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[49] The Duet, 1894<br />
Lithograph, signed in pencil with a butterfly, lower left edge of<br />
sheet, printed in black ink on old laid paper, one of 39 impressions<br />
printed by Thomas Way; a further 12 were printed posthumously<br />
by Frederick Goulding in 1904; in the only state<br />
9 1/2 x 6 1/2 inches (24.6 x 16.5 cm) sheet 11 x 7 7/8 inches (28 x 19.6 cm)<br />
Provenance: Rosalind Birnie Philip (her stamp on the verso;<br />
Lugt 406)<br />
Reference: Way 64; Chicago 104<br />
The Duet is a casual, intimate scene showing Beatrice<br />
Whistler and her sister Ethel Whibley playing a four-hand<br />
piano piece in the Whistlers’ comfortably appointed Paris<br />
home at 110 rue du Bac. It is based on a rather sketchy<br />
drawing and lithograph of the same subject made a few<br />
weeks earlier (Chicago 96). This print, a much more<br />
elaborate version of the scene, is one of Whistler’s most<br />
successful lithographs.<br />
Rosalind Birnie Philip was Whistler’s sister-in-law and<br />
the executrix of his will. She used two stamps on the<br />
lithographs in her collection, both designed by Whistler<br />
himself: Lugt 406, showing the initials RBP in a square,<br />
indicated a lifetime impression; Lugt 405, showing the<br />
initials in a circle, denoted a posthumous impression.<br />
[ cat.49 ]<br />
[ cat.50 ]<br />
james mcneill whistler: prints 75