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DECOLONISING MUSEUMS

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THE DUTCH VOC MENTALITY – MIRJAM KOOIMAN<br />

led by VVD Prime Minister Mark<br />

Rutte that was to declare that multiculturalism<br />

had failed, through its<br />

Minister of the Interior Piet Hein<br />

Donner and his 2011 policy document<br />

entitled integration, connection,<br />

citizenship (“Integratie,<br />

binding, burgerschap”). Donner<br />

argued that cultural diversity “had<br />

primarily led to division and at best<br />

to well-meaning mutual disregard<br />

8”. In view of this consensus<br />

between Rutte’s first government<br />

and the PVV that held it in power,<br />

Zijlstra’ minimalist explanation for<br />

cultural cutbacks that “the new<br />

basic infrastructure will no longer<br />

have room for development<br />

institutions in the field of cultural<br />

diversity” was all that was needed<br />

to pull the plug on institutions<br />

focusing on exactly that—such as<br />

the ethnographic museums 9.<br />

From a practical perspective however, it would<br />

appear that it was the VVD’s focus on economic profitability<br />

that informed its selective cultural policy. In<br />

2000, Rotterdam’s ethnographic Wereldmuseum<br />

8. Donner, PH. 2011,<br />

“Integratienota<br />

Integratie, binding,<br />

burgerschap”,<br />

Rijksoverheid.nl,<br />

Ministry of Social<br />

Affairs and Employment,<br />

16 June, p. 1, viewed 15<br />

September 2015.<br />

9. Zijlstra, H. 2011,<br />

“Meer dan kwaliteit: een<br />

nieuwe visie op cultuurbeleid”,<br />

Rijksoverheid.<br />

nl, Ministry of<br />

Education, Culture &<br />

Science, 10 June, p. 32,<br />

viewed 14 September 2015.<br />

10. Revelations in an<br />

independent research<br />

report published in April<br />

of this year include the<br />

fact that the museum’s<br />

collection now plays a<br />

subordinate role only,<br />

no scientific research is<br />

conducted, educational<br />

activities have been<br />

discontinued and serious<br />

damage caused to leading<br />

works by displaying them<br />

in the restaurant. There<br />

have even been claims<br />

sold in order to fund the<br />

museum’s new commercial<br />

Rengers, M. and Kammer<br />

C. 2015, “Vernietigend<br />

“De ondernemer en het<br />

was on the verge of bankruptcy<br />

as a result of major building renovations<br />

and rapidly falling visitor<br />

numbers. Even before the economic<br />

crisis began to become a<br />

that items have been<br />

factor, the then Mayor of Rotterdam,<br />

Ivo Opstelten (VVD), decided to activities.<br />

turn the tide by appointing cultural<br />

entrepreneur Stanley Bremer. He<br />

rapport over chaos<br />

was given free rein to develop an bij verzelfstandigd<br />

Wereldmuseum”, Nrc.<br />

entrepreneurial policy with a view<br />

nl, 15 April, viewed<br />

to making the museum successful<br />

again, but more importantly Rengers, M. and<br />

15 September 2015.<br />

Kammer, C. 2015-2,<br />

independent of subsidy. Alongside<br />

some serious commercial measures<br />

including the introduction of<br />

Wereldmuseum: recon-<br />

a Michelin star restaurant and the<br />

15 September 2015.<br />

hiring out of the museum’s auditoria,<br />

it was not long before the entire<br />

Kammer, C. 2015,<br />

team of curators was dismissed in<br />

the wake of the falling revenues<br />

15 September 2015.<br />

and by 2011, as earnings continued<br />

to suffer, the radical museum director came up with<br />

the idea of selling off part of the collection. Although<br />

it clearly breached every museum’s ethical code, this<br />

controversial move was only prevented by the municipal<br />

council after heated discussions in the media 10.<br />

structie Wereldmuseum”,<br />

Nrc.nl, 16 April, viewed<br />

“Wereldmuseum in grote<br />

financiële problemen”,<br />

Nrc.nl, 14 April, viewed<br />

L’INTERNATIONALE ONLINE – MIRJAM KOOIMAN – 47

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