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OPENING FILM<br />
CLOSING FILM<br />
14 15<br />
Moving characterstudy<br />
in the shadow of the<br />
Peruvian Civil War<br />
Claudia Llosa (1976) was born in Peru<br />
and educated in Lima, Madrid and New<br />
York. After just two feature films, she<br />
has already established herself as one<br />
of Latin America‘s most uncompromis-<br />
ing new female voices in filmmaking,<br />
with a stylistically distinct mix of<br />
absurdity and realism. She is the niece<br />
of the novelist Mario Vargas Llosa.<br />
Selected filmography<br />
The Milk of Sorrow 2009<br />
Madeinusa 2006<br />
THE MILK OF SORROW<br />
La teta asustada<br />
This year‘s winner of the Golden Bear from<br />
Berlin is an uncompromising story of awakening,<br />
from a Peru where the violent conflict<br />
between the government and the Maoist<br />
guerrilla Sendero Luminoso is still casting long<br />
shadows. The trauma of the 1980’s civil war is<br />
said to be so intense that it has been carried on<br />
to the next generations through the mothers<br />
milk. It is precisely this unofficial diagnose<br />
that Fausta is suffering from. We meet this<br />
young woman at the outskirts of Lima. The<br />
anxiety is so deeply embedded in her existence<br />
that she carries a sprouting potato in her<br />
vagina as protection against rape, a precaution<br />
both anachronistic and a threat in itself. Alle-<br />
gories and a hint of magical realism in an easy<br />
mix with an obsession with ethnographic detail<br />
and a patient portrait of everyday life make this<br />
a strangely unsentimental film about healing<br />
wounds of the past. It gives a fascinating depth<br />
to what is basically a characterstudy as much<br />
as an exploration of how people live. And, not<br />
least, it provides generous space for Magaly<br />
Solier’s interpretation in the role of the wry<br />
Fausta. With a background as a quechua, Solier<br />
lends the charachter a virtually wordless yet<br />
moving and intense presence. A performance<br />
that alone make the film a must-see. mm<br />
This film will be announced by its Norwegian title:<br />
Faustas Perler.<br />
Peru, Spain 2009 Director Claudia LLOSA Script Claudia LLOSA Camera Natasha BRIER Cast Magaly SOLIER, Susi SÁNCHEZ,<br />
E<strong>fra</strong>ín SOLÍS Prod. Wanda Visión Sales The Match Factory, info@matchfacroty.de Language Spanish, Quechua Subtitles Norwegian<br />
Duration 94 min Format 35mm<br />
LA NANA<br />
The Maid<br />
Raquel has sacrificed her entire adult life for<br />
the family she works for. She is past 40, has<br />
never had an intimate relationship with a<br />
man, and is only sporadically in touch with<br />
her own family. She gives her life meaning<br />
through children not her own, out of desire<br />
to be part of the family and not just belong.<br />
The household chores are rough and timeconsuming,<br />
with endless exhausting repetitions.<br />
Even though Raquel does everything to be the<br />
perfect maid, she does not h<strong>av</strong>e the strength.<br />
When her mistress suggests hiring an additional<br />
maid to lighten her burden, she fights<br />
back. The housework is her domain and she<br />
will go far to defend her position in the family,<br />
and in the house.<br />
Catalina Sa<strong>av</strong>edra has won praise and<br />
prizes for her performance as Raquel.<br />
La nana puts a face on a profession that is the<br />
backbone of bourgeoisie households around<br />
the world. Raquel is trapped in a hopeless<br />
emotional position as a subservient caregiver,<br />
and when her frustrations reach the surface<br />
they will h<strong>av</strong>e consequences for her surroundings.<br />
La nana won the Jury Special Prize<br />
during the Sundance Film Festival this year,<br />
and several other awards in Cartagena and<br />
Guadalajara. jo<br />
Chile, Mexico 2009 Director Sebastián SILVA Script Sebastián SILVA, Pedro PEIRANO Camera Sergio ARMSTRONG<br />
Cast Catalina SAAVEDRA, Claudia CELEDÓN Prod. Forastero, Tiburón Filmes, Punto Guion Punto Producciones<br />
Norwegian distributor Action Film Language Spanish Subtitles <strong>En</strong>glish Duration 95 min Format 35mm<br />
La Nana is a dark comedy<br />
about a maid whos job<br />
consumes her life<br />
Sebastián Silva is a multi-faceted artist<br />
who also works as a painter, illustra-<br />
tor and musician. His paintings h<strong>av</strong>e<br />
been exhibited in Santiago and New<br />
York, and one of his three bands, Los<br />
Mono, is distributed in the US and the<br />
UK through Sonic360. His debut film<br />
La vida me mata has won a number of<br />
prizes both in Chile and ab<strong>road</strong>.<br />
La nana is his second feature film.<br />
Selected filmography<br />
La nana 2009<br />
La vida me mata 2007