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R e f l e c t i o n s<br />
M y S u m m e r C o l l e c t i o n 2 0 1 1<br />
It’s the double-meaning, the literal two-sidedness of it, that I like so<br />
much about the word “reflections”. Bound up in it are both refractivity<br />
<strong>and</strong> musings. And so it is in my new collection.<br />
Musings on purity in fashion. In the colour, cut <strong>and</strong> fabric. As if all<br />
long-winded narrative had melted away, wrapped up in lyrical rhythms<br />
<strong>and</strong> metre, <strong>and</strong> yet – or perhaps therefore – hovering, free.<br />
As if all things superfluous had evaporated into thin air, leaving behind<br />
a profusion of ambiances, emotions, expression.<br />
The colours: steely white <strong>and</strong> steely black. Light <strong>and</strong> shade.<br />
Refracted grey, a smoky grey shot through <strong>with</strong> blue, reflecting the hue<br />
of a midsummer sky.<br />
These are the colours of urban femininity, <strong>with</strong> its characteristically<br />
modern, confident airiness. Light grey stripes on white for summer haze;<br />
dark grey stripes on black for sensual elegance.<br />
The materials themselves – <strong>cotton</strong> <strong>poplin</strong> <strong>and</strong> <strong>jersey</strong>, <strong>luxuriously</strong><br />
<strong>trimmed</strong> <strong>with</strong> washed silk – bow to the same will for concentration.<br />
The purity of this collection would not allow for more. All is in the<br />
deliberately costly fabrics – which makes my principle of permanent<br />
transformability less obtrusive. It blends discreetly into the overall<br />
statement: button up, down, turn around, or inside out; here an extra<br />
belt, there a fabric sash.<br />
A collection which reflects on itself, inconspicuously, simply. So that it<br />
mirrors not itself, but your personality.<br />
<strong>Sabine</strong> <strong>Mescher</strong>