Brochure ed 3 Elements

Small Works of Art 

Raku bowl 

£120 

Concern 

£695 

Compassion 

£695 

Emma 

£395 

The Gift of Life 

£424 

Bud & Husk 

£250 

Sea Girl 

£120 

Small Fishy Lamp 

£45 

Idealistic Moment 

£400 

Limited Collections 

Order online: limitedcollections.biz

Editorial 

pg 3 

Who among us has never attempted to make a snowman, a sandcastle, 

photographed a ripple in a puddle or a wave in the sea? The fact is that 

without even realising it we have all used the elements to create or inspire, 

or at the very least amuse ourselves for a moment. 

Small Works of Art realised that the idea of using the ‘Elements’ as a theme 

for art is quite literally as old as the hills, and as a concept at least as old as 

the ancient Greeks. 

Those wise Greeks again recognised that everything around us was 

composed of just four elements: Earth, Air, Water and Fire. In fact those 

categories form the basic scientific premise that all matter is divided into 

solids, gases, liquid and plasma. 

Our featured artist this month Neil Glendinning knows all about working 

with Earth, Air, Water and Fire In his work as a Raku artist. Some of you may 

have watched the process of Raku on BBC’s ‘Great British throw down’. Learn 

more about the unpredictable and difficult nature of this type of ceramic as 

Neil talks about his work on the pages ahead. 

Thank you to all who took the time to come and visit us as we took Small 

Works of Art to BOB North, Best of Britannia exhibition in Preston. We 

received a warm northern welcome and met so many unique and creative 

people. We hope to bring you more events throughout the year to come. 

An added bonus for us was for Simon O’Rourke’s ‘Compassion’, one of the 

artworks taking centre stage at Preston and on pg. 12, to be featured in the 

ITV programme ‘Coast and Country’ which aired recently. Remember, if you 

purchase the work at an event you won’t have to pay postage and you may 

even get to meet the artist. 

Please enjoy this month’s edition and our growing collection. 

Editorial by: Lucy E. Jones 

All the Small Works of Art that you see in this brochure are for sale. All 

purchases carry our 30 day, full money-back, guarantee. 

Contact us: Email: SmallWorksofArt@gmail.com Phone: +44 (0)7427 687 944

pg 4 

Acknowledgements 

Staff Members 

Graham Care: Finance 

Malcolm Stewart: Proof Reader 

Michael Reynolds: Graphics 

Kristine Szulik: Editor 

Lucy E. Jones: Co-Editor 

Contact Us 

Cover: Elements 

SamllWorksofArt@gamil.com 

(+44) 7427687944 

Poem by Jenny Ryrie 

Follow us 

SmallWorksofArt 

Brochure 

@chgiantcity 



oak in the wind 

the oak is speaking with the wind 

words creak 

with shuddering aspirations 

the boughs are locked in aerial 

conversations 

Online 

limitedcollections.biz 

breezes rushing 

between rattling leaves 

like tides through shingle 

Photographers 

Terasa Newton 

Lucy E. Jones 

a thousand shivering cymbals 

a thousand exhalations 

of elemental language 

Cover Image 

Neil Glendinning: Artist 

Lucy E. Jones : Photographer 



Contents 

pg 5 

Cover Page… 1 

Small Works of Art… 2 

Editorial… 3 

Acknowledgements… 4 

Contents… 5 

Special Feature… 6 

Elements… 6-7 

Artist Showcase… 8 

Neil Glendinning… 8-9 

Cheshire Cat… 10 

Previous Works of Art… 11 

Simon O’Rourke 12-14 

Debbie Nairn… 15 

Anne Clements… 16 

Lucy E Jones… 17 

Sonja Moss-Dolega… 18 

WWI Centenary 19 

Exhibition… 20-21 

Coming Soon… 21 

Elements 

Neil Glendinning: 

Artist 

Click To Buy 


pg 6 

Special Feature 



Some well known Artists particularly embody this 

theme: 

Earth: Andy Goldsworthy has a lot in common with 

Richard Long in sculpting the earth, employing a 

twisting and manipulation of nature. This type of 

temporary art form often relies upon stunning 

photography to provide any evidence of it’s 

existence. 

Air: Nothing could illustrate this element better than 

Eduardo Chillida’s ‘Wind Combs’. Uncompromising 

steel structures installed in frequently stormy sea in 

La Concha Bay, San Sebastian, Northern Spain. 

Described as a ‘eulogy to the sky’ this work is a 

rebellion against gravity and encapsulates issues 

that concern many sculptors such as weight and 

weightlessness. 

Neil Glendinning 

at work 

Water: Known as ‘the painter of light’ William Turner spent his life mastering 

the medium of watercolour and oil paint using both to paint seascapes with 

unsurpassed translucency. It’s not surprising that so many of our British 

artists feel compelled to paint this country’s wild and beautiful coastline. The 

prolific work of the Cornish ‘Newlyn School’ bears testament to this. 

Which brings me to Fire: For the longest time people have expressed 

themselves through fire, from pagan festivals burning willow structures to 

early pottery firings in primitive kilns. Again modern artists have used the 

medium of photography like Yves Klein and Anthony Gormley to capture 

the fleeting nature of fire. 




Special Feature 

pg 7 

Eduardo Chillada’s Haizeen 

orrazia (The comb of the wind) 

installed in 1977 San Sebastián. 

He said of it ‘The place is the 

origin of the work’ 

If you are collecting experiences 

as well as art this one is well worth 

the trek. 

Contact us: 

Email: SmallWorksofArt@gmail.com 

Phone: +44 (0)7427 687 944

pg 8 

Artist Showcase 



‘Growing up in Edinburgh, I’ve had a keen 

interest in drawing since a young age and 

exhibited several times at The Scotsman Steps 

Art Exhibition during the Edinburgh Festival 

Fringe. 

Following a degree in ceramics at Manchester 

School of Art, I set up a workshop in Chester to 

try and pursue a career working in clay. I had 

just a limited experience of firing raku whilst at 

Manchester and was keen to explore the 

possibilities of this technique. I built a raku kiln 

and began experimenting with slips and 

glazes.’ 

Neil has exhibited extensively across the UK including at London Olympia 

and Earl’s Court. He has also taken part in many exhibitions across Europe. 

Parallel to exhibiting, Neil pursues his aim of Inspiring young people to enjoy 

working with clay. He commits himself to this through leading a wide range 

of projects with schools and youth organisations. 





pg 9 

By Neil Glendinning 

Raku bowl 

Raku, Ceramic 

Dimensions: 17.5cm x 9.5cm 

Weight: 315g 

Edition: Unlimited 

Price: £120 (excl. p&p) 

Click to buy 


This work was inspired by a visit to the water 

gardens at Fountains Abbey, Yorkshire. 

A remarkable landscape of simple, graceful 

lines and surprise features, created in the 

eighteenth century. 

Beginning with a simple wheel thrown bowl, 

slabs of clay were cut for the rims, and the 

piece assembled. After biscuit firing, the piece 

was glazed and raku fired. 

“I love how the angles and curves change as 

you turn the piece in your palm, or move 

around it; also the play off between glazed and 

unglazed surfaces.” 

Raku, and the Elements 

[Each piece is a handmade 

work of art and may vary] 

The Japanese work Raku originates from that country’s historical tea 

ceremony, and describes a technique developed for the production of tea 

bowls. It’s a fast firing process, where pots are taken out of a red hot kiln 

(instead of the usual practice of allowing them to cool first). 

Neil enjoys the immediacy that the technique demands, together with the 

variety of results that can be achieved. 

In raku, all the Elements play a part. Removing the pot (earth) with tongs 

from the kiln, Neil lets it air cool for several seconds. It allows him to balance 

the subtle effects of oxidising (air) on the glaze surface – and reduction (no 

air) when the pot (still red hot) is placed in a container of wood shavings. The 

resulting fire is smothered by replacing the lid of the container; the 

smouldering contents left for around an hour to cure. Finally, the piece is 

quenched in water. 

Contact us: 


Phone: +44 (0)7427 687 944

pg 10 

The Cattery 

Black Cat 

Ceramic 

Dimensions: 12cm x 2cm 

Weight: 0.02kg 



Click to buy 

[Each piece is a handmade work of art and may vary] 

Here at Small Works of 

Art, the Team had a 

problem that needed 

solving. What could we do 

that would help you, our customers instantly 

know where we are based geographically? 

One bright spark realised that our home county of Cheshire is 

famous for its cats, thanks to Lewis Caroll’s novel Alice’s Adventures in 

Wonderland. Having the link between Cheshire and Cats we asked 

all our Artists to create a signature Cheshire Cat, et violà 

ourCollectors Series of Cheshire Cats was born. 

One member of our Team, Linda, was particularly happy with our choice of 

the Cat as our signature Collectors Series, because she has recently adopted 

a rescued tom-cat, called Duke, from the RSPCA . 

With Duke in mind all of us here at Small Works of Art decided that we 

would like to donate 10% of the sale of our Cheshire Cat series to various 

nominated Cat Charities. 

The Black Cat is the first in our Small Works of Art Cheshire Cat series. 

They are adorable, full of character and the purrrfect way to start your cat 

collection. 

Each cat is individually and lovingly made by Sonja Moss-Dolega so that each 

one you buy will be just that little bit different. 

Every time you buy a Black Cat we 

will donate 10% to the RSPCA 



Previous Works of Art 

pg 11 

Previous Works of Art 

The Gift of Life 

£424 

Compassion 

£695 

Black Cat 

£18 

Bud & Husk 

£250 


£45 


£400 

Sea Girl 

£120 

Single Poppy 

£40 

Poppies 

£20 


pg 12 


Simon O’Rourke 


Compassion 

Western red cedar 





Click to buy 

This was an exciting piece to create, with the adrenaline rush of pulling the tool 

away as I nearly punctured the form, leaving a thin layer of wood. It is best 

viewed in a strong directional light to capture the textured surface. 

The piece was created using two different chainsaws, one with a specialist 

attachment that has a belt driven wheel with gouges on it. This gives the unique 

texture and feel to the work. 

It is dominated by its rough texture created by the spinning blades of the power 

gouge. Behind it’s rough, almost angry texture lies a face of contentment. The 

direction of the texture sweeps along the contours of the face, hinting at 

weathered features. I love this tool and the feeling of excitement at removing 

large quantities of material at a fast pace. The trick is to not dig too deep, letting 

the tool do the work, and not puncturing the surface. I hollowed out the back of 

this face to give a lightness to the form. The form tapers toward the edges, 

becoming ragged and torn as it approaches the back and top. 

I love its simplicity and lightness. It has the contrast of rough textures against 

the peacefulness of the face. 




pg 13 



Concern 

Redwood 


Weight: 5-10kg 



Click to buy 

This piece, made from Redwood, is a snapshot of a facial expression. The 

subtle yet striking expression is one of mild concern. One of Simon’s favourite 

subjects is the human face. He finds the infinite expressions found in the face 

can be changed dramatically by the tiniest of movements. These are difficult 

enough to capture with pencil and paper, let alone a chainsaw. It is obvious that 

his experience as an illustrator holds him in good stead in achieving this. 

The Initial tool used is a chainsaw, used to create the rough shapes and round 

off the forms. Then Simon uses a combination of sanding tools, an angle 

grinder and a power file to smooth the surface. 

It is important that a certain amount of texture remains therefore not 

rendering the surface featureless. As well as telling the story of the piece, the 

tool marks give the piece movement and also a sense of direction. 

The most enjoyable aspect of production for Simon is the process of 

development from a raw log to the discovery of the expression inside the 

wood. 

As Seen on itv news 


pg 14 




Emma 

Scorched Ash 


Weight: 2-5kg 



Click to buy 

The inspiration behind this piece was the artist’s niece Emma and her 

aspirations in the world of ballet. Her chin held high, perfect posture and a 

poised expression give the image the feeling of a moment captured. 

The lighting is enhanced by the grain of the wood, giving an undulating texture 

and movement to the composition. The upper hand, barely visible in the 

shadowy umbra sweeps over her head. While the lower hand, made large by the 

foreshortening of the image, cradles the torso. 

The defined grain of the timber contrasts with the softness of the subject matter 

creating a balance of light and shade in the piece. 

Simon loves the process of creating this work using what he describes as harsh 

and unforgiving tools. Often needing to work with speed yet at the same time 

use the lightest of touches with the sanders to retain control and create very 

subtle highlights. 




pg 15 

Debbie Nairn 

Bud & Husk [Birth 005] 

Ceramic, Copper, Wood 

Dimension: 13cm x 9cm 


Edition: Original 1/1 


Click to buy 

For life to succeed there is usually a process of nurturing. On searching into 

ways of nurturing the question of which came first, “the chicken or the egg?” 

came to mind, and I then chose the egg/seed to broadly represent the 

symbol of birth as I looked at how nature protects what is born. 

The ceramic bud has been slip-cast using porcelain slip with copper wire 

added on the second firing. The supporting husk is of carved and oiled wood. 

The Bud & Husk is one of a series of sculptures that is being created to 

interpret ones journey through life, and has been fashioned purely for the 

adornment of the home. It is essentially a small work of art to be observed 

and enjoyed and is of no practical use. 

I love observing nature as it tries to keep our contrasting world in balance. I 

am constantly amazed at the diversity of our flora and fauna. I am roused by 

the changing colours of autumn across a beautiful landscape and enthralled 

when I come face-to-face with danger in all its spectacularly beautiful forms 

as I take a summer dive beneath the waves. 

I am an artist that only creates in 3D. I combine metal and ceramics, and 

place them on, or surround them with, the natural beauty of wood. 


pg 16 


Anne Clements 



Porcelain Paper Clay 

Dimension: 11cm x 9cm 

Weight: 0.2kg 


Price: £45 (excl p&p) 

Click to buy 

I love the fluidity of my Small Fishy Lamp; it reminds me of the seaside with 

its sandcastle shape, fish, and seashells, all of which are subliminally 

associated with happy childhood memories. 

The Small Fishy Lamp is made from paper-thin porcelain clay, that is 

stretched almost to the point of tearing so that it will allow light to shine out 

through the structure. The fishy imaginary species are brought into existence 

at the point where I form them out of the clay. I then place them obliquely 

within the structure to not only add emphasis to the natural flowing shape of 

fish but also to give the lamp that spiralling effect that occurs when fish swim 

in shoals in deep water. 

Because I always work in-the-moment with the porcelain paper clay no two 

small works of art will ever be identical. 

My career as a potter really started to take shape when my husband’s job 

took us to Tennessee for two years. As I was unable to get a work permit, I 

went to the local Arts Centre where I met and worked with an inspirational 

teacher, Jackie Mirzadeh. By the time I returned to Chester (UK), I was ready 

to set up my studio with a wheel for throwing pots and a kiln for firing them, 

using glazes I have developed myself. 




pg 17 

Lucy E. Jones 


Acrylic Laminated Panel 

Image Size: 30cm x 30cm x 1cm 

Frame Size: 40cm x 40cm x 3.5cm 

Weight: 1.3kgs 

Edition: Original – 1/1 

Price: £400 image (excl. p&p) 

Price: £440 framed (excl. p&p) 

Click to buy 

What I like most in this acrylic laminated panel, which I have called Idealistic 

Moment, is that the wrecking ball and heavy chain are not special to any one 

place or time and could be found anywhere where there is construction and 

change. It features a single dominant colour seemingly suspended 

motionless. Overall the painting has a certain stillness and simplicity to it 

that I find very satisfying. 

I am fascinated by the notion of experimentation, and the fact that it is often 

the mistakes that lead scientists on to their greatest discoveries. I love the 

idea that within the predetermined parameters of an experiment surprising 

results are created in what I like to call ‘controlled randomness’. I am 

inspired by systems and the scientific concept of the chaos theory that sits 

behind the systems. 

I started by incorporating planned layers of photographic images that 

capture elements of change engineered by man, predominantly for their 

forceful and dynamic compositions. These images act as a random 

ingredient or reference to the overall laminated acrylic panel. I then 

distanced myself from the work, both emotionally and physically, drizzling 

and splattering the paint from an increasingly greater height. 


pg 18 


Sonja Moss-Dolega 


Sea Girl 

Ceramic tubular statuette 




Price: £120 (excl p&p) 

Click to buy 

Sea Girl is a play on words: Seagirl/Seagull. 

I love my Sea Girl because she stands proud 

and she reminds me that there is a lot of 

pleasure to be gained by the simple things in 

life such as standing on the shore looking out 

to sea. 

All Sea Girls are blue. 

I have often observed that when people stand 

on the sea-shore there is a tendency for them 

to turn their faces out across the sea and then 

to tip their heads slightly skywards. Usually people close their eyes, and as 

they breathe in the smell of the sea a look of pure joy crosses their face. On a 

windy day, for girls with long hair, . there is the added enjoyment of their hair 

streaming uncontrollably out behind them often in a fan-shape which 

reminds me of the tail of the seagull as it too battles with the combined 

elements of wind and sea. 

In simple terms I am inspired by the moods and emotions of everyday people 

to . which I then add my own particular sense of humour, which in turn informs 

the fundamental style of my figurative art. I have found that working in clay 

and porcelain is where I am able to be most expressive. 



WWI Centenary 

Archives 

pg 19 

Lucy E. Jones: Poppy Plate Collection 


Poppy Plate Collection 

Fine Bone China 

Diameter: 18cm 

Weight: 0.5kg 

Red & Gold Poppies: Lithographed 

Single Poppy: Hand-painted 


Red & Gold: £20 (excl. p&p) 

Single Poppy: £40 (excl. p&p) 

Click to buy 

I have created a trio of commemorative plates that carry images of Poppies. 

The Poppy Plates are made from fine bone china and have been designed to 

be either a decorative small work of art or fine-dining tableware. Please be 

aware that the plates are decorated with gold, it is therefore recommended 

that you do not place them in a dishwasher or a microwave cooker. 

As Head of Art for Chester The Giants City, As Head of Art for Chester The Giants 

City, One of the groups I worked with during my time at The Giants were the 

Homeless Soldiers. Making 14ft Carnival Giants, also had the added 

advantage that it gave support to a lot of wonderful people who had come 

across hard times, and just needed a helping hand. 

The soldiers had all come back from various wars and were struggling to 

adjust to being back Home. At The giants we had a job that needed doing - 

packing up a 10,000 sq ft unit full of giants and moving everything to a new 

home. At the drop of a hat they came together, got stuck in, and helped The 

Giants move. I am so glad that they did, as I now know how to have a good 

laugh whilst precision-packing endless skips full of rubbish. I also observed, 

whilst watching these men at work, how tolerant, caring and supportive they 

were of each others needs. It was a real privilege to work alongside them. 

For each Poppy Plate sale you make, I will donate 

10% to help rehabilitate Homeless Soldiers 

Contact us: 


Phone: +44 (0)7427 687 944

pg 20 

Exhibitions 

BOB North reviewed: March 2016 

Here at Small Works of Art we want to give you the opportunity to come and meet 

and talk to the Artists that we have introduced you to in our brochures. Lucy E. 

Jones, Debbie Nairn spend a very busy weekend at Preston promoting the best of 

British art. 

It has to be said that the work of our featured artist for march, Simon O’ Rourke 

took centre stage at the exhibition and received a lot of positive attention. 

You can see Simon and ‘Compassion’ as he was interviewed for ITV coast and 

country on this link: http://www.itv.com/walesprogrammes/coast-andcountry/coast-and-country-series-4-episode-2 

This piece is exclusive to Small Works of Art and is available to buy on page 12. 

We took a lot of extra work to the show, so it was an opportunity for people to 

see a broader spectrum of work from our artists. There is often the possibility of 

showing larger pieces, which can help to put our artists work into context. For 

instance some artists are used to working on a much larger scale which as you 

can appreciate, makes postage a unique logistical challenge. 

So please take advantage if we happen to exhibit in your area, come and see us. 

There’s nothing like seeing that special piece in the flesh and snapping it up. 



Exhibitions 

pg 21 

BOB North reviewed: March 2016 

It was great to have a chat with the modest Matthew Wilcock, the winner of ‘The 

Great British throw down’ who was there to officially open the event, even though we 

talked about everything but pottery. 

Coming Soon 

Open art studio featuring 

Small Works of Art, 25 th June 2016 12 -4pm 

Set in the picturesque village of Llanasa in the Flintshire countryside, We will be 

exhibiting at the same time as the Llanasa Open Gardens which attracts huge 

numbers of visitors every year. It is a typical reflection of village life. There is 

plenty for everyone to see and do, even a scarecrow festival for the children. 

Keep a look out for more details about this event in our social media. 

In our next edition 

Our theme will be Flora and Fauna and a brand new artist to be revealed 

All the Artists that you have been introduced to this edition will of course all be 

back so that you can continue to get to know these them and their work. 

From all of us here at Small Works of Art, we hope you have 

found something that sparks your interest and we hope you 

enjoy the next issue

Brochure ed 3 Elements

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