Modern Tango World #4 (Bucharest, Romania)

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Cradled Hold (Cunita) Partners face the same direction, as in the doble frente. The follower may be to the right or left of the leader. Their arms crossed over each other and wrapped around the follower. The leader’s arms are over the follower’s arms and wrapped around her waist. The partners hold opposite hands. The follower may be shifted from left to right. Often, the follower leans back. to face the leader. Reversed Promenade (Paseo Reverso) Partners face opposite directions, side by side with hips in contact. Butterfly Hold (Mariposa) From open hold, facing partners raise clasped opposite hands to shoulder level or above. The leader’s left hand holds follower’s right. All four hands are held aloft forming the shape of a Y-shape. Open Hold (Gentlemanos) Typical salsa position. Partners face each other with opposing hands held. The follower’s hands on top of the leader’s. Crossed Hand Hold (Con Mismo Mano) Same as open hold, except that hands are crossed, so that right holds right, and left holds left. Right hands are usually on top. But, may be changed by subsequent movements. Pretzel Hold (Pretzel) Identical to a crossed hand hold, except that hands are crossed, so that right holds right, and left, left. Diamond Hold (Diamante) Similar to a crossed hand hold, except that hands are double crossed, so that right holds left and a diamond shape is formed by the crossed hands. Maxexe Hold (Maxexe) Facing each other, the dancers clasp their left hands and hold them overhead. Their right hands are at their waist. Dancers frequently sway and swivel their upper bodies while they dance around each other. Tandem Hold (Tándem) Partners face the same direction, one behind the other. Matched hands are held either at the shoulders or on the hip. They move together in same direction. the follower is in front of the leader. Sidecar Embrace (Abrazo Compensado) Same a close embrace, except partners are offset outside each other. They may make hip-tohip contact. Butterfky Hold (Mariposa) — Photo by Juan Mey Open Butterfly Hold (Mariposa Abierto) From butterfly, partners roll out to a single hand hold with arms raised to shoulder level or above. The position appears form a double-Y with partners standing next to each other. Usually, they will return to a butterfly. Shadow Butterfly (Sombra Mariposa) From a shadow position with the leader behind the follwer,, grasping her hands and forming a Y-shape. There are many other embraces and holds that the partners may take. It all depends on them and the music. The most imprtant thing, regardless of the embrace taken, is to maintain a connection with your partner. Tango is conscious dance. There maybe dreamy moments, even dreamy dances and tandas. But, awarenes and connection with your partner is essential. Banjo Embrace (Abrazo Compensado) Same as sidecar embrace, but the opposite side. — 48 —
Letters to the Editor Thank you! — Juliati Boudoir I think you have done a great work with the magazine. Sharing the tango from all aver the world is an added value for Argentina. Well done!! I think it is a great idea on your part. You are doing the best thing. Music and dance are like brother and sister so you have done a combination of both. Let me say well done again !! Congratulations !!! — María (BéBé) Nieves Rebolledo Vila Pozdravleniya! Pensaron en hacer una revista! BRAVISSIMOOOOOOO !! — Rusty Rose — Luis Lucha — Mariano Pattin Divinos! Felicitaciones por su trayectoria y por el camino que están transitando! Orgullosa de ustedes! — Sandra Waigandt For the record, I love that Adam and Ciko are on your cover. I am an American based in Riga and regularly traveling the Baltic tango circuit, plus the extended Scandinavian, European and Russian circles. Let me know what you might need - feature articlewise. — Jamie Roberts We welcome articles from around the world please feel free to submit articles that describe the tango scene in your community. We also welcome proposals for special editions on regional areas. Such proposals should be made by several representatives of the community. — MTW I am interested to connect both our Buffalo Tango Orkestra and myself as a book writer about tango musicality. — Moshe Shulman Musicians and musical groups should submit their new releases to Arndt Büssing on Facebook. He is our music reviewer. For books, please contact Alexandru Eugen Cristea. He is our book reviewer. — MTW Congratulations on your launch of a new tango magazine. We would like to help you to promote it. — Frank Perquin We are alway looking for help promoting the magazine. Specifically, if you have a festival or major tango event planned, we would like to distribute our flyers at your event. Please contact Raymond Lauzzana for further details. — MTW I would like to order both editions of MTW, paying postage and handling only once. Would that be possible? I live in Germany. — Emmy Brock Great idea, Emmy. But currently, you must order each issue seperately. We will work on changing that in the future. — MTW I met Raymond in Austin at Esquina Tango and bought the New York edition from him. I subscribed to Modern Tango World and friended Ray on Facebook. But... I can’t figure out how to create an account so I can log in.. — Walt Tashnick No need to log in. We recognize you by your Facebook name and you have access to all Modern Tango groups and capabilities. — MTW I love it and really enjoyed the article on Julia Juliati — Anonymous — 49 —
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Page 3 and 4: Modern Tango World: Number 1, Summe
Page 5 and 6: Romania’s Modern Tango Scene Drag
Page 7 and 8: My own approach to tango, which I p
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Page 11 and 12: Over the years, we have taken impor
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Page 15 and 16: At first, tango dancers were reluct
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Page 19 and 20: Schools Arad Sesto Senso https://ww
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Page 27 and 28: Shortly after that, I went back to
Page 29 and 30: Miguel Di Genova: We are currently
Page 31 and 32: The dancers move together like one
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Page 35 and 36: Orquesta Tipica Mistériosa: Tu lad
Page 37 and 38: Otros Aires: Perfect Tango Waiting
Page 39 and 40: Our Advertisers Ann Leon ..........
Page 41 and 42: Argentine tango is often confused w
Page 43 and 44: Alfredo De Angelis playing, 15 minu
Page 45 and 46: Enrique Lomuto shared the stage wit
Page 47: One Hand Hold (Solo Uno Mano) Dance
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Modern Tango World #4 (Bucharest, Romania)

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