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Guide to Capturing Motion in Low Light Situations Page 1

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ISO<br />

The ISO is your film speed. You can<br />

determ<strong>in</strong>e the proper ISO based on<br />

how much light is available <strong>in</strong> your<br />

shoot<strong>in</strong>g environment. ISO sett<strong>in</strong>gs will<br />

directly affect your shutter speed and<br />

aperture sett<strong>in</strong>gs. The rule of thumb<br />

is that as your ISO goes higher, your<br />

shutter speed will follow. For example,<br />

if you have a proper exposure at ISO<br />

1600 and a shutter speed set at 250th<br />

and <strong>in</strong>creased your ISO <strong>to</strong> 3200,<br />

your shutter speed would be 1/500th,<br />

which is a 1 s<strong>to</strong>p change <strong>to</strong> give you<br />

the same exact exposure. Mak<strong>in</strong>g the<br />

one change caused the other change<br />

<strong>to</strong> need <strong>to</strong> be made.<br />

In most concert situations, you are<br />

faced with dimly lit stages and rooms;<br />

therefore a good start<strong>in</strong>g po<strong>in</strong>t would<br />

be an ISO between 3200-6400<br />

depend<strong>in</strong>g on your camera (the same<br />

applies for <strong>in</strong>door sports, wedd<strong>in</strong>gs<br />

and other low light situations). S<strong>in</strong>ce<br />

you are <strong>in</strong> a darker environment, you<br />

know right off the bat <strong>to</strong> select a higher<br />

ISO. You also know that a higher ISO<br />

will allow you <strong>to</strong> have a faster shutter<br />

speed thus allow<strong>in</strong>g you a better<br />

chance of captur<strong>in</strong>g motion (Higher<br />

ISO could also lead <strong>to</strong> a more gra<strong>in</strong>y<br />

image which I will discuss <strong>in</strong> future<br />

articles).<br />

Keep <strong>in</strong> m<strong>in</strong>d, your ISO’s reach is<br />

dependent upon your camera. Today,<br />

most consumer cameras can push<br />

their ISO <strong>to</strong> 6400 and higher, but<br />

pro cameras have the ability <strong>to</strong> shoot<br />

at ISO’s of 12,800 <strong>to</strong> 52,400 and<br />

beyond.<br />

It’s pretty <strong>in</strong>sane how far some of<br />

<strong>to</strong>day’s cameras can go <strong>in</strong> terms of<br />

ISO. But remember, if you don’t<br />

understand the fundamentals of the<br />

exposure triangle, the best pro camera<br />

<strong>in</strong> the world may not help you get any<br />

better pictures than an <strong>in</strong>expensive<br />

consumer camera.<br />

The same ISOs tend <strong>to</strong> apply <strong>in</strong> most<br />

low light situations; the less light you<br />

ABOVE:<br />

Ed Sheeran 2/5/2015<br />

Manual Sett<strong>in</strong>gs: 1/1250th of a<br />

second at F4.5 ISO 4000<br />

have, the higher you may want your<br />

ISO. Keep <strong>in</strong> m<strong>in</strong>d, though, that no<br />

ISO, regardless of how high you push<br />

it, will compensate for a lack of actual<br />

light.<br />

For those who are lett<strong>in</strong>g their camera<br />

set the ISO au<strong>to</strong>matically, you may run<br />

<strong>in</strong><strong>to</strong> some issues. Sure, the camera<br />

can do a great job of select<strong>in</strong>g what<br />

it th<strong>in</strong>ks is the proper ISO, but why<br />

rely on it when you can make that<br />

call yourself? Also, the camera may<br />

change the ISO from picture <strong>to</strong> picture<br />

even if you’re <strong>in</strong> a situation where the<br />

light is not chang<strong>in</strong>g.<br />

If you’re <strong>in</strong> a situation where the light<br />

is constant, simply select your ISO<br />

manually and lock it <strong>in</strong>. You can<br />

always push it higher if you need the<br />

effect of more light or lower if you need<br />

less. Say it with me, “I am smarter than<br />

my camera.”<br />

<strong>Guide</strong> <strong>to</strong> <strong>Captur<strong>in</strong>g</strong> <strong>Motion</strong> <strong>in</strong> <strong>Low</strong> <strong>Light</strong> <strong>Situations</strong> <strong>Page</strong> 4

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