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Modern Tango World #4 (Bucharest, Romania)

Romania Special Features Romania’s Modern Tango Scene Dragos Samoil 3 An Act of Beauty Laura Iaru 6 Guitar Man Alexandru Eugen Cristea 12 Guide to Tango in Romania 16 The Ladies of Guardia Viejo Renato Mantioni 20 Interview with Miguel di Genova Marco Buso 24 Tango Addiction Kiran Bajaj Sawhney 28 New Tango Music Arndt Büssing 32 The Obamas Tango in Buenos Aires 38 DJ/VJ-ing - Victroleras, Tandas & Cortinas Igor Shpigelman 40 Tango Moves - Abrazos Raymond Lauzzana 44 Letters to the Editor 47

Romania Special Features
Romania’s Modern Tango Scene Dragos Samoil 3
An Act of Beauty Laura Iaru 6
Guitar Man Alexandru Eugen Cristea 12

Guide to Tango in Romania 16

The Ladies of Guardia Viejo Renato Mantioni 20
Interview with Miguel di Genova Marco Buso 24
Tango Addiction Kiran Bajaj Sawhney 28
New Tango Music Arndt Büssing 32
The Obamas Tango in Buenos Aires 38
DJ/VJ-ing - Victroleras, Tandas & Cortinas Igor Shpigelman 40
Tango Moves - Abrazos Raymond Lauzzana 44
Letters to the Editor 47

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Cradled Hold (Cunita)<br />

Partners face the same direction, as in the doble frente.<br />

The follower may be to the right or left of the leader.<br />

Their arms crossed over each other and wrapped<br />

around the follower. The leader’s arms are over the<br />

follower’s arms and wrapped around her waist. The<br />

partners hold opposite hands. The follower may be<br />

shifted from left to right. Often, the follower leans<br />

back. to face the leader.<br />

Reversed Promenade (Paseo Reverso)<br />

Partners face opposite directions, side by side with hips<br />

in contact.<br />

Butterfly Hold (Mariposa)<br />

From open hold, facing partners raise clasped opposite<br />

hands to shoulder level or above. The leader’s left<br />

hand holds follower’s right. All four hands are held<br />

aloft forming the shape of a Y-shape.<br />

Open Hold (Gentlemanos)<br />

Typical salsa position. Partners face each other with<br />

opposing hands held. The follower’s hands on top of<br />

the leader’s.<br />

Crossed Hand Hold (Con Mismo Mano)<br />

Same as open hold, except that hands are crossed, so<br />

that right holds right, and left holds left. Right hands<br />

are usually on top. But, may be changed by subsequent<br />

movements.<br />

Pretzel Hold (Pretzel)<br />

Identical to a crossed hand hold, except that hands<br />

are crossed, so that right holds right, and left, left.<br />

Diamond Hold (Diamante)<br />

Similar to a crossed hand hold, except that hands are<br />

double crossed, so that right holds left and a diamond<br />

shape is formed by the crossed hands.<br />

Maxexe Hold (Maxexe)<br />

Facing each other, the dancers clasp their left hands<br />

and hold them overhead. Their right hands are at their<br />

waist. Dancers frequently sway and swivel their upper<br />

bodies while they dance around each other.<br />

Tandem Hold (Tándem)<br />

Partners face the same direction, one behind the other.<br />

Matched hands are held either at the shoulders or<br />

on the hip. They move together in same direction. the<br />

follower is in front of the leader.<br />

Sidecar Embrace (Abrazo Compensado)<br />

Same a close embrace, except partners are offset<br />

outside each other. They may make hip-tohip<br />

contact.<br />

Butterfky Hold (Mariposa)<br />

— Photo by Juan Mey<br />

Open Butterfly Hold (Mariposa Abierto)<br />

From butterfly, partners roll out to a single hand hold<br />

with arms raised to shoulder level or above. The position<br />

appears form a double-Y with partners standing<br />

next to each other. Usually, they will return to a butterfly.<br />

Shadow Butterfly (Sombra Mariposa)<br />

From a shadow position with the leader behind the<br />

follwer,, grasping her hands and forming a Y-shape.<br />

There are many other embraces and holds that the<br />

partners may take. It all depends on them and the music.<br />

The most imprtant thing, regardless of the embrace<br />

taken, is to maintain a connection with your partner.<br />

<strong>Tango</strong> is conscious dance. There maybe dreamy moments,<br />

even dreamy dances and tandas. But, awarenes<br />

and connection with your partner is essential.<br />

Banjo Embrace (Abrazo Compensado)<br />

Same as sidecar embrace, but the opposite side.<br />

— 48 —

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