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main feature Compaca<br />

The Art of Bespoke<br />

Jewellery Design<br />

Innovation in craft, design and art is changing<br />

the way we live and work in a global society. The<br />

search for all things new is what keeps the work<br />

fresh for people in the creative industry. That’s<br />

how Compaca, a creative partnership between<br />

ceramic artist <strong>Arti</strong> Gidwani and silversmith Vibeke<br />

Lorentzen, was established. As designers, they try<br />

not to take the easy way out by creating traditional<br />

pieces or collections, but are continuously<br />

experimenting and pushing the boundaries to<br />

express their artistic thoughts and values.<br />

Story by A. Gidwani<br />

photo by Bagus Tri Laksono<br />

The brilliance behind<br />

Compaca lies in the<br />

dynamic fusion of <strong>Arti</strong>’s<br />

ceramic background<br />

and Vibeke’s jewellery<br />

design and silversmithing<br />

expertise.<br />

Compaca prides itself, first and foremost, on its<br />

reliance on meticulous craftsmanship and the<br />

resulting unmistaken originality reflected in each<br />

finished piece. No two hand-made works are the<br />

same. Even with a pair of earrings each one will be<br />

slightly different in shape, pattern or colour from its<br />

counterpart.<br />

The core design concept focuses on both clay and<br />

silver. It is totally enamored with the earthy living<br />

quality of these two materials. Being utterly familiar<br />

with the materials, helps in translating the ideas into<br />

reality. The first step in that process is to construct<br />

the clay piece into an original form. Once the form is<br />

viable, it is allowed to rest and dry. The dried piece<br />

then goes in the kiln for its first firing, called the<br />

bisquit firing. The next step before a second firing is to<br />

add life and colour by hand painting or spray-glazing.<br />

Like the clay process, the subsequent silvering<br />

involves hand-cutting and individual forming.<br />

Sometimes there is a need to create similar designs<br />

and shapes, in which case a gypsum template is cast<br />

to simplify the process, but with the promise that<br />

there will be no exact repeats. All the silver is formed<br />

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main feature Compaca<br />

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clockwise FROM left<br />

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xxx<br />

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xxx<br />

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xxxxx<br />

into shape with shears, hammers, sanders and<br />

grinders, and brazed together with a welding torch.<br />

It is a laborious process and requires acute attention<br />

to detail.<br />

The challenge lies in maintaining a consistently<br />

high level of quality from design through to production.<br />

The natural variability of the raw materials can<br />

sometimes affect the process. Since clay, for example,<br />

is unpredictable by nature, there is a possibility that<br />

the final product turns out differently than planned,<br />

taking a different shape or bearing a different and<br />

undesired effect. When that happens the entire<br />

production process has to be repeated again from the<br />

very beginning.<br />

To avoid unforeseen chaos, <strong>Arti</strong> & Vibeke delegate<br />

and understand each others responsibilities as a<br />

team. They have also made a conscious effort to use<br />

environmentally friendly materials such as non-toxic<br />

lead-free glaze to color the ceramics, to source the<br />

clay from Sukabumi and to avoid the use of chemical<br />

additives.<br />

Besides listening to their customers, both


main feature Compaca<br />

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designers stay inspired by looking around them and<br />

deriving ideas from emotions, experiences, nature,<br />

and more. The lineup that mirrors their fondness of<br />

nature has been their signature collection; it is a theme<br />

close to everyone hearts. Simultaneously, they try to<br />

express various human relationships and experiences<br />

in this world through their visually beautiful, diverse<br />

and dramatic line of jewellery. For them creativity<br />

is a process that evolves continuously, and they are<br />

evolving with it. But one thing stays constant, they<br />

hope the wearers feel that je ne sais quoi.<br />

26<br />

| DESIGN PRODUCT

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