DECOLONISING MUSEUMS
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THE DUTCH VOC MENTALITY – MIRJAM KOOIMAN<br />
led by VVD Prime Minister Mark<br />
Rutte that was to declare that multiculturalism<br />
had failed, through its<br />
Minister of the Interior Piet Hein<br />
Donner and his 2011 policy document<br />
entitled integration, connection,<br />
citizenship (“Integratie,<br />
binding, burgerschap”). Donner<br />
argued that cultural diversity “had<br />
primarily led to division and at best<br />
to well-meaning mutual disregard<br />
8”. In view of this consensus<br />
between Rutte’s first government<br />
and the PVV that held it in power,<br />
Zijlstra’ minimalist explanation for<br />
cultural cutbacks that “the new<br />
basic infrastructure will no longer<br />
have room for development<br />
institutions in the field of cultural<br />
diversity” was all that was needed<br />
to pull the plug on institutions<br />
focusing on exactly that—such as<br />
the ethnographic museums 9.<br />
From a practical perspective however, it would<br />
appear that it was the VVD’s focus on economic profitability<br />
that informed its selective cultural policy. In<br />
2000, Rotterdam’s ethnographic Wereldmuseum<br />
8. Donner, PH. 2011,<br />
“Integratienota<br />
Integratie, binding,<br />
burgerschap”,<br />
Rijksoverheid.nl,<br />
Ministry of Social<br />
Affairs and Employment,<br />
16 June, p. 1, viewed 15<br />
September 2015.<br />
9. Zijlstra, H. 2011,<br />
“Meer dan kwaliteit: een<br />
nieuwe visie op cultuurbeleid”,<br />
Rijksoverheid.<br />
nl, Ministry of<br />
Education, Culture &<br />
Science, 10 June, p. 32,<br />
viewed 14 September 2015.<br />
10. Revelations in an<br />
independent research<br />
report published in April<br />
of this year include the<br />
fact that the museum’s<br />
collection now plays a<br />
subordinate role only,<br />
no scientific research is<br />
conducted, educational<br />
activities have been<br />
discontinued and serious<br />
damage caused to leading<br />
works by displaying them<br />
in the restaurant. There<br />
have even been claims<br />
sold in order to fund the<br />
museum’s new commercial<br />
Rengers, M. and Kammer<br />
C. 2015, “Vernietigend<br />
“De ondernemer en het<br />
was on the verge of bankruptcy<br />
as a result of major building renovations<br />
and rapidly falling visitor<br />
numbers. Even before the economic<br />
crisis began to become a<br />
that items have been<br />
factor, the then Mayor of Rotterdam,<br />
Ivo Opstelten (VVD), decided to activities.<br />
turn the tide by appointing cultural<br />
entrepreneur Stanley Bremer. He<br />
rapport over chaos<br />
was given free rein to develop an bij verzelfstandigd<br />
Wereldmuseum”, Nrc.<br />
entrepreneurial policy with a view<br />
nl, 15 April, viewed<br />
to making the museum successful<br />
again, but more importantly Rengers, M. and<br />
15 September 2015.<br />
Kammer, C. 2015-2,<br />
independent of subsidy. Alongside<br />
some serious commercial measures<br />
including the introduction of<br />
Wereldmuseum: recon-<br />
a Michelin star restaurant and the<br />
15 September 2015.<br />
hiring out of the museum’s auditoria,<br />
it was not long before the entire<br />
Kammer, C. 2015,<br />
team of curators was dismissed in<br />
the wake of the falling revenues<br />
15 September 2015.<br />
and by 2011, as earnings continued<br />
to suffer, the radical museum director came up with<br />
the idea of selling off part of the collection. Although<br />
it clearly breached every museum’s ethical code, this<br />
controversial move was only prevented by the municipal<br />
council after heated discussions in the media 10.<br />
structie Wereldmuseum”,<br />
Nrc.nl, 16 April, viewed<br />
“Wereldmuseum in grote<br />
financiële problemen”,<br />
Nrc.nl, 14 April, viewed<br />
L’INTERNATIONALE ONLINE – MIRJAM KOOIMAN – 47