan MacLeod<br />

The play includes a series of monologues by the four characters in<br />

it—Connor and Dan, Dan’s wife Janie (who is suffering from postpartum<br />

depression) and Connor’s mother Sharon—about their<br />

encounters with the police throughout their lives.<br />

Another impetus for the play came from MacLeod reading the<br />

award-winning book The Noonday Demon: An Atlas of Depression<br />

by Andrew Solomon. The book deeply affected MacLeod in its<br />

personal, social and scientific investigation of depression. The<br />

character of Sharon is MacLeod’s imaginative response to any mother<br />

dealing with her child’s depression, wanting to protect her child, and<br />

feeling the despair that can envelope someone who is dealing with<br />

a loved one in the throes of mental illness. “The process I go through<br />

is how I connect to characters. I love writing mothers and teenagers,<br />

remembering my own teenage angst and now having a teenage daughter<br />

at UVic myself. The police officer was more challenging for me to<br />

make that connection, but I do love him. This is not a play about<br />

police brutality; that’s not what it’s about,” asserts MacLeod.<br />

I asked MacLeod about the response audiences have had to the<br />

play in its previous productions in Calgary and Toronto (it has also<br />

been done in St Catharine’s and will be at the Arts Club in Vancouver<br />

this spring). She tells me that the Calgary response was very positive.<br />

However, in Toronto there was an even higher degree of interest in<br />

the play due to a recent event there. Three months before the production<br />

opened at the Tarragon Theatre, Toronto teenager Sammy Yatim<br />

brandished a three-inch knife and threatened passengers on a streetcar.<br />

He was shot at nine times and killed by police officer James Forcillo.<br />

Forcillo, charged with second degree murder, was recently convicted<br />

on a lesser charge of attempted murder.<br />

While this coincidence was of course just that, it galvanized audiences<br />

who came to the play seeking answers, and healing. “The play<br />

is about healing, the characters are in a healing circle as the potential<br />

is always there—the characters are on the edge of this circle,” says<br />

MacLeod. “It is not a dark and terrible night in the theatre. The play<br />

is hopeful, even funny. I hope the audience will leave feeling some<br />

compassion for people around us who are suffering and with more<br />

awareness about mental health issues.”<br />

WordsThaw<br />

2016<br />

The Malahat Review’s Literary Symposium<br />

Landsdowne Lecture<br />

Readings<br />

Panels<br />

Master Class<br />

UNIVERSITY OF<br />

VICTORIAIA<br />

March<br />

17–20<br />

Register today!<br />

#wordsthaw<br />

For more<br />

information,<br />

visit<br />

malahatreview.ca/wordsthaw<br />

The Belfry production is directed by former Artistic Director Roy<br />

Surette and features actors Rebecca Auerbach, Matt Reznek, Luc<br />

Roderique, and Colleen Wheeler. Set design is by Pam Johnson, lighting<br />

design by Itai Erdal, sound design by Brian Linds and costumes by Erin<br />

Macklem. The show runs from February 2-28 with tickets at www.belfry.bc.ca<br />

or by calling 250-385-6815. On Thursday, February 11 there will be<br />

a talkback after the show for audiences to engage in a discussion<br />

about the play. Focus is the proud media sponsor for The Valley.<br />

Monica continues to review for CBC Radio’s On the Island<br />

and to teach and conduct her research at the University<br />

of Victoria. This spring the second edition of her textbook<br />

Applied Theatre, co-authored and edited with Juliana<br />

Saxton, will be released.<br />

www.focusonline.ca • February 2016<br />

39


Nature is foreclosing<br />

coastlines<br />

AMY REISWIG<br />

The Climate Nexus calls for a transformative discussion on adapting our life-support systems to climate change.<br />

PHOTO: TONY BOUNSALL<br />

Dr Jon O’Riordan<br />

Most people I know would never say “I support ocean<br />

acidification” or “I support soil degradation” or “I support<br />

drought and food price increases.” Many of us pledge to<br />

fight these and other effects of carbon emissions—as if we can, like<br />

Superman, step out on the tracks and stop the runaway train. Yet<br />

often, through our actions, we unknowingly support the very things<br />

we say we stand against.<br />

In their book The Climate Nexus: Water, Food, Energy and<br />

Biodiversity in a Changing World (Rocky Mountain Books, December<br />

2015), Robert William Sandford and Victoria’s Dr Jon O’Riordan<br />

explain the Earth’s delicately interconnected systems—our life-support<br />

systems—and how our daily decisions affect them. The book’s goal<br />

is not to pretend we can stop the changes already set in motion but<br />

to encourage us to understand the nexus and to actively plan and<br />

adapt rather than just react when crisis hits. If we can’t stop the train,<br />

we can at least learn what power we have to steer or slow it.<br />

As the authors state simply, the nexus of where our demands for<br />

food, water and energy meet “lies at the very heart of human civilization.”<br />

But through population growth and climate change, which<br />

have become mutually entangled, human civilization is bumping<br />

up against the planet’s ability to meet those ever-increasing demands.<br />

“Nature is gradually foreclosing,” O’Riordan tells me matter of factly<br />

over morning tea. “It’s not overnight, but it is inexorable.”<br />

Our formerly resilient planetary systems are in decline. Whether<br />

it’s poor land use and agricultural practice leading to loss of soil—<br />

key for absorbing water, distributing nutrients, anchoring ecosystems<br />

and capturing carbon—or altered water cycles and ocean warming,<br />

the book warns of the “cascading effects of the failure to adapt to<br />

hydro-climatic change. On a global scale, failure leads first to greater<br />

vulnerability to extreme weather events, food crises, water crises,<br />

large-scale forced migration, and further human-made environmental<br />

catastrophes. These in turn lead to accelerating biodiversity loss and<br />

Earth-system collapse.”<br />

Bye-bye, beautiful blue planet. Sorry we were such demanding,<br />

messy, destructive guests.<br />

Does it have to be that way?<br />

Signed by 195 world leaders, the Paris agreement to limit and eventually<br />

reduce carbon emissions with a goal of keeping global warming<br />

to 1.5° C above pre-industrial levels is a cooperative, coordinated step.<br />

“Up until now, very seldom has humanity acted in concert,” O’Riordan<br />

notes, stressing that while we’ll only know five years from now if it’s<br />

been successful, “at least everybody signed one piece of paper.”<br />

But that piece of paper isn’t a licence for citizen complacency. Even<br />

within that limited warming scenario, big changes are coming—are<br />

actually already underway—and they’re not in civilization’s favour.<br />

For O’Riordan, there’s no question what we need to do: learn, get<br />

engaged and plan. And so the book promotes adaptation as not just<br />

an important policy area, but a personal practice. “Humans are the<br />

most damaging but also the most changeable” of Earth’s creatures,<br />

O’Riordan claims with a smile, sounding reservedly hopeful.<br />

Himself a committed cyclist (who despite being about 20 years my<br />

senior looks like he could easily leave me in the dust on the trails),<br />

O’Riordan has spent 35 years in the public service in areas of environmental<br />

management and land and resource planning, including<br />

as BC’s Deputy Minister of Sustainable Resource Management. In<br />

2007 he was invited to join Simon Fraser University’s Adaptation to<br />

Climate Change Team (ACT), a think tank focused specifically on<br />

studying risks associated with climate change and promoting adaptive<br />

solutions. He’s participated in three of their five major reports,<br />

and this book is the combination of five years of ACT research. As<br />

he says: “The nexus was much bigger than the individual parts, and<br />

they needed to be looked at together.” While the topic is bigger,<br />

the book itself is a manageable 150-ish pages, intended as an accessible<br />

introduction that can be read in a couple of hours. A second<br />

volume, on adaptive policies, is in the works.<br />

Adaptation is a way of taking some control of the train. It involves<br />

being creative in how we use the resources in the nexus, from looking<br />

at new technologies and business models to reorganization of governance<br />

structures and thinking beyond environmental sustainability<br />

to environmental restoration. Above all, it means uprooting entrenched<br />

attitudes. “If we don’t confront the value system that created our<br />

40 February 2016 • <strong>FOCUS</strong>


Focus presents: Triangle Healing<br />

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“<br />

IF WE DON’T CONFRONT the value system that<br />

created our problems in the first place, we will fail.”<br />

—Dr Jon O’Riordan and Robert William Sandford<br />

problems in the first place,” the<br />

authors warn, “we will fail.” That<br />

means that the needs—or what we<br />

perceive as needs—must also change.<br />

For instance, Canadian households<br />

throw away 2.1 million tonnes<br />

of food a year—“enough to fill<br />

Toronto’s Rogers Centre three times<br />

over,” the authors write. And waste<br />

occurs in land and resource use as<br />

well, often discounting ecosystem<br />

value in favour of single-resource<br />

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But our survival depends on turning<br />

away from a siloed and throwaway<br />

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and a love affair with the<br />

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sun-drying clothes on the balcony—<br />

something free and sustainable that eliminates wear on building<br />

systems and clothing, and reduces energy consumption. But because<br />

some people think it looks bad—perhaps, God forbid, makes it look<br />

like we can’t afford fancy machines—it’s prohibited. How much<br />

longer can we afford to let appearance rule our decision-making<br />

around resources?<br />

“All of our buying,” O’Riordan says, pointing to holiday consumption<br />

as an example, “is buying energy and water.” He laments that<br />

people don’t see that chain behind products and services, don’t realize<br />

the wasteful and environmentally destructive processes they’re<br />

supporting. That’s why we need what he calls transformative discussions<br />

and, above all, education—like the kind we get in this book.<br />

O’Riordan hopes that a better understanding of the nexus will<br />

motivate people to change their behaviour, not because it’s financially<br />

expedient but because it’s the right thing to do. His ideal would<br />

be for everyone, from primary to university, to take a course on the<br />

climate nexus. He’s currently helping develop a pilot course for use<br />

in high schools.<br />

Academic but applicable, the book is a call for us all to be creative<br />

engineers of our future. “In the end,” O’Riordan and Sandford<br />

conclude, “the entire human population on Earth is one…If we are<br />

to solve the crisis in the nexus, we will have to act in concert as one<br />

overall system, and learn to co-operate and support each other in<br />

ways that we have never thought of before. For better or worse, we<br />

are all in this together.” Full steam ahead.<br />

www.focusonline.ca • February 2016<br />

Writer and editor Amy Reiswig proudly and stubbornly<br />

stealth dries her clothes on the balcony.<br />

Clean water: the most economical path to optimum health<br />

In four decades of research,” says Triangle Healing Products owner Diane Regan,<br />

“I’ve found that two of the most valuable tools for optimum health are water<br />

distillers and structured water units. Drink clean water and your health will change<br />

for the better.” Distilled water is the most beneficial and most economical way to<br />

clean your water.<br />

Diane, a youthful looking 70-something, confirms, “I drink it, I promote it.” The<br />

benefits of drinking distilled water can be dramatic. Many people with arthritis state<br />

that they can knit again without pain, and fibromyalgia symptoms dissipate within<br />

the first month of drinking distilled water.<br />

The purpose of water in our bodies is to act as a solvent—to dissolve food<br />

substances for assimilation, and to dissolve inorganic mineral substances for elimination.<br />

Because our bodies are 75 percent water, it makes sense to drink the cleanest<br />

purest water. Dr. Allen E. Banik, author of The Choice is Clear, says, “Distilled<br />

water is the greatest solvent on Earth—the only one that can be taken into the body<br />

without damage to the tissues.”<br />

See the website aquariusthewaterbearer.com<br />

for more evidence<br />

and watch Andrew Norton Webber<br />

on Distilled Water research.<br />

Clean water also tastes better.<br />

One client had enjoyed a very good<br />

cup of coffee at her friend’s home—<br />

much better than she seemed able<br />

to brew at home. Yet both used the<br />

same brand of coffee. The key to<br />

the great taste she discovered, was<br />

her friend’s use of distilled water.<br />

As a result she came in to Triangle<br />

to buy her own distiller.<br />

Filtered water is not the same as<br />

distilled water, and in fact, can be<br />

dangerous. Decaying matter collects<br />

Precision Water System 8-gallons-per-day automatic<br />

counter-top distiller<br />

on the bottom of every filter, forming an excellent breeding ground for bacteria.<br />

Structure your clean water for optimum health. All water is dead, even distilled<br />

water, but structuring water is like sending it over a waterfall, erasing its negative<br />

memories and allowing it to return to its natural state. Clayton Nolte, a researcher<br />

who invented life-transforming Natural Action Water Structuring Technologies, calls<br />

structured water the ultimate health food. Beverages taste better, cut flowers last<br />

longer, livestock and pets are healthier, and less soap is required for washing.<br />

One Triangle client who had two arthritic dogs on medication and having trouble<br />

walking any distance, bought a water distiller and a structuring unit. Within a month,<br />

she reported that she couldn’t keep up with her dogs on their walks. There are no<br />

placebo effects with animals.<br />

Visit Triangle Healing Products to see the technology and to taste the difference.<br />

We are led to believe Victoria has a clean water source. Come into Triangle and<br />

see what is left after distilling one gallon of water. And bottled water is not as clean<br />

as we are led to believe either.<br />

Diane will show you the residue left behind when tap water is distilled, as well<br />

as photos of potatoes grown from discarded peels and watered with distilled structured<br />

water. Seeing is believing.<br />

Triangle Healing Products<br />

770 Spruce Avenue, Victoria, BC<br />

250-370-1818 • www.trianglehealing.com<br />

Triangle Healing Products, its owner, its employees do not provide medical advice or treatment. They provide information and<br />

products that you may choose after evaluating your health needs and in consultation with health professionals of your choosing.<br />

41


Sewercide<br />

urbanities<br />

GENE MILLER<br />

Local politicians are bumbling toward a multi-billion-dollar sewage treatment plan the community doesn’t need.<br />

Without intentionally wishing to set<br />

a fecal tone throughout this<br />

column, I have to say that Chris<br />

Corps, a local capital projects financial strategist,<br />

scares the crap out of me. By the time<br />

he finishes one of his patented rants about<br />

the long and still continuing history of CRD<br />

misstep on the wastewater treatment file, I’m<br />

left with the impression that we are being<br />

governed and managed, and our precious<br />

money sluiced down the drain, by Financial<br />

Limit Deniers, FLD’s—bureaucrats who<br />

blithely carry on, year after year, spending<br />

dough—our dough—on studies, reports,<br />

consultants, process, process, and more<br />

process, to the accompaniment of adding<br />

machine sounds, ka-ching! ka-ching!, and<br />

who have managed to-date to cut cheques<br />

for over (sit down, please) $76 million. On<br />

wastewater treatment planning. Not treatment.<br />

Planning.<br />

This is a form of legal and socially abetted<br />

insanity, and I call it that for a very particular<br />

reason. Any community—its citizens, its<br />

elected leaders, its managers—unable to<br />

understand the real public benefits money at<br />

that scale can deliver, and unable to impose<br />

and sustain a culture of judicious investment<br />

and spending, is insane.<br />

How much money is $76 million? It’s an<br />

amount large enough to transform Downtown’s<br />

public realm into a visual delight, an amenityrich<br />

physical paradise, instead of the grim,<br />

grubby and underwhelming mess it is today.<br />

Or we could direct that amount of money<br />

to economic development and business attraction,<br />

targeted to ocean science and marine<br />

tech, and win status as a pre-eminent global<br />

research and applied science centre (an<br />

outcome, by the way, that would pay business-creation<br />

and employment dividends for<br />

a very long time).<br />

Or we could, on our own, completely house<br />

and deliver all necessary services to the abject<br />

homeless, so that this collective social tragedy<br />

and human shambles didn’t stare up at us<br />

from every street-corner, park bench and<br />

cardboard mattress.<br />

A million, two million, even five million?<br />

Sure. But 76 million and counting? I’m stunned<br />

CRD management hasn’t received death<br />

threats. Or termination notices.<br />

As you read this, the Capital Regional<br />

District appears to be bumbling and stumbling<br />

toward a determination of site, operating<br />

system and budget on wastewater treatment—<br />

the latter described in the media as a roughly<br />

$1.1-1.3 billion infrastructure undertaking.<br />

Victoria Mayor Lisa Helps, who is current<br />

chair of CALWMC, the CRD’s Core Area<br />

Liquid Waste Management Committee, was<br />

quoted in the news in early December,<br />

reminding us that “[Cost is] at a conceptual<br />

level. When the last plan was first costed in<br />

2007, it was $1.2 billion and it came down<br />

to $788 million.”<br />

Let’s hope she’s right (after all, way lower’s<br />

way better), but let me borrow a few prophetic<br />

lines from Focus publisher David Broadland’s<br />

June, 2015 column: “If the sewage treatment<br />

project turns out to be anything like the<br />

[Johnson Street] bridge project, local taxpayers<br />

are in for a wild ride. The bridge experience<br />

provides insight into the level of optimism<br />

bias about cost that’s built into local political<br />

and governance cultures.”<br />

“Optimism bias.” Lovely and diplomatic turn<br />

of phrase. A less circumspect and more jaundiced<br />

observer might reach for “clusterfuck.”<br />

I guess chairs of regional liquid waste<br />

management committees can’t be quoted in<br />

the media showing pessimism bias: “Holy<br />

shit, if the conceptual cost is $1.3 billion,<br />

what’s to keep the actual cost from topping<br />

out at $2 or 3 billion?”<br />

This, by the way, is what the aforementioned<br />

Corps is forecasting. And who knows<br />

what Urban Systems, the CRD’s latest consultant<br />

on this project, is excluding from that<br />

billion-plus number, and whether all kinds<br />

of “marginal” items have been conveniently<br />

swept to the unlit corners of the public conversation<br />

about project scope and cost. Stuff like<br />

this could make catastrophists of even the<br />

most hopeful among us.<br />

As you read this, essential questions and<br />

contradictions continue to swirl regarding<br />

every aspect of this would-be project. Nothing<br />

in recent memory has triggered so much<br />

raging debate, released so much suspicion,<br />

or generated so much cynicism about the<br />

values and agendas of every player and stakeholder<br />

involved. Triggered everything,<br />

unfortunately, but a metaphoric lynch mob.<br />

If you sift all of the over-coffee gossip and<br />

business lunch rumour-swapping, you learn<br />

that: municipal politicians and CRD management<br />

have been seduced by consultants<br />

and suppliers of systems and services who<br />

wine and dine them; Ottawa listened to<br />

Seattle’s complaints about our deepwater<br />

sewer outfalls befouling Puget Sound without<br />

first considering the science that makes that<br />

an impossible outcome, and additional wastewater<br />

treatment unnecessary; all the local<br />

lefty politicians are supporting big infrastructure<br />

because it means lots of long-term work<br />

and fat contracts for union crews and companies;<br />

even though precedents exist, Ottawa<br />

wouldn’t exempt Victoria from the need for<br />

additional treatment, though it could have<br />

through a legal exclusion; local politicians<br />

are dismissively treating their worried<br />

constituents like pests or lunatics; innovators<br />

who propose to the CRD much cheaper<br />

alternatives to the conventional plan are<br />

humoured then sent away; local politicians<br />

are afraid of rocking the boat out of fear<br />

42 February 2016 • <strong>FOCUS</strong>


ANY COMMUNITY—its citizens, its elected leaders, its managers—unable<br />

to understand the real public benefits money at that scale can deliver, and unable<br />

to impose and sustain a culture of judicious investment and spending, is insane.<br />

Ottawa will never offer us another dime for<br />

capital works; the wastewater treatment plant<br />

site selection’s a done deal and Greater Victoria<br />

taxpayers are going to pay $70 million for<br />

the Rock Bay dirt alone; city streets and other<br />

arteries are going to be torn up for years,<br />

financially damaging nearby businesses without<br />

recompense; and, saving perhaps the worst<br />

for last, whatever “they” say it’ll cost—$800<br />

million or $1.2 billion—think “times two.”<br />

Concerning this last point, Eric Jaffe writes<br />

in The Atlantic: “The only thing we can confidently<br />

expect from a big infrastructure project<br />

is that it will cost way more than expected.<br />

The people who predict the cost of urban<br />

mega-projects do a terrible job. Nine in ten<br />

projects exceed their cost estimates. The overruns<br />

average 28 percent across the board.”<br />

So, let’s play loose and call 28 percent a<br />

third. One-third of consultant Urban System’s<br />

$1.1-1.3 billion estimate, rounded, comes<br />

to $400 million, making possible a total<br />

project cost of $1.6 billion.<br />

I’m not the sharpest spreadsheet on the<br />

block, but my napkin math suggests that<br />

regional taxpayers will be forking over $500-<br />

$800 or more a year for 50 years to deal with<br />

the capital and operating costs of this one.<br />

A link to a video of a CRD board meeting<br />

is quietly making the rounds these days. It<br />

features now ex-CRD Chair, Oak Bay Mayor<br />

Nils Jensen, quizzing a Stantec Engineering<br />

wastewater expert in a Q&A which conveniently<br />

permits the expert to draw the foregone<br />

conclusion that only conventional wastewater<br />

handling technologies are appropriate,<br />

other technologies being “risky” and<br />

“unproven.” If you tend toward fury over<br />

insane public spending protocols, you will<br />

find Jensen’s witness-leading performance<br />

surreal and vomitous, a strangely dreamlike<br />

piece of public theatre, and a revelatory<br />

example of inter-municipal aversion to innovation<br />

and enterprise clumsily dressed up as<br />

risk-avoidance.<br />

And this is central to the problem we’re<br />

facing: that the CRD mandate, or letters<br />

patent or charter nowhere states: “The CRD<br />

will treat the public’s money as a precious<br />

resource. It will not waste a dime. It will<br />

operate with a leadership model that makes<br />

it morally and operationally impossible to<br />

justify spending $76 million on wastewater<br />

treatment studies.” The CRD’s passions, character<br />

and esprit de corps may exist but are<br />

diffuse, and the problem is structural: No<br />

one had to raise his or her right hand at the<br />

moment of their appointment and state, cleareyed,<br />

“The buck absolutely stops here.”<br />

The stakes and implications of wastewater<br />

treatment decision-making are enormous.<br />

Wrong and costly choices will impact both<br />

taxpayers and public wealth. That is, this<br />

potentially multi-billion-dollar undertaking<br />

could for years make the taxpaying electorate<br />

gun-shy and hobble (or foreclose) other municipal<br />

spending on housing, public realm<br />

beautification, parks services, supports for<br />

culture and recreation, investment in economic<br />

development, other needed public works,<br />

and God knows what else on various municipal<br />

to-do lists.<br />

Helps, new to the CALWMC chair, is, in<br />

my opinion, staring system failure in the eye<br />

here—not evil, but a professional disregard<br />

for the limits of community wealth combined<br />

with insufficient recognition of the crucial<br />

need for thrifty, innovative thinking and<br />

doing. It’s difficult to understand exactly<br />

which public and/or professional bodies to<br />

hold to account, but I actually worry it’s the<br />

operating governance culture, a form of soft<br />

social rot. Like ash-raking an exhausted relationship:<br />

“Where did we go wrong?” and<br />

never coming up with an answer better than:<br />

“Oh, well, shit happens.”<br />

In a rangy Atlantic Magazine piece, “What<br />

Was Volkswagen Thinking,” writer Jerry Useem<br />

describes a landmark study of damage to the<br />

O-rings on the doomed space shuttle Challenger:<br />

“Engineers and managers developed a definition<br />

of the situation, a ‘script,’ that allowed<br />

them to carry on as if nothing was wrong.<br />

To clarify: They were not merely acting as if<br />

nothing was wrong. They believed it.”<br />

Quick, think of a synonym for optimism bias.<br />

Gene Miller is a founder of<br />

Open Space Cultural Centre,<br />

Monday Magazine and the<br />

Gaining Ground Conferences.<br />

He currently serves on the<br />

Mayor’s Task Force on<br />

Housing Affordability.<br />

JUNGIAN ANALYSIS is<br />

insight-oriented<br />

psychotherapy toward<br />

relief, authenticity,<br />

meaning, balance,<br />

and wholeness.<br />

Parenting Coach<br />

makes house calls,<br />

changes lives<br />

Catheryn Rogers<br />

250-686-4452 • touchinglives.ca<br />

touchinglives@shaw.ca<br />

STRUGGLING WITH LIFE?<br />

MARLENE BROUWER<br />

Jungian Psychoanalyst, I.A.A.P.<br />

D. Analytical Psych., C.G. Jung Institute-Zurich<br />

www.jungianconsultant.com<br />

Inquiries welcome: 778-679-5199<br />

www.focusonline.ca • February 2016<br />

43


natural city<br />

A birding evangelist’s Big Year<br />

MALEEA ACKER<br />

Knowing our fellow creatures inspires Ann Nightingale’s passion.<br />

When lifelong Vancouver Island<br />

resident Ann Nightingale started<br />

birding in the 1990s, she had in<br />

her head American naturalist Ken Kauffman’s<br />

words. If people could name 50 plants and<br />

animals in their own area, said Kauffman, it<br />

would fundamentally change how they fit<br />

into the world. A chance opportunity with<br />

a co-worker took Nightingale out to Skirt<br />

Mountain (now Bear Mountain) on her first<br />

birding trip. “It knocked my socks off,” she<br />

tells me. Within a year of studying, she could<br />

identify most of the birds in the Capital Region.<br />

Twenty years later, Nightingale, small, redhaired,<br />

with dancing eyes and a fortuitous<br />

name, tells me, “I’m a birding evangelist.”<br />

Her resume attests to the assertion. Nightingale<br />

is past president of the Rocky Point Bird<br />

Observatory (RPBO) and an 18-year volunteer<br />

with the organization. She coordinates<br />

Victoria’s Christmas Bird Count, serves on<br />

the board of the Victoria Natural History<br />

Society, and leads nature walks and gives<br />

lectures at various locations around the south<br />

island. She also writes her own blog, centering<br />

on a passion that bloomed throughout 2015.<br />

Last December, Nightingale chalked up<br />

final numbers for her “Big Year,” shorthand<br />

among birders for a year spent identifying<br />

and counting as many bird species as possible<br />

on Vancouver Island, then writing about them<br />

on www.vibigyear.ca. She had aimed for 275.<br />

Supporters pledged donations to the RPBO<br />

based on how many species she could find.<br />

When I contacted Nightingale, she had activated<br />

her Spot GPS and I followed her<br />

movements around Bamfield, where she was<br />

on a last dash to bring up her count.<br />

Vancouver Island’s bird species are on the<br />

decline, as are one in eight worldwide, according<br />

to the David Suzuki Foundation. Environment<br />

Canada estimated the nine leading causes of<br />

premature deaths of birds in a 2013 study<br />

(see sidebar). Domestic and feral cats are, by<br />

far, the biggest threat to birds.<br />

Lack of food can also be an issue. Mosquitos<br />

are one of the prime food sources of barn<br />

swallows, but as urban dwellers take more<br />

care to prevent mosquito larvae from<br />

hatching—for fear of West Nile Virus and<br />

for their own comfort—their primary meal<br />

disappears. Perhaps nowhere is this conflict<br />

Ann Nightingale<br />

more on display in the region than at Island<br />

View Beach, where local residents have become<br />

polarized around the Capital Regional District’s<br />

attempts to rehabilitate a native saltwater<br />

marsh below a subdivision of high-priced<br />

houses. Those who don’t want to slap at their<br />

arms on their patios in the evenings are fighting<br />

to prevent re-creation of the wetland—prime<br />

habitat for many native bird species who,<br />

along with frogs and other creatures, will eat<br />

the mosquitos.<br />

The root causes of overall bird species<br />

decline, however, are unknown. Findings<br />

tend to depend more on volunteers like<br />

Nightingale than on funded scientists. The<br />

Province collects and uses information gathered<br />

by Nightingale and other volunteers,<br />

including count numbers and bird banding<br />

expeditions. The Christmas Bird Count, sponsored<br />

by the Victoria Natural History Society<br />

(VNHS) and which she has coordinated since<br />

2001, features over 200 participants and is<br />

regularly cited by scientists.<br />

The count, which VNHS President Darren<br />

Copley says is the longest standing citizen<br />

science project he knows of, has taken place<br />

in Victoria since 1958. “It shows us where<br />

the birds are in winter, and how they are<br />

generally doing,” explains Copley. “Ann has<br />

made our area one of the most successful and<br />

well-attended Christmas Bird Counts<br />

anywhere,” he adds. Counting occurs on the<br />

first Sunday after December 13 every year.<br />

There is also a bird hotline for residents to<br />

The 9 leading causes<br />

of bird deaths in Canada*<br />

1. Domestic and feral cats 200 M<br />

2. Powerlines** 25 M<br />

3. Collisions with houses or buildings 25 M<br />

4. Vehicle collisions 14 M<br />

5. Game bird hunting 5 M<br />

6. Agricultural pesticides 2.7 M<br />

7. Agricultural mowing 2.2 M<br />

8. Commercial forestry .9 M<br />

9. Communications towers .22M<br />

* According to Environment Canada, 2013<br />

** Wind turbines accounted for about 16,700<br />

of these deaths<br />

call if they see an unusual bird at any time of<br />

the year. As the climate changes, the Christmas<br />

counts may prove more and more important,<br />

showing population trends that could tie into<br />

other environmental changes—from survival<br />

of native trees during increasing summer<br />

droughts, to species’ populations over time.<br />

Nightingale, a retired university administrator,<br />

now spends most of her time<br />

volunteering to raise awareness about local<br />

native species. On one pivotal moment,<br />

she and other volunteers were mist-netting<br />

and banding birds at Rocky Point, then fitting<br />

them with geo-locators. “We were handling<br />

a fox sparrow that had come back for the<br />

fifth consecutive year,” she explains. She<br />

loves the idea of a bird so tied to its roots and<br />

home that it could pass through the same 10-<br />

metre spot every fall. “Learning the birds,<br />

even a little bit, really improves observational<br />

skills, [provides] a feeling of connection and<br />

the changing of the seasons. It’s addictive,”<br />

she admits.<br />

Others have felt the same. Joan “JoAnn”<br />

Outerbridge’s estate supplied the RPBO with<br />

a five-year grant to continue banding and<br />

monitoring work. Nightingale and other<br />

volunteers lead monthly birding walks at<br />

Outerbridge Park in Saanich. Still, says<br />

Nightingale, the society is hard pressed to<br />

44 February 2016 • <strong>FOCUS</strong>


NIGHTINGALE, who ignores the occasional insinuation that as a women<br />

she is unfit for the stresses of a “Big Year,” wants to be a role model for<br />

other women who have an interest in the natural world.<br />

A long-eared owl, the 266th species<br />

Nightingale sighted on her year-long quest<br />

find enough funding for their research. “We<br />

have some amazing resources, and [the public]<br />

can visit Pedder Bay, Swan Lake and Goldstream<br />

with us. But I would like to see some professional<br />

fundraisers donate their skills to help<br />

RPBO achieve its goals.” Though Nightingale<br />

isn’t a formal fundraiser for RPBO or VNHS,<br />

she donates all speaking fees she receives.<br />

Nightingale is happy to have support from<br />

a female donor’s legacy; her interactions with<br />

the male world of birding haven’t always<br />

been as positive. “I’m trying to make this<br />

normal for a woman to do,” she says.<br />

Birding has a history entwined with more<br />

than a passion for simple perception. James<br />

Audubon shot and killed every bird he painted,<br />

and bird-watching’s roots in hunting, of<br />

which the modern variation would be “listing,”<br />

has lured mostly men. Nightingale, who<br />

ignores the occasional insinuation that as a<br />

women she is unfit for the stresses of a “Big<br />

Year,” wants to be a role model for other<br />

women who have an interest in the natural<br />

world. “It’s like going into a hunting community,”<br />

she tells me, “but I go out to enjoy the<br />

day. I haven’t been driven by the numbers<br />

as much.”<br />

PHOTO COURTESY OF ALAN AND ELAINE WILSON<br />

Still, the lure of a long-eared owl or a whitewinged<br />

crossbill can take her far out of many<br />

people’s comfort zones. Returning from Winter<br />

Harbour, her van struck a rough patch in the<br />

logging road and tore the underbody. She<br />

jacked the vehicle up, alone, and cut off the<br />

hanging pipes before continuing home.<br />

By December 31, after a month of rain and<br />

terrific wind storms, Nightingale had seen<br />

268 species of songbirds, waterfowl and<br />

raptors, including more than a few rarities.<br />

This number sets a new record for Vancouver<br />

Island, and she recognizes that she’s become<br />

one of the top birders on the island.<br />

So do her cohorts. This spring, nominated<br />

by the RPBO board, she will receive a Governor<br />

General’s Caring Canadian Award for her<br />

volunteer work.<br />

“One of my life regrets as an adult was that<br />

I had never learned the names of the birds<br />

and the constellations,” Nightingale tells me<br />

during our meeting in a crowded Tim Horton’s,<br />

where she meets with birders or waits for<br />

calls of sightings.<br />

Her words make me remember an old<br />

Madeleine L’Engle children’s book I loved,<br />

in which a wise creature says to the protagonist:<br />

You don’t have to know how many<br />

stars there are; you just have to know them<br />

by name. Nightingale’s quest, though its roots<br />

may lie in the colonial past, echoes this sentiment.<br />

Out in the weather of Balaclava Island,<br />

near Port Hardy, amidst the frosts of Sooke,<br />

or telling me about a Black-throated sparrow<br />

sighting while we sip coffee, her passion<br />

centres around the journey and the names<br />

more than the final numbers.<br />

Ann Nightingale often leads the Rocky<br />

Point Observatory Bird Tours on the second<br />

Sunday of each month, 9 am, at Outerbridge<br />

Park in Saanich. Everyone is welcome. See<br />

www.rpbo.org<br />

Maleea Acker is the author<br />

of Gardens Aflame: Garry Oak<br />

Meadows of BC’s South Coast<br />

(New Star, 2012). She is<br />

currently completing a PhD<br />

in Human Geography, focusing<br />

on the intersections between<br />

the social sciences and poetry.<br />

Outerbridge Park<br />

Monthly Bird Walks<br />

House finches<br />

Female (l) and male<br />

Rocky Point Bird Observatory hosts monthly<br />

bird walks at Saanich’s Outerbridge Park<br />

on the 2nd Sunday of each month at 9 am.<br />

Novice and experienced birders are all<br />

welcome. Meet at the parking lot off Royal<br />

Oak Drive (near Blenkinsop Rd).<br />

You can find more<br />

information at:<br />

www.rpbo.org<br />

This notice made possible by Marlene Russo, lawyer and mediator<br />

Gail K. Perkins Inc.<br />

Ruby Gail Alicia<br />

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are your expectations”<br />

Please visit our website at<br />

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for more information about our services:<br />

• Bookkeeping<br />

• Payroll, WCB<br />

• PST, GST<br />

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• Corporate tax returns (T2)<br />

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250-590-3991 • gail@gkperkins.ca<br />

Image courtesy of Alan and Elaine Wilson<br />

Photo by Gary Utley<br />

www.focusonline.ca • February 2016<br />

45


finding balance<br />

Snuggle up with koselighet<br />

TRUDY DUIVENVOORDEN MITIC<br />

The yarn that keeps us knitted together, especially through winter.<br />

On a recent moonless night<br />

when the wind was once<br />

again mitt-slapping rain<br />

against the house, I was curled<br />

up on the couch with an article<br />

about life in Norway’s far north.<br />

Winter hits cold and hard in these<br />

small tundra towns: Even the sun<br />

shrinks away to just a thin, indifferent<br />

glimmer on the horizon.<br />

You’d think the people who live<br />

here would be more prone to<br />

seasonal depression, but that<br />

doesn’t seem to be the case.<br />

“Why would we be?” they ask<br />

quizzically, explaining that the<br />

close-knit nature of their communities<br />

and love for the outdoors<br />

keep them well buoyed through<br />

the long winters. Norwegians, it<br />

turns out, believe there’s no such<br />

thing as bad weather, only bad<br />

clothing choices. And they fully<br />

embrace the notion of koselighet,<br />

a word the author then tries and<br />

fails to define in English.<br />

I straighten up. I recognize that<br />

word. I know it in Dutch: gezelligheid,<br />

a term that also evades<br />

translation but is the essence of<br />

social interaction, intimate settings<br />

and personal serenity. Think of love, camaraderie, contentment,<br />

comfort and joy all rolled up into one abstract word. Think of that<br />

shivery-cozy feeling that comes when the moment is perfect and wellbeing<br />

overflows.<br />

For years my siblings and I have been searching for that one English<br />

word that can explain this hallowed notion to family newcomers—<br />

you know, those nice boys and girls who eventually become husbands<br />

and wives. But we failed of course, so they all had to plunge in and<br />

grasp it holistically, as did the children who followed. Now they all<br />

love gezelligheid too.<br />

In Norway, koselighet is the yarn that keeps northern communities<br />

knitted together, especially through winter. A companionable<br />

evening that involves candles, fine music, a crackling fire, a glass of<br />

wine and simple good food certainly invokes the inner warmth of<br />

koselighet. So do fuzzy socks and lap blankets, mugs of hot chocolate<br />

or cider after coming in from the cold, and feet up on the coffee<br />

table. Offering slippers to your guests is very koselig. Fussing and<br />

stressing over any of this is decidedly not. You see the pattern.<br />

Thankfully our winter is not nearly as long and cold as it is in the<br />

north, but that’s not to suggest we don’t have our own challenges.<br />

There’s the incessant rain that ironically tends to keep us more house<br />

ILLUSTRATION: APRIL CAVERHILL<br />

bound than a snowy landscape<br />

would. The protracted parade of<br />

dimly lit days that fade early into<br />

darkness certainly wears on the<br />

mood as well. But never mind:<br />

koselighet/gezelligheid can be our<br />

tonic too.<br />

Friends gathering over a big pot<br />

of chili, a stack of great novels,<br />

and your best-loved scarf all have<br />

the kernel of koselig. A walk along<br />

the ocean or up Mount Work with<br />

your pal and a backpack carrying<br />

tea for two—mmm, so gezellig.<br />

Glowing candles and strings of<br />

warm lights, whether for welcoming<br />

friends or enjoying contented alone<br />

time, are definitely koselig. So is<br />

a favourite mug in your hands, a<br />

group walk in the rain wearing<br />

proper gear, and the return back<br />

home to warmth and dryness.<br />

Gratitude for shelter is steeped in<br />

gezelligheid. Complaining about<br />

the weather is not.<br />

My Dutch-Canadian dictionary’s<br />

attempt to translate gezellig comes<br />

up with “snugness.” Snugness is<br />

a very good winter word. We snug<br />

up our homes with light and heat,<br />

and feel snug in our beds with extra<br />

blankets on top. Before heading outdoors we snug up our scarves and<br />

boot laces and the drawstrings on winter jackets. We meet for<br />

lunch and subconsciously all lean in a little closer. We snuggle with<br />

children over a bedtime storybook, which somehow feels far more<br />

gezellig in winter than in summer.<br />

Dream of spring if you must, to get through these last weeks, but<br />

also see winter in its proper light. Note the softer hues of the landscape,<br />

the splendour of the moon (and it has been grand these past<br />

few months) and the serenity of life slowed down just a notch. Winter<br />

can be a beautiful thing.<br />

It’s not too late to start embracing mindful koselighet. The Norwegians<br />

would suggest candles and slippers after skating with friends. The<br />

Dutch would propose that it all begins with coffee. Clearly there is a<br />

whole other way to do winter.<br />

Trudy has always been a winter person. Slippers,<br />

long underwear and hot apple cider are a few of her<br />

favourite things.<br />

46 February 2016 • <strong>FOCUS</strong>


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47


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