Issue One - The Weekend Riot

Po

CONTENTS
INTERVIEWS....5
EP INTERVIEW ....12
EP REVIEWS ....15

POSTERS ....20
INTERVIEWS ....32
THE
WEEKEND RIOT....48
RECOMMENDATION
PICKS ....58
@theweekendriot

Little Time Off
OUR FIRST INTERVIEW!
5
It’s July 18th, 2015 in Stanhope, New Jersey. The first date of The Stand Up Tour is at the Stanhope House
and it’s also Tear in the Radio’s first interview – and we are in no way prepared. With an iPhone and a
scrap of paper with last minute questions scribbled on it, Tear in the Radio proceeds to interview pop
punk trio Little Time Off from Minneapolis, Minnesota in the backyard, starting with: “I’m Little Time Off
and I’m here with Tear in the Radio… oh shit. Take three.”
Little Time Off currently consists of lead vocalist/guitarist Chris Mlazgar and guitarist Zay Cram,
however at the time, they were joined with former bassist Logan Rieger. “Nothing can match the excitement
of tour,” says Mlazgar. “We’re recording new songs and such when we’re at home, but it can’t
match the adventure of tour where every single night you’re in a different state.” After noticing Rieger’s
wrist tattoo of the All Time Low skull, Mlazgar opens up about how All Time Low, along with Fall Out Boy
and Panic! At the Disco were the bands that inspired him to pursue music.
“They really got me into actually wanting to create music and tour because what they did looked
ridiculous but also so much fun. It’s such a cool atmosphere to wake up in a different city ever night, perform
to a bunch of new faces and just jam out to your own music.” Little Time Off actually opened for
All Time Low during the Don’t Panic era back in 2012 at The Rave/Eagles Club in Milwaukee – it being a
surreal moment at its finest. As for the future, Little Time Off are not letting anything get in the way and
are expecting to release their second EP very soon.
PHOTOS: KARL DEMER || TWITTER: @LITTLETIMEOFF

The Icarus Account
Whether you’re reminiscing when you first fell in love or coping with the unexpected heartbreak,
The Icarus Account – brothers Trey and Ty Turner – manage to echo all of those emotions throughout the
pain and joy heard in their voices in their music. Across from the venue, Ty and Trey Turner tell Tear in the
Radio a little about themselves, their music, and how pop punk idols Blink-182 actually inspired this acoustic,
sentimental duo. “We were always big music fans growing up, so it was actually a dream to make a
career out of it essentially.”
Ty gives a little backstory: “One of the key moments in my life was our first concert, and we played
a little music but were never serious about it until that one show. I got goosebumps and I knew I wanted to
be like that and do that.” The brothers both began songwriting around their early teens, but Trey emphasizes
that their songwriting progressed and matured as they grew. “At the end of the day, writing is therapeutic
for me and I enjoy expressing my emotions. I’m trying to release something of what I’m feeling and I’m
using that as an outlet to express those emotions.”
When asked about their influences, Trey and Ty answered with Jack Johnson and Ben Rector – musicians
with a definite impact on the band's soft rock/country sound, but the brothers admit they were really
into the pop punk scene. “Blink-182 is one of our favorites. We actually got into the screamo phase, too,”
Trey laughs. “We liked how Blink-182 and Taking Back Sunday had two vocalists. So, we never really said
that either one of us was the lead singer. We’re both trying to sing because we always thought that was cool
how they can share that together and what not. For there to be two front man, that was cool and we kind
of modeled our music based on them.” The Icarus Account are working on upcoming music for this year.
PHOTOS: SARA KIESLING || TWITTER: @ICARUSACCOUNT 6

THE HOUSE ON CLIFF
7
As famously said by bassist, William “Bill” Santana: “The
House on Cliff is all about grabbing you by your cockles
and just saying, “Hey! We’re here! And we’re ready to
rock!” Chad Michael Jervis interjects, “Bill, that’s not
what she meant.” But Santana isn’t wrong.
Straight outta Boston, Massachusetts are the classic
rock infused quartet The House on Cliff – lead vocals Chad
Michael Jervis, guitarist Charles Coleman, bassist Bill Santana
and drummer Marc Polit – and they have released
their highly anticipated sophomore EP Skin & Bones. Tear
in the Radio caught up with The House on Cliff the last
time they were in New York City where the band gave us
an insight about themselves – our first question being
“How long have you all known each other?"
“Back in the 80s, is when I first met Chad,” Santana
says before Jervis corrects him - "1983. We were on the
sunset strip and Bill was eating out of a garbage can
right outside The Roxy.”
“Back then they were part of a group called The
Similars,” jokes Coleman drawing laughter from the
room before he gets serious. “Honestly, we all met at
Berklee College of Music and we all kind of had similar
interests in the same kind of music which was classic
rock and we all had a big passion for that, so we wanted
to try and make a band where we can harness the spirit
of that music. That’s what we’re trying to do.” Polit lowers
his glasses and grins at the camera, "Class of 2064."

The House on Cliff really stick true to their dedication of the classic rock genre but they aren’t afraid
to dab into the 1980s hard rock influence or jump into the 90s alternative thrilling scene – The House on Cliff
effortlessly manages to pay an homage while remaining true to themselves. Santana gladly lists an array of
influences from Bruce Springsteen to Elvis Presley to the Red Hot Chili Peppers to Guns n’ Roses to Queen,
Rebecca Black to The Eagles and The Police,” again Jervis interjects. “I’m not too sure about Rebecca Black.”
“You just roll with it, whatever happens, happens,” summarizes the songwriting process within the
band, and as Jervis explains, it’s all a collaborative effort. “One of us would have a verse or chorus in mind,
and from there we’ll just work on it. Each of us are very consistent when it comes to writing original material
for the group.” The House on Cliff actually does have the potential to resurrect the rock scene that was once
so lively in the 1960s to 1970s to the 21st century, but amazingly, they really just see each other as college
kids living the dream they’ve always pursued – they only ask for everyone else to tag along. “I would say trying
to bring people in all different backgrounds, different ages and different generations kind of together is
something we aim for because that’s what’s kinda cool from what I’ve seen in the past year of us playing. We
don’t just select to one demographic. We select to a bunch of demographics whether you’re young, whether
you’re old, whether -,” it’s Santana’s turn to interrupt Jervis. “It doesn’t matter who’s cockles we’re grabbing.”
The band nods in agreement. “That’s one way to put it.”
8
PHOTOS: KELSEY STANGER || TWITTER: @THEHOUSEONCLIFF

TWITTER: @OLIVIAIAFRATE
Manager Q AND A: Olivia Iafrate
Name: Olivia Iafrate
Hometown: Allston, Massachusetts
Resume: Manager to The House On Cliff
Years Managing: 3
How did you get into management?
My mom has been in the music industry most of my
life, so I grew up going to shows and observing what is
was like working in the industry.
What is a typical day in the life of a manager?
When we are on tour I drive the van, check into venues,
tell the band/artist what the day is going to be like,
make sure the band is where they need to be when
they need to be there, sell merch, book hotels, make
travel plans, set up interviews, and make sure the band
has food/water/whatever they need. When we aren't
on the road, I usually do a lot of work on my computer
to design merch/CDs, take photos of the guys, order everything,
design/update the website, schedule rehearsals
for the band, go to meetings, and other things I can't
remember that I do.
How do you choose the bands you manage?
I don't look for bands to manage. I only focus my time
on The House on Cliff. In terms of what I would look for
though, the band has to have raw talent, amazing energy
on stage, and every member has to be personable,
genuine, and in it for the music NOT the fame.
Any advice for new managers?
Be strong for your band/artist, hold them up and remember
sometimes tough love is the way to go. I have
a unique managing style with The House on Cliff, we
are all great friends and we trust each other no matter
what. Trust and understanding is VERY important in this
industry. Make sure you believe in the artist/band with
every fiber in your being before you sign on to manage
them. You will be doing them a disservice if you do not.
Love what you do and have fun!

Safeliving
10
Straying from your typical expectations of a rock band, Safeliving really cannot be pinned down to one specific
category. It’s a rainy day in New York City but luckily, it has ceased when I meet Safeliving vocalist/guitarist Marco
Chan outside the Barnes & Noble at Union Square where inside, Chan explains he’s pretty content with whatever
genre is placed on the band. “I’m fine with emo, but I always introduced the band as alternative punk.” Safeliving
is a four-piece band consisting of Chan, guitarist/co-vocalist John Rodriguez, bassist Brandon Florich and drummer
A.J. Chiarella from Yonkers, NY. Originally, Chan performed as a solo acoustic act with his guitar whereas Florich,
Rodriguez, and Chiarella were part of the band One Fell Swoop and both played local shows in Yonkers separately
until the three reached out to Chan (Florich and Rodriguez went to school with Chan) and asked if he was interested
in starting a full band. Recently, One Fell Swoop played their last show on Safeliving’s EP release show for their
debut The Flowers in Your Brain – symbolizing in a way, the closing of one chapter and the beginning of another
one. The EP itself actually consists of songs Chan had written quite a long time ago – the oldest being the closing
track “Water”, but Chan is pleased that it’s finally great to have an EP as it’s awarding for the band and the songs
are finally able to see the light. “Everyone’s sort of different and so I think whatever people find special in any
song makes me happy,” Chan smiles. “If anyone can find anything they can relate to in anyway at all, that makes
me extremely happy.”
PHOTOS: KARINA CORDOVA || TWITTER: @SAFELIVINGNY

The Flowers in Your Brain is a collection of
the band’s exploration in how to deal with
adversity and trying to deal with continuous
struggles – something that really resonates
with the band’s name.
“I’m not entirely set on what it means,” Chan
laughs. “But the idea is that you’re playing it
safe in your life but you’re not really living. I
always took the safe route and never really
took any risks.”
As Chan looks back, he advises any aspiring
musicians not to make the same mistake as
he did.
“Take risks. Put yourself out there. Take that
first step and look for opportunities to play
even if you’re just in high school and want to
play in your local talent show, or even poetry
slams if you want to perform something. Be
excited about new things and let the world
surprise you.”

BRANDYN BURNETTE
12
Q and A: Made of Dreams
Does the title Made of Dreams meaning anything significant to you?
Made of Dreams represents how passion still shapes so much of our culture and how young kids shouldn’t give
up or screw up just because they don’t follow the way everybody else does something. I created Made of Dreams
for the younger me’s around the world who are feeling highs & lows, might be alone, but find comfort & healing
in music like I have. Being a mixed kid from the middle class, growing up in a racially tense St. Louis, my life has
never been easy. My father and mother split when I was 2 and my step-dad and mom split again just over a year
ago. I want to be an example of loving people when life is good or bad & persisting no matter what, even when
you hit those extreme lows. I feel like that role could almost be more powerful that getting everything I desire in
this lifetime.
What can you share about your upcoming EP?
My next EP - STATE I’M IN - which will be out in May/June of this summer - could be considered a concept record.
Once I started trusting more of my productions, I realized an element of my music that was missing beforecreating
the soundscape. Now that I’m more involved in the soundscape & musicality of the records, I have more
of an attachment to the stories that need to go with each piece of music. I just wanna keep going. Let’s see where
we go from there!
Do you have any advice for musicians trying to get started with their music?
Keep going no matter what. Pick up an instrument to learn how to write your own songs. Find a team of people
that believe in what you wanna accomplish. Stay authentic to who you are.
TWITTER: @brandynburnette

AMANDA JAYNE
What musical experience can you remember
that really touched you for
the first time and made you think "I
want to do that?"
I can’t quite pinpoint one experience
that inspired me the most, but as a
teenager, I grew up in the local music
scene. I had a taste for independent
artists and looked up to people who
took a risk by getting up on stage. Every
concert I went to made me want to
become a performer more and more,
so at one point, I just dove in head first!
Q and a: Strike a Match
Does your album have a particular
theme?
There is the overarching theme
of love and loss throughout the
album. What I’m hoping that people
will pick up on are the hidden
metaphors and imagery within
each song. For example, in a track
called “Means & Ways,” there’s a
line that reads “close your eyes and
roller coast.” I know that’s not an
actual word, but I feel like it gives
the sense of constant, unrestricted
movement. I’m curious to see how
listeners interpret lyrics like that.
Which of the new songs are you the
proudest of/excited for people to
hear?
Over the course of making the record,
a lot of older songs I had been
performing for a while took on a new
shape. I’m most proud of “Playing
Dumb” because all of the instruments
come together in a tasteful
way, but each part is impressive on
its own. It definitely exceeded my expectations!
PHOTOS: JUSTIN GROME || TWITTER: @AMANDARJAYNE
13

mj walker
14
Q and A : The Shift
When writing The Shift, were you writing for yourself or others?
When I write music, I just try to be true to the experience. When the magic really happens, it doesn’t feel like I
am writing the music at all, but the music is being written through me. So it’s hard to say that “I" am writing the
music for anyone, but it’s being written for everyone.
When it comes to the writing, were there any themes within the lyrics?
Lyrically, the songs were inspired by a spiritual shift that I’ve been stumbling through for the last 3 years. I've spent
a lot of time investigating my sense of self, and I saw that ultimately, our ’separate selves' are an illusion. Everything
takes place on one screen of life. Seeing that has been a bit disorientating though, and I’ve found myself zig
zagging between being a separate identity: Michael, and being at peace, one with everything. That transition of
identity is where all of these songs have come from and why I called it “The Shift.”
You've received a lot of great feedback on The Shift does it feel that the hard work is finally paying off?
It feels great! I was blown away by the support I received when I announced I was releasing a solo album... I was
afraid people might not understand, or they would think that Paradise Fears was breaking up. It definitely feels
like the hard work is paying off. The Shift EP is just the beginning though… I’ve already written a full album of new
songs, and before I release it, I’d also like to play a national tour as MJ Walker.
TWITTER: @MJWALKER0 (THAT'S A ZERO)

EP REVIEWS
AA - ALLYSON ALAMO | JB - JESSICA BROWN
EL - EMILY LASTER | ES - EDWARD SMAKOV
ET - EILEEN TEA | SV - SOFIE VASQUEZ
New Jersey pop rock The Stolen’s brand new EP I’m So Dead
grabs the listener’s attention from the first few seconds of
the opening track up to the closing one. Each song tells its
own story rather than be random ramblings with no feeling
or purpose. The chorus is always catchy with a great choice
of words, truly capturing the entirety of the song. Some of
the best moments within the songs are when the music slows
down briefly as seen in “Can’t Get Enough”, where the music
and vocals match perfectly. It emphasizes one of the strongest
asset of the band: the pairing of the vocals and instruments.
The rhythm flows perfectly with the smooth yet rough voice
of the lead singer, especially in "Skeleton". The vocals go from
low and smooth to loud and raspy, matching the tempo and
flow of the instruments perfectly. Overall, The Stolen expresses
great potential and sound, and this EP is an extraordinary
listen for anyone who enjoys great and meaningful pop-rock
songs. Download: I’m So Dead [AA]
Assertive alternative pop trio Beach Weather has already
torn down their low expectations as an 'opening act'. Their
catchy, feel good tunes off their debut EP What a Drag resonate
electric yet soothing vibes. Favorite song was “Bad Seed”
because it was able to grab me immediately, and the rhythm
and chorus kept me the most invested out of all five tracks.
Beach Weather themselves seem to know what they want to
sound like, but they need their style to mature because as of
now, the tracks on the EP are pleasant to listen to but they’re
not distinctive at all and almost sound like one another. What
a Drag aims for a feel-good, bright, and catchy style and there
is a substantial amount of musical skill and education; the
band only needs to harness and grow it. Hopefully, their upcoming
EP will clear up their identity and expand their range
between tracks. Download: Swoon [ES]
15

Think Put Up or Shut Up era All Time Low, Blink-182, and
Dashboard Confessional all bunched up into one EP – that’s
Ohioan pop punk You vs. Yesterday’s Remember This. Remember
This is a great intro for those either entering the punk
rock/pop scene or craving the perfect dose of nostalgia in the
early days of the pop punk genre. The title track is a propulsive
punk number with its powerful chorus and layered pop
punk guitar riffs. Each song highlights each individual member’s
talent right from the string work, rhythmic drum beat,
thumping bass, and the sing-along lyrics.
Download: Remember This [EL]
Forever is Irrelevant is the second EP by Indiana based pop
punk band The Weekend Classic. A concise EP with a great
blend of vocals and melodies, it both incorporates the intense,
aggressive but also the softer side of pop punk as expressed
in their track “Worthless”. The center of the EP is
non-stop energy, and is full of twists and turns that keep the
listeners engaged like the quick, blasting drums engaged in a
catchy beat in the songs. Forever is Irrelevant revolves around
honest lyrics, pulsing guitars and raw vocals, and is an EP that
keeps on giving. Download: Shattered Glass [JB]
16
Pop and country tend to clash at each other, but New York
bound Jesse Sheppard’s EP is a surprisingly fitting blend of
the two. The fast pace guitars and joyous backing vocals with
Sheppard’s singing emphasizes on the good times of life as
the heavily pop infused rhythm and beat reminds you of all
those summer nights. There is an obvious country influence,
but the pop tone does tend override the other genre. The EP
is not entirely a full length party one as Sheppard embraces
honest, heartfelt ballads reflecting on fleeting youth and unconditional
romance. The closing track provides a smoothing
conclusion with its harmonious vocals of both Sheppard and
guest Jackie Evan. Country might not be everyone’s taste, but
These Days is an exception as it offers a little something for its
listeners, and give it a chance and you’ll find the track for you.
Download: Cali Girl [JB]

Imaginative vocals and upbeat rhythms are the highlights
of the emotional journey expressed vibrantly in I the Victor’s
EP. Atlanta, Georgia native Rebecca Ramos has opened up
about her feelings that you’ll find is not so much different
than yours. The opening track establishes the mood of her
EP as it starts with _soft spoken word before it begins to swell
with synths and a symphonic percussion before finishing in
an intense passion. Sometimes there is a bit of an unbalance
with Ramos’ soulful vocals and the powerful melodies that
tend to mildly drown out her voice, but the EP is able to carry
itself highly. Ramos has shaped a personal, revealing EP that
expresses her deepest love: crafting music. Pause radiates
positive, welcoming vibes and an inspiring passion in a lyrical,
rhythmic success. Download: Write to Say [JB]
innesotan singer-songwriter Clay Borrell leans more towards
the side of independent pop with his quote worthy
lyrics and acoustic sound – very reminiscent of John Mayer,
Gavin DeGraw and Jack Johnson. Lifeline is a journey as he
tells his story and creates a welcoming atmosphere to those
willing to listen and there’s a distinguished familiarity in his
music as if you’ve known him personally. In “Fair-Weather
Friend”, a ballad about toxic friendships – Clay’s approach
of the song isn’t malicious as he turns his recognition of the
reality of the relationship into something beautiful. It’s just
a small sample of the genuine emotion expressed in this EP.
Download: Sorry for You [EL]
Reminiscent of the masters of the late 1960s to 1970s, and
clearly influenced by the savory vocals and psychedelic buzzes
you’d catch in a Led Zeppelin or The Cure record; Sunflower
Bean manages to pay a unique homage to such artists while
crafting their own tone and sound. The Brooklyn trio, consisting
of singer-bassist Julia Cummings, singer-guitarist Nick
Kivlen, and percussionist Jacob Faber, deliver a punchy yet
composed LP with lyrics about realism and fantasy. Full with
harmonious beats accompanied with Cummings’ and Kivlen’s
ethereal vocals and Black Sabbath-esque, hard-hitting instrumentals
– the LP is far from bland. Jabbing, loud instrumentals.
Sweet riffs. Soothing vibes. Human Ceremony might not
fit everyone’s taste, but it will sure satisfy a crave for classic
rock revisited. Download: Wall Watcher [SV]
17

Misdirection expresses Shorebreak’s passion in the pop
punk genre with its hardcore edge and direct attitude. The
opening track “Sunrise” is a surprising intro with its cinematic
instrumentals (it’s something you'd hear when the credits roll
at the end of a film) and singer Mike Scarola’s soft vocals that
when “Around” – a typical track you’d hear in any pop punk album
– plays right after, it’s kind of startling in a way. "Around"
still is a great song (and it's so fucking good live), but it's not
something you haven't heard before. However, the remaining
tracks “Paper” and “Fall” really capture Shorebreak’s potential
in their music with its appealing, impressive instrumentals
that compliments Scarola's singing. Misdirection builds an anticipation
for what Shorebreak will bring in the future, don't
miss out on it. Download: Paper [SV]
Safeliving has created an EP that consists of an expressiveness
not often heard in a debut. With lyrics relating to the
themes of insecurity and accepting one’s self – there is an
immediate appeal to any human being stuck in the middle of
figuring themselves out. Lead vocalist Marco Chan’s tone in
his performance is casual but it doesn’t fall flat. The accompanying
backing vocals of guitarist/co-vocalist John Rodriguez
and guest Lisa Sepa only deepen Chan’s performance, as the
powerful, instrumentals carry the track steadily and smoothly.
The Flowers in Your Brain is a solid debut with creative instrumentals
and expressive songwriting. Or in simple terms, it’s
lit. Download: Felling [SV]
18
When I first took a listen to Whosah's sophomore EP, I expected
an intense vibe, but was surprised by its pleasant,
healing sensations expressed in the softness of their music.
There’s a consistent upbeat tone and a somewhat fitting electrifying
and overpowering mix of percussion and guitar riffs
in there as heard in “Something More” – a personal favorite.
“Forget About It” reminds me of 80’s electric pop and the vocals
are so much like Marvin Gaye, and the track is so rich
with positivity. “Perhaps We Were” already establishes a sad,
sympathetic tone with the agony dripping off the vocals, the
abused xylophone added to the dread. Work is a passionate,
inspiring collection of music, highly recommend you listen
when you need a little jab of motivation to pursue your passion.
Download: Forget About It [ET]

MARINA CITY
19
In regards to your upcoming EP Lost Doesn’t Mean Alone and it being a live acoustic album with an actual in
studio audience present at the recording - this is something no band has done before, so what inspired you
guys to be the first?
Honestly we can't take all of the credit. Some of the guys listen to this band called Snarky Puppy, and we stemmed
the idea from there. They put on an amazing performance, all while being recorded, and being in the presence of
their fans. We wanted to branch off of that idea and do something similar.
You’re teaming up with Craig Owens, how did you get that to happen? Did Marina City specifically want to
work with him because they knew he’ll be right for the project?
We saw his Facebook post about needing bands to produce, and since we had recently played a show with him,
we kinda joked about him recording our acoustic EP! We emailed his people, they emailed back, and here we are!
Not only is Marina City recording a live, acoustic EP but you’re also filming a documentary series – how did
that come to be? Also music videos too – any specific songs or will it be a surprise?
We'll be making a music video for all the songs we're recording on this EP! We just wanted this to be a super intimate
experience, and even if you can't make it to the recording sessions, this documentary series will make you
feel like you have the inside scoop.
What should your fans expect/anticipate from this upcoming tour?
This is a first for us, so even we don't know what to expect! Just be ready to have a great time!
What’s next for Marina City after this tour ends?
A ton of surprises, just make sure you stay tuned with all of our social media sites!

the stolen
sofie vasquez

FRIENDS AT THE FALLS
sofie vasquez

pros & icons
sofie vasquez

SHOREBREAK
CHRIS HOENIGMANN

3pm
ELIZABETH PETERSON

Underdog Champs
30
Richmond, Vermont group
Underdog Champs – vocals Mark
Bradley, guitarist/vocalist Nick Jones,
bassist Justin David Mason and
drummer Josh Bailey – are the underdogs
of the pop punk scene. The
band talks to Tear in the Radio about
their upcoming music and give us an
insight about themselves.
Q &A with Underdog Champs
What inspired the name Underdog
Champs?
Mark: I just felt that all of the band
members never really got their shot
in life and are the best at what they
do. Underdog Champs was what we
all felt we were in the local music
scene.
How did the band come to be?
Nick: I met Justin and Josh through
friends in other projects, but we all
ended up in a band together called
Lying and Low. Mark would book us
occasionally on shows, so when he
wanted to start a project of his own,
he contacted me to help. When it
came time to put a band together,
Josh and Justin were the first people
to come to mind.
Tell us a little about your EP Picked
Last.
Nick: Mark wanted to be a pop punk
band at first but I think when we all
started writing together, our individual
passions really came across.
Picked Last was the amalgamation of
each of our different styles being.
squeezed into a pop punk lining
Mark: Writing for me is cathartic. I
try really hard to put a positive slant
on things, but it usually ends up being
a venting process. The songs go
from being very vague to specific
but I like to think people can take
what they want out of it.
You all are in the process of writing/recording
your second EP.
Which of the new songs are you
the most excited for people to
hear?
Josh: I’m really stoked about a song
called Coming Clean. I feel like musically
it’s more progressive and a
lot of fun to play live. Also, when
we were in pre-production and I
PHOTOS: Brandon Hambright, gabe vasquez || TWITTER: UNDERDOGCHMPSVA

got to learn how to work with midi which gave
me the ability to mess around with cool licks
and fills and make it my own.
Justin: I’m proud of a song called Walls. I feel
like it is a different direction than our other
music and it will be interesting to see the reaction
to something different. I love the song as a
whole I think people will really dig it.
When performing, do you change anything
up depending on your audience? And what’s
great about being part of a genre that encourages
the audience to go insane at shows?
Nick: For the most part, we just try to keep
things fresh for the audience. But we have been
known to put in joke covers specifically to mess
with the crowd.
Justin: Seeing a positive and lively crowd response
always pushes us to perform at our best
and makes it so much more fun.
If you weren't in this band, what would you
be doing now?
Josh: My backup plan in life is to be the front
man of a country band. If I wasn’t in this band,
I’d be doing that. So if everything falls apart, my
name is Josh Ford.
Fast forward five years, how is Underdog
Champs standing?
Justin: Proudly, with a pair khaki shorts on, and
pizza in hand.

Royal Street
32
Providence, Rhode Island funk pop
group Royal Street is named after
the street where vocalist Viana Newton,
drummer Brian Cauti, bassist
Zach Brock, and guitarist Alex Beattie
were all together when the idea for
the band was born. The band knew
each other for what seemed like forever
to them. They all played shows
together while in other bands, never
knowing that one day, they would
come together through different
twists and turns to make music and
become a messed up family (their
words, not mine) for over five years.
Currently, Royal Street are in the
process of recording their debut EP,
which they describe as one of the
best experiences they've ever had. “Every instrument has its own song
“The feeling of having a group and melody. Just feel the vibe of every
song, and dance, or move to it.
of songs that you're so proud of and
ready to show the world is just indescribable,”
Newton describes enthu-
When asked about the band’s future,
Newton is ready for what comes up
siastically. “We are just goofing off
and having a blast together, while
next: “In five years, we are at our favorite
bar, drankin fancy dranks and
still making the music we love.”
Influenced by the works of Beyoncé
and Taking Back Sunday, The five years has been... We are touring
reminiscing about how fun the past
1975 and Usher, Brand New and the
full time, finally feeling like all the
late Prince – Royal Street’s debut EP
hard work we've put into this band
will be an interesting blend of funk
and bands throughout the years has
pop and soft rock not meant to be
missed. “We want people to really
paid off. We have an amazing fan
enjoy listening to every piece of this base and support system and are
album." Newton expresses. growing in momentum each year.”
PHOTOS: lauren fletcher || TWITTER: @ROYALSTREETBAND

Static Charmer
34
Hamden, Connecticut natives Static
Charmer are an indie pop rock
group consisting of vocalist/guitarist
Matt Balogh, vocalist/guitarist TJ
Redding, keyboardist Tyler Doyle,
drummer Dan Boney, and bassist/
The Hype-Man Matt Wilkes. TJ and
the Hype-Man took the time to chat
about Static Charmer’s origin and
the development of their EP Well,
Clearly…
First thing’s first, where did the
name Static Charmer come from?
TJ: We came upon the name from
two separate names that Matt and
I had come up with. He suggested
“Static” from Jimmy Eat World
and I suggested “Charmer” from When looking for drummers, I remembered
that Dan was pretty
Tiger’s Jaw. Matt then formed the
idea of putting them together and good and suggested we try him out,
as a result we ended up with something
really unique, and we love it! board player, is actually good friends
and he was bangin’! Tyler, our key-
with Dan, so he introduced him to
How long have you all known each us. Lastly, Matt Wilkes (aka The
other? How did the band came to Hype‐Man), has been friends with
be?
Matt B. since Kindergarten and he is
a very good bass player, so we added
him to the squad!
TJ: Matt and I met in 6th grade. We
sat next to each other in class and
became friends through drawing Matt: I think I met Tyler through
comics and laughing at stupid things Zumba
other kids would say or do. We have
been great friends ever since! I met What musicians influenced the formation
and the particular sound of
Dan, our drummer, through some of
my other friends during high school. Static Charmers?
PHOTOS: ASHLEY CAMBISACA || TWITTER: @static_CHARMER

TJ: Way too many to write down,
but we listen to a lot of bands and
we try to mix up a bunch of genres
to make an interesting sound. Some
influences are Vampire Weekend,
The Starting Line, Motion City
Soundtrack, Hanson, and Fun.
Matt: Agreed.
When creating Well, Clearly…,
what were the influences on the EP
and how was the process of writing
and recording?
TJ: While deciding on what songs to
record and writing the EP, it wasn’t
much of a thought process. The
songs sort of just happened and
when we got to actually recording
them, we sort of messed around
and went into deeper detail of song
structure and switching a few things
around. But the demos we brought
in were songs we really love that
each carries a very deep meaning to
us, contrasting the song style, which
is poppy and happy.
Matt: All I remember, other than
the constant trips to Taco Bell and
The Coffee Bean (We don’t have
those here in CT), was the consumption
of FOUR two-pound Sour Patch
Kids bags that were essentially the
reason we got through this EP. Also
pitching TJ lyrics to “Rite of Passage”
while half asleep from jetlag.
Are there any particular stories or
themes in the writing, on the lyrical
side of things?
TJ: This is an interesting story. We
had all of the songs finished with no
intention of making them relate to
each other lyrically. However, when
listening back we caught a glimpse
that it’s telling a story. The theme is
“Love, Fear, Loss, and Change.” Each
song is about one of those words,
and when listened to as a whole,
they have a much larger meaning
than just the individual songs themselves.
This story is also described
through the design of the album
artwork and inlay of the CDs.
Matt: We were walking through
the neighborhood and discussing
our ideas for artwork, and came up
with the idea. I had always been fascinated
with concept albums, and I
thought “Why not a concept EP?”
It’s short, but packs one heck of a
punch emotionally.
What is Static Charmer’s definition
of success?
TJ & Matt: We will answer that question
when we win our first Grammy.
Fast forward five years, how is
Static Charmer standing?
TJ: Hopefully we will either have recorded
or be working on our second
album! Also, it would be amazing to
have toured with some big bands
and get our name out
there a lot more and possibly get
signed to a label. Another dream of
ours is definitely to have our album
pressed on vinyl. That would be RE-
ALLY amazing.
Matt: I’d hope we’d be homies were
Taylor Swift by then, and then we’d
all go up and interrupt Kanye during
every speech. But that’s a little extreme,
I know.
Lastly, do you have any advice to
any musician or band trying to get
started with their music?
TJ: Matt and I, along with a few other
friends run a DIY record label called
Big B.o.I Records (no affiliation with
the rapper, Big BOI). We accept all
demos and listen to them in full. It’s
nothing too serious, but we print
CD’s and cassettes and will definitely
help with the production of the
songs to help them reach their full
potential! For anyone just starting,
it’s a great way to get your name out
there! You can find all the other info
on the Facebook page!
Matt: Yeah I made Big B.O.I Records
6 years ago, just as a joke, but it has
evolved into a perfect label for anyone.
Call us. [Or shoot us an email:
info.bigBOIrecords@gmail.com]
35

3PM
36

Baltimore pop punk trio 3PM are vocalist and bassist
Brennan Stark, guitarist Scott Montgomery, and drummer
Brandon Millman. They connected with Tear in the
Radio to chat about their new music.
Your first EP was Change of Plans, then Slow Me Down
followed right after. Any new music coming soon?
Brennan: Yes! Now we're headed to the studio to create
our third album with multi-platinum producer
Matt Squire (One Direction, Panic! At The Disco, Ariana
Grande).
How has the writing process been for the third album?
Scott: We write to push ourselves, and challenge ourselves
to do better and better. We also write for our
fans, to give them music that can hopefully have such a
strong positive impact on their lives like we know some
of our favorite bands have done for us.
Brandon: Lyrically, all of our songs are about our own
life experiences, we find that it gives the songs such life
and genuine feeling, especially when being performed,
because they are very real to us.
Which of the new songs are you the proudest of/excited
for people to hear?
Brandon: If only I could share that information! All of
these songs are on a level we've never been able to write
at before. Something just clicked for us and we can't wait
to for the world to hear them!
How does 3PM define success in their own terms?
Brennan: Success to us would be to be able to support
ourselves for the rest of our lives with our music, and to
have a meaningful impact on as many people as possible.
Bands have such a unique ability to be such a positive
part of their fans lives and we want to always be there
for our fans and to continue making music for them.
PHOTOS: ELIZABETH PETERSON || TWITTER: @3PM_MUSIC 37

Nice Shot, Kid
38
An actual entry from my iPhone:
February 8th, 2016
Holy shit this band is good
Heavy jam, pop punk group Nice
Shot, Kid – vocals: John Gallagher,
bass/vocals: Thomas Fasano, guitar/
vocals: Matt Marciano, guitar: Jay Cutrona
and drums: AJ Kay – are really
the definition of passion. Their performances
guarantee such an exciting
energy that you honestly cannot
help but let everything go and have
that kind of fun where your heart is
racing, ears pounding, but you feel so
alive it doesn’t matter.
Is there a story behind the name?
Well, we started off with a line
from Star Wars, messed it up, and
put in on flyers.
How did Nice Shot, Kid form?
Short answer: Stony Brook University
Long answer: Matt and John
attended the same high school
and jammed every now and then.
Matt was introduced to A.J at
Stony Brook University, who then
introduced us to Tom and former
guitarist Saeed. We met our
current guitarist Jay from playing
shows. We were always interested in
writing and performing music, 4 out
of the 5 of us having been in other
bands prior to NSK. At the time, we
were influenced by pop punk heavy
hitters like New Found Glory and
The Wonder Years, paired with a less
conventional mix of August Burns
Red and Kid Liberty.
Story time: Who was your first
concert?
The answers here ranged from
Green Day and Senses Fail, to Yes
and Asia. Steely Dan was mentioned.

We’re all very surprised that this
never came up before, but not nearly
surprised enough at some of the
name dropping that happened. Not
everyone’s first was their favorite,
but Tom is stillreeling from that Yes
and Asia team up.
Side note: Matt is bummed that no
one invited him to see Steely Dan.
What were the influences when
writing the EP Personal Space?
Over time, our sound had changed
pretty steadily and started to incorporate
the heavier elements that
can be heard on Personal Space. Our
influences there were everything
from Four Year Strong to our former
guitarist’s love for heavier music like
Periphery. We wanted to play around
with different song structures and
welcome some heavier elements.
For our song “Cornered”, I (John) was
writing to alleviate some aggression
and come to terms with some stuff
in my past. “Shelf Life” was written
about my girlfriend, and I promise
those two songs are not related in
any way.
we have coming.
What is the best part about being
involved the pop punk scene that
encourages fans to go absolutely
crazy at shows?
Like a lot of other musicians/performers,
we are always excited to
bring a lot of energy to our performances,
and it is a very gratifying
experience to see that energy
matched by a crowd. There’s a
sense of community in it that is
cool to be a part of.
If the band never happened,
what would you be doing right
now?
John would be hard at work getting
verified on Twitter.
Tom would still be trying to buy
Mitch Hedberg tickets.
AJ would be getting along surprisingly
well on his quest to pet every
dog ever.
Matt would be on tour with the
Ben & Jerry’s Cowmobile.
least an hour away from each other,
a lot of collaboration happens
through webcams and Guitar Pro
files. This way, no ideas are lost
between practices, and we can
approach writing sessions with a lot
of context and a big head start in the
collaborative process. Beyond that,
it is no surprise just how important
the internet has been in making our
music as accessible as possible.
Lastly, do you have any advice to
any musician or band trying to get
started with their music?
If you want to grow, be ready and
willing to learn! After a few years
together, we are still learning a lot
about what it takes to move forward
as a band. Make goals and look forward,
but don’t forget to
reflect on your performance so far.
Feed your strengths and understand
how to work on your weaknesses,
both on an individual level and as a
band.
Any upcoming music? Which of the
new songs are you the proudest of/
excited for people to hear?
We’re currently working on a number
of songs that we are beyond
excited to be releasing in the coming
months. It’s safe to say that we’re
always excited about the next release
Jay would be enshrouding himself
in vape clouds like a smaller, skinnier
Mysterio..
How has technology been a
positive or negative factor for the
band?
Our writing process relies heavily
on technology. Since we all live at
TWITTER:
@NICESHOTKID
39

HOREBREAK
0
“Do not expect things to just happen
for you. Do not expect your friends
to care about what you are doing. Do
not expect anything. You have to make
things happen,” bassist Nick Montanino
explains. “You have to make people
care. Make it happen for yourself. The
whole experience is so much rewarding
that way.” Long Island pop punk
powerhouse Shorebreak simply describe
themselves as a "band that
makes songs”, and as much as
that is true, the humble phrase
doesn’t do justice to the hard work
and dedication Shorebreak have
accomplished – and it shows. In
December, Shorebreak released
‘Misdirection’ – an EP that proves
Shorebreak are far from limiting
themselves to musical copycats as
they manage to stand out in the
pop punk crowd.
“We all went to the same high
school and became great friends
there,” says Montanino on the formation
of Shorebreak. “When we
first started, we were in love with
bands like Blink-182, Angels & Airwaves,
Four Year Strong (after this
interview, Shorebreak opened up for
Four Year Strong. That must’ve been
something), and All Time Low. Those
were the bands we wanted to sound
like.” The band – vocalist Mike Scarola,
bassist Nick Montanino, guitarist/
vocals Mike Cowdell, guitarist Tom
Vecerina, and drummer/vocals Joe
Stewart – have seen some quite success
such as opening for one of their
favorite bands and being featured in
Alternative Press’ AP Discover Spotify
playlist, but they’re not

too quick to jump on the high horse. They’re honest guys
just wanting to create music they love, and they’re not
afraid to admit the truth: “We’ve made a ton of mistakes
in the past and I’m sure we will still make more but those
mistakes have helped us learn so much about what we
want from this experience. Every major step that this
band has taken is more rewarding than the last. We’ve
been given some incredible opportunities. I’m excited to
see what comes next.”
What did you enjoy about writing Misdirection?
NM: I feel like one of the best parts of Misdirection
is how different each song sounds compared to each
other. It’s almost as if we wrote each song for a different
listener. As far as lyrical themes go, they just tell
personal stories about how we are feeling at this point
in time. Honestly, we try to write the music we like
to listen to. I’d be lying to you if I said I didn’t listen to
Misdirection often.
Q&A: MISDIRECTION
Were there any musicians who influenced the writing
on Misdirection?
NM: The most obvious influences on Misdirection would
have to be Stickup Kid and With The Punches. There are
a few others thrown in there that are not so obvious, I
like to leave that up to the listener to figure out.
Which of the new songs are you proudest of/excited
for people to hear?
NM: We were really excited for people to hear ‘Fall’
but it turns out the favorite so far has been ‘Paper’.
Last but not least, what’s the greatest thing about
performing?
NM: When we see kids moshing, crowd surfing, and
stage diving at our shows it feels incredible. It’s probably
my favorite part of playing.
PHOTOS: brandon kempf, CHRIS HOENIGMANN (stay loose) | TWITTER: @SHOREBREAKNY

MARINA CITY
42
“Success to me is just being able to do things with the band I didn't think were achievable. Touring,
recording, Warped Tour. Everything that I ever dreamed about doing. Yes, making a ton of
money would be amazing and that might be success to other people but just being able to meet
everyone that connects with us by our music is success to me.” Chicagoan, aggressive pop rock
band Marina City – lead vocals Ryan Argast, lead guitarist Todor Birindjiev, guitarist/vocalist Brian
Johnson, keyboardist/vocalist Matt Gaudiano, bassist Aaron Heiy, and drummer Eric Somers-Urrea
– was named after the corn cob towers located in the heart of downtown Chicago. Argast explains
the significance. “The guy who had the idea of creating them wanted to make a city within
a city. Politicians and journalists laughed at the idea and made fun of him. However, Marina City
was built and is now a Chicago landmark! We are inspired by the story. "A Chicagoan took on a

eally difficult challenge and exceeded expectations. We hope we can do the same with our music.”
Argast was originally signed as a solo artist going by the name Ryan Alan. His producer at
the time was trying to mold Argast as the new Bieber – something Argast wasn’t exactly feeling,
and he did not renew his contract. However, Argast did make a few friends. “My backing band
consisted of Eric, Brian, Matt, and our original lead guitarist and bassist,” Argast remembers. “We
became really good friends during my solo act so I asked if they wanted to start over and become
a band. Aaron took over bass duties after a few months and then Todor became our lead guitarist
a year ago.” These individual musicians came together and formed their own band that was heavily
inspired by very different influences by the members, thus creating a unique sound.
When asked about their EP Wanderlust, Johnson still cannot believe the incredible response:
“I feel like the amount of hours we've all put into this band have paid off since we began
this band. We get to experience things not many get to experience and that by itself is enough
payment for what we sacrifice to be a part of Marina City. The songs that came out on Wanderlust
were the best of the best of those songs. We're very heavily influenced by ourselves and the music
we all collectively listen to and Wanderlust really shows that.” Argast adds, “A lot of our song
writing deals with our lives and the struggles we go through as musicians. The music we write is
for us. This is our way to express how we feel about things. We sing words we weren't able to say
in tough situations. Fortunately, we have found people who connect with the music we do and
like us. These songs are windows into our world.”
Marina City will have a two week spot on this summer's Warped Tour as the winners of the
2015 Ernie Ball Battle of the Bands, and they're extremely excited and anxious to hit the road and
meet tons of new people! They are working on their live acoustic EP - Lost Doesn't Mean Alone - as
of now.
PHOTOS: SERGIO SILVA || TWITTER: @MARINACITYBAND

WHOSAH
44
“Whosah – though not a word found in the dictionary – was formed during a highly competitive game
of speed scrabble (or BananaGrams as Hasbro or whoever later marketed it). “At the time, we assumed
it would just be a one-time silly name, but it became something we could stand behind.” Dallas Erdahl
– guitarist of the personal indie-pop, Minneapolis, Minnesota based group Whosah – joined in on the
jamming in 2010 when Whosah was simply the Grimes brothers, Spencer (vocals) and Dave (drums).
Following after was the youngest Grime brother, Mack (keys) and former member of Sing It Loud, Nate
Flynn (bassist), joined just over a year ago.
Recently, the band has released their sophomore EP Work – a musical project reflecting how the
drive to find success leads to missing how good life is right now, and how other times, our fear of the
unknown leads to missing out on how good life could be. “Every note, every rhythm; every word in this
record was brought with that balance in mind,” says Erdahl as he touches on the theme of the EP. “Work
finds its home in a balance between the toils of labor and the field of dreams.”

Inspired by the works of The 1975, The Strokes, Hellogoodbye and and even Taylor Swift, Work is a
project that digs into the muddled, murky parts of everyday life and asks “What am I missing here? What
should I be thankful for? What should I be longing for?” The dream for Whosah as expressed by Erdahl
is that the listeners will find the same joy that Whosah has found in savoring that process of discovering
themselves – “We’re obsessed with the connection music creates between people. Art is intimate and
personal, but reveals how similar our experiences are, how much we need each other.” It’s easy to catch
the phrase ‘Making friends and making music’ if you were to search up Whosah online (and you should)
and it’s become a motto of theirs. The truth is, they’re not wrong.
When asked how Whosah defines success in their own terms, it was all about connection and being
able to encourage one person to pursue a life that is meaningful and intentional – “Even if it’s just one
person each show, we’re succeeding.” It’s brings a new, interesting perspective to the origin of their band
name: “We’re all about connecting with people through music, and having a weird word like “Whosah”
for a name gets people to come talk to us and start a friendship. Really the name is just a trick; a trick to
make friends.”
Photos: Kailey Erdahl || twitter: whosahofficial

VISTA
46
The formation of VISTA really came
from themselves. Members lead
vocals Hope Vista, drummer Wolfgang
Reiter, and guitarist Brian K.
Canfield all wanted to take risks,
take on a new challenges and create
something new.
So far, the experience has been
pretty productive and VISTA took
some time to answer some questions
about their debut.
Canfield and Reiter had known each other for the longest
and were in a few bands before VISTA, so that
when Vista met Canfield, it was through Reiter. Reiter
and Vista had met four years earlier, and it wasn’t until
last summer when he became her touring drummer
when she was solo artist and Canfield was supposed
to be one of Vista’s new touring guitarists before VIS-
TA came to life.
On May 13th of this year, VISTA are releasing their
debut VERSUS - an EP with a widespread range of
themes. Vista has written about the grieving process,
growing up and leaving home for the first time, and
the transition from solo artist to band, all things she’s
never written about before. It’s really what the main
theme is to the whole EP is: trying new things that
haven’t been done before.

Vista want people to take way from VERSUS a sense of empowerment, and being
able to actually feel the music through their bodies, and getting the vibe that
they just walked away from a live show. Out of the new songs they’re the proudest
of, there’s one song they’re especially stoked about called ‘The Departed.’ “It’s the
final part to this trilogy of songs Hope wrote, the first one was a charity single she did
call ‘To: Daddy,’ and the second part was on her last EP, it’s called ‘Half Past Fine’ She
didn’t really mean to write a three-part thing, but it kind of just fit that way without
even realizing it. It’s the opening track, we really wanted that to be what everyone
hears first on the EP. It’s really just Hope’s final statement about the death of her dad
and finding out a way to move on from the loss of a loved one.”
In terms of the future, it's difficult to look that that far ahead, especially since
they're just starting out, but it's safe to say that VISTA has no intentions of splitting up
and fully indend on keeping VISTA alive and kickin' it for as long as they possible can.
PHOTOS: LAUREN TAYLOR | TWITTER: @THISISVISTA

THE
WEEKEND
RIOT

story + photos
sofie vasquez

TWR
t’s been a little over seven years since Bruce Wiegner and Johnny Costa
have known each other. In his younger years, Johnny Costa performed in
local gigs around his hometown of New Jersey, and one night, he caught
the attention of another musician, Philadelphia native Bruce Wiegner. “I
asked the promoter who Johnny was. I was like why is he singing? He’s a little
boy! I think he was fourteen at the time.” Costa nods, “I was a baby.” “He
had a great voice. After that, we officially met, began playing together and
the rest is history,” Wiegner looks to Costa. “Right?” “Can confirm, most of
that is true. Except that, I was actually forty-one.”
The quick wit and humor is a noticeable trait amongst the pop duo. It’s
a reflection of not only their charismatic selves but also their music – something
really unique to the duo after a struggle of trying to place themselves
into one specific genre. “We love pop,” Wiegner explains. “But we did grow
up in punk bands.” When asked how much their music has evolved since
they’ve been together, the duo exclaims in unison: “Worlds!” “Seriously,”
Wiegner is still trying to cease his laughter, the timing was so perfect the
duo still can’t believe it. “The first song we ever did together, there was legit
screaming in it. I’m not kidding you. That was in 2011 –.” Costa groans, “We
were so emo.” Costa and Wiegner were part of an emo band, then a pop
punk emo band where they had emo lyrics but “it was kinda happy” where
Costa’s vocals were being strained, and almost completely gone when he
got nodules.
“While I was singing,” Costa pauses and corrects himself. “Screaming.
I remember Bru –.” Wiegner suddenly remembers and starts apologizing
while Costa laughs at the memory. Turns out Wiegner would chant for Costa
to go “Louder! Louder! Louder!” It’s a funny memory to look back now
although it must’ve been terrifying at the moment, however if it wasn’t

for Costa's endangered vocals, the duo would have never realized that
perhaps the screamo route wasn’t for them. “Johnny’s got a pretty voice,
let’s go the pretty route.” The pretty route being a more pop vibe where
both vocals were at play – Wiegner was solely the guitarist in the previous
bands – and create an uplifting, happy atmosphere that’s a little bitter,
but as Wiegner says: “You need to get a little bitter, to get a little better.”
Costa offers a visual representation to symbolize their music. “I’m picturing
just a beautiful summer seascape, but you know the water’s not totally
blue. It’s kind of grey blue, but it’s hopeful. Our music is very hopeful.”
“Honestly, starting was the biggest challenge.” Costa says as he goes
in depth about the formation of The Weekend Riot. “It’s so hard to actually
get up and start doing a band, and for us, we went through phases of
being like a pop punk band, phases of being a boy band for a second and
we were just trying to figure out how we wanted to present ourselves to
the world. It’s one thing to figure out what you want to do, and it’s another
to put it into motion and make it happen.” The Weekend Riot knew what
they wanted to be and what they wanted to do, but they understood that
they had to do what they were best at. “Luckily before we went public,
we tried out a bunch of different styles and different things, and failed at
some things,” laughs Wiegner. “And it’s so hard because you want people
to care, and that’s why we began doing YouTube covers to give the people
what they wanted but then after a few, we’d slide an original in there and
see what happens. It ended up being the best thing and best decision we
could have ever made.”
The Weekend Riot’s weekly YouTube update of #RiotMonday proved
to be a success for the duo – it was their way of giving back to their fans
as well as allowing exposure for the duo, which proved successful when
one of their videos became viral.

“The viral video was really cool but even that, it’s just numbers.”
Wiegner and Costa both don’t count that as their biggest success. “When
we played a sold out show in our hometown, and when we saw all the
people, I was all choked up because this is real.” Costa elaborates on how
they quantify success. “Being able to see that tangible thing of people in
a room who want to be there to see you is the most magical thing in the
world, and I try not to take that for granted because it’s incredible.”
“It really is,” Wiegner adds as he too remembers that night. “People
were singing along to all the songs, and that to me – when people care
enough to believe in it – is the greatest thing ever.” “Even if we have to
work side jobs and open up a restaurant,” jokes Costa right before Wiegner
adds, “And we’ve been talking about it! Bagels But Not Just Bagels!
Open from 6am to 7am, so get there quick!”
The Weekend Riot has been going strong for almost two years now
as May rolls around the corner – the month back in 2014 where the two
performed their first ever show together in New York City. Wiegner remembers
an intoxicated friend who praised them, “You guys are like One
Direction meets Simon and Garfunkel. And I love it!” An interesting comparison,
but not exactly wrong. Actually, Wiegner and Costa expresses
their desire to accomplish the end goal of being the biggest duo in the
world and they are up against Simon and Garfunkel and Hall and Oates.
“Every band says that they want to be the biggest band in the world.
I don’t know if any band expects it,” Costa explains. “But it’s just like you
want to work as hard as you possibly can and make this band as big as it
can possibly be.”
The Weekend Riot are aware it’s not going to be easy. "It's going to
be tough, and it’s a long road but we’re ready to do whatever it takes to
do it and be a band as long as we can make it happen.”

“My advice is always fail. You gotta get ready to fail. That’s the
thing that got us ready, and people are going to promise you things and it’s
not going to come true,” Wiegner advises. Costa reminds everyone about
reality: “Be prepared to work really, really hard and be prepared to be poor
when you don’t want to be poor. Be prepared to check your bank account
and you only have eight dollars in there."
“But just to get yourself out there as much as possible, you have to
dedicate everything to it. If you’re a singer, sing all the time. Get the lessons,
do what you have to do to be the best singer you can be. If you’re a
guitarist, take your lessons. Go on YouTube tutorials, do the whole thing.
And be the best musician you can be and just put yourself out there. Be
super vulnerable, people are going to be haters, it’s gonna happen but it’s
going to make you stronger.”

The Weekend Riot know where they’re heading right now. “We’ve been
writing a lot of new music, an actual EP’s worth of music and as of now,
our plan is to get in front of as many people as possible.” As far as new
plans for the band, Costa enthusiastically replies. “Oh man, we’re going
straight up ska metal like immediately!”

RECOMMENDATIONS
CONUNDRUM NINE
IF YOU IMAGINE BEN FOLDS
BRANCHING OUT INTO HARD
ROCK, THEN ADDING SOME
FUNK, YOU MIGHT APPROACH
WHAT THIS BOSTON FOURSOME
SOUND LIKE. ONE SECOND IT'S
JUST PRETTY PIANO MUSIC,
AND THEN SOME BIG DRUMS
AND A CRUNCHY GUITAR START
PUNCHING HOLES
THE PENNSYLVANIA DUO OFFERS TAUT
EMO JAMS ANCHORED BY SOME
SERIOUSLY GREAT DRUMMING. THEY
CAN DO CONFESSIONAL LIKE BRAND
NEW, OR KICK OUT THE STOPS
WITH AN AT THE DRIVE-IN LIKE
FURY AND PRECISION, AND THE
WHOLE TIME FRONT MAN DEREK
MRDJENOVICH'S VOICE ACHES WITH
EARNESTNESS.
WALKNEY

THE FOUR-PIECE ROCK BAND FROM
LONG ISLAND DELIVERS HOOK HEAVY,
INNOCENTLY AWESOME TRACKS, PACKAGED
WITH ENOUGH SING ALONG MOMENTS TO
GET YOU THROUGH WHATEVER SHIT LIFE
HAS THROWN AT YOUR WAY.
TABLE TALK
THE AUSTRALIAN SINGER-SONGWRITER MANAGES TO ECHO
EVERY EMOTION THROUGHOUT THE PAIN AND JOY HEARD IN
HER GENTLE BUT POWERFUL VOICE. UNPLUGGED AND RAW,
HER SINGING ANIMATES WHAT WE ALL UNIVERSALLY FEEL
BUT CANNOT EXPRESS.
DANIIELLE PROU
FRIENDS AT THE FALLS
THE UPSTATE NEW YORK BAND
INCORPORATES AN EXCELLENT DISPLAY OF
KEYS AND SYNTHS INTO THEIR BLEND
OF UNIQUE VOCALS, ELECTRIC GUITARS,
RHYTHMIC BASS AND UPBEAT DRUMS –
CREATING A VIBE VERY REMINISCENT OF
HEAVY NEW WAVE AND BRITPOP
INFLUENCES, SUCH AS THE KILLERS.
INFLUENCES

THE BRAIN-CANDY GUITAR HOOKS JUST
KEEP ON COMING AS THIS NEW YORK
FIVESOME GIVES POP-PUNK THE MATH-Y
MAKEOVER YOU DIDN'T KNOW IT NEEDED.
THEIR SENSE OF MELODY IS CONSISTENTLY
KEEN, AND THE WAY THE PLAYERS
STRAIGHT-UP NAIL THESE TRICKY PIECES IS
BEST HEARD RATHER THAN DESCRIBED.
MACSEAL
POTTY MOUTH
THE MASSACHUSETTS TRIO ARE
THE SEATTLE ALTERNATIVE SCENE
BROUGHT BACK TO LIFE.
UNAPOLOGETIC AND PUNCHY VOCALS,
A PERFECT FITTING DUET BETWEEN
THE GUITAR AND DRUMS AND A
THUMPING BASS YOU CAN MOVE
YOURSELF TOO, THE TRIO ARE
STRAIGHTFORWARD BUT ENERGETIC.

ISSUE #2 COMING SOON
(SOME TIME DURING THE SUMMER)
I'D SAY JULY, BUT MAYBE AUGUST
A SPECIAL THANKS TO ALL THE MUSICIANS.
WE HOPE YOU ENJOY THE MAGAZINE JUST AS MUCH AS
WE ENJOYED CREATING IT.
I HOPE IT'S NOT TOO SHABBY.
- SOFIE