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w<br />

Portfolio<br />

Christin<strong>Erdmann</strong>


RESUMÉ<br />

Christin <strong>Erdmann</strong><br />

B.A. Architecture<br />

Via XX Settembre 173<br />

44121 Ferrara<br />

Italy<br />

Tel.: +49 17621173478<br />

E-mail: christin3110@gmail.com<br />

04.2016 : Internship dare-architettura Ferrara | Italy<br />

10.2015-02.2016 : Architecture Master studies at the Università degli di Ferrara |<br />

Free Mover | Italy<br />

08.2015-10.2015 : Architecture Master studies at Ecole d‘architecture de la ville & des territoires |<br />

Erasmus Program Workshop | Marne-La-Vallée<br />

since 2014 : Architecture Master studies at the University of applied Sciences |<br />

Corporate Architecture Cologne | Germany<br />

2014-2015 : Student assistant Archpro Design | Duesseldorf | Germany<br />

2014 : 6 month internship for exhibition design<br />

Totems Communication & Architecture GmbH | Duesseldorf | Germany<br />

2011-2014 : Student assistant for Finkelstein Architects | Cologne | Germany<br />

2010-2011 : Student assistant at the building department of the urban Hospital<br />

Dortmund | Germany<br />

2009-2014 : Architecture Bachelor studies at the University of applied Sciences |<br />

B.A. Architecture Dortmund | Germany<br />

2009 : 2 month internship | carpenter‘s shop Göppert | Bocholt | Germany<br />

2007-2009 : Dance studies at the University of music and dance | Cologne | Germany<br />

2004-2007 : Education at Timmermeister | Minster | Germany<br />

State-certified dance and gymnastics teacher<br />

Software:<br />

Adobe Photoshop<br />

Adobe Illustrator<br />

Adobe InDesign<br />

AutoCAD<br />

Artlantis<br />

Sketch up<br />

Microsoft Office<br />

Languages:<br />

Deutsch<br />

English<br />

Francais<br />

Italiano<br />

Nederlands<br />

SOFTSKILLS<br />

mother tongue<br />

Architecture Photography<br />

Rhino<br />

3Ds Max<br />

Revit<br />

ArchiCAD<br />

Cinema 4D<br />

Vicado<br />

COMMUNICATION SKILLS<br />

Team skills and the ability to resolve conflicts I was able to acquire through various group work at the<br />

University and in various projects.<br />

Sensitivity to cultural differences, fast training and integration capability are among my strengths.<br />

ORGANIZATIONAL SKILLS<br />

Team organization at the University for diverse group tasks.<br />

Project organization during internships and student employees, from concept to completion.<br />

PROFESSIONAL SKILLS<br />

Knowledge of architectural photography through the studies,<br />

developed in workshops and internships.<br />

Fair organization, conception, planning and construction.<br />

Brochure design for competitions and outdoor advertising.<br />

Writing for web pages and descriptions for competitions.


Content<br />

Visions<br />

Renderings<br />

Scenography<br />

ExhibitionDesign<br />

LandscapeArchitecture<br />

GermanArchitectureInstitute<br />

CorporateArchitecture<br />

ExperimentalDesign<br />

ShopDesign<br />

ShowRoom<br />

Welcome ...


Utopia 2215<br />

Cologne | Germany<br />

The Rhine dries out and a new life- |<br />

and infrastructure can be created.<br />

Visions<br />

For my world i am responsible<br />

I have enough strength and intuition to make it<br />

why do i still hesitate


Casa Brandi<br />

Rio De Janeiro<br />

Brazil<br />

Modern Housing<br />

Exterior<br />

Interrior<br />

Exterior<br />

Interrior<br />

Prospetto Nord scala 1: 200<br />

Renderings<br />

Desinings Interior and Exterior<br />

Prospetto Est scala 1: 200<br />

Prospetto Sud scala 1: 200<br />

Prospetto Ovest scala 1: 200<br />

N<br />

Planimetria generale scala 1:200<br />

Sezione A scala 1: 200<br />

A<br />

Sezione B scala 1: 200<br />

B<br />

B<br />

CONCEPTION<br />

A<br />

Pianta piano primo scala 1: 50 Assonometria esplosione<br />

ARCHICAD<br />

CINEMA 4D<br />

PHOTOSHOP


MELANCHOLY<br />

HOW DOES THE STORY INFLUENCE<br />

THE ROOM?<br />

HOW DOES THE ROOM INFLUENCE<br />

THE STORY?<br />

THEATRE<br />

RUHR FESTIVAL<br />

INTERIOR DESIGN<br />

Model_Analysis<br />

Scenography<br />

Two Examples<br />

Groundplot<br />

PHOTOGRAPHY<br />

PRODUCTION<br />

PHOTOSHOP<br />

PHOTOGRAPHY<br />

PRODUCTION<br />

INTERIOR DESIGN<br />

PHOTOSHOP


EPIC POLYMERS<br />

FAKUMA FAIR 2014<br />

Exhibition<br />

Design<br />

Develop | Deliver | Delight - Concept<br />

Delight<br />

Grafic<br />

Deliver<br />

EXHIBITION DESIGN<br />

CONCEPTION<br />

Develop<br />

ARCHICAD<br />

CINEMA 4D<br />

PHOTOSHOP<br />

INDESIGN


L a g e z w i s c h e n M o d e n a u n d M a n t o v a E i n r a h m u n g S t a d t b a h n i n f r a s t r u k t u r P o s i t i o n D e r L a m a P a r k<br />

Research Mobility<br />

H a u p t s t r a ß e , E i n f a h r t i n d i e S t a d t<br />

H a u p t s t r a ß e n , D u r c h d r i n g u n g<br />

d e r S t a d t<br />

P u n k t e d e r V e r t e i l u n g<br />

d i r e k t e F a h r z e u g - Ü b e r q u e r u n g<br />

E i s e n b a h n<br />

( Ü b e r f ü h r u n g e n / U n t e r f ü h r u n g e n )<br />

Z e n t r a l b a h n s t r e c k e ( 2 K m )<br />

E r r e i c h b a r k e i t v o n z w e i P u n k t e n<br />

K r e u z u n g s - E b e n e<br />

I n t e r v e n t i o n e n :<br />

U n t e r f ü h r u n g<br />

b e f a h r b a r m a c h e n<br />

R i c h t u n g N o r d e n<br />

a u f e i n N i v e a u<br />

b r i n g e n<br />

V i a T r e P o n t i<br />

V i a M a n z o n i ,<br />

m i t d e m Z i e l ,<br />

d i e Ü b e r q u e r u n g<br />

h e l l e r z u g e s t a l t e n<br />

B e f a h r u n g<br />

k o n z e n t r i e r t s i c h<br />

a u f d a s<br />

S t a d t z e n t r u m<br />

D r e i m ö g l i c h e<br />

B e r e i c h e f ü r d a s<br />

P a r k e n t a u s c h e n<br />

D i e s e b e l i e f e n s i c h<br />

a u f d e n N o r d u n d<br />

S ü d B e r e i c h<br />

LandscapeArchiteture<br />

Workshop_Carpi<br />

Italy<br />

CrossLines<br />

LSFA | Laboratorio di Sintesi Finale A<br />

CrossLines | Tavola n. 3 | Masterplan scala1:2500<br />

B e s t e h e n d e F u ß w e g e D a s H a u p t s t r a ß e n F u ß g ä n g e r - P r o j e k t ,<br />

N o r d - S ü d p a r a l l e l z u r B a h n u n d O s t -<br />

W e s t - V e r b i n d u n g d e s F l u s s e s L a m a i n d i e S t a d t<br />

D i r e k t e Ü b e r g a n g s s t e l l e n<br />

b e i E i n f a h r t e n i n d i e I n f r a s t r u k t u r<br />

A n d e r S t a t i o n u n d a n<br />

d e r K r e u z u n g d e r O s t - W e s t - A c h s e<br />

D i e F e r t i g s t e l l u n g d e s F u ß g ä n g e r n e t z e s<br />

i m A n s c h l u s s a n d i e b e s t e h e n d e n S p u r e n<br />

d e s r ö m i s c h e n L a n d b e r e i c h e s<br />

CONCEPTION<br />

ARCHICAD<br />

PHOTOSHOP<br />

Wiederverwendung bestehender Gebäude| 15%<br />

Neubauten | 85%<br />

Summe der genutzten Fläche etwa<br />

40 000 qm<br />

21% Hybrid : Working | Co-working<br />

Commercial spaces | Terrace - level<br />

Underground - parking<br />

37% Urbane Stadtentwicklung : Housing<br />

20% Studentenwohnheime und allgemeine Strukturen :<br />

Cafeteria | Library | Conference space Labs | Gym<br />

Fashion district : Professional school | Working lab | Showrooms | Events<br />

Mix housing : Students | Temp. workers<br />

22% Universität : Faculty of agriculture - Modena | Carpi | Mantova<br />

LsfA LABORATORIO DI SINTESI FINALE A<br />

PROGETTAZIONE ARCHITETTONICA<br />

Prof. Alessandro Massarente - Progettazione architettonica<br />

LsfA Prof. Alessandro LABORATORIO Massarente - Progettazione DI architettonica SINTESI FINALE A<br />

traditional crobs<br />

PROGETTAZIONE university ARCHITETTONICA fields<br />

Prof. Gianluca Frediani - Progettazione architettonica per il recupero urbano<br />

Prof. Alessandro Filippo Boschi Massarente - Progettazione - Progettazione urbanistica architettonica<br />

public park<br />

Prof. Alessandro Marco Pavarani Massarente - Teorie e - metodi Progettazione della progettazione architettonica architettonica<br />

extensive crobs<br />

Prof. Gianluca Frediani Minguzzi -- Progettazione architettonica ambientale per il recupero urbano<br />

Prof. Arch. Filippo Alberto<br />

productive Boschi Verde - Supporto Progettazione fields<br />

didattica urbanistica Progettazione architettonica<br />

Prof. Arch. Marco Silvia Tagliazucchi Pavarani - Teorie - Supporto e metodi didattica della progettazione Progettazione architettonica<br />

Prof. Arch. Gianluca Alessandro Minguzzi Chiccoli, - Progettazione Arch. Sara Voltani ambientale - Tutors<br />

Research Park<br />

Arch. Alberto Verde - Supporto didattica Progettazione architettonica<br />

Arch. Silvia Tagliazucchi - Supporto didattica Progettazione architettonica<br />

Arch. WORKSHOP<br />

Alessandro Chiccoli, Arch. Sara Voltani - Tutors<br />

UN CASO STUDIO: P.R.U. STAZIONE di CARPI<br />

WORKSHOP<br />

UN PROGRAMMA CASO STUDIO: P.R.U. STAZIONE di CARPI<br />

LSFA | Laboratorio di Sintesi Finale A<br />

CrossLines | Tavola n. 4 | Prozentsatz und Verteilungsfunktionen


existing building<br />

Paths<br />

The alley is the stylistic device<br />

and the concept idea through<br />

the existing park at Stollwerk<br />

in Cologne-South.<br />

The alley has a main road and<br />

extended on the Bayerroad<br />

over in the form of a bridge,<br />

as a connection to the Rhein<br />

Au Port. It is possible to<br />

enter and leave the alley from<br />

everywhere.<br />

Green spaces<br />

- Private areas (Kita)<br />

- Area between Kita and<br />

architecture alley as playing<br />

surface<br />

- Areas to relax and enjoy in<br />

the park<br />

- Under plane<br />

- Under deciduous trees<br />

- Catering<br />

- Roof as a lookout<br />

(Relocation of the green areas<br />

on the exhibition cubes and<br />

the Archives)<br />

Places<br />

The places offer different<br />

viewpoints and usages of the<br />

alley. In addition to the alley,<br />

they offer a contrast to the<br />

narrow lane and give another<br />

sense of space.<br />

- Place as an information area<br />

(sitting and seeing)<br />

- Place as an external exhibition<br />

space (walking and seeing)<br />

- Place as recovery (sitting,<br />

eating and drinking)<br />

Composition<br />

By combining Alley, spaces,<br />

squares and courtyards<br />

its own little village atmosphere<br />

along an alley is created,<br />

which runs through a park<br />

and connects the Rhine Au<br />

port with the Südstadt and<br />

expanded it.<br />

GermanArchitectureInstitute<br />

ARCHITECTURE_LANE<br />

What awaits the visitor?<br />

Archive | Show<br />

stock<br />

movie<br />

Temporary Exhibition<br />

Permanent exhibition |<br />

The architectural history of Germany<br />

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Book Store | Souvenirs<br />

Permanent exhibition | Architecture Germany<br />

Temporary Exhibition<br />

Temporary Exhibition<br />

Section | Exhibitions Impression Section | Exhibitions<br />

existing building<br />

Arrangement in the interior:<br />

- Story<br />

- Grown<br />

- Blasted<br />

- Rebuilt<br />

- planned<br />

Material and Construction:<br />

- Materials from the respective regions<br />

- stone<br />

- wood<br />

- Steel<br />

- concrete<br />

building:<br />

Perfect utilization of each space, with multiple<br />

uses, which can adapt to the changes in the<br />

urban image.<br />

Materials<br />

DESIGNING<br />

CONSTRUCTION<br />

ARCHICAD<br />

CINEMA 4D<br />

PHOTOSHOP<br />

INDESIGN


ideas sketch<br />

Corporate<br />

Architecture<br />

In between green<br />

11. floor 13. floor 14. floor 23. floor<br />

<br />

On the grounds of the<br />

existing Europa Center in<br />

the policy quarter of Bonn,<br />

Germany, should a new landmark<br />

be created. As a new<br />

heart and connecting Point<br />

of three neighborhoods,<br />

the property should be<br />

converted into an urban<br />

and lively area. In addition<br />

to business and office spaces<br />

there will also be housing<br />

for several ages.<br />

Section<br />

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DESIGNING<br />

CONSTRUCTION<br />

ARCHICAD<br />

CINEMA 4D<br />

PHOTOSHOP<br />

INDESIGN


Section A-A<br />

ExperimentalDesign<br />

ARTAUD the THEATRE of CRUELTY<br />

SCHNITT A-A<br />

1. OBERGESCHOSS<br />

GALERIE<br />

ERDGESCHOSS<br />

B<br />

FLOOR PLAN<br />

EXEMPLARILY<br />

GALERIE<br />

https://www.youtube.com/watch?v=8mjofllsvkE<br />

Inspirations<br />

In his writings on the Theatre of Cruelty, Artaud points to definitions of both<br />

“theatre” and “cruelty” that are separate from their colloquial meanings. For<br />

Artaud, theatre does not merely refer to a staged performance before a passive audience.<br />

The theatre is a practice, which “wakes us up. Nerves and heart,” and<br />

through which we experience, “immediate violent action,” that “inspires us with<br />

the fiery magnetism of its images and acts upon us like a spiritual therapeutics<br />

whose touch can never be forgotten.”<br />

1st Floor<br />

REGIE<br />

BÜHNE<br />

Arcade<br />

FOYER<br />

GALERIE<br />

KÜCHE<br />

BOOKSHOP<br />

ANMELDUNG<br />

BÜRO<br />

ANLIEFERUNG<br />

A<br />

Groundfloor<br />

FOYER<br />

KÜCHE<br />

BOOKSHOP<br />

ANLIEFERUNG<br />

GETRÄNKE<br />

ANMELDUNG<br />

BÜRO<br />

A<br />

DESIGNING<br />

CONSTRUCTION<br />

SKETCHUP<br />

ARCHICAD<br />

CINEMA 4D<br />

PHOTOSHOP<br />

INDESIGN


Furniture Research<br />

For the internet shop Wolkenseifen<br />

I designed a store concept that reflects the<br />

brand and its philosophy.<br />

ShopDesign<br />

Wo lke nseife n<br />

Brand Analysis<br />

high-quality<br />

expensive<br />

Brand Positioning<br />

modern<br />

classic<br />

unknown<br />

popular<br />

waiting area<br />

inferior<br />

cheap<br />

Exhibition Columns &<br />

exhibition shelves<br />

workspace<br />

Brand diamond McKinsey & Company<br />

describes the current status of the brand.<br />

Cashier<br />

Brand benefits<br />

What does the brand?<br />

Brand attributes<br />

Who or what is the brand?<br />

Brand spaces<br />

Where lives the brand?<br />

entrance<br />

Intangible or emotional<br />

Company Overview | Imagetransfer:<br />

Brand that mainly appeals to women ,<br />

that emphasis on healthy and good smelling<br />

Bodycare.<br />

self-realization:<br />

The Brand gives a good and positive<br />

Lifestyle . The users smell<br />

particularly well and use healthy<br />

Products .<br />

origin:<br />

Neckargemünd, German handmade products in<br />

small batches<br />

Reputation:<br />

For customers very popular and recommended.<br />

-> Refer a customer.<br />

Personality:<br />

Emotional , honest , young, fresh , personalized ,<br />

pet friendly , personable , relaxed ,<br />

playful , feminine<br />

The product and the loving<br />

preparation are paramount.<br />

There is a classic and feminine<br />

product design .<br />

The homepage is relaxed , friendly<br />

and playful .<br />

The brand is very feminine, modern<br />

and has a high quality .<br />

Tangible, or rational<br />

Product:<br />

High-quality , natural and vegan<br />

products .<br />

Good smelling and beautifully packaged.<br />

Relationship:<br />

Personal atmosphere , all employees can be<br />

seen on the homepage . When contacted,<br />

issues are immediately<br />

answered .<br />

Characteristics:<br />

The small company-size leads to a strong identification<br />

with the product and the brand . The<br />

product is high-quality and timeless.<br />

Presence:<br />

Sales mainly via the homepage<br />

www.Wolkenseife.de<br />

Only once weekly sale in the warehouse store .<br />

You can find the brand also on Facebook.<br />

Location:<br />

Production and sales in one .<br />

The rooms should be in an urban<br />

location , or in a pedestrian zone<br />

in order to make the foot traffic<br />

carefully on the store concept and<br />

the brand .<br />

The accessibility by public transport<br />

should be ensured .


DOW | HORGEN<br />

SHOWROOM<br />

FURNITURE DESIGN<br />

Showroom<br />

The DOW Group in Horgen<br />

needed a new, more modern<br />

and intelligent Design for<br />

their Showrrom. Next to<br />

the designing I created new<br />

furniture according to<br />

their wishes and also designed<br />

the graphics for their<br />

walls in the entry.<br />

GRAPHIC DESIGN ENTRANCE


Thanks for watching<br />

Designings and projects by Christin <strong>Erdmann</strong><br />

Christin <strong>Erdmann</strong><br />

B.A. Architecture<br />

Via XX Settembre 173<br />

44121 Ferrara<br />

Italy<br />

Tel.: +49 17621173478<br />

E-mail: christin3110@gmail.com

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