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36<br />
NEW DIRECTIONS<br />
A quiet and visually<br />
beautiful Turkish film<br />
with a dark political<br />
undercurrent<br />
Özcan Alper (b. 1975, Turkey) has<br />
worked as an assistant director and<br />
production manager on a number of<br />
films since 1997. He has previously<br />
made two short documentaries and a<br />
short film. Autumn is his first<br />
feature film.<br />
Selected filmography<br />
Autumn 2008<br />
Rhapsody and Melancholy in Tokai City<br />
(short doc.) 2005<br />
Voyage in the Time With a Scientist<br />
(short doc.) 2002<br />
Grandmother (short) 2001<br />
AUTUMN<br />
Sonbahar<br />
Yusuf is released after ten years in prison,<br />
incarcerated because of his active participation<br />
for the political left during his university<br />
days in Istanbul. After a longstanding hunger<br />
strike his lungs are ruined, le<strong>av</strong>ing him with<br />
just a short time left to live. Upon his release<br />
he returns to his mother‘s place in a mountainous<br />
area by the Black Sea in the north.<br />
The Soviet socialist ideal society has dissolved<br />
during his ten years away, and is now exporting<br />
prostitutes to his home area. He embarks<br />
upon a quiet friendship with Eka, a Georgian<br />
woman trapped in Turkey, earning money<br />
in her own way to support a young daughter<br />
back home. To Yusef it is late autumn in life<br />
in a landscape approaching winter. Autumn is<br />
a quiet and visually beautiful film marked by<br />
wistfulness. It is also a story complimenting<br />
that of The Storm, which portrays precisely the<br />
struggle for political freedom of speech in the<br />
Istanbul of the 1990‘s. bb<br />
Turkey, Germany 2008 Director Özcan ALPER Script Özcan ALPER Camera Feza CALDIRAN Cast Onur SAYALAK, Cihan CAMKERTE,<br />
Megi KOBALADZE Prod. Filmfabrik, Kuzey Film Sales <strong>Media</strong> Luna, info@medialuna-entertainment.de Language Turkish, Georgian,<br />
Armenian Subtitles <strong>En</strong>glish Duration 99 min Format 35mm<br />
CITY IN RED<br />
Ciudad en Rojo<br />
In Santiago de Cuba, one of the revolution‘s<br />
most bloody battlegrounds, there are daily<br />
newspaper reports of casualties under the<br />
codeword Bertillón 166. In the late 1950‘s<br />
revolutionary Cuba this concept functioned<br />
as the peoples protection against censorship.<br />
Where the police‘s attempts to subdue the<br />
rebellion led to intense battles and skirmishes,<br />
the city was painted red in blood. Over<br />
the course of 24 hours, we follow the rebels‘<br />
struggle against Fulgencio Batista‘s brutal<br />
military dictatorship, in increasing bursts<br />
of escalating violence. The Cuban director<br />
Rebeca Chávez‘s debut film is about guerrilla<br />
warfare in a city landscape, where soldiers<br />
and civilians walk side by side. The film is<br />
based on José Soler Puig‘s popular novel<br />
Bertillón 166. No doubt owing to Ch<strong>av</strong>ez‘ longtime<br />
career as a documentary filmmaker,<br />
City in Red is also documentary-like in its<br />
form, and explores the experiences of individuals<br />
living in a war zone. In this manner, the<br />
film manages to create a historical account of<br />
Cuba‘s revolutionary past, while still retaining<br />
a current cinematic expression. red<br />
This film is part of the Cuba Retrospective.<br />
Cuba 2008 Director Rebeca CHAVEZ Script Xenia RIVERY Camera Ángel ALDERETE Cast Diana Rosa PÉREZ, Elena ROSALES<br />
Prod. ICAIC Sales ICAIC, internacional@icaic.cu Language Spanish Subtitles <strong>En</strong>glish Duration 90 min Format 35mm<br />
NEW DIRECTIONS<br />
Santiago de Cuba is<br />
painted red in its peoples<br />
blood<br />
Rebeca Chávez is one of only a very few<br />
female directors of feature films from<br />
Cuba. She draws on her experiences<br />
from making documentaries in her first<br />
feature film Ciudad en Rojo.<br />
Selected filmography<br />
Ciudad en Rojo 2009<br />
Antes del 59 (doc.) 2004<br />
<strong>En</strong>tre el arte y la cultura (doc.) 2004<br />
37