Collide Issue 30: The Middle
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ON THE COVER<br />
Courtesy of Pam Steenwijk<br />
Pam lives in <strong>The</strong> Netherlands and graduated with a bachelor of fine arts in 2015.<br />
She states that she will never stop drawing.<br />
To view more of her work, please visit www.pamsteenwijk.com<br />
LETTER<br />
FROM THE<br />
EDITOR<br />
"BETWEENS" IN A SEA OF<br />
STORIES<br />
<strong>The</strong> familiar fairy tale rhythms of “once upon a time”<br />
and “happily ever after” have conditioned us to crave<br />
beginnings and endings. But as March settles in, everyone’s<br />
finally started writing down the correct year, the “fresh<br />
start” feeling of 2016 has faded and we’re faced with the<br />
dullness of the mid-semester weeks stretching ahead. Quick<br />
to equate the middle ground with monotony, we miss the<br />
importance of Act II of the narrative.<br />
Being a student can feed a visceral fear of mediocrity—a feeling of invisibility within a sea of<br />
multi-faceted students, all stuck in a phase of life that has partially dismissed childhood while<br />
making a half-hearted attempt to enter the adult world. With this in mind, our staff chose to<br />
dedicate <strong>Collide</strong> <strong>30</strong> to “<strong>The</strong> <strong>Middle</strong>,” engaging with the challenging expanse between genesis<br />
and resolution. We want to celebrate the process of being en route (“In the Making”), finding<br />
sparks of creativity and reconciliation amidst transition.<br />
<strong>The</strong> middle of the story is often the part that requires the most courage (“Amid a Transformation”).<br />
It can rob us of a sense of safe space or belonging (“Transitioning Out of Homelessness,”<br />
“Third Culture Kids”) or leave us in need of a temporary escape from the cacophony of a<br />
plugged-in life (“<strong>The</strong> <strong>Middle</strong> of Nowhere”, “Finding Your Center”).<br />
Without the energy of a beginning or the incentive of a conclusion in sight, momentum can<br />
waver. Compromise can seem daunting, especially on controversial issues such as modesty<br />
when everyone seems to have a unique opinion (“<strong>The</strong> Midriff”). Many of our country’s ills,<br />
from racism to polarized politics, don’t have a quick remedy or clear end in sight. It would be<br />
easy enough to become callous with cynicism, but what would it look like to acknowledge the<br />
scariness of uncertain victories and still move forward to pursue them? <strong>The</strong> middle—the area<br />
of debate and undetermined endings—is no place for cowardice.<br />
Though juggling many middle spaces can be overwhelming, I hope that as students we will<br />
continue to reinvent and reconsider the plot points we inherit. As one character in Salman<br />
Rushdie’s “Haroun and the Sea of Stories” explains, “no story comes from nowhere; new<br />
stories are born from old—it is the new combinations that make them new.”<br />
With the momentous occasion of our <strong>30</strong>th issue, I want to appreciate the evolution of our<br />
magazine, celebrating the writers and staff that have come before and the ones that will come<br />
after. As we tackle critical and controversial topics surrounding culture, sexuality and identity<br />
in this issue, I hope our content will catalyze bold conversations that will make the “middles”<br />
of the world a little more interesting.<br />
Editor-in-Chief, Maureen Wolff<br />
www.theclause.org/collide • 5