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ISO<br />
The ISO is your film speed. You can<br />
determ<strong>in</strong>e the proper ISO based on<br />
how much light is available <strong>in</strong> your<br />
shoot<strong>in</strong>g environment. ISO sett<strong>in</strong>gs will<br />
directly affect your shutter speed and<br />
aperture sett<strong>in</strong>gs. The rule of thumb<br />
is that as your ISO goes higher, your<br />
shutter speed will follow. For example,<br />
if you have a proper exposure at ISO<br />
1600 and a shutter speed set at 250th<br />
and <strong>in</strong>creased your ISO <strong>to</strong> 3200,<br />
your shutter speed would be 1/500th,<br />
which is a 1 s<strong>to</strong>p change <strong>to</strong> give you<br />
the same exact exposure. Mak<strong>in</strong>g the<br />
one change caused the other change<br />
<strong>to</strong> need <strong>to</strong> be made.<br />
In most concert situations, you are<br />
faced with dimly lit stages and rooms;<br />
therefore a good start<strong>in</strong>g po<strong>in</strong>t would<br />
be an ISO between 3200-6400<br />
depend<strong>in</strong>g on your camera (the same<br />
applies for <strong>in</strong>door sports, wedd<strong>in</strong>gs<br />
and other low light situations). S<strong>in</strong>ce<br />
you are <strong>in</strong> a darker environment, you<br />
know right off the bat <strong>to</strong> select a higher<br />
ISO. You also know that a higher ISO<br />
will allow you <strong>to</strong> have a faster shutter<br />
speed thus allow<strong>in</strong>g you a better<br />
chance of captur<strong>in</strong>g motion (Higher<br />
ISO could also lead <strong>to</strong> a more gra<strong>in</strong>y<br />
image which I will discuss <strong>in</strong> future<br />
articles).<br />
Keep <strong>in</strong> m<strong>in</strong>d, your ISO’s reach is<br />
dependent upon your camera. Today,<br />
most consumer cameras can push<br />
their ISO <strong>to</strong> 6400 and higher, but<br />
pro cameras have the ability <strong>to</strong> shoot<br />
at ISO’s of 12,800 <strong>to</strong> 52,400 and<br />
beyond.<br />
It’s pretty <strong>in</strong>sane how far some of<br />
<strong>to</strong>day’s cameras can go <strong>in</strong> terms of<br />
ISO. But remember, if you don’t<br />
understand the fundamentals of the<br />
exposure triangle, the best pro camera<br />
<strong>in</strong> the world may not help you get any<br />
better pictures than an <strong>in</strong>expensive<br />
consumer camera.<br />
The same ISOs tend <strong>to</strong> apply <strong>in</strong> most<br />
low light situations; the less light you<br />
ABOVE:<br />
Ed Sheeran 2/5/2015<br />
Manual Sett<strong>in</strong>gs: 1/1250th of a<br />
second at F4.5 ISO 4000<br />
have, the higher you may want your<br />
ISO. Keep <strong>in</strong> m<strong>in</strong>d, though, that no<br />
ISO, regardless of how high you push<br />
it, will compensate for a lack of actual<br />
light.<br />
For those who are lett<strong>in</strong>g their camera<br />
set the ISO au<strong>to</strong>matically, you may run<br />
<strong>in</strong><strong>to</strong> some issues. Sure, the camera<br />
can do a great job of select<strong>in</strong>g what<br />
it th<strong>in</strong>ks is the proper ISO, but why<br />
rely on it when you can make that<br />
call yourself? Also, the camera may<br />
change the ISO from picture <strong>to</strong> picture<br />
even if you’re <strong>in</strong> a situation where the<br />
light is not chang<strong>in</strong>g.<br />
If you’re <strong>in</strong> a situation where the light<br />
is constant, simply select your ISO<br />
manually and lock it <strong>in</strong>. You can<br />
always push it higher if you need the<br />
effect of more light or lower if you need<br />
less. Say it with me, “I am smarter than<br />
my camera.”<br />
<strong>Guide</strong> <strong>to</strong> <strong>Captur<strong>in</strong>g</strong> <strong>Motion</strong> <strong>in</strong> <strong>Low</strong> <strong>Light</strong> <strong>Situations</strong> <strong>Page</strong> 4