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PM 40051145<br />
<strong>FOCUS</strong><br />
Victoria’s monthly magazine of people, ideas and culture February 2016 $3.95
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2 February 2016 • <strong>FOCUS</strong>
contents<br />
February 2016 VOL. 28 NO. 5<br />
STERLING STANFORD<br />
CHARTERED PROFESSIONAL ACCOUNTANTS<br />
4 OUR <strong>FOCUS</strong> IS CHANGING<br />
After 28 years as a monthly, we’re going to decarbonize a bit.<br />
Leslie Campbell<br />
12 OPTION 10: OUR BEST BET TO AVOID SEWERCIDE?<br />
Fisheries Act requirements for sewage treatment in Victoria<br />
could be met for less than $200 million.<br />
David Broadland<br />
16 STANDOFF AT POLAK SPRINGS<br />
Shawnigan Lake residents dig in for a long fight to protect their water<br />
from a controversial contaminated soil landfill.<br />
Judith Lavoie<br />
18 WHOSE SECRET INSTRUCTIONS WASTED $100 MILLION?<br />
The likely cost of the unjustified firing of eight Ministry of Health researchers<br />
is staggering, yet no one has been held accountable.<br />
Alan Cassels<br />
20 TRANS MOUNTAIN OPPONENTS GET BOOST FROM FEDS<br />
How the National Energy Board found itself<br />
under attack by everyone in January.<br />
Briony Penn<br />
22 ILLUMINATING THE EVERYDAY<br />
Barbara Callow uses light to bring life to the painted form.<br />
Aaren Madden<br />
36 CALLING YOUR INNER GYPSY<br />
Swain on swing: The 5th Annual Victoria Django Festival.<br />
Mollie Kaye<br />
38 THE VALLEY<br />
Issues around policing and mental health lie at the heart of<br />
award-winning playwright Joan MacLeod’s work.<br />
Monica Prendergast<br />
40 NATURE IS FORECLOSING<br />
The Climate Nexus calls for a transformative discussion<br />
on adapting our life-support systems to climate change.<br />
Amy Reiswig<br />
editor’s letter 4<br />
readers’ views 6<br />
talk of the town 12<br />
palette 22<br />
the arts in february 26<br />
vibe 36<br />
curtain call 38<br />
coastlines 40<br />
urbanities 42<br />
natural city 44<br />
finding balance 46<br />
ON THE COVER<br />
“Fan Tan Alley” by Barbara<br />
Callow, 24 x 20. See<br />
story on page 22.<br />
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Specialty antique and vintage desks<br />
42 SEWERCIDE<br />
Local politicians are bumbling toward a multi-billion-dollar<br />
sewage treatment plan the community doesn’t need.<br />
Gene Miller<br />
44 A BIRDING EVANGELIST’S BIG YEAR<br />
Knowing our fellow creatures inspires Ann Nightingale’s passion.<br />
Maleea Acker<br />
Your desk, your sanctuary. Timeless. Soulful.<br />
A selection of desks now available<br />
at Bolen Books and Russell Books<br />
46 SNUGGLE UP WITH KOSELIGHET<br />
The yarn that keeps us knitted together, especially through winter.<br />
Trudy Duivenvoorden Mitic<br />
250-477-7457<br />
www.timeregained.net<br />
February 2016 • www.focusonline.ca<br />
3
editor’s letter<br />
Our focus is changing<br />
LESLIE CAMPBELL<br />
After 28 years as a monthly, we’re going to decarbonize a bit.<br />
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www.Discovery-Islands-Lodge.com<br />
In 1988 I started the pre-cursor to Focus, a monthly magazine called<br />
Focus on Women. Those were the days when a person with no<br />
money, a friend’s Mac Plus, a waxer, a bit of moxie, and a lot of<br />
help from friends, could start a magazine. And survive. Although<br />
when I think of producing page layouts on that six-inch screen, I am<br />
not sure how we did it.<br />
Technology has always been key to being able to produce a monthly<br />
magazine. From 28 years on, though, the “advanced desktop publishing<br />
technology” we used back in ’88 seems archaic. When I rented a<br />
photocopier that could re-size logos for the ads, which were all cut<br />
and paste affairs, it was a huge step forward. Those were pre-scanner<br />
days. The “waxer” was a little electric hand-roller that had a cavity<br />
containing melted wax. You rolled the back of pages with the wax<br />
and pasted them onto large, four-page printer flats, carefully aligning<br />
them with the print area (a light table helped). Then we had to paste<br />
up the editorial images and ads. Photo mechanical transfers (PMTs)<br />
were screened photos made for us to the needed size at Island Blueprint<br />
on a room-size camera.<br />
Once completed, the flats were driven to the printer—after which<br />
I collapsed for a few days. Then I and some volunteers loaded our<br />
cars with bundles of magazines and dropped them off at numerous<br />
distribution sites.<br />
It’s fascinating for me—321 editions later—to reflect on such beginnings<br />
and the changes I’ve lived through as an editor and owner of a<br />
local magazine. I was there before scanners and faxes and pagers<br />
and cell phones, let alone digital cameras, the internet and online<br />
proofing. When I compare the early days of producing Focus on<br />
Women to our pre-press production now, about the only similarity is<br />
still having a few late nights prior to our press deadline—and thankfully<br />
not as late.<br />
Besides the technology, there have been other changes of course.<br />
The biggest one was the shift in focus. In 2004, David Broadland and<br />
I transformed Focus on Women to Focus: “Victoria’s monthly magazine<br />
of people, ideas, and culture.” Around the same time, we went<br />
from newsprint to full-colour glossy pages. And soon thereafter,<br />
we started publishing our stories on our website, www.focusonline.ca.<br />
Though there’ve been plateaus, change has been a near constant<br />
in our publishing careers. But it’s the web that has been the biggest<br />
game-changer. Research is so much easier that we do a lot more of<br />
it. We can publish stories almost instantaneously. Online, we can reach<br />
far more people, for far less cost, at the expense of far fewer or no<br />
trees. If we find out a new fact, or heaven forbid, find out something<br />
we published is not accurate, we can immediately correct it online,<br />
rather than wait a full month. We can reach younger people for whom<br />
a printed product seems a bit alien. The web allows more possibilities,<br />
too, for interaction, between Focus and our readers, as well as<br />
between readers who share the stories. It also allows stories to be told<br />
with sound and moving images.<br />
For those very reasons, the web has been massively disruptive to<br />
the publishing industry. For years now we’ve been hearing of the<br />
transformations among media players; the movement of ad revenue<br />
away from print and towards the web; the lack of a sustainable model<br />
4 February 2016 • <strong>FOCUS</strong>
Focus presents: Kirk Béasse Psychology<br />
ADVERTISEMENT<br />
BECAUSE MANY OF OUR READERS still express a<br />
strong affinity for reading words on paper, we will<br />
continue to print Focus but on a bi-monthly schedule—<br />
starting next month with our March/April edition.<br />
for funding investigative journalism, particularly at the local level;<br />
the competition for attention from Facebook and all that click bait<br />
the internet dishes up.<br />
It can be unsettling at times. This January alone brought news of<br />
Postmedia collapsing its newsrooms in four cities; the 141-year-old<br />
Nanaimo Daily News being shuttered by Black Press; the even older<br />
Guelph Mercury (the only paper in its city) closing its print operations;<br />
the elimination of 200 positions at Rogers Media (which<br />
owns 40 magazines, as well as TV and radio stations); and the<br />
loss of hundreds more jobs at the Toronto Star. Again, that’s just in<br />
the past month in Canada.<br />
It is hard for big and small players alike to find a way to pay for<br />
quality journalism. But it may well be easier for small, nimble, lean<br />
publishers like Focus to carve out a niche for journalism’s survival.<br />
We have less baggage and are fuelled more by passion for telling our<br />
community’s stories than by making a profit.<br />
Inevitably, the web is the place to be for virtually any publisher.<br />
For Focus, the opportunities luring us to do more online are too many<br />
to resist. Our digital magazine offers the ability to produce more journalism<br />
about local and regional issues and the arts, as well as a<br />
community forum, all without the big press bill. We can provide<br />
updates on the website about developments in the stories our writers<br />
cover regularly—from homelessness, sewage treatment, and the City’s<br />
new bridge, to art shows and environmental news.<br />
Because many of our readers still express a strong affinity for reading<br />
words on paper, we will continue to print Focus but on a bi-monthly<br />
schedule—starting next month with our March/April edition (my<br />
322nd). The print edition will be more robust, with more pages, more<br />
visual arts coverage, interviews, and investigative reporting. But<br />
the reduced frequency of printing and the fewer constraints on our<br />
time that will accompany it, will allow us to explore how to further<br />
our mission—to foster dialogue on important local social, political<br />
and environmental issues and celebrate the arts—in the wide-open<br />
spaces online.<br />
Finally, applying the climate change lens, all businesses are going to<br />
have to work towards decarbonizing their businesses. For us the obvious<br />
way to do that is to lower our consumption of CO 2 -absorbing trees.<br />
At Focus we strive to provide independent, critical analysis of issues<br />
that would likely otherwise not be covered. We plan to do more of<br />
that more often, online.<br />
Though independently owned by David and I, Focus is really a<br />
community project, reflecting this special place of ours and involving<br />
the people who inhabit it. Thanks for being here—in print and online.<br />
www.focusonline.ca • February 2016<br />
After 28 years with Focus, Leslie Campbell thinks<br />
she’ll make it to 30—though she never would have<br />
believed that back in 1988. And she never would<br />
have imagined all the twists and turns and wonders<br />
along the way.<br />
Looking to the body to help heal the mind<br />
When I reach out for<br />
“<br />
support from others, I hope<br />
for gentleness, respect,<br />
and caring. This is what I<br />
strive to provide those who<br />
reach out to me.<br />
“<br />
—Mr. Kirk Béasse<br />
Registered Psychologist<br />
We all go through stressful situations in our lives—the death of a family<br />
member, the loss of a job, challenges with family or friends, or a more<br />
general sense of anxiety. When we try to avoid uncomfortable emotions,<br />
and don’t fully express and experience what we feel, the pressure can build in our<br />
bodies and minds until, eventually, something has to give.<br />
When it does, there are often major consequences—and opportunities. Kirk Béasse,<br />
a Registered Psychologist in Victoria, is passionate about bringing mind and body<br />
together to help people heal in a more holistic way. “Clients who have physical symptoms—in<br />
their stomach, head, or chest—can work with the tangible experience<br />
they’re having in their bodies and connect it with their emotional lives to uncover<br />
deeply symbolic and powerful access points to healing and understanding.”<br />
Kirk’s bright, beautiful, tranquil office, nestled beneath three giant Sequoia trees<br />
in Fairfield, helps clients feel comfortable the moment they walk in the door. The<br />
feedback he hears most often, he says, “is a feeling of being safe and understood<br />
when talking to me—that my particular approach helps them fully integrate their<br />
experiences and understand themselves more deeply.”<br />
“I’ve had my own challenges,” Kirk explains. “It took years for me to recognize that<br />
the painful feelings I was having in my chest were directly linked to anxiety.” Seeing<br />
how stress was directly affecting his own health, he took a multi-layered approach<br />
that led him to new ways of caring for himself on all levels—physical, emotional, and<br />
spiritual—and this is what informs his transformative work with clients.<br />
“It’s tempting to imagine that everyone else has it together,” says Kirk, but it’s<br />
not true, and it leads to more suffering. “Having someone to trust and confide in<br />
is such a necessary part of moving through the inevitable challenges of life,” says<br />
Kirk. “It is so much easier to deal with when you can work together with someone.”<br />
While Kirk has extensive psychology training and certification, years of family<br />
and community therapy experience, and cross-cultural awareness, he says he believes<br />
the core of his successful approach comes from his ability to forge a strong relationship<br />
with clients.<br />
“A person can have all kinds of skills and technical expertise,” he says, “but if<br />
they are not deeply compassionate and human in their interactions, their effectiveness<br />
as a helper will be greatly diminished. A saying that resonates with me very<br />
deeply is ‘all healing happens in relationship.’ When I reach out for support from<br />
others, I hope for gentleness, respect, and caring. This is what I strive to provide those<br />
who reach out to me.”<br />
Kirk Béasse, Master of Counselling<br />
Registered Psychologist #2207<br />
250-507-4322 • kirkbeasse.com • contact@kirkbeasse.com<br />
5
eaders’ views<br />
Super Intent City<br />
An excellent article by Leslie Campbell<br />
on the homeless camp. Perhaps we should all<br />
be grateful to the Intent residents for forcing<br />
this issue onto the front page instead of<br />
languishing among everyone’s “to do” lists.<br />
Six weeks of mud and cold are more than most<br />
advocates could—or would—endure for a<br />
cause. Maybe we should give them a medal!<br />
Instead of spreading fear, Central Middle<br />
School and its parent advisory council should<br />
be seizing this opportunity for education.<br />
Almost every camper, from military veteran<br />
to outdoor enthusiast, has a story to tell if<br />
teachers have enough courage to cross the<br />
street and take their classes to meet them. What<br />
could be more important to our children than<br />
learning that we are all citizens, we all have<br />
rights and we all have something to share. It<br />
is up to us to make this issue our issue, not just<br />
“their” issue.<br />
Alison Acker<br />
As a partial solution to the homelessness<br />
problem has anyone considered housing the<br />
homeless on large sea going barges like the<br />
ones used by Seaspan? It could be docked in<br />
the industrial section of Victoria Harbour thus<br />
eliminating residential concerns. The barge<br />
could be fitted with multi levels of suite sized<br />
sea containers for shelter. The sea containers/suites<br />
would be butted up to one another around<br />
the periphery of the barge allowing the back<br />
portion to act as a safety barrier. Entrance to<br />
each suite/room would face inward to an inner<br />
courtyard with ground/central floor area serving<br />
Editor: Leslie Campbell Publisher: David Broadland<br />
Sales: Mollie Kaye, Bonnie Light, Rosalinde Compton<br />
ADVERTISING & SUBSCRIPTIONS<br />
250-388-7231 Email focuspublish@shaw.ca<br />
EDITORIAL INQUIRIES and letters to the editor<br />
focusedit@shaw.ca<br />
WEBSITE www.focusonline.ca<br />
MAIL Box 5310, Victoria, V8R 6S4<br />
SUBSCRIPTIONS<br />
(Tax included):<br />
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Copyright © 2016. No portion of this publication may be<br />
reproduced in whole or in part without written permission<br />
of the publisher. The views expressed herein are not necessarily<br />
those of the publisher of Focus Magazine.<br />
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No. 40051145<br />
as central washroom facility. Access to and<br />
from the barge could be a tastefully gated and<br />
fenced walkway from the street eliminating<br />
access to adjacent properties. Just a thought.<br />
R. W. McKay<br />
Scientists to CRD: petition the feds<br />
The current sewage treatment schedule<br />
seems too short to allow proper planning,<br />
or to take advantage of broad changes expected<br />
to come with decarbonization. I suspect there<br />
are a number of people in positions of responsibility<br />
who would love to see the whole issue<br />
punted down the road for a few decades.<br />
Maybe it makes sense to set a completion<br />
date of 2030, with a phased plan and funding<br />
for the first stages. It could go something<br />
like this:<br />
1. New federal funding for green infrastructure<br />
is announced, and the lower island<br />
has just the opportunity. Our local MPs carry<br />
the banner in Ottawa, and lobby for assurances<br />
in place of the promised existing grants.<br />
2. BC adopts the advisory panel recommendation<br />
to ramp the carbon tax up to $150<br />
per tonne by 2030 (adding to the business<br />
case for heat recovery).<br />
3. BC Hydro Power Smart and similar new<br />
resources provide financial and technical<br />
support to the project.<br />
4. We slowly start again. Studies of innovative<br />
and successful projects in other jurisdictions<br />
are done. Emerging technologies for treatment<br />
of chemicals and pharmaceuticals, heat<br />
recovery and power generation are evaluated<br />
objectively. Locations (existing pump stations,<br />
sea platforms, and other) are evaluated. Deeper<br />
public consultation is conducted; not just<br />
town halls, but all kinds, for example, asking<br />
windsurfers, kiteboarders and sailors what<br />
potential outfalls have the best wind for turbines<br />
to power plant(s); asking sailors where the<br />
strongest and steadiest currents might provide<br />
the best ocean power; involving the arts<br />
community in planning an innovation-themed<br />
site art process.<br />
5. Governments and large private building<br />
owners participate in the planning, with the<br />
hope of new heating and power generating<br />
systems for their facilities. Groups of buildings<br />
are identified where district energy would<br />
be a good fit.<br />
Dreaming in technocolor? Maybe, but I<br />
think all options should stay on the table until<br />
something that makes sense emerges; something<br />
with a net contribution to the region,<br />
and to the next generation of Victorians.<br />
Bob Landell<br />
Amalgamation: the plumber’s dilemma<br />
Thank you to Mr Miller for bringing the<br />
amalgamation issue back to the forefront early<br />
in the new year.<br />
A couple of comments he may wish to<br />
ponder:<br />
During the 2014 municipal election 75<br />
percent of those who voted in Greater Victoria<br />
municipalities (representing 90 percent of the<br />
CRD population) voted “Yes” to questions<br />
dealing with reform of local government. In<br />
addition, numerous polls consistently show a<br />
very high level (over 80 percent) in favour<br />
of some form of governance review or change.<br />
Yes, we have this sticky thing called democracy.<br />
Hard cheese, I know.<br />
Andrew Sanction, the Canadian academic<br />
who writes about amalgamation, posted a<br />
Facebook comment on July 2, 2015 that his<br />
writing “has been almost exclusively in the<br />
context of the legislated (i.e. forced) amalgamations<br />
that were so prevalent in eastern<br />
Canada a decade or two ago” and have not<br />
included voluntary amalgamations.<br />
As recently as October 25, 2015 Sancton<br />
tweeted “Of course amalg can work if that is<br />
what citizens in each affected muni want. I<br />
have never suggested otherwise.”<br />
Obviously there is a huge research gap<br />
of the type required in Greater Victoria,<br />
where there is a massive grassroots appetite<br />
to look at reform. It is reasonable to expect<br />
a study will be useful to provide information<br />
hitherto unobtainable.<br />
Banishment of the word “amalgamation”<br />
might appeal to Mr Miller. This is a type of<br />
strategy adopted by various countries in past<br />
decades, notably Germany in the 1930s.<br />
How did this work out for them? Perhaps,<br />
instead, we can speak of “unification,”<br />
completed during Germany’s more successful<br />
latter decades.<br />
Supporters of local government reform are<br />
united in a common belief that the region must<br />
be improved. They represent the full political<br />
spectrum of voters who can’t be pigeonholed<br />
and dismissed as lefties, middle, or right wing.<br />
For the first time, thousands of people have<br />
an organization, such as Amalgamation Yes,<br />
around which to coalesce and advocate for<br />
change, and they will not be deterred from<br />
their democratic rights to determine how they<br />
are governed.<br />
Thoughtful discourse can take us a long way<br />
to improving our regional problems. An unbiased<br />
study of the current governing structure<br />
will inform and equip us to vote Yes or No for<br />
change on a future binding referendum.<br />
6 February 2016 • <strong>FOCUS</strong>
But Mr Miller’s desperate and corrosive<br />
comments designed to insult and shut down<br />
the conversation are not helpful.<br />
Lesley Ewing, board member,<br />
Amalgamation Yes<br />
Gene Miller responds: Yes, I’m enraptured<br />
by the political management of 1930s Germany,<br />
want to reassert it locally, and won’t be happy<br />
until cyborgian storm troopers are breaking<br />
down the doors of Amalgamation Yesterday<br />
advocates and even people who simply want<br />
to preserve democratic institutions…and<br />
forcing these citizens to watch as their puppies<br />
are kicked to death. [Add Miller’s demonic<br />
laughter here.] I wonder how you could tell I<br />
was that kind of guy.<br />
Is it that hard to read history’s wind? Grand<br />
scale-bureaucracy is waning in our emergent<br />
post-centralized world that will see its political<br />
geography become more local and<br />
autonomous. I wrote: “The future is filled<br />
with the collapse of impossibly large and<br />
unmanageable structures—political, social,<br />
economic—that contribute little to citizen<br />
well-being or community pleasure. Desperately,<br />
longingly, people will look for alternatives<br />
and for models of workable, rich, sustaining<br />
community. We live in one.”<br />
We live in one.<br />
In my opinion, it would be much more<br />
useful if folks spent less time maundering<br />
about democratic rights and more time exercising<br />
them by further improving our exquisite<br />
local governments.—GM<br />
Gene Miller’s fear of amalgamation red flag<br />
is really a red herring. Sure, it is easy to cherry<br />
pick other cities’ experience with amalgamation<br />
and say, for example: “ Look at Toronto—a<br />
Harris horror show.”<br />
Steady on, Gene. Before Harris made Toronto<br />
a mega city it had two tier government—a<br />
metropolitan government that looked after<br />
the needs of the whole region and six boroughs<br />
looking after local issues—down from 13 as<br />
it happens. Metro government acted on behalf<br />
of the region without divided loyalty. Boroughs<br />
looked after problems at the local level. This<br />
system worked well. It is common. Too bad<br />
Toronto no longer has this system. Too bad<br />
this region doesn’t have it. It is not for nothing<br />
that Jack Knox calls us “dysfunction by the<br />
water.” This has not escaped the notice of<br />
voters who asked for the Province to also take<br />
notice and take a lead towards achieving better<br />
governance. The ball is in the Province’s court.<br />
John Olson<br />
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www.focusonline.ca • February 2016<br />
7
eaders’ views<br />
Pro amalgamation proponents have been so vocal over the last few<br />
years, that I was beginning to doubt my own concerns about how amalgamation<br />
of our municipalities would not save money and result in<br />
more bureaucracy and less public engagement. Then I happened to be<br />
flipping through Focus, randomly landed on this article that mixed the<br />
words plumbing and amalgamation—and lo, my belief that amalgamation<br />
would be disastrous has been restored. Good public policy is<br />
based on solid research and analysis; the research shows there is little<br />
to gain and a lot to lose with amalgamation.<br />
Thank you Gene Miller.<br />
Steve Coe<br />
Commissioner Lowe’s open window<br />
In regards to David Broadland’s article “Commissioner Lowe’s open<br />
window,” Stan Lowe’s conduct and actions may not be as transparent<br />
as they appear.<br />
First, consider that the Office of the Police Complaint Commission<br />
(OPCC) is staffed partly by former police officers. Also, few people<br />
realize that complaints to the OPCC about police departments are<br />
first investigated by officers working at the very same police departments<br />
about which the complaints have been made. Since complaints<br />
about BC police departments are not conducted in an arms-length<br />
manner, considerable opportunity for misconduct by the OPCC exists.<br />
Here is one example: In 2010, a former BC Complaint Commissioner,<br />
Don Morrison, conducted an investigation into the OPCC’s investigation<br />
of a complaint about the Saanich Police Department. Former<br />
commissioner Morrison issued a legal opinion citing misconduct by<br />
the OPCC and by current Commissioner Lowe in disregarding “deceit<br />
and abuse of authority,” including inappropriate threats of arrest, by a<br />
police officer. Mr. Morrison also concluded that Commissioner Stan<br />
Lowe’s role in the matter had been “fatally compromised” because of<br />
egregious failure to consider evidence, ignoring regulations for handling<br />
complaints and not following legislation governing the OPCC.<br />
Mr. Morrison recommended that an external investigation be<br />
conducted into the OPCC’s handling of this complaint. Commissioner<br />
Lowe was advised of this finding, but he has never responded or taken<br />
any further action.<br />
Regarding the VPD chief ’s inappropriate communications with<br />
another police officer’s wife, there may be other motives for Commissioner<br />
Lowe’s sudden interest in providing an “open window.” In the past<br />
year, there have been reports of other police departments in Canada<br />
questioning whether police boards should be run by civilians. The Police<br />
Complaint Commissioner has issued what appears to be an order to<br />
the Victoria and Esquimalt mayors with respect to their conduct as<br />
VPD Board members. I believe that sets a dangerous precedent.<br />
Civilian oversight must not be bullied nor dispensed with; it should<br />
be strengthened with respect to all public authorities, especially the police.<br />
Lois J. Sampson<br />
Split DFO in two<br />
When I was a kid in the 60s, in addition to the spectacular beauty<br />
seen from BC Ferries, I also looked forward to an affordable and<br />
delicious salmon sandwich. No White Spot on the boat in those days.<br />
And no doubt the salmon was wild.<br />
I admire Alexandra Morton’s epic work to keep profit-driven salmon<br />
farms off our coast so wild salmon can survive; however, there is an<br />
intractable dilemma—the farms exist because there are two classes of<br />
consumers: those who can afford wild salmon and those who can’t<br />
in the capitalist world market.<br />
Do we want wild salmon to be a food of privilege?<br />
Anything that restricts fish farms increases the farmed and wild<br />
salmon price under capitalism. Anything that limits the wild catch also<br />
increases the price. That prevents more people from having access to<br />
salmon, except the well-to-do.<br />
The only fair and ecological solution is to start the long rewilding<br />
process. That means abolishing fish farms, allowing coastal<br />
First Nations enough to feed themselves, and decommodifying salmon<br />
with world quotas.<br />
Frances Pearson<br />
Walbran logging<br />
In response to your article “In terms of emissions logging the Walbran<br />
makes no sense,” besides emissions there is another salient point in not<br />
cutting old-growth forests. This came to me one very hot summer day<br />
while riding my bike down a long exposed hill which leads into Mt<br />
Douglas Park. When I entered the park, which is old-growth forest, the<br />
temperature plunged what felt like 20 degrees. And I realized that forests,<br />
especially old-growth forests, are wonderful natural air conditioners.<br />
With this in mind, let’s consider the glaciers of the Himalayas,the<br />
Hindu Kush, and Kilimanjaro to name a few. Most, if not all of the oldgrowth<br />
forests in their foothills have been stripped. Now when the hot<br />
air from the plains rushes up the slopes, there is no forest to cool the<br />
air. Consequently the glaciers melt.<br />
And I might add that old-growth forests do something else called<br />
respiration which sends up into the atmosphere vast amounts of water<br />
which comes down as rain. When these forests are cut, it stops respiration<br />
which helps create drought.<br />
Old-growth forests are vital and it would help the biosphere immensely<br />
to leave them be.<br />
Stephen Fairclough<br />
Premier Clark: Please decarbonize<br />
Under Letters in your January issue I see where Dorothy Field<br />
addresses her concerns re LNG and the destruction of the Peace<br />
River Valley in a letter to Ms Clark. Even though I’ve read just a few<br />
articles so far, I’m beginning to see a thread—the increasing loss of<br />
our fragile environment.<br />
I found myself remembering what the author Yann Martel did to<br />
enlighten Stephen Harper. He mailed him a carefully chosen book<br />
every two weeks, some accompanied by a note, some not. After reading<br />
Briony Penn’s article on her visit to New Zealand and Trudy Duivenvoorden’s<br />
on championing something local, I found myself wanting to find them<br />
on the Focus website and email them to the Premier because of the notso-subliminal<br />
lessons in them. But then, using Yann’s approach, I wonder<br />
if a subscription to Focus might be an easier way to get these powerful<br />
messages to her on a continual basis! I’m more than willing to gift<br />
her with a subscription and pay extra to have it registered so she has<br />
to sign for it. Otherwise, I fear, Ms Clark’s legacy may centre around<br />
her leadership and complicity in the destruction of all we hold dear<br />
in this beautiful province.<br />
Rosemary Baxter, Courtenay<br />
Tomorrowland: Victoria and the New Economy<br />
In his December column, Gene Miller paints a rosy picture about<br />
how “Victoria is ground zero…a living laboratory, a model in the transition<br />
to the sharing economy, a place the world could visit and study.”<br />
Apparently people will flock to this former colonial outpost on the<br />
8 February 2016 • <strong>FOCUS</strong>
southern tip of Vancouver Island to admire “the contours of an<br />
open-ended future” which is being shaped before our very eyes.<br />
Mr Miller embraces the notion of post-capitalism “sharing” like<br />
an ardent born-again evangelist who, having repudiated the sin of<br />
substance abuse and anti-social behaviour, now finds salvation in the<br />
modern American consumerism gospel according to Messrs Paul Mason<br />
and Jeremy Rifkin.<br />
Allegedly, Victoria “seems to have the right DNA for this—the<br />
unplanned purpose for which this place was made.” The city possesses<br />
not only that elusive quality of being “self-aware” but also enjoys the<br />
unique role of being a “global crucible for this profound social and<br />
economic transformation.”<br />
According to this fanciful urban mythologist, Victoria is known<br />
for its “love of generosity,” “benign climate and fecund nature,” and<br />
not a lot of “financial aggression and make-a-zillion triumphalism.”<br />
The sharing economy, however, isn’t about sharing relationships,<br />
redistributing wealth, or establishing a collaborative global village. It<br />
is simply another slick way to make money, most of which ends up in<br />
the pockets of multi-billion-dollar entities, investment banks, and<br />
accredited private investors.<br />
The sharing economy is a network of digitally-mediated commercial<br />
exchange platforms that facilitate a link between those who own<br />
something and those who wish to use that something on a short-term<br />
basis. It’s about owners of goods and services making money by offering<br />
consumers access to their goods, services or resources for a given period<br />
of time and for a specified fee.<br />
It’s a pity the author hasn’t assessed one of the darlings of the “sharing”<br />
economy, AirBnB. This multi-billion-dollar venture-capital backed<br />
peer-to-peer short-term lodging service is having a negative impact on<br />
affordable rental housing in many high-cost-of-living cities around the<br />
world in which it now operates. (See “The Sharing Economy Isn’t About<br />
Sharing at All,” Gina M. Eckhardt and Fleura Bardhi, Harvard Business<br />
Review, January 28, 2015.)<br />
While 58 hotels operate in the Victoria area, a variety of online<br />
vacation rental platforms now offer hundreds of premium condo suites<br />
and penthouses for well-heeled short-stay guests. Local residents<br />
seeking permanent rental accommodation are being squeezed out of<br />
the housing market in favour of the higher valued, “sophisticated<br />
sharing guests” who are hosted by condo owners seeking additional<br />
income opportunities without being regulated or taxed as a hospitality<br />
industry provider.<br />
While some “sharing” platforms present an unassuming face to<br />
the world, others reflect predatory, anti-competitive business practices,<br />
such as the new “Uber” ride-sharing service, backed by Google and<br />
Goldman Sachs. (See “Debating the Sharing Economy,” Juliet Schor,<br />
October 2014, www.greattransition.org) Or, they represent the corporatization<br />
of auto-sharing services such as Zipcar.<br />
The new “sharing” economy favours concentrating ever greater<br />
amounts of wealth in fewer and fewer hands in the shortest time possible,<br />
with little or no interference by government or regulators.<br />
Whom does the “sharing” economy serve, and who really enjoys its<br />
promised “benefits”?<br />
V. Adams<br />
Tried everything else? Now make<br />
a resolution to try something that WORKS<br />
Victoria Podiatric Laser Clinic<br />
Laser Treatments for Fungal Nails<br />
Covered by most Extended Health Plans<br />
350 - 1641 Hillside Ave • 250-592-0224<br />
Learn more at: www.victoriapodiatriclaserclinic.com<br />
Gene Miller responds: Hey, V. Adams, fabulous letter! Puts me in<br />
my place. You have me entirely rethinking my perspective, and<br />
now I recognize that the “sharing economy” is simply a Trojan horse<br />
for more capitalist agglomeration by mega-corporations. I’ve been<br />
www.focusonline.ca • February 2016<br />
9
eaders’ views<br />
an inadvertent cheerleader for the billionaires.<br />
I simply didn’t realize it. I feel like such<br />
a fool.<br />
My friend, life right now is a matrix of<br />
rackets run by the cynical and the self-absorbed.<br />
Victoria, within my poetics, is the capital<br />
of innocence and (relative) social honesty.<br />
Do you really want to fault me and tear down<br />
my propositions about Victoria’s potential<br />
to emerge as a centre for economic and social<br />
sharing, as practiced by the Fernwood NRG<br />
(Neighbourhood Resources Group), various<br />
co-housing projects and a range of other<br />
community-scale initiatives? What, too sunny<br />
and hopeful for you?<br />
Please give me a call (250-514-2525) so<br />
we can plan to meet. We have lots to talk<br />
about and I’ll buy the coffee.—GM<br />
sions, all protected. The message is “What’s<br />
left, the rest of you—the ‘crazies’ as one Liberal<br />
MLA calls engaged citizens—can have.”<br />
Early in 2016 the “government” will hand<br />
us a Great Bear Rainforest plan conceived<br />
through the same kind of ideological scheme<br />
proposed for the Okanagan. Hand-picked<br />
enviros, regional Indian bands, commercial<br />
interests and the timber industry—annointed<br />
by government—have sliced up the Great<br />
Bear pie without having ever done an environmental<br />
impact assessment, without an<br />
open process for incorporating public scrutiny,<br />
and “free” of the best conservation science.<br />
Citizens who did submit comment saw it disappear<br />
into the maw of government who fed it<br />
to the insider participants.<br />
The Great Bear “plan” capitulates to vested<br />
interests like all insider deals do. Scientifically<br />
sound conservation measures are disembowelled<br />
by pro-business and timber industry<br />
bias in legislation and management plans that<br />
state habitat protection is acceptable only<br />
if it can be implemented “without unduly<br />
reducing the supply of timber from British<br />
Columbia’s forests.” The Liberal government<br />
commissioned a report by MLA Mike Morris—<br />
“Improving wildlife habitat management in<br />
BC”—that rightly recognizes the timber<br />
supply protection clause “significantly lowers<br />
the threshold protecting our biodiversity”<br />
and “This…has contributed to a degradation<br />
of biodiversity.”<br />
British Columbians want to be optimistic<br />
about 2016. We know we are entitled to a<br />
great deal more “democracy” but we’re going<br />
to have to battle for it.<br />
Dr Brian L. Horejsi, Penticton<br />
Missing and murdered indigenous<br />
women inquiry<br />
An open letter to Minister Bennett, Minister<br />
Wilson-Raybould, and Minister Hajdu:<br />
We are a group of families from the traditional<br />
territories of the Indigenous peoples<br />
living in the Province of BC. We are family<br />
members of loved ones who have gone missing<br />
or who are now passed on to the spirit world<br />
after being violently murdered. We are writing<br />
after hearing that there is planning ahead<br />
for a pre-inquiry process, which will then lead<br />
to a National Inquiry into Missing and Murdered<br />
Indigenous Women and Girls. We are writing<br />
to advise of our experiences (or lack of experiences)<br />
in the Oppal Inquiry, which took place<br />
here in BC from 2012-2014.<br />
First of all, we are relieved to hear that there<br />
is a pre-inquiry process being planned in order<br />
Slicing Up The Great Bear Pie<br />
I’d like to think that most British Columbians<br />
have heard of the Great Bear Rainforest—one<br />
of the most biologically productive landscapes<br />
in the world, stretching from the Yukon-Alaska-<br />
BC corner all the way south to Bute Inlet, from<br />
the interior coastal range west to the Pacific.<br />
It harbours runs of salmon in the millions,<br />
great bears and wolves, birds that nest only in<br />
ancient trees, rainfall that can reach four metres<br />
annually, and extensive forests hundreds of<br />
years old.<br />
Remarkably, you and I—and all British<br />
Columbians—still own the Great Bear,<br />
although we are morally and ethically obligated<br />
to hold it in trust for all of Canada and<br />
the rest of the world.<br />
Its presumed protection and management<br />
rests in Victoria with people like Premier Clark,<br />
Forests Minister Steve Thompson and an<br />
entrenched public service historically steeped<br />
in resource exploitation.<br />
For 50 years it has been managed almost<br />
exclusively for the timber industry; a half<br />
century of insider politics have effectively<br />
left the people of BC on the outside looking<br />
in. Roughly one-tenth of the area was designated<br />
Protected Areas in the ’90s, then a series<br />
of land-resource management plans carved<br />
up the remainder for various forms of “management,”<br />
almost all it based on logging and<br />
road building.<br />
Some of you are familiar with the fraudulent<br />
insider committee originally set up to<br />
massage public comment on the South Okanagan<br />
park plan; you have seen the offensive and<br />
absurd conditions Minister of Environment<br />
Mary Polak has set for Park designation;<br />
hunting, off-roading, grazing, helicopter intrufor<br />
our voices to be heard. This did not happen<br />
with the Oppal Inquiry. We want to ensure<br />
that you are aware of the issues that we, as<br />
families, had to deal with as a result of the<br />
lack of consultations with the Province of<br />
British Columbia. We believe that there are<br />
many lessons learned from the Oppal Inquiry<br />
that can be addressed in the planning of the<br />
National Inquiry.<br />
When the Oppal Inquiry began, the Province<br />
of BC already had appointed a commissioner<br />
and its staff, and had finalized its terms of reference.<br />
No one had any opportunity to make<br />
recommendations for anything. We believe<br />
that commissioners for the National Inquiry<br />
must be appointed with consultations with<br />
families and advocates of MMIWG to advise<br />
regarding who the commissioners should be.<br />
We would recommend four commissioners.<br />
Families need to be informed about what<br />
an Inquiry actually is and what it will do, and<br />
be informed about the process at all stages.<br />
The terms of reference should not already<br />
be set in stone, as they were in the Oppal<br />
Inquiry. Consultations with families and advocates<br />
must include the discussions of the terms<br />
of reference.<br />
There must be a family/advocate advisory<br />
committee to provide advice to the commissioners<br />
at all stages of the inquiry.<br />
All families and advocate organizations<br />
must be given immediate standing with<br />
proper resources provided to legal counsel<br />
at the Inquiry. This did not happen at the<br />
Oppal Inquiry and we, as families, were<br />
totally silenced.<br />
Proper support (i.e. mental health counsellors,<br />
Elder guidance) should be provided at<br />
the pre-inquiry and inquiry process. We feel<br />
that we will also require supports for at least<br />
a year after the National Inquiry and right<br />
now. Families are already being triggered.<br />
We wish to reiterate that you must meet<br />
with families in northern communities as well<br />
as on Vancouver Island.<br />
Lorelei Williams, Michele Pineault,<br />
Elaine Williams, Harriet Prince, CJ Julian,<br />
Bernie Williams, Lillian Howard,<br />
Gertie Pierre, Melody Pierre,<br />
Lila Purcell, Mona Woodward<br />
LETTERS<br />
Send letters to<br />
focusedit@shaw.ca<br />
10 February 2016 • <strong>FOCUS</strong>
Focus presents: Peninsula Gallery<br />
ADVERTISEMENT<br />
New owner expands Peninsula Gallery’s horizons<br />
Peninsula Gallery in Sidney<br />
When Ying Tang heard through a friend that<br />
Peninsula Gallery was for sale a couple of<br />
years ago, she leapt at the chance to buy<br />
it. She had been visiting many galleries in Western<br />
Canada, looking for an opportunity to invest in the art<br />
business. When she saw Peninsula Gallery, she says,<br />
“I fell in love with it right away.”<br />
The gallery, originally founded by Larry Hanlon and<br />
a partner, is approaching its 30th anniversary. Ying,<br />
a filmmaker (TV dramas mostly) for 15 years and former<br />
news reporter in China, was impressed by the wellmaintained<br />
and established gallery with its high calibre<br />
of artists. The gallery’s long-time representation of<br />
Robert Bateman was especially attractive.<br />
Mr Bateman, at 85, is so busy with various causes<br />
he doesn’t have much time to paint, and what he does<br />
paint gets snapped up quickly. A new piece brought to<br />
the gallery in November was immediately sold. But the<br />
gallery is also involved in the “secondary market” for<br />
Bateman’s work so always has some of his works, such<br />
as “Defensive Stand,” shown in the photo below. Gallery<br />
Manager Jonathan Jia, who serves on the board of the<br />
Robert Bateman Foundation, says, “He’s a wonderful<br />
man; so intelligent on so many topics.”<br />
As one of the largest galleries on Vancouver Island,<br />
Peninsula hosts about 40 artists. “We carry the whole<br />
portfolio of artists from the previous owner,” says<br />
Ying. Besides Bateman, artworks at Peninsula include<br />
other western Canadian masters such as Alan Wylie,<br />
Michael Svob and Carol Evans, as well as some who<br />
cite Bateman as an inspiration—Alan Hancock<br />
with his wildlife images, and Jim Park. Park, who<br />
attended Robert Bateman Secondary School, is one<br />
of the new artists the gallery represents. A Koreanborn<br />
Vancouver artist in his 30s, he paints full-time<br />
and sells everything he produces. His large (60 x 48<br />
inches) painting of a dramatic coastal mountain scene<br />
testifies to his impressive gift for capturing water,<br />
mountains and light.<br />
Much of their first year and a half, says Jonathan,<br />
was spent getting to know the artists they had inherited,<br />
doing studio visits near and far. Jonathan, a lifetime<br />
art lover, known to paint a bit himself, enjoyed it thoroughly.<br />
He and his family arrived in Victoria in 2013<br />
after ten years in Calgary where Jonathan worked as<br />
an accountant. “We’ve now got to know every one of<br />
our artists, which allows us to represent them better,”<br />
he says. Besides those already mentioned, the Peninsula<br />
Peninsula’s new owner Ying Tang, manager Jonathan Jia, and Robert Bateman’s “Defensive Stand”<br />
carries Kathryn Amisson’s paintings of wondrous skies,<br />
Clement Kwan’s portraits, Ice Bear’s abstracts, Michael<br />
O’Toole’s sea and landscapes, Catherine Moffat’s still<br />
lifes, Dennis Magnusson’s large scale flower portraits,<br />
and others. There’s also a fine selection of sculptures<br />
available from such artists as Lindsay Branson, Douglas<br />
Fisher, Jack Kreutzer, and Brent Cooke.<br />
Ying and Jonathan, who bring international expertise<br />
in art investment to their clientele, are very selective<br />
about new artists they take on (besides Jim Park, they<br />
now represent Tofino-based artist Mark Hobson) and<br />
are devoting some time to cross-cultural art development.<br />
They recently created a book on Canadian artist<br />
Real Fournier and shipped 49 of his paintings for a twoweek<br />
long exhibit at the Today Art Museum, one of the<br />
top museums in China. Canadian Ambassador Guy St<br />
Jacques attended the opening reception. They have<br />
also worked hard to make sure Robert Bateman is wellknown<br />
in China. “Many Chinese collectors are now<br />
looking at investing in his work,” says Ying.<br />
And now they are excited to introduce a Chinese<br />
artist to Canada and the local art scene: Hongwei Yang,<br />
China’s premiere woodcut artist. Yang was recently a<br />
visiting scholar at Columbia University, and earlier<br />
studied under teacher Bing Xu who is a member of the<br />
Asian Art Council of the Vancouver Art Gallery, and<br />
whose works represented China in the 2015 Venice<br />
Biennial. Says Ying, “Hongwei’s style is unique, rare.<br />
You can find a lot of Chinese oils and calligraphy here<br />
but nothing like this.” Indeed, the 38-inch-square woodcuts<br />
in the “Island Series” are stunning and unusual.<br />
Also helping out Ying and Peninsula’s clients is Elma<br />
Tankink who has worked in the gallery for 23 years.<br />
People from near and far bring Elma their art for framing.<br />
Her experienced eye and technical expertise can make<br />
a painting sing. Says Ying, “Many reframe a beloved<br />
painting and find it looks immediately different.”<br />
Those who wander into Peninsula Gallery are in for<br />
a special time. Experience the comfortable, spacious<br />
gallery and art that stimulates but also soothes the soul.<br />
Peninsula Gallery<br />
2506 Beacon Avenue, Sidney, BC<br />
250-655-1282 • www.pengal.com<br />
11
talk<br />
of the<br />
town<br />
Judith Lavoie 16 Alan Cassels 18 Briony Penn 20<br />
Option 10: our best bet to avoid sewercide?<br />
DAVID BROADLAND<br />
Fisheries Act requirements for sewage treatment in Victoria could be met for less than $200 million.<br />
Are politicians better at solving problems or creating them?<br />
After following Victoria’s billion-dollar sewage treatment<br />
issue for several years, I’ve concluded they’re awfully good<br />
at creating them. The failure to find a reasonable solution to the treatment<br />
issue seems to stem from local politicians not being able to decide<br />
whether the problem they’re trying to solve is an environmental question<br />
or a question about how to meet funding deadlines.<br />
In this conflicted state, the politicians have allowed themselves<br />
to be led to a solution designed by senior government technocrats<br />
far more intent on creating giant construction projects than protecting<br />
orca. The ease with which local political leaders have allowed themselves<br />
to be controlled by the impulses and promises of upper levels<br />
of government has been astonishing. The promise of federal and<br />
provincial funding—and the fear of losing any of that loot—grabbed<br />
them firmly by the throat several years ago, choking off any further<br />
supply of oxygen to their brains.<br />
At the same time, local political leaders have failed to listen to,<br />
or act on, concerns from their constituents about the obviously-flawed<br />
underpinnings of the federal and provincial regulations that led to<br />
this billion-dollar moment. Just before last fall’s federal election, I<br />
asked Victoria MP Murray Rankin if he would support a sciencebased<br />
determination of whether Victoria’s existing sewage treatment<br />
system is harming the environment, and whether any treatment<br />
proposal brought forward should be scientifically evaluated to determine<br />
whether it will provide a net environmental benefit. Rather than<br />
addressing those questions squarely, Rankin would only say “The<br />
existing sewage system does not meet provincial regulations and<br />
federal Fisheries Act requirements.”<br />
Such unquestioning acceptance of Fisheries Act “requirements” has<br />
been the modus operandi of almost all the politicians involved over<br />
the last five years in this costly ($76 million and counting) exercise in<br />
futility. If Rankin is so certain that those requirements should be adhered<br />
to, why doesn’t he tell us why?<br />
In the absence of informed political leadership, scientists have had to<br />
step forward. Some time ago, 10 prominent local marine scientists<br />
penned a letter to Focus in which they stated: “The federal government’s<br />
‘one size fits all’ regulations are clearly inappropriate in failing to take<br />
account of differences in receiving environments and hence different<br />
impacts and risks. The CRD’s willing compliance is disappointing.”<br />
Recently, those same ten scientists again wrote to Focus stating: “At<br />
the very least, we urge the CRD to petition the federal government to<br />
reclassify Victoria’s discharges as medium or low risk, with treatment<br />
deadlines of 2030 and 2040 respectively, rather than (as is now the<br />
case) high risk requiring treatment by 2020. That way we would have<br />
time for the rational, quantitative evaluation of potential problems<br />
and their solution if necessary, rather than rushing into expensive treatment<br />
systems that would largely address non-problems.”<br />
Underlining those scientists’ concerns about the CRD’s unquestioning<br />
acceptance of a high risk classification is a recently-released<br />
study by Victoria-based DFO scientists who concluded that upgrading<br />
all Victoria and Vancouver sewage treatment facilities to a secondary<br />
level of treatment would have a “negligible effect” on environmental<br />
conditions in the Salish Sea.<br />
While there’s little support from the scientific community for the<br />
CRD to proceed in the direction it’s moving, there’s even less support<br />
from the broader community for the mounting cost of meeting provincial<br />
and federal requirements.<br />
All of the current options on the table—including the original<br />
McLoughlin Point proposal—would likely exceed a billion dollars<br />
in capital costs. Oak Bay Mayor Nils Jensen’s recent push in the Times<br />
Colonist to resuscitate a project the municipality of Esquimalt has<br />
already rejected is founded entirely on Jensen’s contention that the<br />
2010 estimate of $783 million for that project still applies. But the<br />
latest estimate from the CRD on McLoughlin is $879 million. That<br />
new figure accounts for 11.5 percent inflation on engineering and<br />
construction costs since 2010. Even that $879 million is suspect,<br />
though. In 2010, the accountancy firm Ernst & Young independently<br />
estimated the McLoughlin project would cost $830 million. It provided<br />
that estimate for the business case study for the project that was<br />
required by the Province. If an 11.5 percent inflation premium is<br />
applied to Ernst & Young’s estimate, the cost of McLoughlin Point<br />
rises to $925 million.<br />
The lowest-cost option developed as an alternative to McLoughlin—<br />
a secondary treatment plant at Rock Bay—has been estimated at<br />
$1.03 billion. Victoria Mayor Lisa Helps exhibited a sketchy grasp<br />
of the history of the sewage treatment issue when she suggested<br />
“conceptual” estimates for Rock Bay-based options would be followed<br />
by lower cost estimates. There is no record of a local municipal<br />
government completing a major infrastructure project at a lower<br />
cost than originally estimated. Helps herself has been intimately<br />
involved with the notorious Johnson Street Bridge project as it<br />
ballooned from $77 million in 2011 to close to $140 million today.<br />
It’s incomprehensible that Helps would claim the cost for a Rock<br />
Bay plant will go down.<br />
Cost is a major determinant of the level of public support for the<br />
treatment project. Ipsos, on behalf of the CRD, recently asked Victorians:<br />
“At what price would you consider the solution to be so expensive that<br />
you would not be willing to support it?” If the project cost households<br />
more than $1 per day, 67 percent of respondents said they wouldn’t<br />
support it. Yet CRD calculations for annual household costs for the<br />
least expensive Rock Bay option, which assumed promised federal<br />
and provincial grants would materialize, showed that households in<br />
every participating municipality except Colwood would pay more<br />
than a $1 per day. Once cost overruns are figured in, most households<br />
would pay well over $2 per day. That will be onerous for many in our<br />
community. If local scientists with expert knowledge of the environmental<br />
conditions in the Strait of Juan de Fuca say this expenditure is<br />
unnecessary, why aren’t local political leaders listening?<br />
Many pro-treatment advocates have told me their support is based<br />
on the precautionary principle: if an action or policy has a suspected<br />
12 February 2016 • <strong>FOCUS</strong>
WHEN SENIOR GOVERNMENTS IMPOSE unreasonable regulations that have no useful outcome other than to<br />
create vast profits for engineering and construction companies, what are communities to do? Should they huff and<br />
puff and fall all over themselves in order to meet an unreasonable regulation by some artificially-important date?<br />
risk of causing harm to the public or to the environment, in the absence<br />
of scientific consensus that the action or policy isn’t harmful, the burden<br />
of proof that it’s not harmful falls on those taking the action.<br />
There is actually strong scientific consensus that the current method<br />
of marine treatment is not causing harm. Regardless, shouldn’t the<br />
precautionary principle also be applied to the action being demanded<br />
by the Province and Environment Canada? Shouldn’t the proponents<br />
of treatment bear the burden of proof that what they propose will not<br />
cause harm? There are reasons to be concerned that what the CRD<br />
hopes to build will cause harm to both the environment and humans.<br />
Let me give you one example.<br />
In last month’s edition I wrote about a peer-reviewed study prepared<br />
by local DFO research scientists Sophie Johannessen, Rob Macdonald,<br />
and others. Their study looked at the impact secondary sewage treatment<br />
would have on environmental conditions in our waters. The<br />
study’s authors stated: “Secondary treatment…will reduce fluxes of<br />
some contaminants, but will have negligible effect on regional budgets<br />
for organic carbon, nitrogen, oxygen, metals and PCBs. Removal of<br />
PBDEs from wastewater will affect regional budgets, depending on<br />
how the sludge is sequestered.”<br />
Johannessen’s and Macdonald’s study indicated, then, that the<br />
only substantial difference that secondary treatment could make<br />
would be removal of some contaminants, especially polybrominated<br />
diphenyl ethers, which are used as flame retardants in a variety of<br />
household objects.<br />
As I mentioned last month, PBDEs are persistent organic pollutants<br />
and are thought to be endocrine disruptors. They may produce adverse<br />
reproductive, developmental, neurological, and immune effects in<br />
both humans and wildlife. There is broad concern that PBDEs, like<br />
PCBs, bioaccumulate. (See the 2014 US EPA fact sheet for more information<br />
on the language scientists are using regarding these effects.)<br />
Environment Canada and Health Canada have stated it’s their objective<br />
to reduce the concentration of PBDEs in the Canadian environment<br />
“to the lowest level possible.” Consequently, the manufacture and use<br />
of PBDEs have recently been banned in Canada.<br />
According to scientists, the three main pathways for PBDEs to enter<br />
marine waters are atmospheric deposition (44-56 percent), sewage<br />
(25-38 percent), and surface runoff (18 percent). Here’s how PBDEs<br />
get into sewage effluent: First they are released from something in our<br />
home that contains them—like a foam mattress—and attach to particles<br />
of dust, some of which settle on our clothing. Finally, when we<br />
wash our clothes the PBDEs head to the Strait of Juan de Fuca through<br />
the sewers. Secondary sewage treatment could remove as much as 80<br />
percent of the estimated 8.3 kilograms of PBDEs currently discharged<br />
through Victoria’s outfalls each year. Diverting 80 percent of that—<br />
just under seven kilograms a year—was the only potential environmental<br />
benefit Johannessen et al identified that could be obtained from spending<br />
a billion dollars on secondary sewage treatment.<br />
But even obtaining that small benefit would depend on what happens<br />
to the end product of sewage treatment—the biosolids. As I wrote<br />
last month, none of the current avenues available to the CRD for<br />
disposing of these contaminated biosolids would safely isolate or<br />
destroy the PBDEs.<br />
Anaerobic biodigestion doesn’t affect PBDEs. Landfilling the<br />
biosolids would result in ever-increasing levels of PBDEs in the<br />
landfill’s leachate. A study by BC scientists of the level of PBDEs in<br />
Comparative cost estimates: McLoughlin Point, Rock Bay, Option 10<br />
Development cost* McLoughlin Point** Rock Bay*** Option 10****<br />
Liquid Treatment Plant(s) $351 M $416 M $25 M<br />
Outfall(s) $38 M $43 M $120 M<br />
Conveyance and pumping $176 M $246 M $35 M<br />
Land $13 M $67 M $0<br />
Biosolids Treatment $347 M $258 M $0<br />
2015 Subtotal $925 M $1030 M $180 M<br />
2020-2030 I&I reduction $420 M $420 M $0<br />
2030 Additional Treatment Capacity $253 M***** $253 M***** $0<br />
Total out to 2030 $1598 M $1703 M $180 M<br />
Notes<br />
* Includes all contingencies, engineering, project management, CRD administration, inflation to mid-point of construction, etc<br />
** Based on independent study by Ernst & Young, 2010, plus 11.5 percent inflation since<br />
*** Lowest cost option, one-plant secondary treatment, biosolids treatment at Rock Bay<br />
**** Based on comparisons with similar project estimates<br />
***** The need for additional treatment capacity is expected as soon as 2030. This estimate if from the Rock Bay estimates by Urban Systems/Carollo<br />
www.focusonline.ca • February 2016<br />
13
leachate from municipal landfills across Canada shows some landfills<br />
with highly elevated levels of PBDEs in their leachate. We can only<br />
guess where those PBDEs are coming from.<br />
Likewise, spreading biosolids on farm or forest land would allow<br />
the PBDEs to accumulate in animals—some destined for human<br />
consumption—or be washed into aquatic environments.<br />
Incineration of the biosolids would put the PBDEs into our airshed,<br />
with some being converted to extremely toxic furans and dioxins.<br />
How about gasification? A 2012 publication from the UN that<br />
provided “Guidance on best available techniques and best environmental<br />
practices for the recycling and disposal of articles containing<br />
polybrominated diphenyl ethers” noted that gasification would result<br />
in the production of dioxins and furans. It concluded, “Currently<br />
pyrolysis and gasification cannot be considered best available techniques<br />
or best environmental practices for treatment of<br />
POP-PBDE-containing materials until long-term full-scale applications<br />
have shown to result in products and product flows that can<br />
be considered environmentally sound.”<br />
Do Victorians want to be guinea pigs in that experiment?<br />
If proponents of treatment want to apply the precautionary principle<br />
to the current marine-based treatment system (in spite of reassurances<br />
from scientists), then why haven’t they supported repeated calls for<br />
proof that the proposed treatment plan won’t cause harm? Part of<br />
the answer to that is that the CRD doesn’t know what it would do with<br />
those biosolids. Conveniently for the CRD, that lack of a plan makes<br />
it difficult to criticize.<br />
We are in a crazy-making situation: The community’s political<br />
leaders are being stampeded to meet funding deadlines for a billiondollar<br />
construction project—one justified by the technocrats entirely<br />
on environmental grounds—without having any plan for how to isolate<br />
or destroy the toxins a treatment plant will produce.<br />
One way out of this insanity would be to find a course of action that<br />
would cost far less than $1 billion, doesn’t depend on funding from<br />
senior governments, allows Victoria to meet federal regulations and<br />
doesn’t eliminate the possibility of pursuing some other course of<br />
action in the future. Believe it or not, there is such an option.<br />
Let’s call it “Option 10.” Just like Jensen’s and Helps’ options, Option<br />
10 will require new outfalls. But in every other respect it’s completely<br />
different. Unlike the mayors’ options, Option 10 wouldn’t involve any<br />
land that isn’t already used for sewage treatment. It wouldn’t require<br />
the excavation of a single kilometre of roads for new pipes. There would<br />
be no polluting of our airshed or permanent storage of vast quantities<br />
of chemical-laden human crap at the Hartland Landfill. Instead of<br />
a billion dollars, Option 10 would cost in the neighbourhood of $180<br />
million and would take less than two years to construct.<br />
Here’s the nuts and bolts of Option 10 (see below): Small, circular<br />
underground tanks (swirlpools) would be located at both Macaulay<br />
Point and Clover Point immediately downstream from the existing<br />
Option 10 from the air: no other facilities or pipelines would be required<br />
Effluent<br />
supply line<br />
Existing Clover Point<br />
Treatment Centre<br />
Swirlpool<br />
Saltwater<br />
pumps<br />
Swirlpool<br />
Effluent<br />
supply line<br />
Existing Macaulay Point<br />
Treatment Centre<br />
Saltwater<br />
pumps<br />
Saltwater<br />
intake<br />
New outfall<br />
Saltwater<br />
intake<br />
New outfall<br />
14 February 2016 • <strong>FOCUS</strong>
WE ARE IN A CRAZY-MAKING SITUATION: The community’s political leaders are being stampeded to<br />
meet funding deadlines for a billion-dollar construction project—one that has been justified by the technocrats<br />
entirely on environmental grounds—without having any plan for how to isolate or destroy the toxins<br />
a treatment plant will produce.<br />
treatment facilities. At both locations three large axial-flow saltwater<br />
pumps would draw water from the ocean and swirl that a couple of<br />
times around the tank, mixing it thoroughly with a smaller stream<br />
of effluent coming from the existing screening and settling facilities.<br />
The mixture of seawater and effluent would then drain by gravity<br />
through a kilometre-long outfall.<br />
The ratio of seawater to effluent would be carefully controlled by<br />
continuous sampling of the concentration of suspended solids in the<br />
super effluent being discharged through the outfall. Each of the new<br />
outfalls would need to have significantly greater hydraulic capacity<br />
than the existing outfalls; that’s because the effluent discharged by the<br />
outfall’s diffuser (think of a giant underwater lawn sprinkler) would<br />
contain up to 90 percent seawater. With such a system, the Fisheries<br />
Act regulations that are currently holding Victorians hostage for a<br />
billion-dollar ransom could be met.<br />
The Fisheries Act regulations don’t prohibit the discharge of effluent<br />
from sanitary sewers, they simply specify the allowable levels of four<br />
different characteristics common to all sewage. Victoria’s sewage effluent<br />
exceeds the allowed value for only two of those characteristics: suspended<br />
solids and carbonaceous biochemical oxygen demand. All the community<br />
needs to do is dilute its effluent to meet the Fisheries Act regulations.<br />
During drier weather, the effluent that flows out of the outfalls at<br />
both Macaulay Point and Clover Point exceeds the regulatory limit<br />
on suspended solids by a factor of about 10. By adding 9 litres of<br />
seawater to every litre of effluent, the concentration of suspended<br />
solids in the resulting super effluent would meet the technical requirements<br />
of the Fisheries Act regulations. By meeting the regulations’<br />
limit on suspended solids, the regulatory limit on biochemical oxygen<br />
demand would also be met.<br />
This strategy would also meet the intention of the Fisheries Act<br />
regulations, which is to ensure that water is not “deleterious to fish or<br />
fish habitat or to the use by man of fish that frequent that water.” In<br />
the case of sewage effluent, the “water” the Act measures and regulates<br />
is the water inside the sewage outfall.<br />
The Fisheries Act regulations are intended, in effect, to protect a<br />
hypothetical fish that is swimming inside an outfall. Although there<br />
is no evidence that fish are swimming inside either of Victoria’s outfalls,<br />
according to the regulations that doesn’t matter. Perversely, the regulations<br />
have nothing to say at all about the condition of the water<br />
immediately outside the outfall, where actual fish can be found.<br />
As a tool for environmental protection, then, the Act’s wastewater<br />
systems effluent regulations are exceedingly blunt. Those 10 local<br />
marine scientists were being too polite when they characterized the<br />
regulations as “one size fits all.” They’re unreasonable.<br />
When senior governments impose unreasonable regulations that<br />
have no useful outcome other than to create vast profits for engineering<br />
and construction companies, what are communities to do?<br />
Should they huff and puff and fall all over themselves in order to meet<br />
an unreasonable regulation by some artificially-important date?<br />
In such a situation, protecting the economic integrity of a community<br />
by simply diluting the effluent inside the outfalls so that it conforms<br />
with the Act and goes no further seems a reasonable response. The<br />
Act doesn’t prescribe how to conform to the regulations—that’s left<br />
entirely to the affected community.<br />
Let me whet your appetite for this idea with a cash bonus that would<br />
completely pay for Option 10. Both Mayor Jensen’s and Mayor Helps’<br />
options would cost in excess of $1 billion. But with both there would<br />
be significant additional cost just down the road. Both options would<br />
require the City of Victoria, Saanich, Esquimalt and Oak Bay to spend<br />
hundreds of millions on reducing the amount of rainfall and groundwater<br />
that is leaking into sewers. Capital and operating costs for sewage<br />
treatment increase with the volume treated, so eliminating rainwater<br />
saves money. The CRD has estimated that would cost $420 million for<br />
the municipalities participating in the treatment project, but that cost is<br />
not included in the billion-dollar price tags. The City of Victoria’s engineering<br />
department has estimated $330 million for the City of Victoria<br />
alone to eliminate its inflow and infiltration “problem.”<br />
With Option 10, though, inflow and infiltration aren’t a problem.<br />
Instead, they’re a natural benefit—a gift from the sky—that helps to<br />
dilute the effluent and reduce the concentration of suspended solids<br />
closer to the Fisheries Act regulations’ limit. That extra water would<br />
reduce the amount of seawater that needs to be pumped and thus<br />
would lower the operating costs of Option 10. Under Option 10, the<br />
region would save not only the $800 million difference in capital cost<br />
for treatment compared to the CRD’s options, but also the $420 million<br />
cost of waterproofing sewers. (The Uplands’ combined sewer/storm<br />
drains is a special case that does need to be fixed.)<br />
Option 10 shouldn’t be the CRD’s starting position, though. It<br />
ought to be its fallback position. To start with, our regional, provincial<br />
and federal representatives should be going to the federal and<br />
provincial governments and presenting Option 9.<br />
In exercising Option 9, our leaders try to negotiate an annual voluntary<br />
payment to allow the community to continue to use the giant<br />
tidal-powered treatment system off Clover Point and Macaulay Point<br />
until such time as either the federal or provincial government provides<br />
scientific proof that the current system is doing harm. If the feds or<br />
the Province can’t provide that proof within four years, the community<br />
gets its money back and stops payments.<br />
Under the Fisheries Act, fines levelled against polluters often go to<br />
the Environmental Damages Fund. According to Environment Canada,<br />
the fund provides “a mechanism for directing funds received as a<br />
result of fines, court orders, and voluntary payments to priority<br />
projects that will benefit our natural environment.”<br />
What might be an appropriate voluntary payment to offer the federal<br />
government in the negotiation? CRD taxpayers are currently paying<br />
about $10 million each year for the never-ending sewage treatment<br />
planning process. That’s only enriching already mega-rich consultants<br />
like Stantec. Instead, why not offer the feds the $10 million per year<br />
we would otherwise pay to Stantec or the consultant de jour? If the<br />
feds say “No,” then we go to Option 10.<br />
David Broadland is the publisher of Focus Magazine.<br />
www.focusonline.ca • February 2016<br />
15
Standoff at Polak Springs<br />
talk of the town<br />
JUDITH LAVOIE<br />
Shawnigan Lake residents dig in for a long fight to protect their water from a controversial contaminated soil landfill.<br />
Under rocks covered with snow, between<br />
a barbed wire fence and a sign warning<br />
of potential contamination, water is<br />
running underground and emerging in a small<br />
stream. The sound of flowing water, combined<br />
with an eerily empty settling pond behind<br />
the fence at a controversial contaminated soil<br />
landfill, reinforces the absolute conviction<br />
of Shawnigan Lake residents such as Cliff<br />
Evans that untreated contaminated water<br />
is flowing from the landfill into Shawnigan<br />
Creek and, ultimately, into Shawnigan Lake,<br />
the community’s source of drinking water.<br />
“You can hear it running underneath. That’s<br />
why we have put up a sign saying “Warning,<br />
this water may be contaminated with untreated<br />
effluent,” said Evans as he led a group of<br />
Shawnigan residents and media on a tour of<br />
the perimeter fence.<br />
It is a charge emphatically denied by South<br />
Island Resource Management Ltd (SIRM),<br />
the company that last year took over management<br />
of the operation from South Island<br />
Aggregates. SIRM says categorically that no<br />
water that has come into contact with contaminated<br />
soil at the site is discharged until it<br />
has been treated. “If I had any doubt about<br />
this site, I would shut it down myself,” said<br />
Todd Miziuk, SIRM co-owner.<br />
Miziuk went a step further at a council<br />
meeting in Port Moody, where much of the<br />
contaminated soil originates, and drank a<br />
bottle of water from the site. “This is treated<br />
contact water, no colour and no orange<br />
sludge,” Miziuk said, referring to orangebrown<br />
“Polak Springs” water, bottled by<br />
landfill opponents and labelled with a photo<br />
of BC’s Environment Minister Mary Polak.<br />
The bottled water skirmish, with SIRM<br />
claiming the orange sludge is naturally occurring<br />
iron bacteria and opponents saying it is<br />
an example of contamination flowing from<br />
the lot adjacent to the quarry and landfill,<br />
also owned by Cobble Hill Holdings, illustrates<br />
the emotionally charged fight that has<br />
galvanized Shawnigan Lake’s 8000 residents.<br />
Regardless of potential risks from the landfill<br />
site, concerns about the drinking water<br />
supply are already affecting the health of residents<br />
according to Dr Bill Moulaison, a family<br />
doctor in Shawnigan Lake for 24 years.“I am<br />
seeing a considerable amount of angst and<br />
NDP Leader John Horgan: “Shut this thing down<br />
and let’s start working on a solution that’s in<br />
the interest of the people that live here.”<br />
anxiety in the community. There are several<br />
people in my office on a daily basis with<br />
increasing anxiety,” he said.<br />
But Muziak points to numerous tests<br />
showing no risk to public health and accuses<br />
opponents of running a campaign based on<br />
false statements and misinformation.<br />
Evans and other volunteers, who patrol<br />
the perimeter of the site for about one hour<br />
a day and document alleged permit infractions,<br />
however, have little faith in company<br />
assurances or scientific reports that, in 2013,<br />
led the Province to approve a permit allowing<br />
the site to accept 100,000 tonnes of contaminated<br />
soil (contaminated with salts,<br />
hydrocarbons, glycols, etc) a year for 50<br />
years—a decision upheld by the Environmental<br />
Appeal Board.<br />
“We keep sending the [list of problems] to<br />
the Ministry of Environment and Ministry<br />
of Mines and they ignore them,” Evans said<br />
with a shrug.<br />
But with the issue uniting almost all factions<br />
in the village and no sign of the residents<br />
PHOTO: JUDITH LAVOIE<br />
backing down, it will become increasingly<br />
difficult for the Province to ignore the<br />
Shawnigan Lake battle. The complicated<br />
saga includes two court cases, a bribery<br />
complaint to RCMP, anonymous informers,<br />
charges of a secret profit-making deal,<br />
competing scientific reports, demonstrations,<br />
arrests and recent accusations by SIRM<br />
of vandalism after a large patch of yellow<br />
snow was found near the water treatment<br />
plant, forcing the company into a full spill<br />
response. (The yellow snow has since been<br />
found to be stained with marking dye, something<br />
which has aroused SIRM suspicions<br />
that it was dumped by someone trying to<br />
track flow from the landfill.)<br />
High profile opposition to the landfill from<br />
NDP leader John Horgan, Green Party leader<br />
Andrew Weaver, and diverse personalities<br />
such as children’s entertainer Raffi Cavoukian,<br />
plus an all-out effort by Shawnigan Residents<br />
Association and local politicians to focus<br />
attention on what they believe is a fight for<br />
their health and the community’s future, is<br />
propelling the issue up the provincial agenda.<br />
“This is an enormous issue,” said Horgan,<br />
holding a bottle of the murky water. “The<br />
government is tone-deaf to the fact that the<br />
entire community is saying ‘don’t do this’<br />
and a handful of permit holders are holding<br />
sway over the people of this region,” said<br />
Horgan, questioning whether anyone from<br />
government had looked at the amphitheatre<br />
topography and runoff paths into the lake<br />
before issuing the permit.<br />
“It’s not rocket science; it’s not even science.<br />
It’s a tone-deaf government that didn’t look<br />
at the circumstances they were creating…Shut<br />
this thing down and let’s start working on<br />
a solution that’s in the interest of the people<br />
that live here.”<br />
Weaver is using his scientific background<br />
to argue for a shutdown. Previous tests<br />
conducted by Weaver from Lot 21 runoff<br />
found high levels of iron and manganese<br />
and, in January, Weaver scrambled over<br />
rocks in the ephemeral stream, close to the<br />
settling pond, to collect more samples. The<br />
tests found elevated levels of sodium and<br />
sulphur apparently originating from Pacific<br />
Coast Terminal soils dumped at the site,<br />
Weaver said.<br />
16 February 2016 • <strong>FOCUS</strong>
“<br />
IN MY OPINION it would be prudent for the Ministry of Environment<br />
to immediately cease operations at the facility.”<br />
—Andrew Weaver, BC Green Party<br />
“While it is clear to me that there are no<br />
immediate health concerns to the residents<br />
of Shawnigan Lake from the samples I collected,<br />
questions still remain. In my opinion it would<br />
be prudent for the Ministry of Environment<br />
to immediately cease operations at the facility,”<br />
he said.<br />
But Polak shows no sign of wavering and<br />
said she must respect the independence of<br />
ministry technical experts and ensure she<br />
does not act without appropriate evidence.<br />
“The original decision to grant the permit<br />
was made by a ministry statutory decision<br />
maker who is a technical expert, independent<br />
of any political process,” she said.<br />
A ministry spokesman said far from ignoring<br />
complaints that the company is in non-compliance,<br />
staff have investigated the site several<br />
times. “To date, samples have shown no<br />
concerns for human health or environmental<br />
impacts,” said the spokesman.<br />
Those on the front line, such as Sonia<br />
Furstenau, Cowichan Valley Regional District<br />
director for Shawnigan Lake, are not mollified<br />
by ministry reassurances. “I want the<br />
government of BC to understand that this<br />
community is totally determined, totally<br />
committed to stopping this insanity from<br />
carrying on,” said Furstenau as she watched<br />
a helicopter, provided by a well-wisher, lift<br />
off from Shawnigan village, carrying contingents<br />
of media and politicians on trips over<br />
the landfill and quarry site.<br />
The view from the helicopter shows the<br />
close proximity of the site to Sooke Lake, the<br />
source of Greater Victoria’s drinking water,<br />
and, even though there is no evidence of<br />
hydrogeological ties, the geography has<br />
the potential to make other communities<br />
uncomfortable.<br />
“It’s actually closer to Sooke Lake than<br />
Shawnigan Lake,” mused Calvin Cook,<br />
Shawnigan Residents Association president,<br />
gazing down from the helicopter at the<br />
site, where, outside the gates, about 500<br />
protesters waved placards while trucks sat<br />
immobile on the approach road.<br />
IN VICTORIA, COUNCILLORS unanimously<br />
passed a motion in January asking<br />
that the permit be revoked and that contaminated<br />
site regulations and contaminated<br />
soils permitting be amended to allow thorough<br />
local government input, with full<br />
consideration of local land use regulations.<br />
However, the struggle may be decided in<br />
the courts rather than by protests or politics.<br />
A BC Supreme Court decision is expected<br />
shortly on a regional district petition asking<br />
the court to enforce zoning bylaws. In another<br />
court action, the Supreme Court is hearing<br />
a case brought by Shawnigan Residents<br />
Association, expected to last until late January,<br />
asking for a judicial review of the Environmental<br />
Appeal Board decision. It is a case fraught<br />
with twists and turns, some of it hinging on<br />
whether new material is admissible.<br />
An envelope, delivered anonymously in<br />
July to the Residents Association, documented<br />
a secret profit-sharing deal between South<br />
Island Aggregates, Cobble Hill Holdings and<br />
Active Earth Engineering Ltd, the company<br />
that wrote the technical report for the site.<br />
The documents allegedly show Active Earth<br />
agreed to write the report for a 50-50 split<br />
of the landfill’s future profits, through a<br />
numbered company.<br />
While Cobble Hill Holdings and Active<br />
Earth have conceded such an agreement<br />
existed as a method of ensuring the engineering<br />
company was paid, their lawyers say<br />
it was never enacted and was then abandoned.<br />
The Province has said that site studies were<br />
also conducted by ministerial staff.<br />
But opponents want to know how much<br />
reliance was placed on an engineering report<br />
they claim was tainted. “Our stand is that<br />
these documents were concealed from the<br />
Environmental Appeal Board,” Cook said.<br />
“We feel the board would have made a<br />
different decision if they were fully aware<br />
of all the information they should have been<br />
aware of.”<br />
Documents released as part of a court<br />
order include allegations, not yet proved in<br />
court, that former Malahat First Nation<br />
Chief Michael Harry, who supported the<br />
landfill, was receiving a “consulting fee per<br />
tonne of soil.”<br />
The documents include a February 2014<br />
email from South Islands Aggregates co-owner<br />
Marty Block to Active Earth engineers which<br />
says “I am hopeful that in the future we won’t<br />
have to deal with First Nations, but, that<br />
being said, we must be in agreement that they<br />
get paid first, in fact they normally hit us up<br />
before the damn job ever starts, for example<br />
we sent them to Vegas for New Years.”<br />
Block, although still with Cobble Hill<br />
Holdings, has no connection with SIRM and<br />
has had nothing to do with the site operation<br />
since last year, when SIRM took over<br />
operation of the landfill from SIA.<br />
Revelations about dealings with the Malahat<br />
First Nation prompted Shawnigan resident<br />
David Hutchinson to ask RCMP for a criminal<br />
investigation, but, as is usual, RCMP<br />
would not confirm whether an investigation<br />
is underway<br />
Michael Harry has since stepped down<br />
and the new Malahat chief and council have<br />
written to Polak expressing serious concerns<br />
about information used to make the decision.<br />
“We ask that you provide the Nation<br />
with information that confirms that the<br />
science provided by Active Earth has been<br />
re-assessed,” says the letter signed by Chief<br />
Caroline Harry. “If the ministry is unable to<br />
provide the requested information or has<br />
not undertaken an independent re-assessment,<br />
the Nation must reconsider its position<br />
on the permit.”<br />
In an interview with Focus, Caroline Harry<br />
was more blunt.<br />
“I want the permit to be ended completely.<br />
I see the damage this has done to Shawnigan<br />
Lake,” she said. The Malahat appeared in<br />
court in late January, backing residents’ appeal<br />
for a stay of the permit on the basis of concerns<br />
around Active Earth’s involvement.<br />
Concerns have also been expressed by<br />
Cowichan Tribes Chief William Seymour.<br />
That support is heartening for opponents,<br />
but, so far, there is no sign of a resolution or<br />
even a truce.<br />
“It’s only going to get bigger,” said Furstenau.<br />
“We are not going away. We are only getting<br />
stronger and louder over time.”<br />
Judith Lavoie is an awardwinning<br />
journalist specializing<br />
in the environment, First<br />
Nations, and social issues.<br />
Twitter @LavoieJudith<br />
www.focusonline.ca • February 2016<br />
17
talk of the town<br />
Whose secret instructions wasted $100 million?<br />
ALAN CASSELS<br />
The likely cost of the unjustified firing of eight Ministry of Health researchers is staggering, yet no one has been held accountable.<br />
Next month will mark four years since<br />
whistleblower Alana James raised<br />
concerns to BC’s Office of the Auditor<br />
General about contracting and drug research<br />
irregularities in the BC Ministry of Health.<br />
Her complaint ignited a tiny fuse that led to<br />
a powder keg within the Ministry of Health.<br />
Thus began a truly unprecedented and bizarre<br />
chain of events that included the botched firing<br />
of eight employees and researchers, numerous<br />
investigations, a suicide, apologies, settlements<br />
and reinstatements. There have been few<br />
answers as to why all this happened, and no<br />
one in government has been held accountable.<br />
At the time James raised those concerns, Mike<br />
de Jong was the Minister of Health.<br />
Since then we’ve seen an election come and<br />
go, a second explosion when it was revealed<br />
that an RCMP investigation into the firings<br />
that the government claimed was underway<br />
was never provided with evidence by the government,<br />
and a massive scandal—now dubbed<br />
“Deletegate,” about government employees<br />
deleting emails or otherwise not keeping records<br />
of vital public business—which could explain<br />
why many FOI requests about the Health<br />
Ministry firings came back “no records found.”<br />
All this led last summer to a massive outcry for<br />
a public inquiry to explain who set the charges<br />
that blew up the biggest ministry in the provincial<br />
government.<br />
In late December 2015, the last two lawsuits<br />
were settled between the government and Bill<br />
Warburton (a contractor) and Rebecca<br />
Warburton (an employee in the Ministry of<br />
Health). While it might seem like a bit of closure<br />
has been achieved, the public is still no closer<br />
to knowing who led what appeared to be a<br />
vindictive, opaque and ham-fisted attempt to<br />
freeze numerous research projects in BC<br />
and destroy the reputations of people working<br />
in drug safety evaluation. The coziness between<br />
the pharmaceutical industry and the current<br />
government, on full display for the last decade,<br />
provides strong potential motives and is delicious<br />
bait for conspiracy theorists. But again,<br />
no answers and no accountability.<br />
The lack of clarity on the issue came to a<br />
head last summer with shrill calls for a public<br />
inquiry. A compromise of sorts was found with<br />
Jay Chalke. BC’s new Ombudsperson hit the<br />
ground running as he was appointed to conduct<br />
Former Health Minister Mike de Jong<br />
a thorough investigation and get to the bottom<br />
of things. He demanded money, staff, and<br />
legislative authority to do the investigation<br />
and he basically got what he asked for.<br />
However, few people expect that the<br />
Ombudsperson is going to turn up a smoking<br />
gun to answer the “Why?” question around<br />
the biggest scandal ever to hit a BC provincial<br />
ministry. He may have the power to subpoena<br />
witnesses and get testimony, but it may be<br />
another year before we have any answers.<br />
Meanwhile, can we estimate the financial<br />
impact of this debacle—how much has it cost<br />
BC taxpayers, so far?<br />
There have been direct costs which are, to<br />
some degree, estimable, and indirect costs that<br />
may never be known. After some back and<br />
forth with the Ministry of Health, which<br />
admitted that it’s difficult to tease out the costs<br />
of this investigation from everything else it<br />
does, I received no numbers from the Ministry<br />
other than what has been publicly available or<br />
what I have received from FOI requests filed<br />
by others. How to fill in the blanks? It’s worth<br />
at least a back-of-the-envelope calculation.<br />
We do know the tab for the call centre that<br />
was set up to deal with an alleged data breach<br />
($1.1 million) even though the centre received<br />
very few calls. Through an FOI, it was learned<br />
the government had spent an additional $2.1<br />
million on the investigation up to March<br />
2014 (which would include staff costs but<br />
not legal costs).<br />
That doesn’t include lawyer Marcia McNeil’s<br />
two-month investigation and report later in<br />
2014, which found the process flawed but<br />
failed to answer central questions around<br />
accountability because of “a dearth of documents.”<br />
Her bill was $80,069 and there were<br />
certainly other costs, such as staff time to brief<br />
her and prepare documents, so the final costs<br />
for this are likely closer to $130,000.<br />
We also know that the budget for the<br />
Ombudsperson’s investigation was set at<br />
$885,000, and that he requested an additional<br />
$1.188 million, bringing that total towards<br />
$2 million.<br />
Other related costs were four separate<br />
contracts with Deloitte dealing with data security<br />
matters: $1.6 million.<br />
Here’s some guesstimates around other<br />
taxpayer costs related to the scandal:<br />
• The Auditor General investigation and<br />
staff time dealing with the initial complaint:<br />
$100,000 to $200,000.<br />
• Legal fees for the fired union employees:<br />
$60,000 to $150,000 (plus whatever the<br />
BCGEU had to pay their own legal teams).<br />
• Comptroller General’s investigation and<br />
report, staff time, etc: $100,000-$200,000.<br />
• The Office of the Information and Privacy<br />
Commissioner investigation: $100,000 to<br />
$200,000.<br />
• RCMP costs: There was no investigation,<br />
but there was apparently lots of back<br />
and forth between the Ministry and the RCMP,<br />
so it’s clear some staff time was used: $10,000<br />
to $50,000.<br />
• The Stephen Brown Review: This is the<br />
deputy minister who reviewed the issue in<br />
2013. Since he was already being paid, we’ll<br />
never know how much of his and his staff’s<br />
time went to this review because there are no<br />
records, but this undoubtedly chewed through<br />
considerable time: $40,000 to $100,000.<br />
• Further government expenses for legal<br />
and internal management. Government-hired<br />
lawyers make up to $400 per hour but it is<br />
almost impossible to determine how many<br />
hours they billed the government for: $560,000<br />
to $700,000.<br />
• Finance Committee costs. Several meetings<br />
of MLAs, staff time: $20,000 to $30,000.<br />
• Staff time to process Freedom of Information<br />
requests (finding documents, legal review, etc).<br />
18 February 2016 • <strong>FOCUS</strong>
THE DEATH of our drug safety monitoring capacity means more wasteful<br />
spending on drugs, and also that many more people will suffer and even<br />
die from the adverse effects of drugs—and that cost is incalculable.<br />
This is almost impossible to estimate but with<br />
dozens of FOI requests and efforts by government<br />
to stop releases, let’s say $125,000 to<br />
$150,000.<br />
• Settlements with Bob Hart, Ron Mattson,<br />
Malcolm Maclure, and Bill and Rebecca<br />
Warburton, modestly guesstimated at $250,000<br />
to $600,000.<br />
What does this add up to? Somewhere<br />
towards $10 million in public funds, though<br />
I could be way off (either way) on some of the<br />
staff time estimates and the settlements.<br />
But that is just the beginning of what this<br />
scandal has cost.<br />
For the bigger picture we’d have to consider<br />
all the delayed and cancelled research and<br />
evaluation projects that were either in progress<br />
or in the pipeline. If you dial things back to<br />
2011, PharmaCare had numerous drug safety<br />
evaluations in progress, looking at the safety<br />
of drugs for Alzheimer’s disease; smoking<br />
cessation drugs including Champix (considered<br />
so dangerous other jurisdictions in the<br />
world have stopped paying for it); Accutane,<br />
for acne (known to cause birth defects); antipsychotics<br />
(given to one-third of seniors in BC’s<br />
longterm care facilities in 2012/13); and new<br />
anticoagulants (very expensive drugs which<br />
are replacing Warfarin).<br />
The Alzheimer’s study has been completed<br />
but the government has yet to make a decision<br />
on whether to continue to fund these<br />
drugs, considered by most independent experts<br />
to be ineffective, and for some patients, intolerable<br />
and toxic. The three-year delay caused<br />
by the Ministry’s turmoil has meant three more<br />
years of profits for the companies and costs<br />
of probably $30 to $40 million for the taxpayer.<br />
Blood glucose test strips were also going to be<br />
re-evaluated but those studies were delayed<br />
for four years, meaning a waste of about<br />
$10 million per year, or about $40 million<br />
(new limits were placed on them in January<br />
2015). The cancellation of research on atypical<br />
antipsychotic use means both avoidable<br />
deaths each year plus other costs in the use of<br />
the drugs deemed toxic for many seniors, especially<br />
those with dementia—likely in the tens<br />
of millions.<br />
What are we up to now? It’s not a stretch<br />
to say that the cost of the scandal has been<br />
in excess of $100 million due mostly to delayed<br />
and cancelled research programs and halted<br />
policy changes.<br />
Perhaps the biggest frustration in this scandal<br />
is the sense of loss of what had been a worldclass<br />
capacity and willingness to evaluate drug<br />
safety in BC. With PharmaNet, our provincewide<br />
pharmacy database covering every<br />
soul in the province, we collect some of the<br />
most robust data in the country, meaning we<br />
can assess with a good deal of precision how<br />
well drugs are being tolerated. Yet with the<br />
ongoing chill over the Ministry, very few independent<br />
drug safety evaluations are being<br />
carried out. In fact the Research and Evidence<br />
Development branch at PharmaCare was<br />
destroyed and has never been restarted.<br />
So the math only goes so far in capturing<br />
the impact of this scandal.<br />
Is it acceptable that PharmaCare, a government<br />
agency that spends over $1.4 billion per<br />
year of public money on drugs, is overseen by<br />
a government with a chronic habit of siding<br />
with the pharmaceutical industry (and which<br />
receives political donations from them)? Is it<br />
acceptable that government has failed to revamp<br />
important evaluation studies that are measuring<br />
the population effects of the drugs it pays for?<br />
The loss to our health system—which I’m<br />
pegging at perhaps $100 million dollars—may<br />
some day be fully accounted for. The death<br />
of our drug safety monitoring capacity means<br />
more wasteful spending on drugs, and also<br />
that many more people will suffer and even<br />
die from the adverse effects of drugs—and<br />
that cost is incalculable.<br />
I admit that my back-of-the-envelope calculations<br />
may be wildly off, but let me ask you,<br />
dear readers: Do you have any data to help<br />
me make those calculations more accurate?<br />
Do you work in the Ministry of Health? Do<br />
you have any hard numbers I could put into<br />
my spreadsheet? More importantly, do you<br />
know who initiated the firings and why? Please<br />
contact me. Brown envelopes most welcome.<br />
Alan Cassels is a drug policy<br />
researcher and author in Victoria.<br />
He attended the press briefing<br />
in September 2012 when the<br />
scandal was announced to the<br />
world, and has been following<br />
the saga ever since.<br />
Thank you!<br />
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www.focusonline.ca • February 2016<br />
19
Trans Mountain opponents get boost from feds<br />
BRIONY PENN<br />
How the National Energy Board found itself under attack by everyone in January.<br />
talk of the town<br />
January 2016 was a month full of news<br />
around Kinder Morgan’s Trans Mountain<br />
pipeline. As dozens of intervenors gave<br />
their final arguments in the closing days of the<br />
National Energy Board’s hearings, the federal<br />
government made moves towards living up<br />
to their pre-election promises.<br />
The NEB hearings on the risks and benefits<br />
of the 987-kilometre pipeline will be<br />
wrapped up on February 5. During ten days<br />
of hearings in Burnaby, a flurry of intervenors<br />
delivered varied condemnations of both the<br />
project and its approval process, deeming the<br />
NEB process flawed and reliant on inadequate<br />
data. Of particular concern to coastal British<br />
Columbians is the quadrupling of tankers shipping<br />
dilbit off our shores. On January 25,<br />
Victoria Mayor Lisa Helps and Councillor<br />
Ben Isitt joined the chorus, expressing grave<br />
concern about the effects of an oil spill on<br />
Victoria’s environment and economy.<br />
Earlier, on January 11, the BC Liberals<br />
rejected the project in their final argument in<br />
front of the NEB on the basis of inadequate<br />
details of spill-response plans, noting these<br />
plans fall short of a “world-leading standard.”<br />
BC Green Party leader, scientist and MLA<br />
Andrew Weaver delivered his final argument<br />
January 20, concluding the application is<br />
incomplete with inadequate data on the behaviour<br />
of bitumen.<br />
Federal Green leader and Saanich Gulf-<br />
Islands MP Elizabeth May was also an intervenor<br />
and gave a scorching testimony, citing serious<br />
issues with evidence, First Nations rights, and<br />
process, particularly the exclusion of the public<br />
from hearing rooms and the lack of oral crossexamination.<br />
“In essence, none of the witnesses<br />
were available to answer any question—whether<br />
orally or in writing,” she said.<br />
(Neither federal nor provincial NDP representatives<br />
appeared as intervenors, though the<br />
party has stated the NEB process is a failure.)<br />
The BC Civil Liberties Association also<br />
appeared as an intervenor and, like Elizabeth<br />
May, condemned the hearings as potentially<br />
unlawful by not allowing the public to attend.<br />
First Nations from all over BC, as well as<br />
US indigenous groups, appeared in late January,<br />
too, expressing concerns about the impact of<br />
all that coastal oil tanker traffic on their fishing<br />
rights and cultural heritage. The additional<br />
350 tankers a year mean “all risk and no<br />
reward,” said a lawyer for the US tribes.<br />
AMONG ENVIRONMENTAL intervenors<br />
were Raincoast Conservation Foundation’s<br />
Misty Macduffee and Karen Wristen of Living<br />
Oceans, both veteran researchers. Along with<br />
lawyers at Ecojustice they helped prepare a<br />
joint final argument based on the behaviour<br />
of spilled diluted bitumen in the marine environment.<br />
Their particular concern is its impact<br />
on marine and Fraser River fish species and<br />
the southern resident killer whales. They also<br />
looked at air quality and other human health<br />
impacts, as well as economic considerations.<br />
They argued that the NEB doesn’t have enough<br />
information before it about the project’s environmental<br />
effects and how they will be mitigated;<br />
that the project will have significant environmental<br />
impacts that are not justified by any<br />
benefits of the project; and, relatedly, that the<br />
project is not in the public interest.<br />
The rules, however, are such that they were<br />
not allowed to present what they believe is<br />
critical new evidence from the US independent<br />
non-profit National Academy of Sciences<br />
(NAS). Coming out just one week before Kinder<br />
Morgan’s final written evidence in December,<br />
the NAS report provides evidence that diluted<br />
bitumen doesn’t behave like Kinder Morgan<br />
says it behaves.<br />
With the new principles and longer timeframe<br />
announced by the federal government<br />
on January 27, there’s now a good possibility<br />
that the NAS information will factor<br />
into the government’s final decision, but<br />
meanwhile the NEB has indicated it is too<br />
late for their process.<br />
Tanker and humpback whale in Haro Strait<br />
What the NAS concluded in their 126-page<br />
report is this: “In comparison to other commonly<br />
transported crude oils, many of the chemical<br />
and physical properties of diluted bitumen,<br />
especially those relevant to environmental<br />
impacts, are found to differ substantially from<br />
those of the other crude oils. The key differences<br />
are in the exceptionally high density,<br />
viscosity, and adhesion properties of the bitumen<br />
component of the diluted bitumen that dictate<br />
environmental behaviour as the crude oil is<br />
subjected to weathering…For this reason spills<br />
of diluted bitumen pose particular challenges<br />
when they reach water bodies. In some cases,<br />
the residues can submerge or sink to the bottom<br />
body. Importantly, the density of the residual<br />
oil does not need to reach or exceed the density<br />
of the surrounding water for this to occur.”<br />
(italics theirs)<br />
This is a hugely important finding from a<br />
highly authoritative source. It means that within<br />
hours of an ocean spill, dilbit separates into<br />
its original components. The hydrocarbons<br />
evaporate and the air around the spill becomes<br />
explosive, while the bitumen sinks. Normal<br />
spill response technologies like skimmers and<br />
dispersants, the NAS found, are inadequate<br />
because the time window for their effectiveness<br />
is very small. Once bitumen has sunk,<br />
there really is no way to clean it up.<br />
According to the NAS report, the “weathered”<br />
bitumen components that form within<br />
days of a spill mean that “spills of diluted<br />
bitumen should elicit unique, immediate<br />
actions in response.”<br />
According to Macduffee this is the most<br />
comprehensive review on dilbit yet produced<br />
and renders Kinder Morgan’s final submis-<br />
PHOTO: JUDITH LAVOIE<br />
20 February 2016 • <strong>FOCUS</strong>
KINDER MORGAN’S submission that dilbit would be expected to float<br />
following a spill was accepted without being subject to cross examination,<br />
but, under National Energy Board rules, critical new evidence from the<br />
US National Academy of Sciences that dilbit sinks was disallowed.<br />
sion inadequate since all its modelling of environmental<br />
impacts and oil spills is predicated<br />
on earlier assumptions that spilled dilbit<br />
performed like any other crude oil and didn’t<br />
sink. Kinder Morgan stated in their submission<br />
to the NEB that “Dilbits…[and other<br />
Group 3 hydrocarbons] have been transported<br />
throughout the world and the general<br />
behaviour of these oils are quite comparable<br />
with respect to fate and weathering, and spill<br />
countermeasures.” (italics added) Kinder<br />
Morgan also stated that dilbit proved “no<br />
different than what might be expected of<br />
other conventional heavy crudes when exposed<br />
to similar conditions.”<br />
The NAS report, commissioned by the US<br />
Congress to consider that country’s own spill<br />
response preparedness, first became available<br />
in its pre-publication form online in early<br />
December. Raincoast and Living Oceans<br />
immediately filed a motion to have its evidence<br />
included because of its significance. The NEB,<br />
however, accepted Kinder Morgan’s argument<br />
that it was “procedurally unfair to permit<br />
the filing of new evidence, prepared by third<br />
parties, on the eve of argument. Kinder<br />
Morgan said fairness requires that participants<br />
have a sufficient opportunity to test<br />
new evidence by asking questions to those<br />
who prepared it, and there is not enough<br />
time to do so in this case.”<br />
Raincoast and Living Oceans argued back<br />
that most evidence is from third party research,<br />
and that doesn’t provide a basis for dismissal—<br />
just an argument for bringing back oral cross<br />
examination which Stephen Harper got rid<br />
of in his last fiddle with the NEB. Kinder<br />
Morgan also argued that it was a pre-publication<br />
report and “it was difficult to ascertain<br />
which part of the Report contained errors.”<br />
According to Macduffee, the NEB could<br />
have gone back to the federal government<br />
to ask for an extension to provide time for<br />
the company to review this critical evidence,<br />
but didn’t.<br />
Now, with the federal government giving<br />
itself more time to make a decision, and<br />
promising its decision will be based on science<br />
(as well as traditional indigenous knowledge<br />
and other relevant evidence), the NAS’ findings<br />
do stand a chance, ultimately, of being<br />
weighed in the final decision on the project.<br />
AT A PRESS CONFERENCE ON JANUARY<br />
27, Natural Resources Minister Jim Carr and<br />
Environment Minister Catherine McKenna<br />
introduced five new principles that will guide<br />
its decision-making on major natural resource<br />
projects while the government undertakes a<br />
broader review of environmental assessment<br />
processes (which is expected to take two years).<br />
For the Trans Mountain Expansion project,<br />
the government promised to “undertake deeper<br />
consultations with Indigenous peoples and<br />
provide funding to support participation in<br />
these consultations; assess the upstream greenhouse<br />
gas emissions associated with the project;<br />
and appoint a Ministerial Representative to<br />
engage communities, including Indigenous<br />
communities potentially affected by the project,<br />
to seek their views and report back to the<br />
Minister of Natural Resources.”<br />
While the NEB deadline for its recommendations<br />
on Trans Mountain remains May 2016,<br />
the government has given itself until December<br />
2016 (it had been set for August 2016) to<br />
consider the NEB’s recommendation and carry<br />
out the extra consultations and assessments<br />
before making a decision on the pipeline.<br />
Elizabeth May spoke at a press conference<br />
after the announcement and expressed her<br />
approval, given the situation. She said the<br />
Conservatives, through Bill C-38, had<br />
“wrecked” the environmental assessment<br />
process, allowing the Energy Board to leave<br />
climate change out of their review. “Energy<br />
regulators should never be asked to do environmental<br />
reviews,” May said. Explaining<br />
that Canada would be mired in litigation if<br />
the government interfered at this stage in the<br />
NEB process, she felt these new measures<br />
offered a “reasonable approach” and “provide<br />
more confidence” until a complete overhaul<br />
could be done.<br />
Andrew Weaver said he was thrilled with<br />
the federal government’s announcement: “As<br />
a climate scientist, I see including upstream<br />
emissions on energy projects as a major step<br />
forward for Canada.” He is still opposed to<br />
the Trans Mountain pipeline going ahead:<br />
“This announcement does nothing to alleviate<br />
my concerns on spill response and spill preparedness.<br />
For British Columbians the central issue<br />
is about the potential for a catastrophic accident<br />
and not as much about the climate impacts<br />
of the project. On these grounds the project<br />
should still be rejected.”<br />
Not everyone was happy with the fed’s<br />
interim measures. Besides condemnation from<br />
Conservatives, regional First Nations chiefs<br />
from Quebec, Manitoba and BC issued a<br />
strong joint statement slamming “artificial<br />
timelines, the sidelining of critics, a lack of<br />
oral cross-examination of the companies’<br />
evidence, and the exclusion of key elements<br />
of evidence such as the behaviour of sinking<br />
dilbit,” as well as the NEB itself—“a politicized<br />
and industry-captured ‘rubber stamper’<br />
that pays only lip service to the respect for<br />
the positions and rights of First Nations.”<br />
UBCIC President Grand Chief Stewart Phillip<br />
said, “What needs to be demonstrated is<br />
the federal government’s willingness to<br />
take NO for an answer from First Nations<br />
like Tsleil-Waututh Nation who are exercising<br />
their sovereign decision-making power.”<br />
The chiefs and others also complained that<br />
the new review guidelines omit reference to<br />
the downstream greenhouse gas emissions of<br />
tarsands bitumen, which comprise most of the<br />
total emissions (climate economist Mark<br />
Jaccard’s analysis estimates 90 percent).<br />
In that same last week of January, the NEB<br />
itself was reprimanded by the federal<br />
Commissioner of the Environment and<br />
Sustainable Development Julie Gelfand who<br />
came out with the results of an audit of the<br />
NEB. In her statement, she said, “Our audit<br />
concluded that the Board did not adequately<br />
track companies’ implementation of pipeline<br />
approval conditions, and that it was not consistently<br />
following up on company deficiencies.<br />
We found that the Board’s tracking systems<br />
were outdated and inefficient.” In both types<br />
of cases that were audited, about half were<br />
lacking in proper oversight, which means the<br />
NEB was not meeting its regulatory mandate.<br />
The NEB has agreed with the auditor’s conclusions<br />
and stated it will, among other things,<br />
“clarify the consequences for companies that<br />
do not undertake corrective action.”<br />
Lack of faith in the NEB, combined with<br />
Minister Carr’s stated determination to move<br />
oil resources to tidewater, mean pipeline opponents<br />
are, at most, cautiously optimistic about<br />
the new government’s direction.<br />
Briony Penn PhD is the author<br />
of the new book, The Real<br />
Thing: The Natural History of<br />
Ian McTaggart Cowan.<br />
www.focusonline.ca • February 2016<br />
21
Creative<br />
Coast palette22 the arts in february26 vibe 36 curtain call 38 coastlines 40<br />
When Barbara Callow is at the grocery store or the farmers’<br />
market making produce selections, she has a larger set<br />
of criteria than most. Fruit and vegetables in particular<br />
need to meet standards not just of freshness and nutritional value,<br />
but of aesthetics as well. Such is the case for many a still life<br />
painter like herself. “An artist is always looking at the world in terms<br />
of what they can paint,” she says, admitting, “Quite often I will buy<br />
something just because I like the look of it, then I will bring it home<br />
and take photos, then eat it later.”<br />
The tantalizing, lumpy irregularity of a pear’s surface will catch<br />
the light in just the right way when tumbled onto a crisp white<br />
cloth laid over a wooden table. So, into the shopping basket it goes.<br />
An apple may be attractive because of the way the skin, with its mottled<br />
swaths of red, gold and green, already looks painted on. Gather several<br />
into a wooden bowl, and again the light’s reflections rendered in<br />
oil on canvas is what brings them to life.<br />
Though Callow paints in a variety of genres using different media,<br />
she says, “I like painting these [still lifes] because it’s fun to use light<br />
to make the form. I like to paint the reflections, that way you can get<br />
the highlights on fruit especially. A very strong directional light on<br />
your subject makes a strong form,” she explains. Many of Callow’s<br />
still life paintings are of a traditional style—fruit, vessel and swag<br />
of fabric arranged on a table—but some present a contemporary view,<br />
such as “Apples in a Wooden Bowl,” which zeroes in on—and thus<br />
communicates—the sensual potential of the humble fruit. This and<br />
other paintings bring to mind works by prominent East Coast painter<br />
Mary Pratt. So taken was Pratt with the way sunlight came through<br />
her kitchen window to illuminate fruit, preserves or even filleted fish<br />
on foil, she produced paintings from these scenes that seem to layer<br />
sanctity over the domestic sphere.<br />
“Light is important to most artists,” Callow says. “They use light<br />
a lot and it influences whatever they are going to paint.” It plays as<br />
much a role in meaning and delineation as the object itself, no matter<br />
the style of painting. While Pratt’s works are nearly photo-realistic,<br />
light is just as essential to Callow’s practice. “Not that I don’t admire<br />
the highly-detailed painting, but it’s not quite as moving—to me,<br />
anyway—as more impressionistic, gestural painting,” she relates.<br />
Immediacy of experience is conveyed by the quick gestural stroke.<br />
Callow has come to her preferred style over a life which, from an<br />
early age, nearly always included an art practice. She was born in<br />
Victoria in 1956. Her father worked in the printing industry while<br />
her mother was a homemaker. Seeing an interest and aptitude in their<br />
daughter—“I was addicted to drawing as a kid,” Callow laughs—<br />
they enrolled her in art classes. As a teen she was “lucky enough at<br />
Oak Bay High School to have Carole Sabiston and Bill West as art<br />
teachers, which was phenomenal.” She credits both national luminaries<br />
for their early support and guidance.<br />
In fact, Callow attended the University of Victoria with the intention<br />
to become an art teacher herself. However, “I ended up getting<br />
married and having kids instead,” she says. Moving to Vancouver<br />
Illuminating the everyday<br />
AAREN MADDEN<br />
Barbara Callow uses light to bring life to the painted form.<br />
“Apples in a Wooden Bowl” 14 x 11 inches, oil on canvas<br />
in 1977, she had a son and daughter and completed a two-year Visual<br />
Arts Diploma program at Langara College. Callow eventually worked<br />
in the printing industry as well, mainly in graphic design and prepress<br />
areas. Returning to Victoria 15 years later, she worked for the<br />
Queen’s Printer before “retiring” in 1996 to devote herself to art fulltime.<br />
“I never worked this hard when working at an outside job,” she<br />
laughs, quick to add, “It doesn’t feel like work.” A member (and<br />
former executive) of the Federation of Canadian Artists, she has<br />
become an award-winning and internationally-collected artist.<br />
Early on in this phase of life, looking to heighten skills she was not<br />
previously able to hone daily, she took workshops and masterclasses<br />
from artists like Caren Heine, Marney Ward, Deborah Tilby, and<br />
Keith Hiscock. Many went from being mentors to friends and colleagues,<br />
22 February 2016 • <strong>FOCUS</strong>
Supporting arts,<br />
culture and our community.<br />
John West<br />
& Holly Harper<br />
With 50 years of<br />
combined real estate<br />
experience, John<br />
and Holly share your<br />
passion for Greater<br />
Victoria's unique and<br />
exciting housing<br />
opportunities.<br />
1286 Fairfield Road, Victoria<br />
250-385-2033 • www.HollyAndJohn.ca<br />
www.newportrealty.com<br />
PHOTO: CARL TESSMANN<br />
Barbara Callow<br />
and Callow herself teaches many workshops now (including one in<br />
February at Coast Collective Gallery). It is as valuable for her practice<br />
as it is for the students of a wide range of experience that<br />
attend them. “When they ask questions, you start to realize what<br />
exactly you are or aren’t doing. You become more aware; you have<br />
to figure out why and how,” she says.<br />
The why and how, for her, usually returns to light, no matter which<br />
genre she is working in. Besides still life, Callow paints landscapes and<br />
urban scenes in oil and watercolour. Like the Impressionists, the Group<br />
of Seven and Emily Carr, from whom she gathers the most inspiration,<br />
she is an avid plein air painter. Painted sketches done on sight<br />
are of a subject chosen because of the way the fog plays on a beach or,<br />
in the past seven-odd months, how the light will hit a particular branch<br />
WEST END GALLERY<br />
The Art of Romance<br />
February 13 -25, 2016<br />
1203 Broad Street Open Daily<br />
250-388-0009 westendgalleryltd.com<br />
“Cranberry Roses” by Elka Nowicka, 36 x 24 inches, mixed media on canvas<br />
www.focusonline.ca • February 2016<br />
23
“Red, Yellow, Green” 12 x 20 inches, oil on canvas<br />
“Fernwood Square” 8 x 10 inches, watercolour and ink<br />
24 February 2016 • <strong>FOCUS</strong>
1040 MOSS ST | AGGV.CA<br />
“The Road Home” 16 x 20 inches, oil on canvas<br />
or mossy patch in the woods near her new home in Cumberland. In<br />
“The Road Home,” the long shadows reaching across the bumpy road<br />
are compelling to Callow and compositionally satisfying in the horizontal<br />
counterpoint they add to the vanishing road.<br />
The raking light of winter and, any time of year, the early or late<br />
day are what she likes the best. “I am just looking out my window<br />
now. It’s late morning and there are beautiful long shadows,” she<br />
describes over the phone. “It’s the low light at this time of year. I<br />
guess it’s the moisture in the air from the ocean,” she suspects. More<br />
diffuse, perhaps, than the crisp prairie light.<br />
It is a major component of generating sense of place, as is local<br />
specificity. Again in “The Road Home,” one will notice how the light<br />
plays on the rugose surface of the road. Callow likes its roughness:<br />
“It is a sort of subversiveness,” she offers, adding, “There are very<br />
interesting back lanes around Cumberland here—old garages, chimneys<br />
sticking out of them, that sort of thing. They are not manicured;<br />
they have just sort of evolved over the years.”<br />
Callow is attracted to the particular quirk inherent in any urban<br />
area that has seen such an evolution. It’s what she explores in her urban<br />
scenes, which she usually does in watercolour and ink to heighten the<br />
character of the architecture. In “Fernwood Square,” ink snakes in a<br />
fine, jittery line along the building’s cornice to suggest its weathered<br />
state. And then the pale watercolour wash of sun on its façade gives<br />
it vitality. Follow that light as it spills through the upstairs window,<br />
and one could imagine it landing, just so, on a perfect bowl of apples.<br />
See “Apples in a Wooden Bowl” at the juried group show, Red,<br />
February 3-21 at Coast Collective Gallery. 103-318 Wale Road, Colwood,<br />
250-391-5522, www.coastcollective.ca. Barbara Callow is teaching a<br />
workshop at Coast Collective, February 13 & 14. See www.coastcollective.ca.<br />
Find Barbara Callow online at www.barbaracallow.ca.<br />
WATER + PIGMENT + PAPER<br />
JANUARY 30 - MAY 23. 2016<br />
Enter the unexpected world of watercolours! Not<br />
often recognized as an experimental medium,<br />
we'll explore the groundbreaking work of known<br />
and not so well known artists who pushed<br />
watercolour boundaries, spanning over 200 years.<br />
For the very reason that the raking light illuminates the<br />
moss the way it does, Aaren Madden’s favourite West<br />
Coast season is winter.<br />
GRACE WILSON MELVIN | SUMMER RADIANCE II WATERCOLOUR, TEMPERA, INK,<br />
WOMEN'S COMMITTEE CULTURAL FUND, COLLECTION OF THE AGGV<br />
www.focusonline.ca • February 2016<br />
25
BLOOM<br />
Paintings byBonnie Laird<br />
www.bonnielaird.com<br />
Opening Reception Saturday, February 6th, 7-9pm<br />
Exhibition continues to March 3, 2016<br />
FEATURING THE<br />
PAINTINGS OF:<br />
Continuing to February 6<br />
CONVIVIUM<br />
Gage Gallery<br />
Solo exhibition of work by Shelby<br />
Assenheimer, who paints on canvas with<br />
acrylics and layers of glazes, and markmaking<br />
and sgraffito provide counterpoint<br />
rhythm. Abstracted scenes of the transitioning<br />
seasons conjure messages of our<br />
relationship with each other and the world<br />
around us. 2031 Oak Bay Ave, 250-592-<br />
2760, www.gagegallery.ca.<br />
Continuing to February 20<br />
OFFERINGS/ OFFRANDES<br />
Open Space<br />
This collaborative multimedia installation<br />
by France Trépanier with guest<br />
artists invites viewers to contemplate<br />
“presence” instead of presents, when<br />
considering the gifting process. The exhibition<br />
explores the meaning of gifting<br />
and offering in three components: performative<br />
rituals, longhouse and website.<br />
Artist talk Feb 6, 3:30pm. 510 Fort St,<br />
250-383-8833, www.openspace.ca.<br />
Continuing to February 24<br />
ALL YOU NEED IS HEART<br />
Goward House<br />
Show and sale by the Oak Bay Art<br />
Club. Artists’ reception Jan 31, 1:30-<br />
3:30pm. Hours Mon-Fri, 9am-4pm.<br />
2495 Arbutus Road, 250-477-4401,<br />
www.gowardhouse.com/shows.<br />
Continuing to February 27<br />
HIDE IN PLAIN SIGHT<br />
Deluge Contemporary Art<br />
An exhibition of new work by James<br />
Lindsay and Lance Austin Olsen. These<br />
contemporaries have evolved highly<br />
developed visual languages through<br />
five decades of continuous artistic activity<br />
and experimentation with abstraction.<br />
Wed-Sat, 12-5pm. 636 Yates St, 250-<br />
385-3327, www.deluge.ca.<br />
Continuing to April 3<br />
ASIAN ART ACQUISITIONS<br />
Art Gallery of Greater Victoria<br />
Works from a wide range of cultures,<br />
media and time periods to honour many<br />
dedicated Asian art patrons in Victoria,<br />
Canada and the US. 1040 Moss St, 250-<br />
384-4171, www.aggv.ca.<br />
Continuing to April 4<br />
WILDLIFE PHOTOGRAPHY<br />
Royal BC Museum<br />
Winners of an international photography<br />
competition include images by<br />
Canadians Connor Stefanison, Don Gutoski,<br />
Josiah Launstein (under 10 years). Tours,<br />
camps, workshops. 250-356-7226,<br />
www.royalbcmuseum.bc.ca.<br />
visual arts<br />
Continuing to April 17<br />
PA SI A MA<br />
(THE FIRE IS JUST STARTING)<br />
Art Gallery of Greater Victoria<br />
A new work by Port Alberni artists<br />
Klewetua, Rodney Sayers and Emily Luce.<br />
Constructed from local, rough-cut cedar<br />
and fir from two Port Alberni mills, the<br />
structure makes reference to two traditions<br />
common in British Columbia: the<br />
European sauna and the First Nations<br />
smokehouse. 1040 Moss St, 250-384-<br />
4171, www.aggv.ca.<br />
Continuing to April 17<br />
SOSAKU HANGA<br />
Art Gallery of Greater Victoria<br />
During the early 20th century, Japanese<br />
artists studying in Europe discovered that<br />
many acclaimed Western artists handled<br />
all aspects of the printmaking process<br />
from the first sketch to the last pull of the<br />
print. This discovery resulted in a new<br />
approach to printmaking in Japan. The<br />
AGGV’s permanent collection is one of<br />
the largest and most comprehensive sosaku<br />
hanga collections in the world. 1040 Moss<br />
St, 250-384-4171, www.aggv.ca.<br />
Continuing to May 23<br />
WATER + PIGMENT + PAPER<br />
Art Gallery of Greater Victoria<br />
This investigation into the Gallery’s<br />
collection of watercolour paintings uncovers<br />
an unexpected array of works that challenge<br />
assumptions about the medium.<br />
Spanning nearly 200 years of production<br />
and including works by Maxwell Bates,<br />
Pat Martin Bates, Emily Carr, Pegi Nicol<br />
MacLeod, Jack Shadbolt, Herbert Siebner,<br />
Margaret Peterson, Mark Tobey and Vera<br />
Weatherbie. Opening reception Jan<br />
29, 8-10pm. 1040 Moss St, 250-384-<br />
4171, www.aggv.ca.<br />
February 3–21<br />
RED<br />
Coast Collective Gallery<br />
Red is energizing. It sets our emotions<br />
alive and motivates us to take action. This<br />
show is all about the power of RED–in<br />
paintings, photography, glass art, sculpture<br />
and fabric art. Artists reception: Feb<br />
5, 7:30pm. www.coastcollective.ca, 103-<br />
318 Wale Rd, Colwood, 250-391-5522.<br />
February 6–March 3<br />
BLOOM: BONNIE LAIRD<br />
Martin Batchelor Gallery<br />
Bonnie Laird’s paintings of “undefined<br />
floral imagery embrace light, shadow,<br />
and ambiguous space to explore ideas<br />
of introspection, memory and dreams.”<br />
Opening reception Feb 6, 7-9pm. 712<br />
Cormorant Street, 250-385-7919,<br />
www.martinbatchelorgallery.ca.<br />
26 February 2016 • <strong>FOCUS</strong>
“The Struggle,” by Cameron Kuntz, at Gage Gallery in February<br />
February 9–27<br />
BODY & SOUL<br />
Gage Gallery<br />
Artists Arlene Nesbitt and Cameron<br />
Kuntz (image above) speak to the dialogue<br />
between Body and Soul and take us on a<br />
philosophical journey that is symbolic, yet<br />
personal and unique–exploring and<br />
responding to ideas and relationships<br />
between the material world and the spiritual<br />
one. From the esoteric to the physical,<br />
from the ethereal to the bawdy, their work,<br />
featuring drawings, paintings, photography<br />
and poetry, pulls us into that mysterious<br />
world of discovery and possibility. Reception,<br />
Feb 11, 7-9pm. 2031 Oak Bay Ave, 250-<br />
592-2760, www.gagegallery.com.<br />
February 12–March 9<br />
REMEMBERING ART THOMPSON<br />
Alcheringa Gallery<br />
This exhibition honours the late Nuu-<br />
Chah-Nulth artist, Art Thompson with a<br />
Serigraph Retrospective 1974- 2004.<br />
Well-versed in many artistic styles of the<br />
coast, Art developed his own innovative<br />
and distinctive interpretation of Nuu-Chah-<br />
Nulth design over many years. As a survivor<br />
of the Residential School System, Thompson<br />
passionately advocated for healing, transformation<br />
and change, by representing<br />
these themes in his art, and also by being<br />
a passionate community speaker on residential<br />
school abominations. This evolution<br />
of form and themes can be seen in Art<br />
Thompson’s pursuit for truth and healing<br />
throughout his life. 621 Fort St, 250-383-<br />
8224, www.alcheringa-gallery.com.<br />
February 18–March 9<br />
AUTO CORREKT<br />
Polychrome Fine Art<br />
Solo show of paintings by Cameron<br />
Kidd, whose paintings of graphic imagery<br />
are loaded with bold colour and refined<br />
lines, reflecting his long association with<br />
urban art aesthetics. Opening Feb 18,<br />
7-9pm. 977-A Fort St, 250-382-2787,<br />
www.polychromefinearts.com.<br />
February 24–March 6<br />
SPRING SHOWCASE<br />
Coast Collective Gallery<br />
This gallery exhibit will highlight the<br />
strength and diversity of southern Vancouver<br />
Island’s arts community. Meet the Artists<br />
Reception: Friday, Feb 26, 7:30-9:30pm.<br />
www.coastcollective.ca, 103-318 Wale<br />
Rd, Colwood, 250-391-5522.<br />
February 29–April 2<br />
MACDOUGALL & SPARANESE<br />
Eclectic Gallery<br />
Dan MacDougall presents the “Sea<br />
Wall Project”, encompassing painting,<br />
photography, fabric printing, sculpture,<br />
and the notion of preserving fragments<br />
of nature as a museum might. Alanna<br />
Sparanese uses the encaustic process<br />
combining bees wax, resin, pigment and<br />
photo transfer, fused by blow torch to<br />
render subtle, dreamlike images. Opening<br />
reception with artists March 5, 3-5pm.<br />
Eclectic’s Winter Salon, featuring pottery<br />
and paintings by regional artists, continues<br />
through February. 2170 Oak Bay Ave,<br />
250-590-8095, www.eclecticgallery.ca.<br />
Pulp and Process<br />
February 11 – March 8<br />
A group exhibition of works on paper<br />
by contemporary Canadian artists<br />
Opening reception Thursday, February 11th, 7 - 9pm<br />
606 View Street • 250.380.4660 • www.madronagallery.com<br />
“Tide Loppers” by Meghan Hildebrand, 11 x 14 inches, watercolour on paper<br />
www.focusonline.ca • February 2016<br />
27
METAL TYPE, SPECIAL COLLECTIONS AND UNIVERSITY ARCHIVES, UVIC LIBRARIES, PHOTOGRAPH BY JOHN FREDERICK<br />
February 19–May 16<br />
NEW BOOK HISTORIES: PUBLISHERS, PRINTERS & PRESSES<br />
Legacy Maltwood, University of Victoria<br />
This exhibition traces the role of publishers and printers in literary history from<br />
early production in scriptoria to 21st-century BC small presses. Learn how early<br />
publishers remade the codex in the 16th century, how 18th-century printers made<br />
Shakespeare, what drove Dickens to become his own publisher, how Lady Chatterley’s<br />
Lover escaped the censors, and why serial publication mattered. The exhibit, from<br />
UVic’s Special Collections and Archives, is curated by students of English 500 supervised<br />
by Dr Janelle Jensted. Mearns Centre-McPherson Library, UVic. www.uvac.uvic.ca.<br />
“MADRONA DRIVE” PAUL JORGENSEN, 24 X 36 INCHES, ACRYLIC ON CANVAS<br />
February 13–25<br />
THE ART OF ROMANCE<br />
West End Gallery<br />
Sweeten your Valentine this year with art! Local artist Elka Nowicka presents a<br />
series of floral paintings that will outlast any fresh bouquet and Alain Bédard captures<br />
romance by painting cozy café tables set for two. Ariane Dubois’ dreamy new paintings<br />
hint at love in the air while Grant Leier gets straight to the point with “A Crazy<br />
Little Thing Called Love,” as do Gabryel Harrison’s exquisitely painted red roses. Paul<br />
Jorgensen’s new paintings playfully capture cherished West Coast landscapes. There’s<br />
more and jewelry too. 1203 Broad St, 250-388-0009, www.westendgalleryltd.com.<br />
UNTITLED (BOWHEAD WHALE), TIM PITSIULAK, 36 X 96 INCHES, COLOURED PENCIL ON PAPER<br />
February 11–March 8<br />
PULP AND PROCESS<br />
Madrona Gallery<br />
A group exhibition of works on paper by contemporary Canadian artists. This<br />
show explores the various creative, often surprising ways artists use paper in their<br />
practice. From watercolours to detailed drawings, prints to three-dimensional collages.<br />
Featured artists include Meghan Hildebrand, Luke Ramsey, Barry Hodgson, Miles<br />
Hunter, Morgana Wallace and Catilin McDonagh. Also featuring Inuit artists Shuvinai<br />
Ashoona, Ningeokuluk Teevee and Tim Pitsiulak. Opening reception on Thursday<br />
February 11, 7-9pm. 606 View Street, 250-380-4660, www.madronagallery.com.<br />
“CLOUD OVER ISLAND” JIM PARK, 48 X 60 INCHES, OIL ON CANVAS<br />
Throughout February<br />
INTRODUCING JIM PARK<br />
Peninsula Gallery<br />
Jim Park’s primary goal is to unravel the relationship between one place and another,<br />
between what he can see and what is obscured by darkness. He approaches each<br />
painting without any set formula, in an effort to simplify the process, and be faithful<br />
to the creative evolution of each individual work. Born in 1978 in South Korea, Jim<br />
Park moved to Canada at age 13 and completed his BFA at the Emily Carr Institute<br />
of Art and Design. His work is collected both publicly and privately in Canada and U.S.<br />
100-2506 Beacon Ave, 250-655-1282, www.pengal.com.<br />
28<br />
February 2016 • <strong>FOCUS</strong>
“To Begin Again” by Kimberly Kiel, 36 x 36, oil on canvas<br />
Kimberly Kiel<br />
2184 OAK BAY AVENUE VICTORIA<br />
www.theavenuegallery.com 250-598-2184<br />
Exhibition<br />
RED, February 3-21 2016 | OPENING RECEPTION, February 5, 2016 | 7:30pm - 9:30pm<br />
RED is energizing. It sets our emotions alive and motivates us to take action. Come celebrate the<br />
Coast Collective’s Official Grand Opening on Friday night, February 5th. Try your hand at crafting<br />
an artisanal valentine and meet the artists from RED!<br />
This Valentine’s Day, Be Original, Buy Local<br />
At our local artisan Gift Shop, you can find one-of-a-kind, handmade Valentines cards and<br />
gifts for all the loves in your life, and support your arts community at the same time. Or give<br />
someone you love the gift of learning, with one of our dozens of workshops.<br />
www.focusonline.ca • February 2016<br />
29
February 3<br />
BLACK PIONEERS OF BC<br />
Royal BC Museum<br />
12-1pm, Newcombe Hall, 675 Belleville St. Free/<br />
by donation. 250-356-7226, www.royalbcmuseum.bc.ca.<br />
February 5<br />
THE ILLUMINATION EVENT<br />
Victoria Conference Centre<br />
The Victoria Yoga Conference hosts an evening of<br />
inspirational speakers as its opening night event. 7-<br />
9:30pm. $50 at www.victoriayogaconference.com.<br />
February 6 & 7<br />
THE WALL JAM PROJECT<br />
Victoria Conference Centre<br />
As part of the Victoria Yoga Conference marketplace,<br />
an interactive art installation–a social experiment to<br />
foster conversation using blank, white walls in an empty<br />
gallery. Free for conference delegates; $10 day/$15<br />
weekend. www.victoriayogaconference.com.<br />
readings & presentations<br />
February 14–March 13<br />
AFTERNOONS AT THE GALLERY<br />
Art Gallery of Greater Victoria<br />
A 4-part art lecture series focusing on the “shock of<br />
the new,” looking at art between the wars. 2-4pm, Feb<br />
14 & 21, Mar 6 & 13, 1040 Moss St. $35/ $30 per<br />
lecture or $120/ $100 for package (packages until Feb<br />
14 only). Tickets at 1040 Moss St, or www.aggv.ca.<br />
February 15<br />
PRAIRIE SUNSET<br />
Eric Martin Pavilion<br />
Dion Manastyrski will give a slide show presentation<br />
and share stories behind his new hardcover historical<br />
photography book, Prairie Sunset: A Story of Change.<br />
A short film will follow. The project began in 2003,<br />
when Manastyrski began photographing abandoned<br />
artifacts in the Canadian prairies: old homes, barns,<br />
schools, and churches. 6:30pm, Fort St. by Lee Ave. By<br />
donation. Books available for sale (cash only) and<br />
signing. More at www.moviemonday.ca.<br />
O’Malley’s<br />
Greenscapes<br />
Certified Horticulturist<br />
GARDEN SERVICES<br />
• pruning<br />
• bed tending<br />
• lawn maintenance<br />
• what have you<br />
Bryan O’Malley<br />
250.389.1783<br />
February 6<br />
WHAT’S IT WORTH?<br />
Art Gallery of Greater Victoria<br />
Learn the value of your treasures at this event organized<br />
by the Gallery Associates. Local auctioneers Alison<br />
Ross and Jeff Dean will verbally appraise your art,<br />
antiques, collectibles and other items. Up to two portable<br />
items will be evaluated at morning (10am-12:30pm)<br />
and afternoon (1:30-4pm) sessions. $35 includes Gallery<br />
exhibition access and light refreshments. Tickets at the<br />
Gallery, 1040 Moss St, or www.aggv.ca.<br />
February 6 & 13<br />
REPAIR CAFÉ<br />
Two venues<br />
Experienced “fixers” on hand to help you repair<br />
broken items: clothes, furniture, appliances,<br />
toys, bicycles, etc. Free with donations welcome.<br />
Feb 6, 10:30am-1:30pm: Pearkes Rec Centre, 3100<br />
Tillicum Rd. Feb 13, 9:30am-12:30pm: Victoria<br />
Public Library, central branch, 735 Broughton St. Info:<br />
www.repaircafe.org/en/locations/repair-cafe-victoria-bc.<br />
February 7<br />
FAMILY FAITH FAIR<br />
Cadboro Bay United Church<br />
Hosted by the Victoria Multifaith Society in honour<br />
of World Interfaith Harmony Week, on the theme of<br />
the spiritual education of children. Included will be a<br />
fundraising effort for the Syrian Refugee Program. Donations<br />
to the refugee program by cash or cheque will provide<br />
automatic entry in the prize draw. 1:30-4:30pm, 2625<br />
Arbutus Rd. Free. Info: victoriamultifaith@gmail.com.<br />
February 8<br />
PAINTED DOG TALK<br />
Robert Bateman Centre<br />
A fundraising and awareness event highlighting<br />
and supporting the work being done by Dr Gregory<br />
Rasmussen and the local community near Victoria Falls,<br />
Zimbabwe to protect the endangered African Painted<br />
Dog. 7-9pm, 470 Belleville St. $21.80 regular / $80.11<br />
VIP (includes time with Dr Rasmusseun and free refreshments)<br />
at www.oasesconservation.org/painted-dog.<br />
February 15<br />
FABLES IN FEBRUARY<br />
1831 Fern Street<br />
The Victoria Storytellers Guild invites you to hear<br />
and tell stories. Doors at 7:15pm, stories start at 7:30pm.<br />
$5/ students $3. Refreshments. Parking on Begbie.<br />
250-477-7044, www.victoriastorytellers.org.<br />
February 15<br />
JENNIFER ROBSON<br />
Munro’s Books<br />
The bestselling author of Somewhere in France and After<br />
the War is Over presents her newest book, Moonlight<br />
Over Paris. Set in a bohemian paradise teeming with<br />
actors, painters, and writers, the book recounts the<br />
artistic flourishing of France’s capital in the 1920s.<br />
7:30pm, 1108 Government St. 250-382-2464,<br />
www.munrobooks.com.<br />
February 16<br />
CANADIAN CLUB OF VICTORIA<br />
Harbour Towers Hotel<br />
Luncheon and talk by Louise Mandell, titled “The<br />
Truth and Reconciliation Commission Report: What<br />
now?” Mandell, QC, Chancellor of Vancouver Island<br />
University (VIU), is an Aboriginal rights lawyer and<br />
advocate for Canada’s First Nations. Tickets and info:<br />
www.thecanadianclubofvictoria.com.<br />
February 18<br />
FROM SNIPPETS TO SERIES<br />
University of Victoria<br />
Lecture with Dr Leslie Howsam (University of Windsor)<br />
on Historical Writing and the Book Historians. 4pm,<br />
room A003 Lower Level, Mearns Centre for Learning,<br />
McPherson Library. www.uvic.ca/library/locations/-<br />
home/spcoll/events<br />
February 19<br />
BLACK HISTORY ROUND TABLE<br />
École Victor-Brodeur<br />
Topic: “The Black French Community: Minority Among<br />
Minorities.” Followed by storytelling show. 6:30pm,<br />
637 Head St. By donation; register: vaccsociety@gmail.com.<br />
30 February 2016 • <strong>FOCUS</strong>
eadings & presentations<br />
February 20<br />
SEEDY SATURDAY<br />
Victoria Conference Centre<br />
Non GMO seeds, seedlings, fruit and olive trees,<br />
seed and used garden book exchanges (bring yours!),<br />
food and garden products, lots of speakers. New<br />
vendors. 10am-4pm, 720 Douglas St. $7 cash, under<br />
16 free. www.jamesbaymarket.com/seedysaturday,<br />
250-381-5323<br />
February 21<br />
THE SONG OF POETS<br />
Congregation Emanu-El Synagogue<br />
A fundraiser for the synagogue’s Syrian Refugee<br />
Family Sponsorship Project. Original poetry by Judith<br />
Castle, Dvora Levin, Isa Milman and Barbara Pelman,<br />
published poets and members of Congregation Emanu-<br />
El, will be featured with music by The Klez reflecting<br />
the essence of the poetry. 2pm (doors 1:30 pm), 1461<br />
Blanshard St. Light refreshments. Admission by donation.<br />
250-382-0615 or info@congregationemanuel.ca.<br />
February 25<br />
THE BANTAMS<br />
James Bay New Horizons<br />
The Victoria Historical Society presents “The<br />
Bantams: Victoria’s Unknown Soldiers” with Sidney<br />
Allinson. Based on his book, the military historian,<br />
novelist and chairman of the Pacific Coast Branch<br />
of the Western Front Association will relate the fate<br />
of this unique group. 7:30pm, 230 Menzies St.<br />
www.victoriahistoricalsociety.bc.ca.<br />
WILD<br />
HONEY<br />
By MICHAEL FRAYN<br />
Adapted from an original play by<br />
ANTON CHEKHOV<br />
FEBRUARY<br />
11-20, 2016<br />
DIRECTOR<br />
PETER McGUIRE<br />
SET DESIGNER<br />
DALLAS ASHBY<br />
COSTUME DESIGNER<br />
GRAHAM McMONAGLE<br />
LIGHTING DESIGNER<br />
MICHAEL WHITFIELD<br />
SOUND DESIGNER<br />
CAROLYN MOON<br />
STAGE MANAGER<br />
REBECCA MARCHAND<br />
PHOENIXTHEATRES.CA TRES.CA<br />
| 250.721.8000<br />
PREVIEWS @ 8PM: FEB. 9 & 10 | EVENINGS @ 8PM: MON. - SAT. |<br />
MATINEE @ 2PM: SATURDAY FEB. 20<br />
February 25<br />
CITY TALKS: CITIES OF REFUGE<br />
Legacy Art Gallery<br />
A presentation by Alison Mountz, Professor and<br />
Canada Research Chair in Global Migration, Department<br />
of Geography, Wilfrid Laurier University and Visiting<br />
Professor of Canadian Studies, Harvard University will<br />
explore the potential of all cities to become sites of refuge.<br />
7:30pm, 630 Yates Street. Free. www.thecitytalks.ca.<br />
February 27<br />
BLACK HISTORY MONTH CLOSING GALA<br />
Cedar Hill Rec Centre<br />
Pulchérie Mboussi, on behalf of the Victoria African<br />
and Caribbean Cultural Society, presents awards to<br />
several members of the black community who have<br />
distinguished themselves in the public, private and<br />
community sectors. Live music and dance celebration<br />
to follow. Dress code: black tie or African attire. 6:30pm,<br />
3220 Cedar Hill Rd. Admission by donation. RSVP at<br />
www.blackhistorymonthclosinggala.eventbrite.ca.<br />
February 29<br />
VANDANA SHIVA<br />
Farquhar Auditorium, UVic<br />
An evening lecture on the resilience of organic<br />
agroecosystems, innovative responses to the global<br />
industrial food system, and global examples that can<br />
inform local efforts here. 8-9pm, book signing to follow,<br />
University Centre. $20 advance at www.tickets.uvic.ca.<br />
Send your listing in the above format<br />
to focusedit@shaw.ca<br />
by the 15th of preceding month<br />
www.focusonline.ca • February 2016<br />
31
32 February 2016 • <strong>FOCUS</strong>
February 2–28<br />
THE VALLEY<br />
Belfry Theatre<br />
Joan MacLeod’s latest play. See story,<br />
page 38. 250-385-6815, www.belfry.bc.ca.<br />
February 6<br />
THE HUNT<br />
Intrepid Theatre Club<br />
A multidisciplinary investigation<br />
into masculinity, featuring and conceived<br />
by Impulse Theatre’s Artistic Director<br />
Andrew Barrett with John Han. 5pm &<br />
8pm shows, 2-1609 Blanshard St. $10<br />
at door only, starting 1 hour before showtime.<br />
www.intrepidtheatre.com.<br />
February 11–20<br />
WILD HONEY<br />
Phoenix Theatre, UVic<br />
Adapted from Anton Chekhov. This<br />
cocktail of melodrama and farce takes<br />
audiences to a provincial country estate<br />
where friends, neighbours and family<br />
gather for a party. Ages 13+. Fine Arts<br />
district, west side of campus, outside Ring<br />
Rd. 250-721-8000, finearts.uvic.ca.<br />
February 12–March 26<br />
MILLION DOLLAR QUARTET<br />
Chemainus Theatre<br />
Elvis, Jerry Lee Lewis, Carl Perkins, and<br />
Johnny Cash meet for the first (and only)<br />
time. Their red-hot jam session created<br />
a score of rock ‘n’ roll hits, including “Blue<br />
Suede Shoes,” “Fever,” “Great Balls of<br />
Fire,” and more. 1-800-565-7738,<br />
www.chemainustheatrefestival.ca.<br />
February 16–March 5<br />
BAD JEWS<br />
Theatre Inconnu<br />
Three young Jewish adults find themselves<br />
together in the aftermath of their<br />
grandfather’s funeral. A vicious and hilarious<br />
brawl over family, faith and legacy<br />
ensues. 1923 Fernwood Rd. Feb 16: $7<br />
preview; Feb 23: pay what you wish.<br />
$14/ $10 at www.ticketrocket.co.<br />
theatre<br />
February 17–21 & 24–27<br />
WHERE THERE’S A WILL<br />
Craigdarroch Castle<br />
2016 marks the 400th anniversary of<br />
Shakespeare’s legacy, and the Greater<br />
Victoria Shakespeare Festival is celebrating<br />
the greatest English dramatist in song,<br />
verse and cake. Meet Elizabeth I, Christopher<br />
Marlowe, Anne Hathaway, and Bill himself.<br />
Afterwards, recite your favourite line or<br />
couplet as part of “We are Shakespeare,”<br />
a global video project initiative. 8pm,<br />
1050 Joan Cres. www.vicshakespeare.com.<br />
February 18–20<br />
ACTION REVUE<br />
Metro Studio<br />
This presentation will delve deep into<br />
the differences and similarities between<br />
feminine and masculine. 8pm, 1411<br />
Quadra Street. $22 at www.ticketrocket.co.<br />
February 26–March 6<br />
ROBINSON & CRUSOE<br />
Metro Studio<br />
In this family production from<br />
Kaleidoscope Theatre, two unlucky soldiers<br />
from opposing sides find themselves<br />
stranded on the roof of a house adrift<br />
at sea. Together they must overcome their<br />
heightened suspicions if they are to make<br />
it out of this ordeal alive. 1411 Quadra<br />
St. $20 adults/ $13 age 17 & under at<br />
250-386-6121, www.rmts.bc.ca.<br />
dance<br />
February 26 & 27<br />
LES BALLETS JAZZ DE MONTRÉAL<br />
Royal Theatre<br />
Contemporary dance works by choreographers<br />
from Greece, Brazil and Israel.<br />
In Kosmos, Andonis Foniadakis draws<br />
his inspiration from the modern world,<br />
the frenetic pace of everyday. The score<br />
for Rodrigo Pedeneiras’ Rouge includes<br />
throat singing, the sound of waves, the<br />
rustling wind, and the cry of wild geese.<br />
Itzik Galili’s Mono Lisa, too, promises<br />
dynamic movement.7:30pm. From $29<br />
at 250-386-6121, www.rmts.bc.ca.<br />
Early Music<br />
Society<br />
OF THE ISLANDS<br />
S<br />
Back<br />
Bach<br />
Before Piffaro, fa<br />
The<br />
Renaissance Band<br />
PHILADELPHIA<br />
PHIA<br />
For 30 years, the gold<br />
standard ard in Renaissance<br />
wind music performance<br />
Recorders, rs, shawms, sackbuts,<br />
pipes<br />
20<br />
February 2016<br />
Box office<br />
Alix Goolden Hall 8pm<br />
250-386-6121<br />
www.earlymusicsocietyoftheislands.ca<br />
w.<br />
theislands.ca<br />
“WINDSWEPT SHORE” RON PARKER, 36 X 28 INCHES, OIL ON CANVAS<br />
Throughout February<br />
RON PARKER<br />
The Avenue Gallery<br />
Ron Parker’s oil paintings represent the culmination of all the skills he has acquired<br />
over 36 years of painting. He began with wildlife in the 1970s, learning how to render<br />
feathers, fir and foliage realistically, then began figurative paintings and portraits.<br />
In 2003 he began a series of over 400 “essentialist” paintings focused on form and<br />
rhythm using acrylics. In 2013 Ron embraced the medium of oil paints. By working<br />
wet into wet and using only one coat of paint in most paintings, he has returned to<br />
realistic, detailed renderings of landscape. But now he can create subtle water reflections,<br />
smooth gradations in clouds, as well as refined detail in foliage, capturing<br />
the detail, light, texture, colour and mood of any scene.<br />
“Windswept Shore,” left, is Parker’s majestic tribute to Clover Point in Victoria, where<br />
wind-whipped waves crash upon beached kelp as the storm clouds build—a typical<br />
West Coast day. 184 Oak Bay Ave, 250-598-2184, www.theavenuegallery.com.<br />
www.focusonline.ca • February 2016<br />
33
February 4<br />
SCHUBERT’S WINTERREISE<br />
Phillip T. Young Recital Hall<br />
Daniel Lichti, bass baritone, and pianist, conductor,<br />
author, vocal coach, and accompanist Leslie De’Ath<br />
perform Franz Schubert’s epic song cycle, a setting of<br />
24 poems by Wilhelm Müller. 8pm, MacLaurin Building,<br />
UVic. Free. www.finearts.uvic.ca/music/events.<br />
February 4–7<br />
PACIFIC BAROQUE FESTIVAL<br />
Two venues<br />
Presenting German baroque music before Bach.<br />
Including performances by the Pacific Baroque Festival<br />
Ensemble, the renowned German soprano Dorothee<br />
Mields, and the Victoria Children’s Choir. Program details<br />
and tickets: www.pacbaroque.com.<br />
February 5<br />
JIM BYRNES<br />
Mary Winspear Centre<br />
The Juno-award winning blues musician performs.<br />
7:30pm, 2243 Beacon Ave, Sidney. $40.95 at 250-<br />
656-0275, www.marywinspear.ca.<br />
February 5<br />
WINDS OF CHANGE<br />
Farquhar Auditorium, UVic<br />
University of Victoria Wind Symphony with the Naden<br />
Band of the Royal Canadian Navy performing Symphony<br />
No. IV: Bookmarks from Japan by Julie Giroux and Pictures<br />
at an Exhibition by Modest Mussorgsky (Ravel/Lavender).<br />
8pm, University Centre. $15/ $10 seniors & alumni/<br />
$5 students at 250-721-8480, www.tickets.uvic.ca.<br />
February 6 & 7<br />
BARB TOWELL & TINA CHANG<br />
Two venues<br />
Towell, mezzo-soprano, and Chang, piano, perform<br />
classical and popular vocal songs. Feb 6: 2:30pm, St<br />
Andrew’s Church, 9686 Third St, Sidney. Feb 7: 2:30pm,<br />
St Mary’s Church, 1701 Elgin Rd, Oak Bay. $25/ $20<br />
at door or 250-386-6121, www.rmts.bc.ca.<br />
February 7<br />
ALEX CUBA<br />
Mary Winspear Centre<br />
A singer-songwriter and musician pushing the boundaries<br />
of Latin music. 7:30pm, 2243 Beacon Ave, Sidney.<br />
$44.63 at 250-656-0275, www.marywinspear.ca.<br />
February 11–21<br />
THE BARBER OF SEVILLE<br />
Royal Theatre<br />
With its byzantine plot twists and irresistible music,<br />
Rossini’s farce is a conspiracy on behalf of youth, hope,<br />
and the joy of first love. Performance dates: Feb 11,<br />
13, 17, 19, 21, 805 Broughton St. From $25 at 250-<br />
386-6121, www.rmts.bc.ca.<br />
February 12<br />
THE LONELY<br />
Roxy Theatre<br />
A group of experienced musicians and performers<br />
in tribute to Roy Orbison. 7pm, 2657 Quadra St. $35.50/<br />
$30.25 at 250-382-3370, www.bluebridgetheatre.ca.<br />
music<br />
February 12–14<br />
VICTORIA DJANGO FESTIVAL<br />
Various venues<br />
Three nights of ’gypsy swing’ concerts, dance halls<br />
and speakeasy. See story page 36.<br />
February 14<br />
BARBARA EBBESON & ALISON NISHIHARA<br />
St Mary’s Church<br />
West Coast performers Ebbeson (mezzo-soprano)<br />
and Nishihara (piano) present Schubert’s song cycle<br />
The Beautiful Miller, paired with a cycle by Grieg, The<br />
Mountain Maid. Sung in German and Norwegian<br />
respectively. 2:30pm, 1701 Elgin Rd. $23.50 at 250-<br />
386-6121, www.rmts.bc.ca.<br />
February 17<br />
MATT ANDERSEN<br />
Farquhar Auditorium, UVic<br />
The renowned blues singer/ guitarist performs with<br />
a guest. 7:30pm, University Centre. $39/ $31/ $23<br />
at UVic Box Office, 250-721-8480, www.tickets.uvic.ca.<br />
February 17–March 23<br />
LENTEN CONCERTS<br />
St Mary’s Anglican Church<br />
Annual Lenten lunchtime concerts on Weds. Feb<br />
17: Curt Bergen, organ; Kelly Kyungch Chang, violin.<br />
Feb 24: Nathan MacDonald, baritone; Alana Hayes,<br />
mezzo-soprano; Csinszka Redai, piano. 12:10-12:55pm,<br />
1701 Elgin Road. Bring lunch. Coffee and tea provided. By<br />
donation ($8 suggested), proceeds to BC Cancer<br />
Foundation. 250-598-2212 or info@stmarysoakbay.ca.<br />
February 19<br />
BRUCE VOGT<br />
Phillip T. Young Recital Hall<br />
The pianist performs the late sonatas of Ludwig van<br />
Beethoven. 8pm, MacLaurin Building, UVic. $18/ $14<br />
at 250-721-8480, www.tickets.uvic.ca.<br />
February 19 & 21<br />
VICTORIA CHAMBER ORCHESTRA<br />
Two venues<br />
An all-Beethoven program with Symphony No. 1<br />
in C Minor and Symphony No. 3 in E Flat. Feb 19: 8pm,<br />
First Metropolitan Church, 932 Balmoral Rd (at Quadra). Feb<br />
21: 2pm, Oak Bay United Church, 1355 Mitchell St.<br />
$20/ $15; music students free at Long & McQuade,<br />
Ivy’s Bookshop, door, www.victoriachamberorchestra.org.<br />
February 20<br />
BACK BEFORE BACH<br />
Alix Goolden Hall<br />
Early Music Society of the Islands presents Philadelphia’s<br />
Piffaro: The Renaissance Band performing a program<br />
exploring the repertoire familiar to JS Bach’s father,<br />
Johann Ambrosius Bach. 8pm $30 at 250-386-6121,<br />
www.rmts.bc.ca. Also watch for Tafelmusik, March 5.<br />
February 27<br />
LAFAYETTE STRING QUARTET<br />
Phillip T. Young Recital Hall<br />
With pianist Arthur Rowe in a program including music<br />
by Murray Adaskin, Dmitri Shostakovich and Antonín<br />
Dvorák. 8pm, MacLaurin Building, UVic. $25 at 250-<br />
721-8480, www.tickets.uvic.ca.<br />
February 27<br />
DIEMAHLER CHAMBER GROUP<br />
St Mary’s the Virgin Church<br />
An Oak Bay Rotary fundraising concert for literacy<br />
and Syrian refugees. 2:30pm, 1701 Elgin Rd. $25<br />
(students by donation) at Ivy’s Bookshop or 250-386-<br />
6121, www.rmts.bc.ca.<br />
February 28<br />
JAZZ AT THE GALLERY<br />
Art Gallery of Greater Victoria<br />
Pianist Miles Black will interpret Oscar Peterson.<br />
2pm, 1040 Moss St. $35/ discount for AGGV or U-JAM<br />
members, includes gallery admission. Available at the<br />
gallery or 250-384-4171. Info and full lineup:<br />
www.aggv.ca/events/jazz-gallery-2016.<br />
February 28<br />
MAY LING KWOK<br />
Phillip T. Young Recital Hall<br />
The recording artist and instructor performs piano<br />
works by Mozart and Schumann. 2:30pm, MacLaurin<br />
Building, UVic. $18/ $14 seniors, students & alumni at<br />
250-721-8480, www.tickets.uvic.ca.<br />
February 29<br />
BRAHMS DOUBLE<br />
Royal Theatre<br />
Victoria Symphony Concertmaster Terence Tam and<br />
Principal Cello Brian Yoon play the Brahms’ Double<br />
Concerto. Schubert’s Symphony No. 9, led by VS Principal<br />
Guest Conductor Bernhard Gueller, concludes the concert.<br />
8pm. From $30 at 250-386-6121, www.rmts.bc.ca.<br />
Saturdays in February<br />
CHOIR REHEARSALS<br />
Cadboro Bay United Church<br />
The Victoria Good New choir invites people of all<br />
ages–families, children and seniors included–to join<br />
the choir. People are welcome to visit a rehearsal before<br />
joining. Repertoire includes music from the sixteenth<br />
century to funk, rock ’n roll, gospel, and more. Performances<br />
take place at many venues around Victoria throughout<br />
the year. Seasonal or semester fees for families, adults,<br />
youth, and first-time members are available on the<br />
choir website; children under 12 years are free when<br />
accompanied by an adult member. Info: 250-658-<br />
1946, www.victoriagoodnewschoir.com.<br />
Sunday nights in February<br />
FOLK MUSIC CONCERTS<br />
Norway House<br />
Feb 7: Morgan Davis; Feb 14: Odell Fox; Feb 21:<br />
Genevieve and the Wild Sundays; Feb 28: Paradise<br />
Street. $5/ 16 & under free. Feature performers after<br />
open stage unless noted. 7:30pm, 1110 Hillside Ave.<br />
250-475-1355, www.victoriafolkmusic.ca.<br />
Throughout February<br />
UVIC MUSIC EVENTS<br />
Phillip T. Young Recital Hall, UVic<br />
Concerts, lectures, workshops and recitals featuring<br />
School of Music faculty, students and guests. Several<br />
free and by donation events. Full listings at<br />
www.finearts.uvic.ca/music/events.<br />
34 February 2016 • <strong>FOCUS</strong>
music<br />
February 5–14<br />
VICTORIA FILM FESTIVAL<br />
Various venues<br />
Beginning with an opening gala, over 150 local,<br />
Canadian and international films will be screened over<br />
10 days. Special programs include Canadian Wave, French<br />
Canadian Wave, Indigenous and Asian and<br />
World Perspective. Also in the schedule are special<br />
events, including “in conversation” sessions with industry<br />
heavyweights, Sips ‘n’ Cinema, and family events.<br />
ConVerge returns to VFF for one day with over 30<br />
pop up cinemas screening films in unexpected locations<br />
from the City Hall clock tower to a dog house to<br />
a limousine. ConVerge starts with a street party on Friday,<br />
Feb 12 on Broad St, 4:30-7pm with music from local<br />
band Bucan Bucan. (Free; all ages).<br />
VFF films will be screened at the Vic Theatre, the<br />
Odeon, Parkside Hotel and Spa, and Star Cinema<br />
in Sidney. $2 membership required. Tickets, schedule<br />
and info: www.victoriafilmfestival.com.<br />
February 10<br />
AWARENESS FILM NIGHT: INHABIT<br />
Edward Milne Comm School, Sooke<br />
Permaculture evening, with the film Inhabit and<br />
panel discussion with three Sooke permaculture<br />
maestros. 7-9pm, 6218 Sooke Rd. By donation.<br />
www.awarenessfilmnight.ca.<br />
4-7 February, 2016<br />
Discover German baroque<br />
music before Bach<br />
Dorothee Mields<br />
Soprano<br />
Ben Butterfield Tenor<br />
Sumner Thompson<br />
Baritone<br />
Marc Destrubé,<br />
Artistic Director, violin<br />
Pacific Baroque<br />
Festival Ensemble<br />
Victoria Children’s<br />
Choir<br />
Alix Goolden<br />
Performance<br />
Hall<br />
907 Pandora Ave<br />
Christ Church<br />
Cathedral<br />
Quadra Street at<br />
Rockland<br />
Program details<br />
and tickets:<br />
pacbaroque.com<br />
February 26<br />
FILM SCREENING AND FEAST<br />
Open Space<br />
Since May 2015, Indigenous youth and artist mentors<br />
have been active in exploring different aspects of art<br />
practice. Participants are creating short films, finalizing<br />
a publication project and developing media installations.<br />
A public screening and community feast will<br />
showcase their projects and celebrate the program.<br />
5pm, 510 Fort St. By donation. 250-383-8833,<br />
www.openspace.ca.<br />
FESTIVAL SPONSOR PRESENTED IN<br />
PARTNERSHIP WITH<br />
THE GALLERY<br />
AT MATTICK’S FARM<br />
February 26<br />
FILM SCREENING<br />
Café Simpatico<br />
Western Canada premier of Life Is Waiting: Referendum<br />
and Resistance in Western Sahara, a documentary<br />
on Western Sahara and refugee camps in Algeria.<br />
Discussion to follow. 7:30pm, 1923 Fernwood Rd. By<br />
donation. Info: bbcf@bbcf.ca.<br />
Mondays in February<br />
MOVIE MONDAYS<br />
Eric Martin Pavilion<br />
Feb 1: What Happened Miss Simone? followed by<br />
guest Erin Michalak, PhD, Network Lead Associate<br />
Professor, Mood Disorders Centre, Dept of Psychiatry,<br />
UBC; Feb 8: Monsoon; Feb 15: Prairie Sunset author<br />
presentation and short films. Screenings at 6:30pm,<br />
Fort St by Lee Ave. By donation. www.moviemonday.ca.<br />
Throughout February<br />
MOVIE SCREENINGS<br />
Vic Theatre<br />
Including Spotlight Feb 1-4 and Victoria Film Festival<br />
screenings Feb 5-14. Most screenings at 4, 7 or<br />
9pm, 808 Douglas St. Listings at www.thevic.ca.<br />
Awakening the Dreamer, Changing the Dream<br />
with Gertie Jocksch, SC DMin<br />
4 Tuesdays, February 9 - March 1, 10am - 12pm<br />
$75 or $20 drop in<br />
Friends Meeting House, 1831 Fern Street<br />
Cosmic Story, Earth Story, Sacred Story<br />
with Gertie Jocksch, SC DMin<br />
& Margaret Walters, BA<br />
Saturday, February 20, 10am - 4pm<br />
$95 + applicable taxes<br />
Best to register by February 6, at RRU Continuing<br />
Studies, www.royalroads.ca/continuing-studies<br />
Please do not let cost deter you from<br />
attending—ask us about our scholarships.<br />
See website for more winter programs.<br />
earthliteracies@gmail.com<br />
250-220-4601 • www.earthliteracies.org<br />
Louise Monfette<br />
February 2 - 28<br />
Opening Reception Sat. Feb. 6, 1-3pm<br />
Artist in attendance<br />
109-5325 Cordova Bay Road • 250-658-8333<br />
www.thegalleryatmatticksfarm.com<br />
Open 10am - 5:30pm every day<br />
“Palm Desert Lines # 4” 24 x 18 inches, acrylic<br />
www.focusonline.ca • February 2016<br />
35
vibe<br />
ensemble Hot Club D’Europe—convenes at the cozy and intimate<br />
Hermann’s Jazz Club on the evening of February 14.<br />
Whether you’re a serious student of Gypsy jazz or just a casual passerby,<br />
this particular form of virtuosic, guitar-based acoustic swing lifts the<br />
spirits and inspires awe without any blare or bombast.<br />
“Gypsy jazz is incredible music, it just hits you with the soul and the<br />
technical prowess,” Swain says as he explains his passion for the art<br />
form. “No other jazz musician had the impact of Django Reinhardt,<br />
and how fascinating is it that this member of the Roma community—<br />
a community who faced incredible prejudice in Europe—found a home<br />
within African-American music in the 20s…and did it in Paris.”<br />
And while our region boasts a healthy population of what Swain<br />
calls “wonderful exponents of the form,” some of whom will grace the<br />
stages of the festival, headlining this year’s lineup is top international<br />
ensemble Hot Club D’Europe, featuring acclaimed virtuoso guitarist<br />
Paulus Schafer. “It’s our fifth year, and we’re finally bringing in some<br />
Old World masters,” Swain enthuses. Schafer, a native of the Netherlands,<br />
“has played with everybody and grew up in the tradition, not far from<br />
where Django Reinhardt was raised. Just the fact that we’re bringing<br />
those guys in for two exclusive concerts is a bit of a dream come true.”<br />
Swain wanted the festival to include some of the genesis of the<br />
legendary Reinhardt’s inspiration, and explore the Roma roots of the<br />
tradition. Bulgarian-born Vancouver violinist Lache Cercel and The<br />
Roma Swing Ensemble, featuring vocalist Miriam Bellamore, will offer<br />
this elemental aspect, he says. “It’s a more diverse, more international<br />
program than we’ve ever put forward; I’m excited about that.”<br />
Expanding the offerings into other areas of swing, Swain is also<br />
highlighting Vancouverites Petunia and the Vipers, “a veteran five-<br />
February can be a time<br />
of conflict in many<br />
hearts and relationships,<br />
as most of us fall into<br />
one of two opposing camps:<br />
those who would rather<br />
ignore the culturally-enforced<br />
mass celebration of romantic<br />
love in the middle of the<br />
month, and those who crave<br />
some kind of significant<br />
observance.<br />
It’s hard to know in which<br />
camp legendary jazz guitarist<br />
Django Reinhardt would<br />
have found himself, but the<br />
5th annual Victoria Django<br />
Festival offers what I’d call<br />
the perfect solution for the<br />
Valentine-phobic and -philic<br />
who are simply looking for<br />
a damned good time. The<br />
purpose of the three-day<br />
swingin’ smorgasbord is to<br />
fill the dark nights with music, celebration, food and drink—and show<br />
me the person in this town who doesn’t need some of that as we plod<br />
through these stubbornly soggy days of midwinter.<br />
Envisioned and organized by celebrated local bassist Oliver Swain—<br />
himself a longtime Gypsy jazz enthusiast—the Victoria Django Festival<br />
aims to deliver on more than just the musical front. Back in the day,<br />
Swain says, “they would have a full dance floor, good food, a full<br />
bar…We’re modelling this after the underground venues in Paris of the<br />
1920s; we try to stay in the spirit of providing fine traditional European<br />
bistro food and a kickin’ dance floor—and if you don’t want to<br />
dance all night, there’s lots of places to just relax and enjoy the music.”<br />
Swain hand-picked some of the best local providers of artisan food<br />
and drink: Hoyne’s Brewery, Pizzeria Prima Strada, and The Whole<br />
Beast Charcuterie, among other favourites.<br />
If that’s not enough to break the spell of sedentary screen time on<br />
the sofa, this festival offers more to those who overcome their inertia<br />
and dare to venture out. Friday and Saturday audiences will be in for<br />
a true “1930s European Hot Club” scene, with two adjacent venues<br />
offering contrasting entertainment experiences each night. Ticket<br />
holders can experience cabaret seating and a full dance floor in one<br />
area—along with food and beverage service available during concerts.<br />
Or pop into the more “concert-style” side of things, where jam sessions<br />
organically blossom and the focus is on listening. One admission price<br />
allows patrons to freely roam.<br />
Sunday’s event sounds like a winner if you’re looking for a more<br />
classically “romantic” experience. It’s fitting that this full-on dinner<br />
show—with a four-course, French-inspired Valentine’s Day feast created<br />
by guest chef Cosmo Meens and paired with international headliner<br />
Calling your inner Gypsy<br />
MOLLIE KAYE<br />
Swain on swing: The 5th Annual Victoria Django Festival.<br />
Oliver Swain Paulus Schafer Petunia<br />
36 February 2016 • <strong>FOCUS</strong>
“<br />
I’VE BEEN PASSIONATELY performing this music for<br />
years, and I wanted to do a Gypsy jazz music festival—<br />
and an event where there was food and dancing and<br />
concert experience all rolled into one night.”—Oliver Swain<br />
piece I’ve been following for a few years.” The band’s lead vocalist,<br />
he says, “is just a remarkable artist; he’s doing some really interesting<br />
things, and diversifying our lineup a bit by bringing in a full-on Western<br />
Swing ensemble.” Victoria-based groups the Marc Atkinson Trio and<br />
Trio Voltaire (with whom Swain himself will take up his bass<br />
during the shows) round out the list of performers.<br />
When I asked Swain whether he would be performing, he said<br />
that in the past few years of the festival, he hung back, but looks<br />
forward to taking the stage this time. “I’m an artist first; I’ve been<br />
passionately performing this music for years, and I wanted to do a<br />
Gypsy jazz music festival—and also wanted to do an event where<br />
there was food and dancing and concert experience all rolled into<br />
one night.”<br />
The impassioned, rhythmic precision of authentic renditions of<br />
labyrinthine 1920s and 30s Gypsy jazz repertoire does tend to inspire<br />
dancers of all ages to hit the floor; after all, the art form developed<br />
in an era when people came out to dance, not just listen.<br />
“All of our groups say they often end up doing [straight] concerts,”<br />
remarks Swain, “but one of the things that sets us apart from the way<br />
a lot of jazz is presented is to have the dance component, and our<br />
artists love it. They absolutely love the fact they can do a concert<br />
set on one side, then walk down the hall and play for dancers.”<br />
There are swing lessons offered before the Friday and Saturday shows,<br />
and a competition each night (with prizes) for the more experienced<br />
and flashy aficionados of the dance. Join in, or sit steadfastly in your<br />
chair—either way, the visual spectacle of swirling skirts, fancy footwork,<br />
and acrobatic “aerial” lifts is worth the price of admission. “During<br />
the show, people are really cuttin’ a rug,” says Swain. “It’s a total crowd<br />
favourite. Elite dancers from Vancouver and Seattle are now coming<br />
in to participate. Have a drink or snack and watch some pretty worldclass<br />
dancers; come early and learn a few steps.”<br />
Victoria Django Festival runs February 12-14. On Friday, Feb 12,<br />
Petunia & The Vipers and The Marc Atkinson Trio, 8pm at White<br />
Eagle Hall, 90 Dock Street: $25 advance (available at Hoyne Brewery,<br />
Lyle’s Place & Larsen Music) / $30 door; Saturday, Feb 13, Hot<br />
Club D'Europe, Petunia & the Vipers, Lache Cercel and the Roma<br />
Swing Ensemble, Trio Voltaire, 8pm at St Andrews Church & Kirk<br />
Hall, 680 Courtney: $40 advance / $45 door; Friday & Saturday pass:<br />
$60 advance / $70 door. Sunday, Feb 14, 6pm dinner concert with Hot<br />
Club D'Europe at Hermann’s Jazz Club, 753 View: $80 advance.<br />
Musicians can also check out DJANGOCAMP afternoon workshops<br />
with Paulus Schafer (Guitar), Olli Soikkeli (Guitar) and Lache Cercel<br />
(violin), $40 per class, booked at Larsen Music, 250-389-1988. See<br />
www.victoriadjangofestival.com.<br />
Mollie Kaye, a local writer and passionate lover of all<br />
things swing, will see you on the dance floor.<br />
Ea rly<br />
Music Society<br />
OF THE ISLANDSS<br />
House of<br />
Dreams<br />
TD<br />
Tafelmusik Baroque Orchestra<br />
ra<br />
TORONTO<br />
5<br />
March<br />
2016<br />
Alix Goolden Hall 8pm 8<br />
A magical multi-media journey<br />
to the meeting places of<br />
Baroque art and music<br />
www.earlymusicsocietyoftheislands.ca<br />
w.<br />
theislands.ca<br />
Box office 250-386-6121<br />
February 2 — 28<br />
2016<br />
The<br />
Valley<br />
BYJoan<br />
MacLeod<br />
DIRECTED BY ROY SURETTE<br />
“Relentlessly topical – and deeply<br />
empathetic” THE GLOBE AND MAIL<br />
TICKETS ON SALE NOW<br />
250 385 6815 / belfry.bc.ca<br />
1291 Gladstone at Fernwood<br />
www.focusonline.ca • February 2016<br />
37
The Valley<br />
curtain call<br />
MONICA PRENDERGAST<br />
Issues around policing and mental health lie at the heart of award-winning playwright Joan MacLeod’s work.<br />
Joan MacLeod<br />
The production of The Valley by Canadian playwright Joan<br />
MacLeod at the Belfry Theatre is a cause for cultural celebration.<br />
We are very fortunate to have MacLeod call herself a local<br />
playwright since moving to Vancouver Island in 2004.<br />
An associate professor of Creative Writing at the University of<br />
Victoria, MacLeod won the Governor General’s Award in 1991 for<br />
Amigo’s Blue Guitar, and has been shortlisted for it twice since. Her<br />
one-woman play The Shape of a Girl, a response to the Reena Virk<br />
murder here, won the Jessie Richardson and Betty Mitchell awards<br />
in Vancouver in 2001. The play toured across the country and has<br />
been performed many times internationally to this day (it has been<br />
translated into six languages). In 2011, MacLeod was the recipient<br />
of the prestigious Siminovitch Prize ($100,000) for playwriting. Jury<br />
chair Maureen Labonté said, “Joan is a master of expressing the<br />
profoundest human emotions, putting to paper the vulnerability, the<br />
compassion, the weaknesses and strengths of the human spirit.”<br />
I am pleased to call MacLeod my colleague at UVic, but my own<br />
connection to MacLeod goes back to 1987 when I saw her performing<br />
in her first play Jewel at the Tarragon Theatre in Toronto. The actress<br />
who was to play the role in this first of MacLeod’s numerous onewoman<br />
plays had left the production during rehearsal. MacLeod<br />
ended up playing the role of a young widow whose husband died<br />
in the Ocean Ranger oil rig disaster off the coast of Newfoundland.<br />
I was very moved by the play, found it beautifully<br />
written, honest and powerful. Although<br />
MacLeod was clearly not a professional actor,<br />
she delivered the text with simplicity and<br />
directness. I immediately placed Jewel on a<br />
list of plays I wanted to do myself someday<br />
(I did so in 2000), and became a fan of<br />
MacLeod’s work. I saw her next play Toronto,<br />
Mississippi at Tarragon and have been following<br />
her career ever since.<br />
After MacLeod and I became colleagues<br />
we have kept in touch the way overbusy<br />
professors usually do, with the occasional<br />
email, classroom guest visit, or chat on opening<br />
nights. I knew about the productions of The<br />
Valley that had been done at Alberta Theatre<br />
Projects in Calgary and at the Tarragon<br />
Theatre, both in 2013. When I learned that<br />
the play was part of the Belfry’s 2015-2016<br />
season, I invited MacLeod for lunch to<br />
talk about the genesis of the play and its<br />
reception elsewhere.<br />
Most of MacLeod’s plays have a social<br />
issue driving them at their heart. She is a<br />
socially engaged writer who has often been<br />
inspired by current events. The Valley addresses<br />
the ongoing challenges faced by those with<br />
mental health problems, particularly in their<br />
often negative (if not fatal) encounters with<br />
the police. In the play we see the after-effects of an encounter on a<br />
subway platform between a first year university student named<br />
Connor, who is suffering from depression, and a police officer named<br />
Dan. The encounter ends with Dan breaking Connor’s jaw and a<br />
number of his teeth.<br />
MacLeod tells me that the play arose in part from her concerns<br />
as a university instructor after witnessing too many students falling<br />
apart for various reasons, often including anxiety and depression.<br />
“These are very vulnerable years for young people,” she says. “I<br />
became more aware of the everydayness of mental illness. I can see<br />
the stress we create for students.” Indeed, stress and anxiety are the<br />
number one health issues for postsecondary students. And in some<br />
cases these conditions can tip students into depression.<br />
The play also developed in part as a response to the tasering death<br />
of Robert Dziekanski by RCMP officers at the Vancouver airport in<br />
2007. This event angered MacLeod, understandably so. She began<br />
to be interested in investigating how police officers deal with the<br />
complex job of being frontline workers with those who are mentally<br />
ill. “I go into writing plays with a certain bias,” MacLeod tells me,<br />
“and I want to get rid of that bias. I grew up with a negative attitude<br />
toward the police, but that changed as I aged and saw the<br />
need for the police, for them to protect me. These biases and how I<br />
try to address them are always interesting to explore.”<br />
38 February 2016 • <strong>FOCUS</strong>
“<br />
I BECAME MORE AWARE of the everydayness of<br />
mental illness. I can see the stress we create for students.”<br />
—Joan MacLeod<br />
The play includes a series of monologues by the four characters in<br />
it—Connor and Dan, Dan’s wife Janie (who is suffering from postpartum<br />
depression) and Connor’s mother Sharon—about their<br />
encounters with the police throughout their lives.<br />
Another impetus for the play came from MacLeod reading the<br />
award-winning book The Noonday Demon: An Atlas of Depression<br />
by Andrew Solomon. The book deeply affected MacLeod in its<br />
personal, social and scientific investigation of depression. The<br />
character of Sharon is MacLeod’s imaginative response to any mother<br />
dealing with her child’s depression, wanting to protect her child, and<br />
feeling the despair that can envelope someone who is dealing with<br />
a loved one in the throes of mental illness. “The process I go through<br />
is how I connect to characters. I love writing mothers and teenagers,<br />
remembering my own teenage angst and now having a teenage daughter<br />
at UVic myself. The police officer was more challenging for me to<br />
make that connection, but I do love him. This is not a play about<br />
police brutality; that’s not what it’s about,” asserts MacLeod.<br />
I asked MacLeod about the response audiences have had to the<br />
play in its previous productions in Calgary and Toronto (it has also<br />
been done in St Catharine’s and will be at the Arts Club in Vancouver<br />
this spring). She tells me that the Calgary response was very positive.<br />
However, in Toronto there was an even higher degree of interest in<br />
the play due to a recent event there. Three months before the production<br />
opened at the Tarragon Theatre, Toronto teenager Sammy Yatim<br />
brandished a three-inch knife and threatened passengers on a streetcar.<br />
He was shot at nine times and killed by police officer James Forcillo.<br />
Forcillo, charged with second degree murder, was recently convicted<br />
on a lesser charge of attempted murder.<br />
While this coincidence was of course just that, it galvanized audiences<br />
who came to the play seeking answers, and healing. “The play<br />
is about healing, the characters are in a healing circle as the potential<br />
is always there—the characters are on the edge of this circle,” says<br />
MacLeod. “It is not a dark and terrible night in the theatre. The play<br />
is hopeful, even funny. I hope the audience will leave feeling some<br />
compassion for people around us who are suffering and with more<br />
awareness about mental health issues.”<br />
WordsThaw<br />
2016<br />
The Malahat Review’s Literary Symposium<br />
Landsdowne Lecture<br />
Readings<br />
Panels<br />
Master Class<br />
UNIVERSITY OF<br />
VICTORIAIA<br />
March<br />
17–20<br />
Register today!<br />
#wordsthaw<br />
For more<br />
information,<br />
visit<br />
malahatreview.ca/wordsthaw<br />
The Belfry production is directed by former Artistic Director Roy<br />
Surette and features actors Rebecca Auerbach, Matt Reznek, Luc<br />
Roderique, and Colleen Wheeler. Set design is by Pam Johnson, lighting<br />
design by Itai Erdal, sound design by Brian Linds and costumes by Erin<br />
Macklem. The show runs from February 2-28 with tickets at www.belfry.bc.ca<br />
or by calling 250-385-6815. On Thursday, February 11 there will be<br />
a talkback after the show for audiences to engage in a discussion<br />
about the play. Focus is the proud media sponsor for The Valley.<br />
Monica continues to review for CBC Radio’s On the Island<br />
and to teach and conduct her research at the University<br />
of Victoria. This spring the second edition of her textbook<br />
Applied Theatre, co-authored and edited with Juliana<br />
Saxton, will be released.<br />
www.focusonline.ca • February 2016<br />
39
Nature is foreclosing<br />
coastlines<br />
AMY REISWIG<br />
The Climate Nexus calls for a transformative discussion on adapting our life-support systems to climate change.<br />
PHOTO: TONY BOUNSALL<br />
Dr Jon O’Riordan<br />
Most people I know would never say “I support ocean<br />
acidification” or “I support soil degradation” or “I support<br />
drought and food price increases.” Many of us pledge to<br />
fight these and other effects of carbon emissions—as if we can, like<br />
Superman, step out on the tracks and stop the runaway train. Yet<br />
often, through our actions, we unknowingly support the very things<br />
we say we stand against.<br />
In their book The Climate Nexus: Water, Food, Energy and<br />
Biodiversity in a Changing World (Rocky Mountain Books, December<br />
2015), Robert William Sandford and Victoria’s Dr Jon O’Riordan<br />
explain the Earth’s delicately interconnected systems—our life-support<br />
systems—and how our daily decisions affect them. The book’s goal<br />
is not to pretend we can stop the changes already set in motion but<br />
to encourage us to understand the nexus and to actively plan and<br />
adapt rather than just react when crisis hits. If we can’t stop the train,<br />
we can at least learn what power we have to steer or slow it.<br />
As the authors state simply, the nexus of where our demands for<br />
food, water and energy meet “lies at the very heart of human civilization.”<br />
But through population growth and climate change, which<br />
have become mutually entangled, human civilization is bumping<br />
up against the planet’s ability to meet those ever-increasing demands.<br />
“Nature is gradually foreclosing,” O’Riordan tells me matter of factly<br />
over morning tea. “It’s not overnight, but it is inexorable.”<br />
Our formerly resilient planetary systems are in decline. Whether<br />
it’s poor land use and agricultural practice leading to loss of soil—<br />
key for absorbing water, distributing nutrients, anchoring ecosystems<br />
and capturing carbon—or altered water cycles and ocean warming,<br />
the book warns of the “cascading effects of the failure to adapt to<br />
hydro-climatic change. On a global scale, failure leads first to greater<br />
vulnerability to extreme weather events, food crises, water crises,<br />
large-scale forced migration, and further human-made environmental<br />
catastrophes. These in turn lead to accelerating biodiversity loss and<br />
Earth-system collapse.”<br />
Bye-bye, beautiful blue planet. Sorry we were such demanding,<br />
messy, destructive guests.<br />
Does it have to be that way?<br />
Signed by 195 world leaders, the Paris agreement to limit and eventually<br />
reduce carbon emissions with a goal of keeping global warming<br />
to 1.5° C above pre-industrial levels is a cooperative, coordinated step.<br />
“Up until now, very seldom has humanity acted in concert,” O’Riordan<br />
notes, stressing that while we’ll only know five years from now if it’s<br />
been successful, “at least everybody signed one piece of paper.”<br />
But that piece of paper isn’t a licence for citizen complacency. Even<br />
within that limited warming scenario, big changes are coming—are<br />
actually already underway—and they’re not in civilization’s favour.<br />
For O’Riordan, there’s no question what we need to do: learn, get<br />
engaged and plan. And so the book promotes adaptation as not just<br />
an important policy area, but a personal practice. “Humans are the<br />
most damaging but also the most changeable” of Earth’s creatures,<br />
O’Riordan claims with a smile, sounding reservedly hopeful.<br />
Himself a committed cyclist (who despite being about 20 years my<br />
senior looks like he could easily leave me in the dust on the trails),<br />
O’Riordan has spent 35 years in the public service in areas of environmental<br />
management and land and resource planning, including<br />
as BC’s Deputy Minister of Sustainable Resource Management. In<br />
2007 he was invited to join Simon Fraser University’s Adaptation to<br />
Climate Change Team (ACT), a think tank focused specifically on<br />
studying risks associated with climate change and promoting adaptive<br />
solutions. He’s participated in three of their five major reports,<br />
and this book is the combination of five years of ACT research. As<br />
he says: “The nexus was much bigger than the individual parts, and<br />
they needed to be looked at together.” While the topic is bigger,<br />
the book itself is a manageable 150-ish pages, intended as an accessible<br />
introduction that can be read in a couple of hours. A second<br />
volume, on adaptive policies, is in the works.<br />
Adaptation is a way of taking some control of the train. It involves<br />
being creative in how we use the resources in the nexus, from looking<br />
at new technologies and business models to reorganization of governance<br />
structures and thinking beyond environmental sustainability<br />
to environmental restoration. Above all, it means uprooting entrenched<br />
attitudes. “If we don’t confront the value system that created our<br />
40 February 2016 • <strong>FOCUS</strong>
Focus presents: Triangle Healing<br />
ADVERTISEMENT<br />
“<br />
IF WE DON’T CONFRONT the value system that<br />
created our problems in the first place, we will fail.”<br />
—Dr Jon O’Riordan and Robert William Sandford<br />
problems in the first place,” the<br />
authors warn, “we will fail.” That<br />
means that the needs—or what we<br />
perceive as needs—must also change.<br />
For instance, Canadian households<br />
throw away 2.1 million tonnes<br />
of food a year—“enough to fill<br />
Toronto’s Rogers Centre three times<br />
over,” the authors write. And waste<br />
occurs in land and resource use as<br />
well, often discounting ecosystem<br />
value in favour of single-resource<br />
exploitation.<br />
But our survival depends on turning<br />
away from a siloed and throwaway<br />
approach based on comfort, conformity<br />
and a love affair with the<br />
appearance of prosperity. Close to<br />
home for me, strata rules prohibit<br />
sun-drying clothes on the balcony—<br />
something free and sustainable that eliminates wear on building<br />
systems and clothing, and reduces energy consumption. But because<br />
some people think it looks bad—perhaps, God forbid, makes it look<br />
like we can’t afford fancy machines—it’s prohibited. How much<br />
longer can we afford to let appearance rule our decision-making<br />
around resources?<br />
“All of our buying,” O’Riordan says, pointing to holiday consumption<br />
as an example, “is buying energy and water.” He laments that<br />
people don’t see that chain behind products and services, don’t realize<br />
the wasteful and environmentally destructive processes they’re<br />
supporting. That’s why we need what he calls transformative discussions<br />
and, above all, education—like the kind we get in this book.<br />
O’Riordan hopes that a better understanding of the nexus will<br />
motivate people to change their behaviour, not because it’s financially<br />
expedient but because it’s the right thing to do. His ideal would<br />
be for everyone, from primary to university, to take a course on the<br />
climate nexus. He’s currently helping develop a pilot course for use<br />
in high schools.<br />
Academic but applicable, the book is a call for us all to be creative<br />
engineers of our future. “In the end,” O’Riordan and Sandford<br />
conclude, “the entire human population on Earth is one…If we are<br />
to solve the crisis in the nexus, we will have to act in concert as one<br />
overall system, and learn to co-operate and support each other in<br />
ways that we have never thought of before. For better or worse, we<br />
are all in this together.” Full steam ahead.<br />
www.focusonline.ca • February 2016<br />
Writer and editor Amy Reiswig proudly and stubbornly<br />
stealth dries her clothes on the balcony.<br />
Clean water: the most economical path to optimum health<br />
In four decades of research,” says Triangle Healing Products owner Diane Regan,<br />
“I’ve found that two of the most valuable tools for optimum health are water<br />
distillers and structured water units. Drink clean water and your health will change<br />
for the better.” Distilled water is the most beneficial and most economical way to<br />
clean your water.<br />
Diane, a youthful looking 70-something, confirms, “I drink it, I promote it.” The<br />
benefits of drinking distilled water can be dramatic. Many people with arthritis state<br />
that they can knit again without pain, and fibromyalgia symptoms dissipate within<br />
the first month of drinking distilled water.<br />
The purpose of water in our bodies is to act as a solvent—to dissolve food<br />
substances for assimilation, and to dissolve inorganic mineral substances for elimination.<br />
Because our bodies are 75 percent water, it makes sense to drink the cleanest<br />
purest water. Dr. Allen E. Banik, author of The Choice is Clear, says, “Distilled<br />
water is the greatest solvent on Earth—the only one that can be taken into the body<br />
without damage to the tissues.”<br />
See the website aquariusthewaterbearer.com<br />
for more evidence<br />
and watch Andrew Norton Webber<br />
on Distilled Water research.<br />
Clean water also tastes better.<br />
One client had enjoyed a very good<br />
cup of coffee at her friend’s home—<br />
much better than she seemed able<br />
to brew at home. Yet both used the<br />
same brand of coffee. The key to<br />
the great taste she discovered, was<br />
her friend’s use of distilled water.<br />
As a result she came in to Triangle<br />
to buy her own distiller.<br />
Filtered water is not the same as<br />
distilled water, and in fact, can be<br />
dangerous. Decaying matter collects<br />
Precision Water System 8-gallons-per-day automatic<br />
counter-top distiller<br />
on the bottom of every filter, forming an excellent breeding ground for bacteria.<br />
Structure your clean water for optimum health. All water is dead, even distilled<br />
water, but structuring water is like sending it over a waterfall, erasing its negative<br />
memories and allowing it to return to its natural state. Clayton Nolte, a researcher<br />
who invented life-transforming Natural Action Water Structuring Technologies, calls<br />
structured water the ultimate health food. Beverages taste better, cut flowers last<br />
longer, livestock and pets are healthier, and less soap is required for washing.<br />
One Triangle client who had two arthritic dogs on medication and having trouble<br />
walking any distance, bought a water distiller and a structuring unit. Within a month,<br />
she reported that she couldn’t keep up with her dogs on their walks. There are no<br />
placebo effects with animals.<br />
Visit Triangle Healing Products to see the technology and to taste the difference.<br />
We are led to believe Victoria has a clean water source. Come into Triangle and<br />
see what is left after distilling one gallon of water. And bottled water is not as clean<br />
as we are led to believe either.<br />
Diane will show you the residue left behind when tap water is distilled, as well<br />
as photos of potatoes grown from discarded peels and watered with distilled structured<br />
water. Seeing is believing.<br />
Triangle Healing Products<br />
770 Spruce Avenue, Victoria, BC<br />
250-370-1818 • www.trianglehealing.com<br />
Triangle Healing Products, its owner, its employees do not provide medical advice or treatment. They provide information and<br />
products that you may choose after evaluating your health needs and in consultation with health professionals of your choosing.<br />
41
Sewercide<br />
urbanities<br />
GENE MILLER<br />
Local politicians are bumbling toward a multi-billion-dollar sewage treatment plan the community doesn’t need.<br />
Without intentionally wishing to set<br />
a fecal tone throughout this<br />
column, I have to say that Chris<br />
Corps, a local capital projects financial strategist,<br />
scares the crap out of me. By the time<br />
he finishes one of his patented rants about<br />
the long and still continuing history of CRD<br />
misstep on the wastewater treatment file, I’m<br />
left with the impression that we are being<br />
governed and managed, and our precious<br />
money sluiced down the drain, by Financial<br />
Limit Deniers, FLD’s—bureaucrats who<br />
blithely carry on, year after year, spending<br />
dough—our dough—on studies, reports,<br />
consultants, process, process, and more<br />
process, to the accompaniment of adding<br />
machine sounds, ka-ching! ka-ching!, and<br />
who have managed to-date to cut cheques<br />
for over (sit down, please) $76 million. On<br />
wastewater treatment planning. Not treatment.<br />
Planning.<br />
This is a form of legal and socially abetted<br />
insanity, and I call it that for a very particular<br />
reason. Any community—its citizens, its<br />
elected leaders, its managers—unable to<br />
understand the real public benefits money at<br />
that scale can deliver, and unable to impose<br />
and sustain a culture of judicious investment<br />
and spending, is insane.<br />
How much money is $76 million? It’s an<br />
amount large enough to transform Downtown’s<br />
public realm into a visual delight, an amenityrich<br />
physical paradise, instead of the grim,<br />
grubby and underwhelming mess it is today.<br />
Or we could direct that amount of money<br />
to economic development and business attraction,<br />
targeted to ocean science and marine<br />
tech, and win status as a pre-eminent global<br />
research and applied science centre (an<br />
outcome, by the way, that would pay business-creation<br />
and employment dividends for<br />
a very long time).<br />
Or we could, on our own, completely house<br />
and deliver all necessary services to the abject<br />
homeless, so that this collective social tragedy<br />
and human shambles didn’t stare up at us<br />
from every street-corner, park bench and<br />
cardboard mattress.<br />
A million, two million, even five million?<br />
Sure. But 76 million and counting? I’m stunned<br />
CRD management hasn’t received death<br />
threats. Or termination notices.<br />
As you read this, the Capital Regional<br />
District appears to be bumbling and stumbling<br />
toward a determination of site, operating<br />
system and budget on wastewater treatment—<br />
the latter described in the media as a roughly<br />
$1.1-1.3 billion infrastructure undertaking.<br />
Victoria Mayor Lisa Helps, who is current<br />
chair of CALWMC, the CRD’s Core Area<br />
Liquid Waste Management Committee, was<br />
quoted in the news in early December,<br />
reminding us that “[Cost is] at a conceptual<br />
level. When the last plan was first costed in<br />
2007, it was $1.2 billion and it came down<br />
to $788 million.”<br />
Let’s hope she’s right (after all, way lower’s<br />
way better), but let me borrow a few prophetic<br />
lines from Focus publisher David Broadland’s<br />
June, 2015 column: “If the sewage treatment<br />
project turns out to be anything like the<br />
[Johnson Street] bridge project, local taxpayers<br />
are in for a wild ride. The bridge experience<br />
provides insight into the level of optimism<br />
bias about cost that’s built into local political<br />
and governance cultures.”<br />
“Optimism bias.” Lovely and diplomatic turn<br />
of phrase. A less circumspect and more jaundiced<br />
observer might reach for “clusterfuck.”<br />
I guess chairs of regional liquid waste<br />
management committees can’t be quoted in<br />
the media showing pessimism bias: “Holy<br />
shit, if the conceptual cost is $1.3 billion,<br />
what’s to keep the actual cost from topping<br />
out at $2 or 3 billion?”<br />
This, by the way, is what the aforementioned<br />
Corps is forecasting. And who knows<br />
what Urban Systems, the CRD’s latest consultant<br />
on this project, is excluding from that<br />
billion-plus number, and whether all kinds<br />
of “marginal” items have been conveniently<br />
swept to the unlit corners of the public conversation<br />
about project scope and cost. Stuff like<br />
this could make catastrophists of even the<br />
most hopeful among us.<br />
As you read this, essential questions and<br />
contradictions continue to swirl regarding<br />
every aspect of this would-be project. Nothing<br />
in recent memory has triggered so much<br />
raging debate, released so much suspicion,<br />
or generated so much cynicism about the<br />
values and agendas of every player and stakeholder<br />
involved. Triggered everything,<br />
unfortunately, but a metaphoric lynch mob.<br />
If you sift all of the over-coffee gossip and<br />
business lunch rumour-swapping, you learn<br />
that: municipal politicians and CRD management<br />
have been seduced by consultants<br />
and suppliers of systems and services who<br />
wine and dine them; Ottawa listened to<br />
Seattle’s complaints about our deepwater<br />
sewer outfalls befouling Puget Sound without<br />
first considering the science that makes that<br />
an impossible outcome, and additional wastewater<br />
treatment unnecessary; all the local<br />
lefty politicians are supporting big infrastructure<br />
because it means lots of long-term work<br />
and fat contracts for union crews and companies;<br />
even though precedents exist, Ottawa<br />
wouldn’t exempt Victoria from the need for<br />
additional treatment, though it could have<br />
through a legal exclusion; local politicians<br />
are dismissively treating their worried<br />
constituents like pests or lunatics; innovators<br />
who propose to the CRD much cheaper<br />
alternatives to the conventional plan are<br />
humoured then sent away; local politicians<br />
are afraid of rocking the boat out of fear<br />
42 February 2016 • <strong>FOCUS</strong>
ANY COMMUNITY—its citizens, its elected leaders, its managers—unable<br />
to understand the real public benefits money at that scale can deliver, and unable<br />
to impose and sustain a culture of judicious investment and spending, is insane.<br />
Ottawa will never offer us another dime for<br />
capital works; the wastewater treatment plant<br />
site selection’s a done deal and Greater Victoria<br />
taxpayers are going to pay $70 million for<br />
the Rock Bay dirt alone; city streets and other<br />
arteries are going to be torn up for years,<br />
financially damaging nearby businesses without<br />
recompense; and, saving perhaps the worst<br />
for last, whatever “they” say it’ll cost—$800<br />
million or $1.2 billion—think “times two.”<br />
Concerning this last point, Eric Jaffe writes<br />
in The Atlantic: “The only thing we can confidently<br />
expect from a big infrastructure project<br />
is that it will cost way more than expected.<br />
The people who predict the cost of urban<br />
mega-projects do a terrible job. Nine in ten<br />
projects exceed their cost estimates. The overruns<br />
average 28 percent across the board.”<br />
So, let’s play loose and call 28 percent a<br />
third. One-third of consultant Urban System’s<br />
$1.1-1.3 billion estimate, rounded, comes<br />
to $400 million, making possible a total<br />
project cost of $1.6 billion.<br />
I’m not the sharpest spreadsheet on the<br />
block, but my napkin math suggests that<br />
regional taxpayers will be forking over $500-<br />
$800 or more a year for 50 years to deal with<br />
the capital and operating costs of this one.<br />
A link to a video of a CRD board meeting<br />
is quietly making the rounds these days. It<br />
features now ex-CRD Chair, Oak Bay Mayor<br />
Nils Jensen, quizzing a Stantec Engineering<br />
wastewater expert in a Q&A which conveniently<br />
permits the expert to draw the foregone<br />
conclusion that only conventional wastewater<br />
handling technologies are appropriate,<br />
other technologies being “risky” and<br />
“unproven.” If you tend toward fury over<br />
insane public spending protocols, you will<br />
find Jensen’s witness-leading performance<br />
surreal and vomitous, a strangely dreamlike<br />
piece of public theatre, and a revelatory<br />
example of inter-municipal aversion to innovation<br />
and enterprise clumsily dressed up as<br />
risk-avoidance.<br />
And this is central to the problem we’re<br />
facing: that the CRD mandate, or letters<br />
patent or charter nowhere states: “The CRD<br />
will treat the public’s money as a precious<br />
resource. It will not waste a dime. It will<br />
operate with a leadership model that makes<br />
it morally and operationally impossible to<br />
justify spending $76 million on wastewater<br />
treatment studies.” The CRD’s passions, character<br />
and esprit de corps may exist but are<br />
diffuse, and the problem is structural: No<br />
one had to raise his or her right hand at the<br />
moment of their appointment and state, cleareyed,<br />
“The buck absolutely stops here.”<br />
The stakes and implications of wastewater<br />
treatment decision-making are enormous.<br />
Wrong and costly choices will impact both<br />
taxpayers and public wealth. That is, this<br />
potentially multi-billion-dollar undertaking<br />
could for years make the taxpaying electorate<br />
gun-shy and hobble (or foreclose) other municipal<br />
spending on housing, public realm<br />
beautification, parks services, supports for<br />
culture and recreation, investment in economic<br />
development, other needed public works,<br />
and God knows what else on various municipal<br />
to-do lists.<br />
Helps, new to the CALWMC chair, is, in<br />
my opinion, staring system failure in the eye<br />
here—not evil, but a professional disregard<br />
for the limits of community wealth combined<br />
with insufficient recognition of the crucial<br />
need for thrifty, innovative thinking and<br />
doing. It’s difficult to understand exactly<br />
which public and/or professional bodies to<br />
hold to account, but I actually worry it’s the<br />
operating governance culture, a form of soft<br />
social rot. Like ash-raking an exhausted relationship:<br />
“Where did we go wrong?” and<br />
never coming up with an answer better than:<br />
“Oh, well, shit happens.”<br />
In a rangy Atlantic Magazine piece, “What<br />
Was Volkswagen Thinking,” writer Jerry Useem<br />
describes a landmark study of damage to the<br />
O-rings on the doomed space shuttle Challenger:<br />
“Engineers and managers developed a definition<br />
of the situation, a ‘script,’ that allowed<br />
them to carry on as if nothing was wrong.<br />
To clarify: They were not merely acting as if<br />
nothing was wrong. They believed it.”<br />
Quick, think of a synonym for optimism bias.<br />
Gene Miller is a founder of<br />
Open Space Cultural Centre,<br />
Monday Magazine and the<br />
Gaining Ground Conferences.<br />
He currently serves on the<br />
Mayor’s Task Force on<br />
Housing Affordability.<br />
JUNGIAN ANALYSIS is<br />
insight-oriented<br />
psychotherapy toward<br />
relief, authenticity,<br />
meaning, balance,<br />
and wholeness.<br />
Parenting Coach<br />
makes house calls,<br />
changes lives<br />
Catheryn Rogers<br />
250-686-4452 • touchinglives.ca<br />
touchinglives@shaw.ca<br />
STRUGGLING WITH LIFE?<br />
MARLENE BROUWER<br />
Jungian Psychoanalyst, I.A.A.P.<br />
D. Analytical Psych., C.G. Jung Institute-Zurich<br />
www.jungianconsultant.com<br />
Inquiries welcome: 778-679-5199<br />
www.focusonline.ca • February 2016<br />
43
natural city<br />
A birding evangelist’s Big Year<br />
MALEEA ACKER<br />
Knowing our fellow creatures inspires Ann Nightingale’s passion.<br />
When lifelong Vancouver Island<br />
resident Ann Nightingale started<br />
birding in the 1990s, she had in<br />
her head American naturalist Ken Kauffman’s<br />
words. If people could name 50 plants and<br />
animals in their own area, said Kauffman, it<br />
would fundamentally change how they fit<br />
into the world. A chance opportunity with<br />
a co-worker took Nightingale out to Skirt<br />
Mountain (now Bear Mountain) on her first<br />
birding trip. “It knocked my socks off,” she<br />
tells me. Within a year of studying, she could<br />
identify most of the birds in the Capital Region.<br />
Twenty years later, Nightingale, small, redhaired,<br />
with dancing eyes and a fortuitous<br />
name, tells me, “I’m a birding evangelist.”<br />
Her resume attests to the assertion. Nightingale<br />
is past president of the Rocky Point Bird<br />
Observatory (RPBO) and an 18-year volunteer<br />
with the organization. She coordinates<br />
Victoria’s Christmas Bird Count, serves on<br />
the board of the Victoria Natural History<br />
Society, and leads nature walks and gives<br />
lectures at various locations around the south<br />
island. She also writes her own blog, centering<br />
on a passion that bloomed throughout 2015.<br />
Last December, Nightingale chalked up<br />
final numbers for her “Big Year,” shorthand<br />
among birders for a year spent identifying<br />
and counting as many bird species as possible<br />
on Vancouver Island, then writing about them<br />
on www.vibigyear.ca. She had aimed for 275.<br />
Supporters pledged donations to the RPBO<br />
based on how many species she could find.<br />
When I contacted Nightingale, she had activated<br />
her Spot GPS and I followed her<br />
movements around Bamfield, where she was<br />
on a last dash to bring up her count.<br />
Vancouver Island’s bird species are on the<br />
decline, as are one in eight worldwide, according<br />
to the David Suzuki Foundation. Environment<br />
Canada estimated the nine leading causes of<br />
premature deaths of birds in a 2013 study<br />
(see sidebar). Domestic and feral cats are, by<br />
far, the biggest threat to birds.<br />
Lack of food can also be an issue. Mosquitos<br />
are one of the prime food sources of barn<br />
swallows, but as urban dwellers take more<br />
care to prevent mosquito larvae from<br />
hatching—for fear of West Nile Virus and<br />
for their own comfort—their primary meal<br />
disappears. Perhaps nowhere is this conflict<br />
Ann Nightingale<br />
more on display in the region than at Island<br />
View Beach, where local residents have become<br />
polarized around the Capital Regional District’s<br />
attempts to rehabilitate a native saltwater<br />
marsh below a subdivision of high-priced<br />
houses. Those who don’t want to slap at their<br />
arms on their patios in the evenings are fighting<br />
to prevent re-creation of the wetland—prime<br />
habitat for many native bird species who,<br />
along with frogs and other creatures, will eat<br />
the mosquitos.<br />
The root causes of overall bird species<br />
decline, however, are unknown. Findings<br />
tend to depend more on volunteers like<br />
Nightingale than on funded scientists. The<br />
Province collects and uses information gathered<br />
by Nightingale and other volunteers,<br />
including count numbers and bird banding<br />
expeditions. The Christmas Bird Count, sponsored<br />
by the Victoria Natural History Society<br />
(VNHS) and which she has coordinated since<br />
2001, features over 200 participants and is<br />
regularly cited by scientists.<br />
The count, which VNHS President Darren<br />
Copley says is the longest standing citizen<br />
science project he knows of, has taken place<br />
in Victoria since 1958. “It shows us where<br />
the birds are in winter, and how they are<br />
generally doing,” explains Copley. “Ann has<br />
made our area one of the most successful and<br />
well-attended Christmas Bird Counts<br />
anywhere,” he adds. Counting occurs on the<br />
first Sunday after December 13 every year.<br />
There is also a bird hotline for residents to<br />
The 9 leading causes<br />
of bird deaths in Canada*<br />
1. Domestic and feral cats 200 M<br />
2. Powerlines** 25 M<br />
3. Collisions with houses or buildings 25 M<br />
4. Vehicle collisions 14 M<br />
5. Game bird hunting 5 M<br />
6. Agricultural pesticides 2.7 M<br />
7. Agricultural mowing 2.2 M<br />
8. Commercial forestry .9 M<br />
9. Communications towers .22M<br />
* According to Environment Canada, 2013<br />
** Wind turbines accounted for about 16,700<br />
of these deaths<br />
call if they see an unusual bird at any time of<br />
the year. As the climate changes, the Christmas<br />
counts may prove more and more important,<br />
showing population trends that could tie into<br />
other environmental changes—from survival<br />
of native trees during increasing summer<br />
droughts, to species’ populations over time.<br />
Nightingale, a retired university administrator,<br />
now spends most of her time<br />
volunteering to raise awareness about local<br />
native species. On one pivotal moment,<br />
she and other volunteers were mist-netting<br />
and banding birds at Rocky Point, then fitting<br />
them with geo-locators. “We were handling<br />
a fox sparrow that had come back for the<br />
fifth consecutive year,” she explains. She<br />
loves the idea of a bird so tied to its roots and<br />
home that it could pass through the same 10-<br />
metre spot every fall. “Learning the birds,<br />
even a little bit, really improves observational<br />
skills, [provides] a feeling of connection and<br />
the changing of the seasons. It’s addictive,”<br />
she admits.<br />
Others have felt the same. Joan “JoAnn”<br />
Outerbridge’s estate supplied the RPBO with<br />
a five-year grant to continue banding and<br />
monitoring work. Nightingale and other<br />
volunteers lead monthly birding walks at<br />
Outerbridge Park in Saanich. Still, says<br />
Nightingale, the society is hard pressed to<br />
44 February 2016 • <strong>FOCUS</strong>
NIGHTINGALE, who ignores the occasional insinuation that as a women<br />
she is unfit for the stresses of a “Big Year,” wants to be a role model for<br />
other women who have an interest in the natural world.<br />
A long-eared owl, the 266th species<br />
Nightingale sighted on her year-long quest<br />
find enough funding for their research. “We<br />
have some amazing resources, and [the public]<br />
can visit Pedder Bay, Swan Lake and Goldstream<br />
with us. But I would like to see some professional<br />
fundraisers donate their skills to help<br />
RPBO achieve its goals.” Though Nightingale<br />
isn’t a formal fundraiser for RPBO or VNHS,<br />
she donates all speaking fees she receives.<br />
Nightingale is happy to have support from<br />
a female donor’s legacy; her interactions with<br />
the male world of birding haven’t always<br />
been as positive. “I’m trying to make this<br />
normal for a woman to do,” she says.<br />
Birding has a history entwined with more<br />
than a passion for simple perception. James<br />
Audubon shot and killed every bird he painted,<br />
and bird-watching’s roots in hunting, of<br />
which the modern variation would be “listing,”<br />
has lured mostly men. Nightingale, who<br />
ignores the occasional insinuation that as a<br />
women she is unfit for the stresses of a “Big<br />
Year,” wants to be a role model for other<br />
women who have an interest in the natural<br />
world. “It’s like going into a hunting community,”<br />
she tells me, “but I go out to enjoy the<br />
day. I haven’t been driven by the numbers<br />
as much.”<br />
PHOTO COURTESY OF ALAN AND ELAINE WILSON<br />
Still, the lure of a long-eared owl or a whitewinged<br />
crossbill can take her far out of many<br />
people’s comfort zones. Returning from Winter<br />
Harbour, her van struck a rough patch in the<br />
logging road and tore the underbody. She<br />
jacked the vehicle up, alone, and cut off the<br />
hanging pipes before continuing home.<br />
By December 31, after a month of rain and<br />
terrific wind storms, Nightingale had seen<br />
268 species of songbirds, waterfowl and<br />
raptors, including more than a few rarities.<br />
This number sets a new record for Vancouver<br />
Island, and she recognizes that she’s become<br />
one of the top birders on the island.<br />
So do her cohorts. This spring, nominated<br />
by the RPBO board, she will receive a Governor<br />
General’s Caring Canadian Award for her<br />
volunteer work.<br />
“One of my life regrets as an adult was that<br />
I had never learned the names of the birds<br />
and the constellations,” Nightingale tells me<br />
during our meeting in a crowded Tim Horton’s,<br />
where she meets with birders or waits for<br />
calls of sightings.<br />
Her words make me remember an old<br />
Madeleine L’Engle children’s book I loved,<br />
in which a wise creature says to the protagonist:<br />
You don’t have to know how many<br />
stars there are; you just have to know them<br />
by name. Nightingale’s quest, though its roots<br />
may lie in the colonial past, echoes this sentiment.<br />
Out in the weather of Balaclava Island,<br />
near Port Hardy, amidst the frosts of Sooke,<br />
or telling me about a Black-throated sparrow<br />
sighting while we sip coffee, her passion<br />
centres around the journey and the names<br />
more than the final numbers.<br />
Ann Nightingale often leads the Rocky<br />
Point Observatory Bird Tours on the second<br />
Sunday of each month, 9 am, at Outerbridge<br />
Park in Saanich. Everyone is welcome. See<br />
www.rpbo.org<br />
Maleea Acker is the author<br />
of Gardens Aflame: Garry Oak<br />
Meadows of BC’s South Coast<br />
(New Star, 2012). She is<br />
currently completing a PhD<br />
in Human Geography, focusing<br />
on the intersections between<br />
the social sciences and poetry.<br />
Outerbridge Park<br />
Monthly Bird Walks<br />
House finches<br />
Female (l) and male<br />
Rocky Point Bird Observatory hosts monthly<br />
bird walks at Saanich’s Outerbridge Park<br />
on the 2nd Sunday of each month at 9 am.<br />
Novice and experienced birders are all<br />
welcome. Meet at the parking lot off Royal<br />
Oak Drive (near Blenkinsop Rd).<br />
You can find more<br />
information at:<br />
www.rpbo.org<br />
This notice made possible by Marlene Russo, lawyer and mediator<br />
Gail K. Perkins Inc.<br />
Ruby Gail Alicia<br />
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are your expectations”<br />
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www.gkperkins.ca<br />
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Image courtesy of Alan and Elaine Wilson<br />
Photo by Gary Utley<br />
www.focusonline.ca • February 2016<br />
45
finding balance<br />
Snuggle up with koselighet<br />
TRUDY DUIVENVOORDEN MITIC<br />
The yarn that keeps us knitted together, especially through winter.<br />
On a recent moonless night<br />
when the wind was once<br />
again mitt-slapping rain<br />
against the house, I was curled<br />
up on the couch with an article<br />
about life in Norway’s far north.<br />
Winter hits cold and hard in these<br />
small tundra towns: Even the sun<br />
shrinks away to just a thin, indifferent<br />
glimmer on the horizon.<br />
You’d think the people who live<br />
here would be more prone to<br />
seasonal depression, but that<br />
doesn’t seem to be the case.<br />
“Why would we be?” they ask<br />
quizzically, explaining that the<br />
close-knit nature of their communities<br />
and love for the outdoors<br />
keep them well buoyed through<br />
the long winters. Norwegians, it<br />
turns out, believe there’s no such<br />
thing as bad weather, only bad<br />
clothing choices. And they fully<br />
embrace the notion of koselighet,<br />
a word the author then tries and<br />
fails to define in English.<br />
I straighten up. I recognize that<br />
word. I know it in Dutch: gezelligheid,<br />
a term that also evades<br />
translation but is the essence of<br />
social interaction, intimate settings<br />
and personal serenity. Think of love, camaraderie, contentment,<br />
comfort and joy all rolled up into one abstract word. Think of that<br />
shivery-cozy feeling that comes when the moment is perfect and wellbeing<br />
overflows.<br />
For years my siblings and I have been searching for that one English<br />
word that can explain this hallowed notion to family newcomers—<br />
you know, those nice boys and girls who eventually become husbands<br />
and wives. But we failed of course, so they all had to plunge in and<br />
grasp it holistically, as did the children who followed. Now they all<br />
love gezelligheid too.<br />
In Norway, koselighet is the yarn that keeps northern communities<br />
knitted together, especially through winter. A companionable<br />
evening that involves candles, fine music, a crackling fire, a glass of<br />
wine and simple good food certainly invokes the inner warmth of<br />
koselighet. So do fuzzy socks and lap blankets, mugs of hot chocolate<br />
or cider after coming in from the cold, and feet up on the coffee<br />
table. Offering slippers to your guests is very koselig. Fussing and<br />
stressing over any of this is decidedly not. You see the pattern.<br />
Thankfully our winter is not nearly as long and cold as it is in the<br />
north, but that’s not to suggest we don’t have our own challenges.<br />
There’s the incessant rain that ironically tends to keep us more house<br />
ILLUSTRATION: APRIL CAVERHILL<br />
bound than a snowy landscape<br />
would. The protracted parade of<br />
dimly lit days that fade early into<br />
darkness certainly wears on the<br />
mood as well. But never mind:<br />
koselighet/gezelligheid can be our<br />
tonic too.<br />
Friends gathering over a big pot<br />
of chili, a stack of great novels,<br />
and your best-loved scarf all have<br />
the kernel of koselig. A walk along<br />
the ocean or up Mount Work with<br />
your pal and a backpack carrying<br />
tea for two—mmm, so gezellig.<br />
Glowing candles and strings of<br />
warm lights, whether for welcoming<br />
friends or enjoying contented alone<br />
time, are definitely koselig. So is<br />
a favourite mug in your hands, a<br />
group walk in the rain wearing<br />
proper gear, and the return back<br />
home to warmth and dryness.<br />
Gratitude for shelter is steeped in<br />
gezelligheid. Complaining about<br />
the weather is not.<br />
My Dutch-Canadian dictionary’s<br />
attempt to translate gezellig comes<br />
up with “snugness.” Snugness is<br />
a very good winter word. We snug<br />
up our homes with light and heat,<br />
and feel snug in our beds with extra<br />
blankets on top. Before heading outdoors we snug up our scarves and<br />
boot laces and the drawstrings on winter jackets. We meet for<br />
lunch and subconsciously all lean in a little closer. We snuggle with<br />
children over a bedtime storybook, which somehow feels far more<br />
gezellig in winter than in summer.<br />
Dream of spring if you must, to get through these last weeks, but<br />
also see winter in its proper light. Note the softer hues of the landscape,<br />
the splendour of the moon (and it has been grand these past<br />
few months) and the serenity of life slowed down just a notch. Winter<br />
can be a beautiful thing.<br />
It’s not too late to start embracing mindful koselighet. The Norwegians<br />
would suggest candles and slippers after skating with friends. The<br />
Dutch would propose that it all begins with coffee. Clearly there is a<br />
whole other way to do winter.<br />
Trudy has always been a winter person. Slippers,<br />
long underwear and hot apple cider are a few of her<br />
favourite things.<br />
46 February 2016 • <strong>FOCUS</strong>
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www.focusonline.ca • February 2016<br />
47
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