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Weekend 2 Weekend 2<br />
<strong>Plush</strong> 3 • Discovery Concert<br />
Saturday 20th August<br />
<strong>Plush</strong> 4 • Trio Dali<br />
Saturday 20th August<br />
5.30pm • £10 • 45 mins Trio Dali<br />
Jack Liebeck violin<br />
Amandine Savary piano<br />
Christian-Pierre La Marca cello<br />
& Adrian Brendel cello<br />
7.30pm • £20<br />
Bach Toccata in D Major, BWV912<br />
for Keyboard (Savary)<br />
Cassadó Suite for Solo Cello<br />
(La Marca)<br />
Martinů Duo No. 1 for Violin and Cello,<br />
H.157 (Liebeck, Brendel)<br />
This is a rare chance <strong>to</strong> hear all <strong>of</strong><br />
<strong>the</strong> Trio Dali musicians in solo mode.<br />
Amandine Savary recently recorded<br />
Bach’s Toccatas <strong>to</strong> great acclaim, one<br />
<strong>of</strong> which opens <strong>the</strong> concert. Christian<br />
Pierre La Marca performs Gaspar<br />
Cassadó’s extrovert solo suite, written<br />
in <strong>the</strong> 1920s. And violinist Jack Liebeck<br />
joins forces with Adrian Brendel<br />
for Martinů’s eccentric and rarely<br />
performed duo for violin and cello.<br />
Trio Dali<br />
“...three young players<br />
with plenty <strong>to</strong> say and<br />
<strong>the</strong> most compelling<br />
manner <strong>of</strong> saying it.”<br />
Gramophone Magazine<br />
Trio Dali<br />
Mendelssohn Piano Trio No 2 in C minor,<br />
Op. 66<br />
Roger Smalley Trio (1991)<br />
~<br />
Schubert Trio in B flat major, Op. 99<br />
(D.898)<br />
Trio Dali formed in 2006, winning<br />
several major prizes that established<br />
<strong>the</strong> group on <strong>the</strong> concert scene. Their<br />
recordings <strong>of</strong> Schubert, and most<br />
recently <strong>of</strong> Mendelssohn trio’s have<br />
been universally praised. They perform<br />
from <strong>the</strong>se recordings alongside a piece<br />
by Anglo-Australian composer, pianist<br />
and conduc<strong>to</strong>r Roger Smalley (1943-<br />
2015). Having studied with Boulez and<br />
S<strong>to</strong>ckhausen in <strong>the</strong> 1960s, Smalley<br />
developed a truly original musical voice<br />
that wasn't afraid <strong>to</strong> experiment. His Trio<br />
<strong>of</strong> 1991 is a case in point, one <strong>of</strong> three<br />
works based on <strong>the</strong> mazurkas <strong>of</strong> Chopin.
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