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OPENING FILM<br />

CLOSING FILM<br />

14 15<br />

Moving characterstudy<br />

in the shadow of the<br />

Peruvian Civil War<br />

Claudia Llosa (1976) was born in Peru<br />

and educated in Lima, Madrid and New<br />

York. After just two feature films, she<br />

has already established herself as one<br />

of Latin America‘s most uncompromis-<br />

ing new female voices in filmmaking,<br />

with a stylistically distinct mix of<br />

absurdity and realism. She is the niece<br />

of the novelist Mario Vargas Llosa.<br />

Selected filmography<br />

The Milk of Sorrow 2009<br />

Madeinusa 2006<br />

THE MILK OF SORROW<br />

La teta asustada<br />

This year‘s winner of the Golden Bear from<br />

Berlin is an uncompromising story of awakening,<br />

from a Peru where the violent conflict<br />

between the government and the Maoist<br />

guerrilla Sendero Luminoso is still casting long<br />

shadows. The trauma of the 1980’s civil war is<br />

said to be so intense that it has been carried on<br />

to the next generations through the mothers<br />

milk. It is precisely this unofficial diagnose<br />

that Fausta is suffering from. We meet this<br />

young woman at the outskirts of Lima. The<br />

anxiety is so deeply embedded in her existence<br />

that she carries a sprouting potato in her<br />

vagina as protection against rape, a precaution<br />

both anachronistic and a threat in itself. Alle-<br />

gories and a hint of magical realism in an easy<br />

mix with an obsession with ethnographic detail<br />

and a patient portrait of everyday life make this<br />

a strangely unsentimental film about healing<br />

wounds of the past. It gives a fascinating depth<br />

to what is basically a characterstudy as much<br />

as an exploration of how people live. And, not<br />

least, it provides generous space for Magaly<br />

Solier’s interpretation in the role of the wry<br />

Fausta. With a background as a quechua, Solier<br />

lends the charachter a virtually wordless yet<br />

moving and intense presence. A performance<br />

that alone make the film a must-see. mm<br />

This film will be announced by its Norwegian title:<br />

Faustas Perler.<br />

Peru, Spain 2009 Director Claudia LLOSA Script Claudia LLOSA Camera Natasha BRIER Cast Magaly SOLIER, Susi SÁNCHEZ,<br />

E<strong>fra</strong>ín SOLÍS Prod. Wanda Visión Sales The Match Factory, info@matchfacroty.de Language Spanish, Quechua Subtitles Norwegian<br />

Duration 94 min Format 35mm<br />

LA NANA<br />

The Maid<br />

Raquel has sacrificed her entire adult life for<br />

the family she works for. She is past 40, has<br />

never had an intimate relationship with a<br />

man, and is only sporadically in touch with<br />

her own family. She gives her life meaning<br />

through children not her own, out of desire<br />

to be part of the family and not just belong.<br />

The household chores are rough and timeconsuming,<br />

with endless exhausting repetitions.<br />

Even though Raquel does everything to be the<br />

perfect maid, she does not h<strong>av</strong>e the strength.<br />

When her mistress suggests hiring an additional<br />

maid to lighten her burden, she fights<br />

back. The housework is her domain and she<br />

will go far to defend her position in the family,<br />

and in the house.<br />

Catalina Sa<strong>av</strong>edra has won praise and<br />

prizes for her performance as Raquel.<br />

La nana puts a face on a profession that is the<br />

backbone of bourgeoisie households around<br />

the world. Raquel is trapped in a hopeless<br />

emotional position as a subservient caregiver,<br />

and when her frustrations reach the surface<br />

they will h<strong>av</strong>e consequences for her surroundings.<br />

La nana won the Jury Special Prize<br />

during the Sundance Film Festival this year,<br />

and several other awards in Cartagena and<br />

Guadalajara. jo<br />

Chile, Mexico 2009 Director Sebastián SILVA Script Sebastián SILVA, Pedro PEIRANO Camera Sergio ARMSTRONG<br />

Cast Catalina SAAVEDRA, Claudia CELEDÓN Prod. Forastero, Tiburón Filmes, Punto Guion Punto Producciones<br />

Norwegian distributor Action Film Language Spanish Subtitles <strong>En</strong>glish Duration 95 min Format 35mm<br />

La Nana is a dark comedy<br />

about a maid whos job<br />

consumes her life<br />

Sebastián Silva is a multi-faceted artist<br />

who also works as a painter, illustra-<br />

tor and musician. His paintings h<strong>av</strong>e<br />

been exhibited in Santiago and New<br />

York, and one of his three bands, Los<br />

Mono, is distributed in the US and the<br />

UK through Sonic360. His debut film<br />

La vida me mata has won a number of<br />

prizes both in Chile and ab<strong>road</strong>.<br />

La nana is his second feature film.<br />

Selected filmography<br />

La nana 2009<br />

La vida me mata 2007

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